the good the bad the ugly the evil is a full on and brandnew 4 track ep from our cologne artist roland m. dill. roland has worked here with a stronger live-set up resulting in tracks more organic. developing from within rather than being developed, the tracks seem to have a stronger hypnotic edge to them. according to the titels the track all show diffferents characteristic. starting with the evil this track is not very obvious but works very much by itself, whereas the good is a perfect intermezzo for djs who really build up their sets with a lot of skill. the ugly is a mental track... it has stunts, it screams, it sees no end... this is mandness on the highest level and also the bad is written in this veain.
played by: martin eyerer, umek, sian, stephan bodzin, patrick pulsinger, orde meikle/ slam, paco osuna, mihalis safras, dubfire, john digweed, deepchild, jens lissat, blind minded, sebastian russell, gow, zidan, scott byrne, danny tenaglia ...

how many people would have believed such a thing could work? would diva-like vocal grace and cool, calculated club sound efficiency not react like matter and anti-matter upon contact with one another? yet perhaps this is where the secret of her distant charm lies, the glamorously crafted cool, the vague elusiveness of aérea negrot. last year the venezuelan vocal wonder silenced any doubters with her first single >all i wanna do<, creating a new platform for her boundless range of musical expression alongside her career singing with hercules & love affair. now her second 12 inch is coming out on bpitch - just in time to set the tone for her coming solo album. the berlin sound wizard tobias freund is on hand once more to produce and mix ìright body, wrong timeî. he has commanded the mixing desk for a whole host of artists and labels from minus to warner over the last twenty years or so and made himself a regular fixture in the bpitch sound cosmos with his production work for ellen allien, dance disorder, heartthrob and indeed aérea negrot

the unclear concept is to produce a special music, to combine genres like deep, techno and electronic, trying not have a precise musical genre but experimenting always new sounds.

supported by: ame, dixon, djulz, martyn, basic soul unit, peter van hoesen, scuba, deetron, jimpster, luke solomon, lexx, arto mwambe, nic fianciulli, laurent garnier, fred everything, reboot, josh wink, alex dallas, catz n dogz, shit robot, benji b, karotte, dj nature, hunee, roland appel, tony rodriguez, meat, ewan pearson, .. mild pitch proudly welcome tim toh for their 10th release. tim first appeared on the international radar with his striking three-part series >join the resistance< on philpot records that instantly put him on the map and into the crates of djs worldwide. further releases and remixes for tiny sticks, ornaments and last but not least his remix for manuel tur on delusions of grandeur made it only logical to have the young pforzheim resident contribute an ep for mild pitch. >ménage à trois< sees the young german return with his very own distinct style that sticks out from a million. imagine kyle hall, omar s and maurice fulton riding a merry-go-round: this is not for everyon

diese keith hudson aufnahme von 1974 ist so etwas wie ein verlorenes schmuckst?ck, das wegen seines gesangsstil in den letzten jahren immer mehr an bedeutung gewonnen hat. untergebracht in einem sonnigen cover artwork klang entering the dragon mit keith hudosns unverwechselbarem vocal style zu seiner zeit wahrscheinlich ziemlich erschreckend, wirkt aber heutztage wie ein wendepunkt in der entwicklung von dancehall und hip hop. besonders highlights sind st?cke wie will you come out tonight , it was when friends started to talk about you und rage of love !

four veteran detroit creators, individually accomplished and respected. each, a producer / performer / dj with a long history of deep, inspired, electronic and accoustic music, so innovative, to spawn a genre all its own. soiree records proudly showcases these melodious, technological, architecs on the first installment of detroit: deepconstructed. drivetrain leads off with driven. multifunctional and intelligent this one was constructed from the floor up, genuine and raw. throbbing rhythm and harmonious pads generate the perfect ambience for the signature vocal proclamation. next up, dorian gigís, the james herbert theory is a courageously deep, tech flow. gigs solid detroit influence clearly takes centerstage. thick, fat chords atop a flanged hi-hat move the air while the syncopated riffs fill the groove. dwayne jensen returns from a long departure with i see the sun light. reflecting jensens untold late night, underground experiences.this crafted pulsating, solid house swing inserts a hypnotic vocal chant for total authenticity. new to soiree records, but a known novice and powerhouse to the cause, malik alston’s offering is dance jazz. showing off some extraordinary piano chops, backed-up by a mental sax riff, alstonís unyeilding bassline and acid blips will not disappoint the dance floor. detroit: deepconstucted is music undefined from a place where music does not compromise.

