black vinyl repress, natch is the union of the body,mind and passion with drum machines and synthesizers. its what is natural,what we do the best. kidnapped in the 90s by the clubs of detroit, taken by the power of the bass, carried over through a sequencer and convinced that berlin is the new dance floor. natch is techno. it moves through the stimuli and does not stop, pushed by the need to discover new forms,to listen to the unheard,browse unlimited electronic influences. not only from dub to dark sound, but reaching an underground that is an expression of the sounds that each of us carry inside. aware of the history behind each clap, which leads to the highest level of sound, of his idea: techno-logic. natch is the way, natch is natural

all the way from spain rises another label that can be best described as no nonsense. spootnik kicks in hard with a first release featuring 4 of the scenes best artists. hellfish, akira, noisekick and tripped combine 4 tracks of industrial hardcore, frenchcore, uk-hardcore and breakcore together perfectly as one. the e.p. features stomp that wicked bitch right up, france make sum xxl, couldnt find a title and ik vermaak me optimaal. very versatile e.p. also a highly limited press so order now to avoid customer disappointment. this label is 100 procent audio sickness approved!

the 3rd vinyl of zellyanas vitzexy-series is finished. she kindled a deep and dark >fire< as a special birthday gift. a powerful remix of the track is made by patrick arbez (ton liebt klang). whatever that means >tzitz< - we only know that it is the name for a track by zellyana & lüer! >tzitz< is remixed by mariano santos (argentinia) and again patrick arbez. both are a perfect way of driving techno! a massive vinyl ep - a must have for every dark techno lovers!

super hypnotic balearic / cosmic disco trip .... enjoy

we are proud to finally present to you: the original concept brought to life by hellfish & producer way back in 2001 has received a 4 way upgrade from 4 of the uks top hardcore artists ... hellfish / producer / matt green / bryan fury.

brouqade welcomes vid! the rumanian producer makes withe the release of the exquisite nouinceput. with a heavy dose of shakers revolving around summer rhythms, nouinceput brims withe the energy and hope of a balmy summer evening and the catchy voice samples are msterfully cratfed to perfection. a fully charged energizer. a76 blazes the way. drives and propels, relentless , e-ver onward- a voice arows... you are like. whistling, vids musical self portrait sounters around the corner. estevid is an organic track of extraordinary sound and a nonchalont air!

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

inspired by life long dedication to music and a rebel in the underground dance scene santiago de chile based producer jeaven presents his debut on resopal. his playground effects ep is a three-tracker showing his personal definitions of contemporary house / detroity - minimal - or how should we name it ? simply ... music! playground effect, the ep title is a great description of jeavens music, where everything is in constant and vibrant motion. from the the way the tracks evolve - to sound design to the beat-programing – there are no presets. the title track seems to spin at two velocities at once, balancing a driving, linear groove with half-speed voices to create a sense of suspended animation. centralized goes even deeper, with a rippling bass melody that gets deep inside your stomach. all three tracks on this ep are like springtime on hot wax.

after five years of its highly successful existence, after founding its sister-label 2diy4, after opening its own club ego in hamburg, after sending its artists all around the globe and after having brought more than 50 releases into this world - its time to celebrate diynamics fifth birthday! and this charity-compilation is diynamics gift for all of you. all benefits of this compilation will be donated to kinderhospiz sternenbrücke, an organization that accompanies terminally ill children in the last time of their lifes.

wandering through the years, they all showed us the way. seeking the pure essence of where we have nurtured. cited in the margin, they passed unnoticed. they believed. we believe. music as a nexus.
expand our doctrine.
played and supported by marcel dettmann, norman nodge, adam x, giorgio gigli, perc, terence fixmer, dvs1, inigo kennedy, markus suckut and more.

kool hertz started djing and rocking crowds over 14 years ago in south africa & the uk. the last few years he has turned his hand to production in a big way. after a string of release, across various labels in the scene, we finally welcome his first ghetto funk ep.
loads of attitude, big bottom end and his signature pounding beats. this ep has a true heavy weight feel, it sits and the ghetto end of the spectrum.

