this is the first single cut from the debut album of eddie c, which will be released in march on endless flight. eddie c is one of the best new comers of the nu disco scene in 2010. the title track of a side, do it yourself is a philly disco sound. there are no new things but this track will be a timeless dj tool in your disco set. pain inside on b1 is slow house stuff with a 70s soul voice loop. dub me gwen on b2 is more electric modern boogie disco style

what a journey! well, these guys have been around for a while- they have gone through: rave, jazz, krautrock, garage, detroit, house, hip-hop, disco, folk, dubstep, electronica, funk, punk, wave, chicago house, handmade music and soul. all those nights at clubs, the records, the shelves, the dirt in the second-hand record shops, the stacked audio- and studio magazines in their toilets or elsewhere in the house, the hours spent making their own radio-shows, hundreds of hotels checked in and out of, dozens of sound-checks done. last but not least, the revivals, the subgenres, the fusion - well these peeps have given real influential input into some of these (sub)genres in the past. >lovin< is the second single release of the upcoming >alex and the grizzly< album which is due out in april 2011. alex barck is on the vocals together with lois longerling, who is known for her work with dollkraut. andre lodemann delivers a smart remix giving the tune his trade-mark sound and putting onto the house-dancefloors. prommer and barck are on tour with their own live show.

the title track >juneau< comes at you with force, grace and a warm low end perfect for a late night or an early morning. pier bucci and crazy larry aka glacier really work the knobs and controls to create a melodic yet refined sound. this is definitely the most emotional track on the release, usually evoking quite a response from the dance floor. play this at the right time and you will have a smile on your face for sure.

in just three years, berlin based artist dehnert has gone from unknown talent to underground hero with his very own >raw techno< sound making waves on labels like his own imprint fachwerk and now delsin, where he finds himself at home amongst the future music of talented cohorts redshape, a made up sound, delta funktionen and more. this ep is an introduction to his upcoming album framework - an uncompromising album made up of pure techno tracks of the sort youd expect to hear on the dancefloors of places like berghain or tresor. they go from pulsing and classic sounding to skipping and glitchy, through greyed-out and sandy via swinging and syncopated but always with a sense of restraint and control whether they are abstract, apocalyptic, atmospheric or whatever else. although his tracks are undeniably functional, at the same time, they are neither nondescript nor forgettable: somehow, through masterful sound designs and an accomplished knack for blending real tension and atmosphere with his obvious basic channel and berghain influences, mike dehnert manages to lock you into whatever mood takes his fancy with apparent ease.

eminor 29 again comes up with massive minimalist techno.
coeter one & dubit - granatapfel - bring together a german and an italian sound designer and you get an experimental mixture of drums and carefully quantized grooves. the minimalistic framework of >granatapfel< is teamed up by vocoded vocals and an unique break which leads majesically from confusion to musical order.
scalameriya - ridley - by the serbian techno-guru scalameriya has a fast and pushy bass-dominated rhythm, an almost factory-like precision and a compulsive eye on the floor.
granatapfel - re:axis s going down remix - the remix of portuguese duo re:axis is less stripped-down than the original. with its thrilling melody, re:axis manage to give the track an epic touch.

the urgent bass tones of >tussilago< open another intense builder. textural, staccatto elements combine and head the attack as the track picks up steam through its several, breathless breaks. satisfyingly wicked! mikael jonasson is the next artist to have his say on figure. like a pack of gruesome bass monsters brawling in their subterranean lair, >random diversity< is a ferocious encounter to say the least. roaring with intensity and detailed, thrilling sound design, its a raw, brutally modern and fiercely powerful production

more killer output from the skudge factory. below is a brand new side of refined diva haunted techno, while phantom bites like it was designed specifically to turn berghain inside out..huge sound. tip!

nocturbulous is proud to present his 2nd release. qubo will be feature from label owner himself, jean bruce with two exclusive remixes, from andr dalcan and david carretta. the sound is again under 80s and early 90s influences. qubois now ready to make the dance floor burn

so … the story goes something like this: being inspired one day by 69 >desire<, vince decided to create an interpretation of it using his own unique sound. the track was done very quickly as a gimmick to send to carl craig as a mark of respect for his own track, now the track has been signed by carl for planet e and the world will now hear that very 12 minute piano and string filled beatless gimmick that is proving to be vinces most musical piece to date. its epic stuff. flipmode with >qualia< which takes off where vinces fcom material left off. deep driving hypnotic dancefloor material with an orchestra thrown in for good measure.

the fifth release of >lets get lost< which is started by mule musiq and force of natures kza. this new release is by jd twitch from optimo. when jd twitch travelled in south america, he has found out a lot of an excellent cumbia stuff. cumbia is latin music in colombia. basically cumbia music dont have a sound of drums. rhythm of cumbia is almost composed by some of percussion. jd twitch added drum sound to make more mixiable dj tool version. enjoy the unique selection from jd twitch

roman ruins is the brainchild of graham hill. his sound combines elements of indie pop, electro-shoegaze, and hip-hop. draped in structure, you will most certainly count yourself among his legion of fans after landing a copy of the inaugural gold robot records release.

>corky< is the third ep from brand brauer frick on tartelet records and features a remix from tartelets own james braun. music has always been the defining core of tartelet records. this may seem like an obvious statement, but that was the very reason why it hit us like a ton of bricks when we receivedthe first demo from paul frick and his new band around two years ago you might say that the brandt brauer frick sound touched on a vibration that had been lurking in our musical subconscious. we ll resist the temptation to wax lengthy or lyrical about >corky< instead, we suggest you have a listen and let yourself be seduced by its panoramic echoes and pumping bass drum. hop aboard an odyssey that leads brandt brauer frick through the technoid city of detroit. its a fine ride indeed.

