next quality real tone release!! would you expect somethin else...??

nice price deal !!! the valentinos... or as i should say now the lost valentinos. or the band >formerly known as< the valentinos before their legendary name change? anyway. poor little conquistadors just want to make music... not stress over clause 23 in the trademark agreement over who has the rights to a name. fuck those people, if they only knew about music, if they had a soul, they would pay these kids to share their name! man there is some whackheads out there without a vision. but thank god we do. and thank god the lost valentinos do

in 2003 after a long period of militance in the illegal rave scene, mr. 3p and nrn (minimal rome) decided to make their own label. they noticed that it was a good moment to expand romes electro-techno scene. it was a simple enough story...they would choose tracks from their friends and publish them, then travel around europe to find shops and/or distribution interested in their stuff. consequently they claim they are mainly inspired by trucks, roads and travelling.acid basslines and hard 808s are the main ingredienst of their style. this means acid inspiration filtered by the latest innovations of technology. classic electro & techno with no messing around. from rome.

qalomota records is a house music label and a band founded in 1998 by producer thierry colau and dj chris thomas. artists rufuss and joyful noise have since joined the label, broadening the spectrum of an already large range of sonic colours. for the qm records crew and its audience, music is a physical and spiritual experience where the beat is the foundation, and the melody, food for the soul. would it be on remixes for the likes of chézéré, sabrina pope, house veterans frankie knuckles and marshall jefferson, or their own productions, from new-york city to paris, music is the key for qalomota records and will always be

cassette is a small bag ideal for keeping your tobacco, wallet, keys, mobiles, mp3 players and generally stuff that would otherwise fill your pocket. tpye: small bag / pouch dimensions: 17x3x11cm material printed pvc extra: adustable belt designed by serena galdo official product from the synch festifals in greece

baker street sits perfectly alongside such great french labels as robsoul and brique rouge and fittingly, phil weeks delivers a trademark deep and soulful groove for lead track. 3 variations on the theme, but label bosses holmes & watz step out of their familiar territory for a smoking hip hop joint to round the ep off. baker street offer a top notch ep that would get even the good dr watson nodding his head to.

a brand new ep from the count & sinden, which showcases their love of all sorts of club music, from garage to r n b, from hip hop to grime. lead track hardcore girls is the sound of the much hyped baltimore breaks scene, evolved, displaced and mutated as only the count & sinden know how. fronted by the hottest thing out of b more since the wire, 17 year old wild child of the mike, rye rye. she has been touring the states with mia and, now signed to interscope, she is set to do big things. her unique and energetic vocal is treated to one of the duo’s best bumpy bass grooves and the combined effect is nothing short of devastating. another new school talent picked up on by the count & sinden is ny. bubbling on the uk underground, she fronts the hardcore, jungle inflected soul that is fool in love. this is pop music for the now and tomorrow, a classic love song set to a raucous jungle inspired backing track which has become a live favourite over the summer.finally we have jme, a legend in the grime scene, known for his tight flows, guest appearances and his boy better know franchise. industry gives an overview of the pit falls of getting involved in the trickiest of games... the music business. and who would want to get involved in that shit!?!

this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops, i just did!), and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush, but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron, yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain, leary manages that tricky task of being supremely technical in his programming and arrangements, but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music, >they dont make them like that any more<? well they do…and here it is! simply fantastic.

well, the summer festival season is near its end, time to bring you some of the raw stompers that youve been dancing to this season! greg notill and i will strike down upon thee with great vengeance and furious anger: if there ever was a famous movie quote to capture the pure essence of the friendly frenchmans track it would be this line from pulp fiction. fierce beats, frantic percussion and even some acid influences. this one has it all! motormorfoses eto and gab, the devistating duo from brazil are now operating from spain and though the name may have changed, the output remains the same. pure relentless beats and power! after opening their track with an electro type bassline and some nice broken beats, pure havoc kicks in soon as the beat drops. hardtrax half of the hardtrax vs. jackhamma liveact and the german bridge between hardtechno and hardcore techno. the dark force recordings co owner comes up with an intriguing brew of raw beats, precise positioned percussion and an 80s type of choir sound that will simply blast you away!dj ogi the torch holder of the croatian techno scene recently spawned us with numerous strong releases on labels such as submissions and cannibal society. we are pleased to say he maintains this line and even raises the bar a little by incorporating some oldschool elements. bet you cant control your feet when you hear this track

part 2 of 2 of the belgian house mafia ep containing 4 upfront tracks!!

