matthew herbert revives his wishmountain moniker 16 years after the release of seminal minimal techno track >radio< and subsequent album >wishmountain is dead<. this 12 inch is taken from tesco, an album made exclusively from sounds sourced from the top ten best-selling items in a certain supermarket.
fans of herberts earlier output will not be disappointed: expect bubbling bass and melodic hooks, like classic early herbert amplified by his 2012 studio savvy.

matthew herbert revives his wishmountain moniker 16 years after the release of seminal minimal techno track >radio< and subsequent album >wishmountain is dead<. this 12 inch is taken from tesco, an album made exclusively from sounds sourced from the top ten best-selling items in a certain supermarket.
fans of herberts earlier output will not be disappointed: expect bubbling bass and melodic hooks, like classic early herbert amplified by his 2012 studio savvy.

its impossible to sum up a career of dj sneak in few words, so well try with just couple of terms that might serve as a brief introduction to the world of the one of the scenes most vibrant djs and producers: in 1992 dj sneak began recording music. he released some of house music defining tracks on defiant, henry street music, relief, cajual, 83 west, downtown 161, strictly rhythm, classic (...) to name a few. 20 years later he is still one of hardest working producers around, one of the most in demand djs, and as always a full time house gangster. this summer he is responsible for a hard-hitting 4 track – ep which will be his debut on desolat. enjoy!

jay bliss is our first ever romanian signing. there has been a influx of superb romanian producers over the last years including a:rpia:r and the trend continues with bliss and his hermanndstadt collective. developing a style sitting somewhere between house and techno, with strong detroit roots he has released for the likes of immigrant, hudd trax and diynamic. pluto has been a staple of ralph lawsons sets for a while now, its a smooth and crisp tech house roller that recalls classic 2020 releases gone by, especially those of carl finlows. on the flip weve turned to skudge to give us their own take on pluto. weve been fans of skudge since they dropped their first single, and have had us transfixed with their excursions into pure analogue, loopy, dub techno ever since. their version of pluto is a different beast to the original, all stuttering percussion and menacing strings, a perfect counterbalance to the original version

after all these years nick wants to give something back to the audience and his true fans, which led him to the concept of his debut, each of the eleven tracks can be seen as a unique lovely flower embodied in music given to you as a sign of his gratefulness! the music speaks for itself and lovers of nick previous works like minimal summer, world dubbing etc. will surely find some new treasures here for their collection and for the novices this album is a great introduction to the inimitable trademark sound of nick solé!

apparel music gives life to a catalog of small size, aplmini, 7-inch format. kisk gathers the first duet and this time they are young artists, a talented russian guy, maxim buldakov, and stefano esposito, only twenty years, naples, italy. the work was built to give the feeling of listening to an old-school funk track, reworked. to get a perfect project was also required to give a warm voice that unmistakable taste. so funkin on contains a special sample of the recording pushin on performed by the quantic soul orchestra feat. alice russell, timeless, used with permission by tru thoughts ltd. enjoy!

last years tbg01 was charted by german djane ellen allien and broadcasted by gilles peterson of bbc-international fame - amongst others. the second installment (with the slightly confusing catalog-number tbg04) changes its appearance from white-label 12 inch in a black & white gatefold cover to heavy white vinyl in a multicolored disco-sleeve. the labels patron arthur boto conley showcases the work of obscure 1980s producer clifford trunk. the lo-fi dance and ambient tracks origin from a tape which was hand to conley by trunk during a brief encounter at düsseldorfs ratinger hof in 1986. depicted on the cover you can see italian designer ettore sottsass work for the fashion company esprits european headquarter which opened up the same year. clifford trunk was working for the sottsass associati from 1982 on and had a leisure time obsession for drum-computers and sample synths. what a serendipity! - limited to 333 records.