when some collaborations occur, it feels like fate has been paying close attention, planning something special. on one hand: bugge wesseltoft, pianist, composer and pioneer of electronic jazz, on the other: henrik schwarz, one of the most sought after producers of electronic music who has remixed stars from michael jackson to ane brun. this combination may not seem as radical as once it might, as in the days before bugges new conception of jazz, but the results most certainly are: this does not feel like your typical electronic jazz outing. its a super-group in microcosm. wesseltoft comes from a jazz background and has moved towards electronic music. he started on the ecm label with jan garbarek, and later collaborated with club music legends like laurent garnier and francois kervorkian on stage. schwarz comes from the chicago/ detroit techno culture, and performs at music festivals and in clubs on all continents. he has been moving towards the jazz and improvisation

summer, sun and ping! for 8 weeks, it has not rained, a constant 30 degrees day and night and again this track. in this year s summer ping! (leutral rec.) offers a small soft organs house number. la bella bella is the name of the track and promises not only a beautiful woman with an elegant swing of the hips on the dance floor. jamy wing (sonido / einmaleins / finebeatz) shakes the appropriate remix-cocktail with sun-ripened fruits from percussions and matching reduction.

cool, dark underground club monsters. being a top player in the music industry is not an easy task! but with 15years in the business and over 150 releases, 50+ remixes & 300+ compilation appearances the numbers of jeffs output speak for them self’s. jeff started creating music in 1994 and got hooked on it directly, but it took until 1998 before his first single was to come out on his own label maskros music. since that single he has released on labels like poker flat, night drive music, episode, treibstoff, kickin music, konvex konkav, plastic city, global underground, regular etc.

after a rather long creative break, boxer recordings and dusty kid have returned with a rather unusual acoustic near-death experience: >argia< not only is the title of dusty kids new maxi release, but also the name of a spider indigenous to sardegna, the most feared argia spider can inflict a painful bite which can be fatal to human beings.

in just a matter of months, life and death has swiftly established itself as purveyors of quality contemporary dance music, made by artists who would undoubtedly make anyone s short list of who i d like to invite to my afterparty . it seems only fitting then that with their newest release they ve recruited the undisputed kings of late night mayhem and madness for a paen tribute to that beautiful party after the party, the continuation of all things good and twisted.. the afterparty itself. not to take the issue of such a joyful celebration lightly, dop has gone on secret missions over the last 6 months, quietly (and often not so quietly) infiltrating afterparties worldwide and secretly extracting pituitary secretions from the rowdiest party goers at each of them. they then took these secretions, burned them in a special voodoo ceremony and immediately went into the studio to create a fitting tribute to the after-hours festivities we all hold so dear. once that was complete, friends were invited and even more deviants came to the party for some dirty late night remix action. clockwork (who s recently released it s you again on hot creations has already been the soundtrack to many an after party) are here, french wolf+lamb collaborator le loup is here, mas collective (who recorded on seminal nyc label strictly rhythm) is here and marius & david are here too.. everybody giving it their own special flavor. what an afterparty indeed.