killer re edit from section 79, based on the 80s electro classics from savage progress original 12inch version... from a simple but clever re edit of the original, the tracks dig further and further into a more acid based loop that would turn upside down any floor for real... so many influences here from ron hardy to armando, to new york noise scene.... ultra limited edition. one for the headz.

there is certainly not enough space to tell you all the great things about move d we would love to share with you. being the musical mind behind the legendary source records imprint, david moufang has always been a versatile and prolific character. from ambient soundscapes to krautrocky epics, jazz sensibilities or straight up techno and house, he has done it all with his own special and unique touch. this lovely fingerprint is spread all over the “cube ep . intended as a tribute to heidelberg’s finest club night of the same name (don’t mix it up with that other square project!) , move d shots two arrows straight into your heart. “cube” is one of those stripped down hypnotic affairs that seem to go on forever and ever just to surprise you with a nice breakdown, before it’s groove sucks you in again. we guess this is what people mean, if they talk about the beauty of simplicity. “heidelberg gals” flips the script in three parts with an old school approach and turns into a monolithic house monster with a bassline to boot. panache! bust a move d!

following on from lcd soundsystems 45:33, nike continue to commission the great and good from the worlds global music scene to contributeexclusive tracks for their nike run campaign. such was the demand for this track, that the boys decided to concoct some exclusive alternative versions which would be more useful for a spot of dancefloor running. so, here you have it, four killer interpretations of a super hyped cut from one of the uks most celebrated acts

hot on the heels of her last feel good smash these times, comes kimaras latest jammer far away, with two very distinctive remixes, the first by distant musics jon cutler. one might think we picked jon because of his coincidental label/song title relation, but one would be wrong! we picked jon because his superb production skills. the man behind the worldwide triumph its yours, as well as many others, brings a good bit o bounce to the dance floor on this remix. his lush piano chords, funky percussion, and synth zaps are a perfect bed for kimaras strong vibrant vocals to lay upon. he also turns in a truly slick dub for those looking for a bit less vox. for those looking for more tech, one of our favorite new dance producers out of japan, hideo kobayshi, slings us with a tougher, warpier punch (and dub) that ll get hearts and feet movin in synch.

(juan sanchez remix) wolfskuil head honcho darko esser has been following thomas ever since he started out, so it was only a matter of time before he would make his wolfskuil debut

for those who thought these remixes would never see the light of day, here they are and let me tell you something : they re hot !! the a-side features swag s hot gloves remixed by bakazou (aka pete herbert). pete s on fire right now and he came up with an awesome italo-disco monster. it s like an apollo space ship: it gets higher and higher and when the original bassline is finally released people go crazy. tried and tested on discerning crowds – success is guaranteed! already licensed to ralph lawson s next fabric mixed cd ! the b-side is equally good, albeit in a different way . swag s hot shoe shuffle dub sounds like those fantastic hypnotic disco dub mixes straight outta 80s nyc. so put on your dancing shoes and get down to the boogie sound

nice price deal !!! quality deep house bizz as you would always expect from the latenight society!! on the flipside you ll find a great natural rhythm dub mix!!

entertainment is a duo. im a cliché is proud to release their very first e.p on september 29th. juan de guillebon is the bass player. he studied a lot jaco pastorius, but decided not to spend the rest of his life playing in jazz rock combos. you can easily guess his attraction to no wave bands (suicide or james chance), krautrock (his faves are cluster), or ebm and early electro (daf). alongside, hes part of the ectoplasmic band, performing as backing band for tigersushis boss joakim. antoine montgaudon plays the guitar, and we bet he would have fit perfectly in any brian enos late 70s recording. he builds endless psychedelic atmospheres with feedbacks, loops and fxs. all this only with his guitar. hes also part of my sister klaus, a project released on tigersushi (again).