vinyl only release !!! >> come on, be honest. you also have been waiting for this. for more than seven years now, the 27-year-old frankfurter chris tietjen stands, like hardly any other dj, with his cocoon mix compilations for the sound of this label. apart from sven väth, maybe.. so, it was really time for tietjen to carve his music-aesthetical biases finally into vinyl, because for the value-oriented and highly dedicated dj, its a matter of honour to release his tracks in the traditional ep format only.

wandering through the years, they all showed us the way. seeking the pure essence of where we have nurtured. cited in the margin, they passed unnoticed. they believed. we believe. music as a nexus.
expand our doctrine.
played and supported by marcel dettmann, norman nodge, adam x, giorgio gigli, perc, terence fixmer, dvs1, inigo kennedy, markus suckut and more.

almost two years have gone by since the team at injected poison records launched its previous vinyl record. now, the label headed by the spanish artist jose pouj brings us its fifth release. this issue will be jam-packed with the best and most up-to-date techno, because they have enlisted the most outstanding spanish producers: oscar mulero, christian wunsch, exium and the labels boss himself: jose pouj.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

referencing his formative years spent listening to prince and the egyptian lover and filtered via the deeper side of detroit - the result is irrepressible machine funk.

kool hertz started djing and rocking crowds over 14 years ago in south africa & the uk. the last few years he has turned his hand to production in a big way. after a string of release, across various labels in the scene, we finally welcome his first ghetto funk ep.
loads of attitude, big bottom end and his signature pounding beats. this ep has a true heavy weight feel, it sits and the ghetto end of the spectrum.

a few years ago i took a journey to europe searching for a new sound. people along the journey had been telling me about this guy from tropea, italy called dj steve (named after his favorite musician, stevie wonder).
he is a butcher there by day, but at night he is the dj at a club called casablanca. i made my way to this tiny town in the south of italy and found dj steve. his 12 hour dj sets opened my eyes. this guy was the real deal. he was playing dubplates, vinyl, cassettes, and reel-to-reels. all special edits he had done over the years. i couldnt believe what i was hearing.

bill withers >live at carnegie hall< was recorded almost 40 years ago on a rainy friday evening, but it is still regarded as one of the best live performances in the history of soul music.
music on vinyl is re-issuing this classic on 180 grams audiophile vinyl for the first time since 1975! comes in gatefold sleeve with printed innersleeves.

after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

strut continues its celebration of 25 years since the heyday of acid house as respected dj / producer richard sen (padded cell, bronx dogs) follows up his acclaimed compilation of early uk house music and acid, >this aint chicago<, with an exclusive limited edition 12 inch featuring previously unreleased edits.

years after delivering a remix for booka shade in 2006, shinedoe makes her solo debut on get physical this winter, bringing with her a wonderfully fresh sound in the form of her transcendental ep. she takes us to the tops of mountains and then drags the deepenst waters. light is a deep mix of techno cascades and funk groove. we build up momentum with piano and driving percussion toward a climactic break, then pull you further into the vibe. transcendental brings a treat of dazed synth and organic percussion. a trip into the music brings us to the dark rooms of late night. we are entranced with thick bass and hypnotic repetition throughout the course of the dancefloor friendly track. next we are immediatly entrapped by the muffle of cosmic, under a thick sheet of foggy ambience. vocal cuts stab the air, setting the pace for a sudden bass groove. the track is deep, solid and very detroit.

almost two years after his stunning debut album release, john roberts is back with a wonderful journey into sounddesign, sample research and contemporary club music. as beeing inspired by the aural surrounding due to travelling around the globe- as a dj and author travellers almanach- the worlds finest magazine on our beloved and hatered jet set life- the paper frames ep contains some mixture of accoustic instruments, deepest bass levels and extraordinary rythm structures. according to john roberts, club music should be way more open minded and surprising. for those who are on the search for an advance approach of electronic music this one is the top match

steve conelli hits syndikaat hard with a four-track slamming ep which is a total peak hour gem. hard hitting tech stabs and chords mixed up with some rolling gem action. this is solely for lovers of the underground berlin sound that has been in fashion for the last few years.