remerc is no new face to the scene. he has been active for quite some time in the german techno scene and has recently remixed butchs track >muskatnuss< on the trapez ltd 100 anniversary compilation. he had his breakthrough in 2010 with the track >tiny calf< which ended up on the cocoon compilation >party animals< mixed by marco carola and nick curly. remerc opens his release with >ruhewolf<, a restless funkedelic rocker with a beat that juggles elements in a loose and totally cool way. the track is spiced up with elements of surreal bliss and could go on forever were there not the limitations of the vinyl. on the flipside we find an hanne & lore remix that tightens and fattens up the beat and pimps up the basslines. adding some twisted sounds ... making it a clubber par excellence. >just a bards tale< is a unique remerc track and stands out from all the productions he has done so far. here new wave coloured edgy vocals meet a post-detroit string-chord arrangement. sounds adventurous and daring? well it is to some degree... but recall >no more words< by carl craig from 1991 but executed in a dead modern way.

as the producer responsible for some of lil b and soulja boys weirdest, most inventive beats, and following on from a critically acclaimed, self released mixtape of instrumentals collected from his work over the years with various forward thinking hip hop artists, tri angle is very excited to announce the release of >rainforest<, the debut ep by clams casino. the five songs that make up >rainforest< find clams casino (aka 23 year old new jersey native, michael volpe) refining his ethereal, otherworldly sound, whilst taking it to a heavier and more intense extreme. what has set clams casino apart from most other hip hop producers is his skill in making records that sound just as good, if not better, instrumentally as they do with vocals, and if anyone needed it, >rainforest< represents the confirmation of this. its a record drenched in mysterious atmospherics, like a foggy memory of a far off exotic place, the details buried beneath the mist of distortion, but present nonetheless. none of the songs on >rainforest< have ever been released before, and in contrast to most of his other productions these songs have always existed purely as instrumentals, free of any vocal presence. >rainforest< is an incredibly powerful release which signals the beginning of clams casino coming into his own and operating as an important artist in his own right

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

with its corroded, live recorded sound and relentless machinedrum, le coq is a trip to the shadowy, not to say drunk side of dance music. as an acid statement this track is right on the money without ever submitting to any ground rules of vintage acid. truly envelope-pushing electronic wizardry with a dark edge. stripped down to a bare minimum, the flip side hollywood goblin evokes the linear pulse of early body music, while the lead synthesizer adds a touch of cabaret voltairesque arpeggio magic. universal rejection was established in stockholm, sweden in 2011. the label is the collective effort of a closed circle of friends sharing the vision of a parallel universe trough raw, down to the core electronic dancemusic. every new release is a code. it represents a piece of what universal rejection is, and proves that the label will be in constant flux while at the same time always remaining true to itself.

decabaret seconds release is a pure blend of finest detroit techno/electro. franki juncaj moving forward his dj 3000 moniker to focus on producing music delivers an electro stomper, >waiting in the dark< will give you thrills! second an aquatic electro mix by dj stingray from the drexciyan sea depths. aux 88 makes a top quality electro-techno bass remix. and the last but not the least tom linder from the detroit techno militia turns it into a techno floorfiller. detroit techno on top non-stop!

>supergravity<, a simultaneously gritty while ambient track of the highest order, recalls not only drexciya and the detroit underground in its prime, but the ambient techno hey day of artists like the black dog and the inimitable lfo. >atlas detection<, with its subsonic rumble and pins-and-needles like synths is music for the dancefloor at the ripest darkest hour. harnessing noise in the most seductive of ways, it is undeniable in its extraterrestrial appeal. >andolit swaras< displays the minds of minimalist composers, with its striking approach of having its melody lead the narrative it tells- as opposed to dancefloor traditions of rhythmic domination. it is intelligent and dream-like, sublime and filled with reverie, as random as the dreams that ones psyche presents. lastly, they give us a real bite into a slice of phuture hip hop. working with sensational, legendary mc for the jungle brothers, they twist hip hop into an acidic downtempo track that hits hard to say the least. its a dubsteppers dream on some level, but with a crafty psychedlic component that mesmerizes.