stop press- wolfgang gartner has officially stepped up to the big league and this is the record that will put him there. joining the ranks of prydz & deadmau5 his tough electro workouts have been destroying floors, and this one is all about the b-side. if wes craven made electro, this is how it would sound- be afraid children, be very afraid

a fresh addition to the moodmusic roster but a longtime veteran in the house-scene, alexander maier aka dj all*star from stuttgart is well known from his earlier releases on buzzin fly, exun and criminal records. he began his career playing underground techno in south of germany but over the years became more and more influenced by detroit and chicago house. you can hear these influences on sahara in both the rain and river version. deep and reduced grooves with enough soul and atmosphere, yet fully functional for the floor, sahara rain kicks in with a heavy bass sequence building a perfect platform to be followed by the synththeme which hit s the peak hour perfectly. i see some hands going up here already… sahara river starts more housey, building a classy, low-slung huge groove with perculating synths and almost tribal feel to the drums. the modulating synths lifts the track to new heights with a break of superbly layered twisted pads before the drums kick back in in full effect. as this would not be enough we asked our thrusted chicago connection and alexs buddy, mazi aka audio soul project to remix sahara rain. if you consider people who s been in the biz for some time mazi is one of the warriors of the sound, never choosing the easy way but thrustfully following his true way of house music. and house it is, classic but cleverly updated to 2008 with a twist of so-cal thrown in for good measure. bouncey and jacking is the words which comes into mind when hearing this, excellent work and a another bomb for the hot months to come

massive! the clubbers in ibiza are seeking desperately a track which would be hype and funny at the same time: here it is. john revox is continuing his adventure with diamond recordz, by making the kings shot: a track mainstream with electro sounds, playable by every dj.

for your electronic summer fun kerkhoff & prinz shove three loose techno grooves on your plates. >contract< relies on an oldschool offbeat bass, but with its funky percussions and noises and nice reverberated melody it becomes clear soon that no one pretends to be a badass here. with its wobbly bass and little follies, >orange< stays in this vein while >mann an bord< enchants us with relaxed perssions and funky snares and would definitely shine brightly in any house set.

flatpack traxx presents a long awaited ep from one of canadas promising duos, the sceneheadz. the bump n thump ep showcases exactly what you would expect from torontos finest straight up no non sense, bumpin house music. backed with a remix from glasgows craig hamilton.

dj support by adultnapper & matthias kaden !! after his last release on hello?repeat, cabanne is back to make the room and refill the minibar. one year of sailing from bar to bar helped him to distill new unexpected liquors. jesse garonne is an absinthe mix, while f.key would be some good old rhum… the flavor is stupendous and unusual at first but effect is guaranteed, hot dose of deep groove >à ma facon< that brings a crazy, jazzy hot spirit which lifts of the tunes to the insane! it includes a great rmx from john thomas and his wife barbara. a great opportunity, after releasing >funky time< on the milkshake compilation, to bring minibarians a new dose of strong funkster. the hatched sounds and voice brings perfectly the groove…

with the new release plastic city brings you some really modern stuff, but also some classic house style infected tunes. dkma presents andrastea is back on plastic city and shows us the meaning of soulful house tunes and while its reduced we would never call it minimal, no, it is simply intense. dana kelly smashes the house scene for 13 years on labels like strictly rhythm, contrast, 4th floor, chug, subliminal or guidance created a classic with this is krimp on the next generation ep released on strictly rhythm in 1997 what was probably the best of the krimp series and the last one at the same time

while on a months hiatus in the australian countryside jaymz nylon began recording the dirty wonderland ep stretching his afrotech sound into a more experimental jazz territory a direction that would make herbie hancocks 1970s band head hunters very proud...dirty wonderland ep is filled with 4 gems that will leave a lasting desire for the ears, heart and your dancing feet.

without a doubt, chicago native huge hephner has garnered quite the reputation as an international playboy - pimpin and whorin his way into the electronic music worlds stream of consciousness. however, behind the tough guy persona is a highly underrated producer with an unbridled passion for music and love of the analog gear he uses to produce such increasingly in-demand sounds. it is this perversion that lends meaning to the title of his debut album, nymphotech, released on none other than the label that helped launch his career, siteholder records. unflinching in its house vibe, yet relentless in its dance floor attack, nymphotech is a highly impressive debut album by a producer who continues to up his game with each successive release. hephner kicks off part one of a two-part vinyl album sampler with the chugging acid burner sharing the same title as the album. nothing less than 4 a.m. packed club material, to play nympotech at any other time would be a failure to recognize this bombs full potential. jack n coke is undoubtedly huges nod to his hometowns house legacy, showcasing a flirtatious bass line that screams funk in all caps. wheres the acid? fans of hephner might ask. leave that up to freaky $ean da don, featuring the vocal debut of huges body guard and reputed hitman who bears the same name as the tracks title. if nymphotech is any indication of whats to come from mr. hephner, we can only hope huge will manage to stay out of jail long enough to produce a follow-up