first single taken from the forthcoming debut lp by hamburg sensation kruse & nuernberg. it features stee downes on vocals, better known for last years #1 hit with lovebirds >want you in my soul<. this has got summer anthem written all over it. also included is a stripped down dub from the boys.
watch out for the spirit catcher remixes coming out soon on limited edition 10 inch. the lp >lets call it a day< will be out this fall on lazy days recordings.
support: huxley, vincenzo, mark farina, nathan g, motorcitysoul, nacho marco, lawnchair generals, johnny fiasco, danny krivit, karizma, giom, shur-i-kan, marques wyatt, quentin harris, grant nelson, sasse ...

we have had a good run of 12 inches this year starting off with todd terjes >inspector norse< followed by bjørn torske (remixed by dj harvey and todd terje), lindstrøm (remixed by todd rundgren) and idjut boys great >one for kenny<. and now we continue with a great summer tune and one of our favorite tracks of the year, mungolian jetsets brand new >smells like gasoline<. already a todd terje favorite, the track will be featured on mungolian jetsets upcoming album >mungodelics< due 20th of august (todd terje has also edited the cd version of the album). on the b side we have 2 remixes of >we are the shining< from last years >schlungs< album by dan lissvik of studio fame as well as skatebaard.

daniel avery releases his >need electric ep< june 25th on phantasy sound. the london based dj has spent the last few years impressing his peers, collaborating with justin robertson, being singled-out as the one to watch by andrew weatherall (who also lent his midas remix touch to daniels last release) and has now signed up to erol alkan’s phantasy label. daniels releases have already appeared on tigersushi, throne of blood and relish and he is a sought after remixer having leant his distinctive style to tracks for metronomy, django django, the 2 bears, mickey moonlight, jokers of the scene, amongst others. this new ep is a definitive statement of intent for avery as a producer in his own right. the vinyl resurects lock grooves for the more adventurous dj, and features unique artwork from the up and coming kate copeland.

a classically trained pianist from the age of six, jarrah mccleary grew up in the sticky heat of the northern territory, australia. his previous project, the dirty secrets saw the band working between australia and london with iconic producer and engineer, nick terry (klaxons, libertines). after working on ideas for a new record for over two years, in early 2011, mccleary declared a new album and boarded the airplane, bound for los angeles. between splashes of yacht rock, trop-pop and nods to peter gabriel (thanks to the iconic 80s yamaha dx7 synth), a short summer experience in the city where dreams are made lead to tracks tinged with hints of hopeful house music strewn with the sleaziness of venice beach and too much free poured tequila. and so, panama was born. magic is a modern summer anthem. and what better way to celebrate the party season than some bonus remix action by the worlds most avid dance enthusiasts? the sydney-based quartet join forces with dfa heavyweights and panama fans, midnight magic and gavin russom (the crystal ark) on remixing duties for their debut release.

if you thought these tunes were filthy the first time around, then prepare yourselves for these vip mixes of some of the biggest tunes over the last few years. all four tracks are designed to do one thing and thats to absolutely destroy dance floors!

this is sir tralalas masterpiece on which he worked more than 4 years, a fully arranged concert for piano with full symphonic orchestra which reveals the genius and the crazy mind of the one and only sir. on the b side you find a great cover by lou reeds >heroin< and two brand new songs.
limited edition of 500 copies on white vinyl.

after last years very popular and widely acclaimed album >severant<, kuedo returns with this emotionally epic, dancefloor detonator of a track originating from the same sessions.