a few years ago i took a journey to europe searching for a new sound. people along the journey had been telling me about this guy from tropea, italy called dj steve (named after his favorite musician, stevie wonder).
he is a butcher there by day, but at night he is the dj at a club called casablanca. i made my way to this tiny town in the south of italy and found dj steve. his 12 hour dj sets opened my eyes. this guy was the real deal. he was playing dubplates, vinyl, cassettes, and reel-to-reels. all special edits he had done over the years. i couldnt believe what i was hearing.

two tracks of the transhumans. hypnotic and intense techno. energy and rawness in birminghams way. experimental noisy ambient finish this release.

the third ep on visky recordings is brought to you by a fresh and talented upcoming producer, dj and music lover hailing from grodno in belarus. schmoltz has had a long-term affair with music which got him to collecting records and fiddling with music making software and hardware. growing up as a metalhead kid, he came the disco route and later to be mesmerized by the soulful powerful funky and electric sounds of donna summer, gloria gaynor, stars on 45 and whatever else was to be found in the piles of soviet melodiya records. schmoltz delivered three great jazzy, deep & soulful tracks for his debut 12 inch on czech based visky recordings. on top of that the b side offers a remix from ferrispark label head scott ferguson. scott gave to raindrops a totally different feel and energy in a way of his own.

foolish felix dickinsons superb cynic label with another hot one! cynics latest release features another killer track from l.h.a.s. inc. (jamie read and felix dickinson). analogue synths and vintage drum machines rock along with an infectious old school style reminiscent of the early sounds coming from chicago and new york in the late 80s early 90s. think clubhouse meets nu groove. on the b side phoreski (felixs fellow resident at londons bad passion) delivers a remix that takes the track to another level, darker haunting synths and a robo vocal asking: do you like the way you feel, will you dance with me?

there must be something in the water of the canary island seas. something that turns quiet kids into tasteful buttoned-up hooligan experts in house music. >luxemburgo< is the huge vicario musique choon everyone was waiting for. a groovy sure shot which combines commanding ferocity and a delicate class in a way reminiscent of michael j collins early work, but also hints at alex & isaacs passion for house and mysterious funky vocals- almost ambient melodies a la lone, carried by a strong rhythm built on noble drums, unraveling the most >hands in the air< breakdown since the invention of putting your hands in the air.

london-based, belfast-born blogger-production duo matt mcbriar and andy ferguson need little by way of introduction. theyve released one absolutely killer track after another, snaking through everything from deep disco edits to moody two-step to classic new jersey house vibes with incredible ease, on some of the most exciting labels out there: throne of blood, under the shade, domino, love fever and now, aus music

almost two years after his stunning debut album release, john roberts is back with a wonderful journey into sounddesign, sample research and contemporary club music. as beeing inspired by the aural surrounding due to travelling around the globe- as a dj and author travellers almanach- the worlds finest magazine on our beloved and hatered jet set life- the paper frames ep contains some mixture of accoustic instruments, deepest bass levels and extraordinary rythm structures. according to john roberts, club music should be way more open minded and surprising. for those who are on the search for an advance approach of electronic music this one is the top match

großartige compilation des berliner labels items & things, das von magda, troy pierce und marc houle betrieben wird. variables enthält 15 exklusive tracks von magda, jimmy edgar, populette, howard watson, troy pierce, marc houle, rework und anderen auf vier farbigen 180-gramm-vinylen, die in bedruckten innenhüllen und einer aufwändig gestalteten box verpackt sind.

when discussing producers with consistently good outputs, few compare with jan driver. just pulled out his debutalbum amatilda last year, jan driver again dished out an extra tasty and promising morsel: this one-shot named peaker comes with a gigantic brightness in sound and is not less than a slammy hand-clapping celebratory basher. the and heavy subbasses are literally all over the place. jan driver signatures for sure! it has the exact fair amount of tension a track needs to sound excited and to infect your eardrum. on the flip side, action flowers rework pad the track with a golden summerdress, adding a magnificent arpeggio sequence so perfectly complementary to the original sound, its shimmering all the way to the solar system.peaker is proven to be one of our favourite summer releases in 2012 thus far, with its take on a slower beat and more of a late night come-down vibe apparent. you know that feeling when you hear that perfect song for the first time? well, it just happened. twice. weve got goosebumps. were feverish. were sweaty.time for the summer to come. now we impatiently wait. were just a little excited, you know?