fixmer/mcarthy is the parallel music project of terence fixmer in association with the legendary voice of nitzer ebb . a side look to me has been remixed by xenia beliayeva and the help of his partner in crime andré winter. xenia deliver here for look to me an amazing and fantastic remix !!! funky , groovy as hell with a stunning compressed sounds !!! this remix would be describe in french as de la pure bombe !!!! or in german hammer !!!! . no other word for this perfect remix !!! b side kiko is a surprising producer. its always a suprise as we never know how it s gonna sound.

glaswegian alex smoke aka mr. menzies, the man who helped kick start vakant in those blissfully uncorrupted early days, returns with a fresh no-frills attack since his last hanged man ep, va013, 1and half years ago. a sides whirrfless funky abrasiveness stomps heads in a way alter ego would if they were happier people and saw more sun. b1 fud paces along with sprightly spring in its step half cheeky, half roboadventure reminiscent of the early days of perlon. b2s onomatopoetic flingclunk zealously jacks for itself. it is all glory minus the glam and trans-fats. smoke, adding to the current relentless vakant onslaught, makes every reveler feel as limber as 14 year old russian gymnast

electronic avantgarde! mooner edits.. conrad schnitzler is considered to be the keyfigure of electronic avantgarde music in europe. schnitzler, joseph beuys first student was member of tangerine dream and kluster (who would later become, cluster. many years ahead of his time, con was revolutionary in many aspects, he predated industrial music, sounded like kraftwerk and daf before they did and makes music today at the age of 71. mooner is not only known for zombie nations, kernkraft 400 that became a top ten hit in many european countries. he is also dj, compiler for the compilations, elaste, slow motion disco, on compost, and, together with pollyester just established a new label called love in c minor.

the slovakian techno label numb showcases another great release by the dutch rising stars museum. this is another fine colabboration by anton pieete (also responsibles for the highly anticipated numb 011) and jeroen liebregts known from his other projects called radial and his own labels audio assault and dinner to name just a few. this release is just what you would expect from these serious beats lovers! clean as yo mommy s kitchen and sharp as a razor! watch these guys grow and grow and feel why they are so big right now and got signed on major labels like drumcode!

nice price deal !!! great ups !!

limited to 500 copies on coloured vinyl !!! the mysterious intrusion project (feat. on echospace 007) emerges once again and delivers another epic release. throughout the original mix of >tswana dub< you find smooth textured pads and a bassline even the mighty king tubby would surrender to. the melodies evolve in slow motion over time as the synth hits open and close into a fierce midnight skanking session so lo-fi you would think this was recorded at studio 1 in the 1960s. on the flip side brendon moeller serves up heavy bass reductions, live melodicas, brass sections and spatially aware dub fx. the phase90 mix dissects intrusions original into a full spectrum spatial affair as deep as the sea, epic and beautiful...

after his pretty succesful debut on drehmoment with his acidic >hallucination<, milenko puts it onto another level now with his new ep for the label. groovy, scratchy techno and a flip with harmonics that went mad, this is the menu for today. jonas kopp is the guy for an outstanding remix, just in the way like his works for spectral or 20:20 vision. contemporary techno for those who are not afraid of giving the dancefloor a bit more energy as most jocks would ever imagine to do

a standout track for us is >fantasy<, which was never released on 12inch but despite this has been a djs favourite for over 30 years. the lush layering of instruments and percussion create a track that sounds as fresh today as it would have in 1975. after citing this as one of their favorite records of all time, faze action took this track and have given us some excellent edits which add extra dancefloor elements while keeping the integrity of the original

played by vera, nekes, raresh, tassilo ippenberg (pan pot), anthony collins, italoboyz, dop, kabuto&koji, federico molinari, reboot, markus fix , sis, lemos , kreon... 3rd instalment of the hyped label. big with all the new school house heads ! here we are for the 3rd release of the masomenos livemix project, croco ep. a-sided >apache-moi< is a tribal yet happy track with nice flutes and big drums. you can picture there desert & dust as for a musical ceremony to pray the gods to let rain fall… on b-side, >pierre & le loup< starts as a journey into the woods on a sunny and nice day, till you can feel the wolf approaching and the pressure rising…nice rolling bass, pumping groove, perfect summer sunrise track. >cherie< is a more laidback and atmospheric b2 track that would fit perfectly for any summer sun-set.