after a successful release period of eintakts 10 years anniversary, the label appears with the 2nd part of the liquid garden series. eintakt s new compilation liquid garden chapter 2 makes this summer to a lithesome incidence. extraordinary airy and deep sound combined with dub tech elements, a congenial batty mix of distinct styles. bekeschus, einklang freier frequenzen, reynold and the marx trukker contribute their brilliant acoustic artwork to this team-playing vinyl.a very special attention must be given to the cover artwork, an enormous combination of graphic- and sound design. after building up a trigger for a kick drum and installing a special camera, our graphic designer astrid höffling shot a mass of abstract forms, that show the colourful exercise of the frequencies while running out of a speaker – a liquid movement of sounds. the musical range covers it all: from a bright hymn by bekeschus to some chunky dubtechno by einklang freier frequenzen and then all the way back with some uplifting moments for the deeper floors by reynold and multiple melodic house music sketches by the marx trukker. all artists present their creativity at full volume ranging from outstanding soundscapes to visual sensations, making liquid garden a total work of art.

new years deal - the second ep from the new stockholm based label romb is a mixed bag of candy, embracing old school italo disco, funky 707-chicago style house, electronic funk and john carpenter type synth bliss. romb ep2 thus continues on the journey aiming at forwarding musical diversity and the worship of analogue sounds.

played and supported by josh wink, dvs1, dj sneak, norman nodge, brendon moeller, alan fitzpatrick, arnaud le texier, luciano and more.danish kid from 91 living in the outskirts of aarhus. first release ever on bio recordings.been listening to house music the last 5 years, which he is strongly influenced by.not so much bullshit about this young kid - he loves making house music.keep an eye out for him in the future!the three remixes signed by optic (zeecc, riot riot, etc.) fingers in the noise (eintakt, dewtone) and fabio scalabroni complete this pearl of deep and dub.

for the fourth release, hold youth presents a new member to his family. s3a is a new french artist who travel all over the scene for some years, but finally release his great music. after his first acclaimed works on phonogramme, he brought us 4 deep and moody tracks, where he draws his style from his standards. we remind you that we work vinyl only, so check your dealer asap for this essential 12 inch

the liquideep duo is made up of singer/songwriter/producer ziyon and dj producer ryzor, and they hooked up in 2007 over a mutual love of hook laden, melodically rich, deep house music. just two years after their formation they caught the attention of the entire nation with the track >fairytale<, which got playlisted on every major station in sa, played on any dancefloor worth its salt and received a sama nomination for song of the year. more recently it won a channel o music video award for most gifted dance video .

berlin based serialism records returns with yet another 12inch addition to their collection. this time onirik (a.k.a federico benedetti), the label manager, steps forward with what will be his debut ep, after a fleeting appearance on last years london cuts vol. ii compilation. broken ep fully embodies the dreamy and trippy atmosphere of oniiks musical sphere, based around hypnotic raw grooves with a touch of old school. the 12inch features a collaboration with label boss cesare vs disorder and a remix from hold youth wonderboy le loup.

with the strains of re-ups freedom still ringing loud in our ears, dissonant prepare to unleash their first slice of summer goodness, a new two track selection from leix. the valencia born, barcelona resident has been exciting dancefloors of his home nation for the past fifteen years, regularly sharing the decks with the worlds leading spinners. with a preoccupation with fusing styles and sounds, a trait that is obvious in his own productions, leix ensures that his own work remains consistently fresh. the novo music boss own productions have already found the support of many of the biggest names in the industry and have seen their release on labels including fumakilla, monza, barraca music, inmotion music, melisma and more. his akane ep is leixs first excursion on dissonant and what a way to kick things off. lead cut akane is as perfect a fit as they come. a locked tight groove, devilish kick and a bubbling acid line that tricks us throughout with its undeviating trajectory. on the flip dumnezeu continues in similar fashion. an understated bassline pulses throughout, as a snare rasps and hats glisten a spoken vocal preaches. the gospel of the dancefloor.