>meletis journey< has been tested on almost every continent of the planet and the feedbacks are simply fantastic. its a floor filler club anthem. dario d attis is on fire with his latest releases on purple music and this is not a hit this is the hit a 100% burner for the twentyeleven summer.

backchat titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced electronic music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you ll ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. on vinyl – as we like our little record-shop around the corner.

after the untimely passing of ben bracket brydon in april 2009, his friends got together to pay tribute to him in the most fitting way possible, by creating a not-for-profit label that showcases some of the incredible music that he made. and what music it is, fierce, interesting and above all fun with an instantly recognizable production style. check it...

here is some more disco ammo from mdd. >me for you for me< may be based on a classic, but the crowd reaction when it was played at a recent warehouse party shows theres certainly still life in the old dog yet. john luongo thought he d nailed it when he put the breakdown before the verses? pff.. what verses? then theres >think< – not the usual sound we have come to know from al kent possibly – no strings? no percussion?? ah, but theres a squelchy synth. finally theres waltered states. this is possibly what it would sound like if walter gibbons and ron hardy went on a bender then made some edits together.

dubline records unveils their next release by the neurodub duo that runs the dubline camp - melamin & wicked sway. the theory behind this production outfit is balance. neurologically the human brain percieves information to be incomplete if it is not symmetrical. in a practice of endless work ethic the sound design interfaces perfected beats that have an even balance of elements. the process in which people follow music as a path is implied in the waking of the conscious mind while in it spirit. the thought process of their approach to neuro is always written for the peoples natural instinct to follow obvious paths of information that can be used to direct the appliance of listening as a being of light tunes in and drops out the appropriate information. thus by drawing attention to the information the focus remains to show the difference between the foreground and background. a focal point is intended to encourage the listener to always furthur the exploration of the information presented. using elements that are different to show that they are clearly different components of presented information and yet both also with similarity to those of the same reference. its simply easier for ones step towards enlightenment in the experience of being human to realize the thought process and recognize the ego, reminding at the expense of the thinking brain that its cheaper to die.

wonderland ghost is, not only due to its title, a gift for all friends of electronic dance music. the three tracks: >for you<, >the ghost<, and >what im standing for feat. toxic pearl< all exude the pleasure of working with the original beats and rhythms that rattle through baders music. these are elegantly arranged sound montages that relentlessly push into the ears of an enraptured dance floor, taking surprising twists and turns on their way to a land of pure musical fun

split release limited to 180 publicly available copies with medieval style seal with the future flash logo in green wax with matching green ink.
a revolution without dancing is a revolution not worth having!

so here we go again, dj mehdi and riton are carte blanche. cant stop, wont stop. the new ep is called white man on the moon, and includes smashing jack on the moon, and next single with you, featuring alexis taylor from hot chip on vocal duties. the new mixtape is called house party 2: the pyjama jam. and last but not least, the new tour is called carte blanche revue, its worldwide, its djing and tr-909ing, its rollerskate dancing, its popping, and its locking (for real)

the unique partnership is the brainchild of local dance music aficionado dj vidis. he teamed up with top lithuanian producer mario basanov in 2007 to form the most influential local production combo and to deliver what could be the freshest sounding and truly adventurous house music in lithuania and around. vidis and marios first vocal track and video >i ll be gone< featuring young but much promising lithuanian singer and songwriter jazzu became national phenomena on its own right. hitting number one in radio charts, not leaving mtv baltic top 20 for half a year, and becoming the most blogged and youtubed lithuanian music video ever says it all. and the single featuring british songstress kathy diamond as well as vaguely provoking black and white video cemented their reputation as local institution and the purveyors of top quality deep sounds. with duos debut album released december 2010 on their own silence music to big commercial success as well as a few singles being lined-up for early 2011 on top notch international labels like japanese endless flight, australian future classic, german best works, and british crosstwonrebels also remix work commissioned from soul clap, john talabot, andre lodemann, marcus worgull, and softwar the future looks bright and bold.