italian based eclipsemusics second outing comes with a serious release courtesy of passenger, young and talented producer of night drive music and paul macs sula muse fame. this two tracks 12inch confirms his interest in the deepest and more underground side of detroit techno. on side a >the fall< reveals the smoother side of this upcoming producer: a deep melodic techno builder, with emphasis on atmospheric strings and arpd melodies, developing on a funked up techno drum section. the flipside brings you the burner of the 12inch: >the funk< is an a epic, slow-growing and booty-shaking techno track with all the elements in its right place: a killer bassline over an effective drum work takes the flight with the building strings. namedropping would be useless in this case, just check with your ears

infadels are back. two years on from their acclaimed debut, we are not the infadels, new album, universe in reverse is the bands youth produced crossover masterpiece. bursting with energy, huge guitar melodies and hooks in abundance, it is, in short, the definitive infadels record and potentially a huge crossover album. universe in reverse is an album packed with soon to be hits reflecting the bands heady year and a half on tour, where they were able to discover the sounds that they would grow to become a re imagining of the new infadels sound. produced by youth (verve, guns n roses), and perfected by the mixing skills of ever dependable cenzo townshend (bloc party, pigeon detectives, reverend and the makers), this is a dynamic ten tracker of lyrically insightful everyman pop.

with already massive support from jocks like technasia, valetino kanzyani, mauro picotto, james kameran and many more chris liebing is starting a new label called spinclub recordings. the first release is by spinclub resident dj emerson, already known for his releases on kiddaz fm and microfon. on this first ep on scr, dj emerson features his familiar dry techno. to the efficiently and solidly working cut the crap on the a-side, he opposes with the spectacular mr. nice on the b-side. mr nice starts off in a restrained way. in the break you could almost think it would lose itself in an ocean of delay, if, yeah if not suddenly this striking bassline would emerge. it starts rolling, turning the track around 180 degrees, transforming it into a rampaging peaktime monster. for the one who wants to put an exclamation mark in his set, voila

played by sebo k, karotte... layo and bushwacka! are equally at home turning out summery housey affairs as they are peak time stormers, and >now is the time / the time was then definitely fits into the latter category. a double header, the loose concept behind the release is to represent the sound of the dancefloor now versus the sound from a few years ago. >now is the time< has its feet placed firmly in 2008 - a crisp, clean techno bassline, topped by hand claps, snatches of breathy female vocal, and full of an irresistible array rattles, whooshes and other indefinable sounds that the duo seem to pull from the depths of their imaginations. it breaks with some simple electronic sounding chords and a stirring martin luther king sample that makes this record so memorable. >the time was then< is based around that same sample, but gives a cheeky nod to a few years back, with a bassline and keys that wouldnt have sounded out of place on their seminal ‘night works’ album. it never goes too far towards nostalgia, though, and either would rip up a late night dancefloor

after the returning of swr in may 2008 with the >never forget ep< swr strikes back just 1 month later with the next release: >i stay hard<. techno artist sven wittekind stays for hard techno like no other artist in europe, since 2001 he brings his supporters worldwide the hard & innovative techno sound in their recordcases. he would never change to minimal like the others: he stays hard, fresh & innovative in what he is doing! both tracks on this release are well done, with a good feeling for the dancefloor, but also for listening at home or in the car. enjoy the nightflight and stay hard