limited to 200 copys only!
the excellent album >ground bias< was very successful amongst this genres fans. now with >ground bias: the remixes< we dont want to lower the level so we have gathered the best artists to create an ep full of feeling and quality: iron curtis, nhar, mikkel metal, dactilar and pablo bolivar.
they all have shared mutual respect and support for each other over the years, and their releases in kompakt, echocord, mobilee, desolat, mule, morris:audio or regular endorse their work. 5 tracks that will make your mouth water from the first moment. another great contributionto high quality electronic music.

as ajello say:the idea for a cover version of n.o.i.a.s looking for love was born a couple of years ago - an idea of alessandro piatto, younger brother of davide piatto, original member of n.o.i.a. as soon as alessandro proposed it,we asked whether we could have the original tracks but, unfortunately,they have been lost over the years.immediately his brother davide brought together the original lineup of n.o.i.a.and locked them up in the studio to record the voice from scratch and some of the synth parts. our intervention was first on the drums, replacing the original for a more uptempo beat, and then the bassline, shaping it to a more modern sound. the vocals were treated with filters and echoes,and we also added some new guitar parts and synth lines. it was an honour to us, ajello, to bring to light an italo-disco classic that has really influenced us and we have put all our efforts to create a version that is timeless, as much as the original.

following up after the mental drop by detroits master of repetition, population one, we have a new signing hailing from the land of the rising sun, helping us to set the standards for this new imprint— uncompromised techno funk! japanese producer imugem orihasam has spent the past 3 years slowly evolving. his early work on ilian tape and esperanza sounds like that of an already seasoned craftsman digesting detroit bit by bit, with a focus on lush textures and swooning eerie melodies. this past year has seen a spike in activity for imugem, with releases on patrice scotts sistrum recordings, berlins nsyde, and adam marshalls new kanada—all showcasing a more focused and exuberant approach that has sharpened his reflective compositions. with gem, imugem steps away from the supple melodies and tranquil atmospheres for a trip deep into the power plant.

first up is tabou for the people by sofrito specials featuring l barrabas which twitch edited for his dj sets a couple of years back. the lovely people at sofrito kindly gave permission for it to be included on this release. its a relentlessly driving slab of 4/4 afro funk with horn explosions. next up is the 10th and final track in twitchs cumbia series. the first 8 were released on japans lets get lost label and the missing number 9 is being saved for a future release. colombias cumbia was born out of african influences. this track is based around a sample from colombian cumbia legend andres landero and is an attempt to fuse traditional cumbia sounds with up to date production styles. the end result is a slow motion hypnotic cumbia retaining the haunting melancholia inherent in the original sample. leading the aa side, twitch passed a wild highlife song by ghanas atakoru manu to glasgows super talented auntie flo (whose highly recommended future rhythm machine album recently saw a release) to play around with. auntie flo cut it up and added additional drums and bass to come up with this euphoric modern highlife groover

you may be heard of a town called kassel, a label called bespmusic, a infamous club called a.r.m., than you should get to know zoka matic. raised in doboj, bosnia-herzegovina, zoka matic came to kassel / germany in the early 90ies. after spinning the wheels for over ten years know, zoka founded the label bespmusic in 2009 and holds a residency at the infamous a.r.m. for years there. now its time for him to release catalouge-no. 5 on his own imprint bespmusic named - pasted arguments.

following on from the massively popular philadelphia international: the re-edits package, here is the 2nd release in our special philly 40 campaign which is celebrating the 40th anniversary of philadelphia international records. welcome to the hugely anticipated >philadelphia international classics: the tom moulton remixes<. tom moultons involvement with philadelphia international spans the entire 40 years of their existence with many of his early mixes unaccredited in the era before the 12 inch disco disc. in 1977 pir released the ground-breaking historic original double lp philadelphia classics which featured 8 of tom moultons greatest pir mixes. the album has subsequently been reissued several times and is rightly hailed as a must have classic for any serious music lovers collection.

after four years of techno eps for delsin and ann aimee, niels luinenburg aka delta funktionen has finished his debut full length, traces, due for release on june 2012.