welcome to vocodafon. may i help you? - hello. i would like to terminate my mobile phone contract. - well, mmh, i am really sorry, but as far as i can see, your notice of termination was given too late. - but the date of postmark states that i sent it in good time before the end of the termination notice period. - yes, thats true, but unfortunately, and according to our general terms & conditions… - ok, i see, but i m obviously not interested in vocodafon anymore, so… - your call is being transferred, please hold the line. - listen to your heaaaart, love is calling for you, listen t… - hello. - hello, i ve been transferred to you, i would like to… - welcome to the mobile matrix. i am h.e.l.l., your automated telephonetics assistant. connecting to hypothalamus. press 1 to erase, 2 for positive stimulation, or 3, if you would like to talk directly to one of our sales assistants who will be right with you in your flat in only five minutes. - peep. - hello. - hello. i ve composed a song for you. here it is.

in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

jb aka james braun, creates music as if it were sonic sculptures chiselled with kicks, snares, drums and synth-bass, is back with three new dance floor monuments for you to worship. *a. on massacre jb succeeds in creating a horror universe that can make even the most hardened detroit fan become insecure and frightened when standing alone on the berghain dance floor. but fear not, for its only music and if you flip the record, youll become entranced by the melodic *b1 retrace your steps. a musical odyssey back through time that literally retraces jbs own steps and makes you think about who you are and where you came from. *b2 slapper is musical meditation that yields unbridled joy and chilled out bliss…and makes you send eager kisses towards the sky where the benign, chubby gods of music laugh heartily and scratch their white beards and ample bellies while returning your kisses, mwah!, and uttering you ravey, little rascal! we will provide for you as long as you remember to appreciate us. please enjoy the new record from james braun. tartelet records 2011

sick new three tracker from ghostleigh and his mate brian barian. not much on info on its provenance, but anyone into the previous ghostleigh 12 inches (and they have all been killer if you ask us), will definitely dig this. not quite techno, not quite dubstep, not quite future garage. just a healthy mixture of all three. limited copies!

continuing on the passenger 140 bass quest we have a new signing to the label but certainly not new to the scene by any means! 601 has been bashing out the breakbeat / jungle hybrid for a while now and is one reason why passenger and label owners aquasky are revitalised by the scene.

subtlety is not the first word used in connection with most djs, but there is much more the métier of germany s gregor tresher than simply playing records, as lights from the inside attest: just as a painting or photograph appears to move if one stares at it long enough, with close listening the stratified grooves and melodies assembled on gregor s stunning third full-lenght artist album reveal an organic universe of shifting sound. meticulous attention to the latter element—melody—was of utmost concern to the frankfurt resident. not obvious, eight-bar earworms that would quickly exhaust their welcome, but musical lines that could repeat, develop and intertwine in different patterns. in this regard, lights from the inside harks back to gregor tresher s earlier releases, but as always his sound aesthetic continues to evolve in new directions.

its needless to add many words to the big success of >the elephants< original release. we however could not resist to have it remixed by some of the worlds hottest producers. and here they are: great names, great music!! go for it

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul. this powerful building begins to rise, makes its foundations and basic structure in these architectural series, that present us the impacts, snaps and warping that a real construction team realise with their hard work, exploiting a dark desolate waste ground, following the architects indications, who generate, in his mind, the entire project that will rise in our ears.this interesting project will be launched in classic vinyl, as well as in digital format. do not lose the opportunity to give yourself the first creation, of the new referent of mental techno of spain, it is going to set a lot to talk about..and to think

to remain a discerning platform for underground artists with integrity is easier said than done in todays music market. alphahouse vows never to forget its roots in the afterhours basements from whence it came. in that spirit, we would like to welcome two up-and-coming italians to the family with release number twenty. good friends alessandro stefanio aka buck, and andrea santoro aka santorini, both from puglia, proudly represent the new school of deep thinking producers from a country not generally known for such restraint. if you have been following santorini or bucks output of late, you will know that italy is more than just the land of shuffled techno.. there is a deeper music movement in the country, and these guys are two of the best.

nang golden-child sare havlicek and bostonian chaz bronz make up the menacingly titled >transatlantic disco alliance<. no, it is not a military organization designed to perpetuate neo-imperialst ideals - its a big ol love-in for 80s tinged soulful disco tunes!