for the 4th release on their cocktail damore music, discodromo and boris bring you the exciting and extraordinary sound of lord of the isles. with a handful of releases for labels such as the japanese ene and firecracker offshoot, unthank, lord of the isles is currently one of the most talked about names in the electronic music scene. the sound in these 4 tracks moves between ambient electronica, planet e techno, kompakt shuffling trance (check out the sublime searching) and mid tempo balearic house chuggers, with squelches and bubbles in all the right places. they are highly sophisticated deep-disco house movements encrusted with splurges of sonic texture. lord of the isles has amassed support from a long list of both seasoned and new school djs, including masters like david mancuso & dj harvey, who included one loti s track on his recent x mix cd, andrew weatherall, daniel wang, fudge fingaz and linkwood. as usual: limited to 250 copies, 12 inch in 4 colors cover - no digital. hurry up, vinyl only!

latest release by finlands kojak giant sounds. al kent steps up to the plate for more million dollar disco.

summer edit featuring a special track for free parties, plus includes an uncommon track with overdrive percusions. brandcash has a real addiction for sophisticated synths, timetothink (purpose mix) seeks to go as far as it can bewith such sounds in a techno way, pushing the limit ... just before the core music.
whereas the planck constant mix is kicking a hypnotically lead-sound, turning detroit influenced at some moments. jayg05 ends with a very loud side b, focusing on 2 basic elements: kick and percussion. drummer 404 on side b features a real massive kick and saturating percussion. a sound you havent heard in a long time.

this release has been a long time coming. all the way from russia, kirill tipo aka the saint petersburg disco spin club, has been catching our attention for some time now. so much so we asked him to take the reins for the launch of the new conservation dept. label. he obliged with three absolute belters!

a classically trained pianist from the age of six, jarrah mccleary grew up in the sticky heat of the northern territory, australia. his previous project, the dirty secrets saw the band working between australia and london with iconic producer and engineer, nick terry (klaxons, libertines). after working on ideas for a new record for over two years, in early 2011, mccleary declared a new album and boarded the airplane, bound for los angeles. between splashes of yacht rock, trop-pop and nods to peter gabriel (thanks to the iconic 80s yamaha dx7 synth), a short summer experience in the city where dreams are made lead to tracks tinged with hints of hopeful house music strewn with the sleaziness of venice beach and too much free poured tequila. and so, panama was born. magic is a modern summer anthem. and what better way to celebrate the party season than some bonus remix action by the worlds most avid dance enthusiasts? the sydney-based quartet join forces with dfa heavyweights and panama fans, midnight magic and gavin russom (the crystal ark) on remixing duties for their debut release.

tony ollivierras issued a generous number of singles and eps under the ibex moniker on rushhour, planet e, yore, and his own ibex music, and now follows up his 2010 yore release, meltdown, with absolution, though this time under his birth name. no matter: ollivierras music sounds great, whether issued under his real name or an alias, and absolution is no exception. the infectious title cut gets things moving with a bass-powered blend of claps and funky rhythms before chunky house chords and silken synth figures add to the tracks multi-layered splendour. a jazzier dimension rises to the surface of quick release when the tunes churning hi-hats are joined by royally swinging electric piano playing and luscious synth pads.phase down opts for a purer deep house sound in its focus on kick drums, claps, and futuristic synths, though the track proves that ollivierras naturally funky side cant help but emerge, here as it does elsewhere.

>rispah<, the sophomore album by the invisible and their first for ninja tune, is >a love letter to grief< following the passing of singer dave okumus mother, is imbued with an inevitable melancholy but defined by a sense of hope. throughout, the band reveal their rich creativity and musicianship. echoes run through these songs of african music (including beautifully-woven-in samples of the singers from okumus mothers funeral), psalm tones and devotional music, in a silent way-era miles davis, hints of minimal classical composers such as steve reich and the wilder more psychedelic end of hip hop and related electronic musics.
nothing is ever included for the sake of it, no attempt is made to patronise or sell the audience short. it is a record brimming with real emotion and restless intelligence, a record to get lost in.
double 12 inch vinyl in gatefold cover, including insert and code for free mp3 download.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