uk stalwarts jamie anderson and owain k team up again for another sumptuous slice of contemporary house music on steve bugs dessous recordings.jamie anderson has been exploring and manipulating the links between house and techno for over 15 years, having released on numerous influential labels, both solo and as a collaborator with other top artists. but its his work with bristolborn hot-property owain k that is currently exciting discerning dancefloors worldwide. do you know, their latest collaboration, sees jamie and owain drop some serious sunshine grooves - shuffling hi-hats and a classic, chitown synth let you know that this is all about the good times. the spoken word vocal pays homage to forgotten jazz legends – the uplifting vibe sure to put a smile on the faces of dancers all summer long. jamie and owain switch it up on the other main track in this release.keep it pumping drops the tempo to 118bpm and digs its toes into the sand for a balearic-tinged nu-disco stomper. disco toms fire, the sub bass rumbles, and spacey synths and vocal samples wash over this expertly crafted sunrise/ sunset groove. a dub of do you know rounds off the release from this hugely talented combo

marius vareid revisists the title track of last years debut album in two version here and other than the connotation that telemark evokes, its perfect summer bizniss in the 12inch edit version thanks to its bobbing flanger chords, the unhurriedly striding bass melody and the carefree clattering percussion. the klubb version sticks to its promise, keeps the trademark chords but they sound way more athletic in its sparser environment of beefed up drums and frantic percussion. powered by a slightly moody feeling bassline and its buoyant, exuberant synth melodies the brand new il tempo gigante on the flip is a prime example of the scintillating, heady mixture of disco roots, house and dub antics. as an extra bonus prins thomas adds a tropical-sticky interpretation of villa farris (originall version on fp024)

the album third encounter showcases the 20 past years of klas lindblad as a musician, dj and sound engineer, one whos seen most of the modern musical styles evolve and dissolve. always relying on the basic principles of electronic dance music that less is more, lindblad brings another fine full-lengt artist album out, surely to be considered his finest work til today.

tireless producer, tronic boss and top international dj christian smith here steps up for his first release on plus 8. over the years christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (bedrock, systematic, 100percent pure, soma), so it only makes sense he now finds himself on one of the scenes most reliable outposts for such material. the two track ep kicks off with house is house which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. the devil is in the detail filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. the more forceful indulge me then follows. taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. far from aping the usual detroit and chicago tropes, christian smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of christian smith, one of the most consistent producers in the game.

ltd 2012 repress !!! big l.garnier, steve bug, rolando support!!! what we re gonna do here is go back... back into time! this unlikely bulgarian/uk duo churns out an old skool chicago monster that reminds us of the rawest mr. fingers productions from the late 80s. we have been jacking our body ever since we first heard it. comes as vocal and instrumental. the b side sees a solo outing by kink and again it sounds like we go back 20 years... raw and dirty house music. when music is this good, let there be renaissance! our house is your rush!

highly recommended!unity is the first single taken from third sides forthcoming album unified fields, that will be released on restoration records in september 2012. third side is the project of the analogue cops and panorama bar resident steffi, their collaborations, which have been released exclusively on restoration, have been of the most interesting jams of the last years. the original unity, a fat overshadowing deep techno track, written and produced only with machines and recorded on tape, comes with 3 massive analogue remixes. the rework made by blawan (sheworks/hessle audio) smashes the parts of the composition with overbearing oldschool british manners and the result is a broken shuffled industrial hammering. on side b, steffis remix is relentless, rushing and carefully build:her attention for the processing of every detail transforms the original tune into an hypnotic breathtaking excursion. the last treatment is performed by the nightjars, an unidentified project that has brought down a particular attention for its debut ep on vae victis records. with a bossy employ of the most advanced analogue equipment, the nightjars slash an incendiary attack of warehouse garage.

exprezoo records and rio padice met many years ago. they grew up together and often their paths crossed. and so after don dragon released in 2010, rio padice and exprezoo enshrine their bond with the new vinyl: h.a.a.r.p.