bang the boxs second vinyl outing is a loved up three tracker from label resident and co-manager brett johnson... lovin u- the birds chirping in the intro let it be known that this is one for the summer time. vocal harmonies laid over true house beats and a full-on bassline seal the deal for this one to be a future classic... sweet love- continuing the theme, sweet love rolls down memory lane with a catchy vocal, and bretts signature robo-funk rhythms. the rolling bass line and spaced out chords bring it all together to seal the deal as a dance floor killer... love by my side- this track is last but definitely not the least. its one for all our slow house peeps put there willing to let the slow-burn take the dance floor in its clutches. the recycling main line is so infectious that you wont want the track to ever end…

the enigmatic french trio dop unleash another sonic assault of deep and visceral house music on guy gerbers supplement facts imprint with three bold and organic cuts for your sex. a dark broody and characteristically cheeky affair, your sex opens up this dop creation with a stripped back beat and looped vocal. low-end bass build up the title track to a crescendo that engulfs the senses in deep acid frequencies. this is a nod to the techno elite but fusing a new depth and sensuality to the genre, in true dop style. skipping into subtle and kinetic territory, half naked flirts with reverberating whispered vocals and crisp percussive beats. a lethargic and almost yearning record, it massages the energies of the body with a playful and soothing approach. last up paul ritch tackles a remix of the title track, elevating those throbbing bass elements to new levels with a fluttering and-high energy weapon made to hypnotise the feet, body and mind. dopis the musical summation of a 20 year long friendship between members clement aichelbaum, damien vandesande and jonathan illel, their musical relationship beginning in 1994 as the result of a rock & roll cover band formed for the french national day of music, experimenting in hip-hop, jazz, and reggae followed by various musical incarnations. in 2005 they made the transition into electronic music and last year delivered a highly regarded debut artist album on circus company, noted in the guardian newspaper as steeped not in orthodox 4/4 house and techno, but in jazz, classical, hip-hop and world music

and here it is: the second vinyl ep of niko schwinds album >good morning midnight<. it features some of the unique tracks that niko has created together with some of berlins hottest production talents. on the a side are two tracks that feature the clicky tech-house boys that are channel x, where things kick off with >back from the bar<. it sounds as the title suggests: a little wobbly, a little drunk, a little crazy, but also pretty magic. quite clearly this is an homage to one of berlins not-to-be-forgotten clubs that is unfortunately history now. but things continue on here at least with >dont turn the lights on<, a more straightforward dancefloor track, with a trumpet as the main protagonist. this is one of those tracks that keeps leading up to a real arms-in-the-air-moment if it wasn’t so damn housy at the same time. on the flip the magical connection between niko and label daddy oliver koletzki can be heard on >master of ceremony<, a chopped-up house track with epic dimensions. when things get to the piano breakdown, they get very musical and colossal before dropping back into a great house track. the stark contrast between the piano melody and the groove on this really make it. last but not least then, the original album opener >good morning< that features the singing of fran. it works great as a great album opener, but also perfectly as a slower and more thoughtful addition to a great ep

fiakuns large chest continues filling with discs but not for it is losing the essence and purity that is showing us. for this new maxi, fiakun get full of pride on presenting two of the most underground southern of the spanish state t.w.i.c.e, that gives us a >dubbing of my soul< full of strength, character and a voice that will make fervour whistles of crowds. for this new 12 inch, fiakun boys are surrounded on one hand with one of the electronic music diva, claudia p.toile, who will take us to the cold germany with a powerful and aggressive mix. for the other remix, fiakun presents its new signing, with whom it has the following release closed, volta cab. he is thought to be one of the 2011 artists, he brings us to a much more warm and acoustic remix.

motion± and emi music japan proudly announce the disco legend dj harvey remix of japanese legendary electronic producer logic system! the single will be distributed through endless flight. logis system is well known as the fourth member of yellow magic orchestra and their most famous song >clash< which dj harvey included to his mix cd >sarcastic disco vol.2<. a side is harvey remix of >clash< and b side is unreleased song which is composed in 80s. any explain and more introduction are not necessary for this release. dont miss this amazing collaboration of logic system and dj harvey!