after a successful release period of eintakts 10 years anniversary, the label appears with the 2nd part of the liquid garden series. eintakt s new compilation liquid garden chapter 2 makes this summer to a lithesome incidence. extraordinary airy and deep sound combined with dub tech elements, a congenial batty mix of distinct styles. bekeschus, einklang freier frequenzen, reynold and the marx trukker contribute their brilliant acoustic artwork to this team-playing vinyl.a very special attention must be given to the cover artwork, an enormous combination of graphic- and sound design. after building up a trigger for a kick drum and installing a special camera, our graphic designer astrid höffling shot a mass of abstract forms, that show the colourful exercise of the frequencies while running out of a speaker – a liquid movement of sounds. the musical range covers it all: from a bright hymn by bekeschus to some chunky dubtechno by einklang freier frequenzen and then all the way back with some uplifting moments for the deeper floors by reynold and multiple melodic house music sketches by the marx trukker. all artists present their creativity at full volume ranging from outstanding soundscapes to visual sensations, making liquid garden a total work of art.

filth collins is australias fastest rising dubstep talent. his original productions have gained dj support from some of the top dubstep djs in the world, including plastician, 16bit, doctor p, dz, borgore, brown and gammon, and bbc1xtras own mistajam. his dynamic dj sets have seen him play his way across australia and new zealand doing headline shows, as well as supporting some of the worlds best talents including crissy criss, trolley snatcha, skism, foreign beggars, cooly g, antiserum, roska, and countless others. with forthcoming releases on rod azlans imprint >azlan entertainment< as well as footsy & dj tubbys imprint braindead entertainment, filth collins is one of the dubstep artists to look out for in.

2016 repress.... two stalwarts of amsterdams techno & house underground scene. julien chaptal and david labeij, decided to link arms at the beginning of 2012 with the creation of their vinyl only label, mfd.aiming to bring their blend of electronica back to a stripped-down, powerful, and hypnotic groove. mfds back-to-basics approach was born out of the infallible conviction that dance music in its purest form can effectively reduce ones insides to a bundle of raw nerves, and induce a state of pure bliss. wether it be hypnotic, gritty or intense electronic music, the label focuses on explicit quality, keeping egos in check, and never allowing them to get in the way of a good time.

the third release of the vinyl label seoul community is a successful ramble through house and techno. the label run by john lagora and bob morane strikes back in a firmly, drifty, groovy and passionate way. the sophisticated productions of the five artists from germany, belgium and italy offer a wide range of peak time music for the dance floor. this third record includes two originals and two remixes and offers the right track for every moment. whether for the sunrise after hour mood in the morning, the introducing warming groove or high noon dance floor monster - this ep leaves nothing to be desired. the artists, who are residents on labels like mindshake, catwash, momentum and lordag, deliver felicitous and elegant tracks in a well-known quality for this release on seoul community

nice price deal !!! being in the same gene pool as pat sharpes hair is enough of a stigma to steer any young djs career off course - deep in the discos of pop trash. fortunately for metaphi / metske, although still benefitting from the same glossy 90s locks as the radio-jock/distant uncle, musical inspiration came from more complex climates. wigflex006 acts as a fine electronic switchboard to metaphis archive of talents, a complicated circuit board of the experimental ranging from hip hop, idm, and garage to blues harmonicas and classical rifts, seamlessly melted into one gloop of green circuitry where each musical discipline must co-exist with another. as metske the bpms hover around 95, the framework is hip-hop, the sound often skwee but the influences thereafter are endless, slow train blues clicks its way through a steam train intro before marring the lines between electronic music and the blues with a self-composed harmonica rift worthy of howlin wolf. at the same tempo spin states delves into the cosmic with pipey neon chords and bit-crunched bass: sega mega drive boss level business. metaphis taste for big room techno is blatant and genetically wigflex over sharpflex, and in terms of nationality its mongrel, half notts, half eastern europe. with concious mentis hes keeping things minimal but charged from lower frequencies and messmode progresses with some serious dancefloor swagger.

slapfunk is back with 350 copies of solid black marbled vinyl with 6 straight up grooves on it. anil aras and larry de kat are members of the slapfunk family but they also run their own parties called grooveroots. the sound that you hear on this ep is exactly the sound you can expect at their events. just oldskool bangin and freaky grooves

persnickety sounds is here to funk-ti-fy your world!in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.let the labels fall and just get it movin.