medias have stated recently that the number of millionaires is still rising every year... funny or scandalous? while others are sitting greedily on their fortune, one of them, kind of musically obsessed to say the least, keep to share his assets with the lucky few that will hold a part of his twelve inches serie in their hand. still getting another round of applause for the third offering that impressed quality djs from all circles (from milez benjiman to marc mac, passing by prins thomas to chateau flight), the selfmade millionaire is gaining more supporters release after release. this time, he is tributing the greatest boxer of all time and his legendary shuffle techniques in a funky boogie way with nearly 8 minutes of irresistible feelgood grooviness. many things have been said about this highly influential character, but few know that his boxing moves would have originated some freestylin’ breakdance figures. one more reason why the milionaire wanted to encourage you to do the ali...wait to flip the record to get another punch! even gave you diamonds is a restless groove that could transform an egyptian mummy into a marathon party goer with its numerous hooks, clavinet stabs and powerful catchy vocals. the tune seems to be about a guy whos really tired of his posh lady who cannot get enough of all her fancy gimmicks. would our milionaire gone autobiographical on this one? who knows...

cro magnon the 3 piece band project based on japanese legendary live hip hop act loop junktion are back after their first album received heavy rotation from tastemakers like gilles peterson, benji b etc. you can experience their full musical spectrum with this teaser ep to the forthcoming second album. riding the storm is filled with rock disco groove. hard guitar and strong beat will rock the dance floor. la fusion is mixture of 80s fusion & electro disco. take me higher reminds us early chicagos jack groove. would be much for in flagrantis sounds. eclipse is the mid groove with beautiful balearic moods!!

would you have remembered? with the debut album of the 32-year-old warszawian, téchnè, cocoon recordings has released the first artist album ever on the label six years ago, at that from an artist who was not well-known to a large extent back then. this has changed fundamentally: with his releases on his own label recognition as well as on trapez or klang elektronik, sienkiewicz belongs to those ambassadors of modern individual electronic dance music who set benchmarks. this is also his demand with the two tracks on “my little place”, meanwhile his fourth release for cocoon recordings. while the over-heated my little place re-interprets the credo of dub with polyrhythmic elements, delays and echo in an somehow unfamiliar way, “com-bat” carries on sienkiewicz tradition of putting hypnotic sound evocations close to the ten-minute mark. with intensive melancholy, the percussive bass rotor of com-bat creates a bewitched hymn for sunrises somewhere in between the urban desperation of detroit, the atmosphere of after hours and balearic bliss

elevate, if you remember, is the deep house label from daniel bell that put out a series of influential records in the late 90’s including the first 12 from theo parrish. these releases are still very much in demand and are going for high collectors prices online. it is now the summer of 2008 and elevate is proud to present a new release, this time from baaz. baaz is a new artist with only a few releases so far including tracks on sascha dive’s deep vibes label and a full e.p. on sthlmaudio. baaz may hail from southern germany but you would swear he grew up in the same detroit neighborhood as mike huckaby or moodymann when you hear his warm, gentle and deeply hypnotic house music.

amazing atmospheric minimal !! this new 12 is a guy names hugh like who drops a great alienating track called >content. nice confident sounding track that is somewhere between minimal and house. nice classy build up and use of a violin makes this a track that really stands out and breaks with the standard techno formula without being akward. very dark and futuristic... would function very well as a sound track for a science fiction movie!.the other two tracks are in the same line and make this an outstanding forward thinking release! after being around on wite label for some time we received great reaction from guys like luciano, garnier, ivan smagghe, craig richards, michel de hey, mark august and others

imagine what would happen if the members of !!!, royksopp, the knife and justice had a shy lovechild and you re a little closer to fm belfasts core sound.

for our eleventh release we have no other than esperanza s own jorge savoretti. after making some collabs for the label, he s finally delivering his expected solo ep. for this one, he mixed a wide variety of soundscapes and influences with precise coherence developing his trademark forward thinking sound even further. there are lots of words used to describe tracks but for this baby is really hard to find ones ccurate enough, maybe some hints would be, futuristic, intricate, martian, tribal

big with richie hawtin, matthias tanzmann, karotte, sebo k., jimpster, monika kruse, johnny d,.. cécille numbers continues with a new talented artist robert dietz. some people would say his style is minimal, deep and hypnotic sexy house. the jaszu ep contains three exciting tracks. the first track called >backseat< comes along with the soul vocal which is forcing up to a high groovy finish. >it s lonely at the dub< is a tricky deep house tool with a gripping beat that screams out his own coolness. lost horizon is a true hypno groover !!! enjoy!