dj cristiao & paulo tella present the second release of the spanish label: sexy grooves. the label is focused on the funky, hardgroove & tribal side of techno. two tracks of the labelowners and two tracks by two other spanish top producers raul mezcolanza & aitor ronda.

the newest tigersushi 12 inch is also the newest addition to the labels infamous roster, yes wizard. like many of the labels new artists yes wizard has an ambiguous almost mythical place, not just on the roster, but also the world at large. during a recent r&r mission in the south east coast town of ubatuba, brazil, joakim found himself privy to a local urban legend, of a jungle man, a music composer going by the name of yes wizard.

supported by:ricardo villalobos, raresh, loco dice,.. noidoi, the oslo new comers from 2010 are back with 3 tracks that will save the dj summer.on the a side we have a huge track, dupa joi, very deep and able to be the peak time on every party. the hypnotic groove and the strong volcals will not go out of your mind.for the b side the romanians guys prepared 2 tracks based on development, very percussive and loopy, but the never forget to come to the point. dont miss the first oslo record for this summer

in all the thea rooms, the meeting centers for alcoholics russians and the blogs of the sapareted nations of the wikirebels were wondering where anton and maxim truly ended up. perhaps non all were aware of wap happened in moscow after the big heat of the summerr 2010. used to the polar cold also the computers ad all the electronic comunications took a moment to reflect, closing, in a natural obligation and right to silent. but this does not apply to scsi-9. the guys have to work with dedication and long care, clear, relaxed. do things well means knowing how to wait, as tasting a fine wine, smooth. in this the cold couple births their new mood in two beautiful tracks and perceives new exchanges of high level with john tejada and pablo bolivar. two thin encouters of arte and culture, where pablo silken and john point- blank reveal a tick record, impeccable. john bounces our breath trough harmonic turns and chorns that transforms the original track in a new roaring engine and well-calibrated, with an unforgettable ending. pablo enters the tunnel of sound to cover/wrap in a soft and comfortable limbo, more visionary than ever. deep that becomes contemporary is ready. only 500 copies distributed on the planet.

its an exciting time for idle hands, as the fledgling label mutates into a many headed musical beast. after the bristol record shop rooted records sold its last chunk of wax late last year, idle boss chris farrell has carried the torch and opened the idle hands store on stokes croft in bristol city centre. just as the shop highlights idle hands dedication to its hometown, this latest release on the label marks the first time the music has come from outside the city limits. szare will probably not be a name familiar to many, having covertly established himself on the lauded horizontal ground label, basking in the stamped white label anonymity of deep, troublesome 4/4. now with this release and his syndrom z label, the producer steps just a little into the light to expose his unique abstractions on swung techno. >volya< ploughs a sparse and percussive furrow, while >action five< boasts a wistful, dreamlike melodic bent to leave you with two distinctly different, but equally enthralling cuts.

we are proud to present you the new bottin ep! its not a surprise that both tracks have a great live feel, you can hear bottin play the guitar and the keys and his friends rodion and francisco did the live percussion and singing!
limited edition on grey vinyl.

after three groundbreaking albums over the course of a decade, the internationally acclaimed electronica project shpongle has returned from what fans feared was the end of the project when nothing lasts…but nothing is lost, their third album, was released. not prepared to leave us hanging, electronic music pioneers simon posford and raja ram have continued to push the envelope and break boundaries to create yet another sonic masterpiece: the much-awaited fourth shpongle album, ineffable mysteries from shpongleland.

you cannot neglect those vocals, because they will pick you up to an unknown journey. you wont forget this preview of new age melodies and sounds. oceans bottom is dreamy and diverse made by flute-sounds and tricky percussion elements. this song is daring you gently, makes your body swinging and your soul so moony. einmusik is bringing up the old things into the future. just get in touch with his strong, bunched and adust sounds. they will open your mind for an epic album. backside you will find biosphere, a classic and solid house anthem which makes everything so easy. but heads up! – this is not only an accessory part – it is the opener for the summer season.