being the hopeless romantics we are here at circus company, when we fall for an artist we tend to do it head over heels. you may have witnessed this in the past with some of our dearest protégés, from dave aju to nicolas jaar. now we are embarking on the same kind of whirlwind affair with franck roger, the glow only just retreating from our cheeks after he won our hearts with the i take you up ep. like a well-seasoned casanova, franck has found the perfect way to follow up that first date with an even deeper reflection of himself as an artist, leaving us flustered and quite simply stunned by his charm.

with the strains of re-ups freedom still ringing loud in our ears, dissonant prepare to unleash their first slice of summer goodness, a new two track selection from leix. the valencia born, barcelona resident has been exciting dancefloors of his home nation for the past fifteen years, regularly sharing the decks with the worlds leading spinners. with a preoccupation with fusing styles and sounds, a trait that is obvious in his own productions, leix ensures that his own work remains consistently fresh. the novo music boss own productions have already found the support of many of the biggest names in the industry and have seen their release on labels including fumakilla, monza, barraca music, inmotion music, melisma and more. his akane ep is leixs first excursion on dissonant and what a way to kick things off. lead cut akane is as perfect a fit as they come. a locked tight groove, devilish kick and a bubbling acid line that tricks us throughout with its undeviating trajectory. on the flip dumnezeu continues in similar fashion. an understated bassline pulses throughout, as a snare rasps and hats glisten a spoken vocal preaches. the gospel of the dancefloor.

quickly rising on the horizon of the london electronic scene, croydon-based deft joins forces with wotnot music for an enchanting two-track ep with three beastly remixes. while driving dancefloors wild with an energetic and fresh brand of ghetto-tech and footwork, defts production on this release betrays his hip hop origins in a whole new way, with seductive beats, g-funk-esque top lines and unlimited swagger.

after the well received clone s.o.s.>all around the fires< ep and his debut vidd 001, marco shuttle starts an adventure with his very own eerie records label. first trip is a great 3 track ep in marco s signature sound. deep, super deep acid & 808 driven grooves and dark dubby reverbed drums and dramatic strings. phat tracks that sometimes remind of early aphex twin works on the selected ambient works and surfing on sinewaves but then the marco shuttle way. dont sleep on this one! recommended.

killer techno!! gag reflex is one of those tracks that tears down the walls youll find yourself fist pumping to this one day at some obscure techno party! influences of early 90 s detroit techno all the way up to darkest & sweatiest corner in the berghain. gag reflex is a distorted throbbing stab heavy work out. the bottom end rolls along while the crashing hi hats juxtapose to create a sense of havoc. essential techno tool! on the flip angry dragon focuses its energy on the synth work. the overlaying 909 claps adds more aural pleasure rounding off the package in proper form. issued in limited hand stamped form - vinyl only!

journey, the american hard rock band that was formed in 1973 and became a sensation in the early 80s, didnt fully break through until their 1982 hit >dont stop believin<.
this classic rock anthem has been used in many a soundtrack, from southpark and my name is earl to bedtime stories, and most recently with great success as the theme tune for glee.
remastered audio on 180 grams audiophile vinyl.

journey, the american hard rock band that was formed in 1973 and became a sensation in the early 80s, didnt fully break through until their 1982 hit >dont stop believin<.
this classic rock anthem has been used in many a soundtrack, from southpark and my name is earl to bedtime stories, and most recently with great success as the theme tune for glee.
remastered audio on 180 grams audiophile vinyl.

it is a bold move to describe someone as the new, male equivalent of the late amy winehouse – but those really are the best words for the motown-revisited sounds of bo saris.
holland-by-way-of-ladbroke grove singer bo saris has made quite the impression in his native netherlands, but wanted a change from being a big fish in a little sea, and is now looking set to break onto the uk scene with his powerful vocal register and soulful intonations.

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.

marius vareid revisists the title track of last years debut album in two version here and other than the connotation that telemark evokes, its perfect summer bizniss in the 12inch edit version thanks to its bobbing flanger chords, the unhurriedly striding bass melody and the carefree clattering percussion. the klubb version sticks to its promise, keeps the trademark chords but they sound way more athletic in its sparser environment of beefed up drums and frantic percussion. powered by a slightly moody feeling bassline and its buoyant, exuberant synth melodies the brand new il tempo gigante on the flip is a prime example of the scintillating, heady mixture of disco roots, house and dub antics. as an extra bonus prins thomas adds a tropical-sticky interpretation of villa farris (originall version on fp024)

nice price deal !!!