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

wir freuen uns das neue jahr mit ihm beginnen zu können. nach seiner sagenhaften single coconut blues istgabriel ananda zurück auf treibstoff! der titeltrack love attack hat die für ananda typisch erdigen grooves. streicher bereiten den weg zu einer organisch anmutenden bassline und nehmen uns mit auf einen emotionalen glückstrip. open up ist ein sehr trickreiches stück techno und entwickelt einen unfassbaren sog, der den raum zu einem vakuum werden lässt. für den remix von open up hat sich treibstoff den stuttgarter till krüger beim befreundeten label 200 records ausgeliehen. mit seiner version wählte er diesmal nicht seinen schnellen detroit-sound, sondern lässt die original-sounds in einem gewand erscheinen, daß mit seinen dubs an die legendären gas platten von wolfgang voigt erinnert.

recorded in the winter/spring of 2009, first released in june 2009. at the time i called it my failed kompakt techno experiment, i started out with that minimal beat in mind but ended with something different. the title was the first thing i started with after watching some miss helen mirror on tv at the period, still love the title really. songs became longer and i discovered the delay while recording. this second record was the first one were i started settling on an sound of my own. some weeks after recording the screaming girls on the last track during their sunday afternoon youth group activity a baby fetus was found on their field with the mother being one of the girls

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

manchesters tomson & benedict with a fresh deep house vinyl... inspired from 90s old school house sound , 90s us garage house and classic chicago house records too

well rounded kick off 2011 with the deep space bump-n-hustle of littlefoots aptly named >interplanetary< ep.
all 4 tracks contrast tuff dry drums & low sweeping subs with cosmic atmospheres and twilight melodies and chords. theres a unique strictness in the drums here, less swung than typical garage but with innovative programming that shows a producer keen to explore new possibilities. as ever with well rounded and our producer friends, we are celebrating influences from the past - think classic 4/4 uk garage in the vein of dem 2, mixed with early 90s rave sounds and welded together in a motor city car plant. with added post-dubstep production sensibilities, littlefoot is creating an unheralded hybrid sound. all 4 tracks contribute to the completeness of the ep - we go in hard, explore different areas and complete our journey with the last track. we hope you enjoy this trip.

london grime producer swindle follows up his incredible planet mu ep with another slab of funked-up grime, this time for a rapidly expanding rwina records. swindles return marks a slightly stripped-down sound: the funk is meaner, heavier, and nastier. >playground< grooves on rainbow synths and leisurely, drawn-out melodies, as a boogie bassline carves memorable phrases in the ground below. all of this is shoved in an approachable halfstep template that means the track could just as easily slot into any dubstep set as the grime scene in which swindle dominates. did we mention theres a killer freestyling organ solo in the breakdown?

>contrast i< is the first installment of three limited vinyl releases from polish sound artist and sonic terrorist cezary gapiks amazing work, to be made available through white box in 2011. contains 2 tracks with a runtime of 22:46 and 15:04 minutes.

the second lowriders recordings release comes courtesy of lowriders collective crew member coco bryce. ever since his split 12 inch with slugabed on myor (coco bryces label) he has been on the radar in beats country. coco bryce has a very distinguishable signature in his sound, which is best described as a mixture of synthetic funk, heavy bass and chopped hip hop beats with a strong dancefloor push. he has been on flyers with noah d, slugabed, mesak, randy barracuda, mweslee, sduk and bass clef amongst others. >dis cam belie< is coco bryces first solo ep and it brings us a varied view on the sound palette of this madman.

pale sketcher (aka justin broadrick of jesu/godflesh fame) follows up his ghostly debut >jesu: pale sketches demixed< release with the ep, >seventh heaven<. broadrick covers a large palette of styles, discovering moods and rhythms that further expand the pale sketcher sound. it further solidifies his taste for electronic material that bled into his jesu project and solidifying pale sketcher as yet another legitimate project for this prolific artist. >seventh heaven< includes 4 brand new tracks that highlights a variety of influences from drum n bass and shoegaze to trip hop and dub. the lone remix is a dub meets trip hop sound reminiscent of trickys >maxinquaye< period from the legendary king midas sound. pale sketcher is clearly figuring out his next big step with the >seventh heaven< ep.
limited to 250 copies on swirl vinyl in a clear sleeve.

for more than 5 years cargo edition has been standing for the deeper house productions of moon harbour/cargo edition’s roster of artists. so far acts like ekkohaus, michael melchner and markus schatz have been setting the tone. now this platform is offered to artists who haven’t yet appeared on the label. the warehouse release is the first of a series of various artists eps. we invited artists like steven cock from dresden, ralph sliwinski as well as the italian acts mass prod & marco daquino and minimono to contribute tracks to warehouse vol.1. the sound of the first ep is all about consistent house music that does not need any cheap rave tricks. old school house music is quoted with skills and style and translated to the modern dance floor. warehouse vol.1 is the perfect start into the fifth year of cargo edition. luciano (cadenza): cargo edition is a great label, probably one of the most quality dance music.. full support!

a1 fur elodie is a cheapy guitar tune combined with the piano to form acoustic sound. other elements are also quite cheapy but sounds very good altogether as a confortable track. a very atmospheric tune to hypnotize people into fumiyas deeper side. the original version is on his album unknown 3 released in 2008. b1 ring bell is a track combined an acoustic loopy drum with a modular bass sound to form a kind of rare groove. a kind of chant starts coming in out at certain points to take you somewhere you have never been before. b2 dealer trick (short version) has got a kind of old school flavour and sounds quite like 90s house with fumiyas dirty, cheeky, and loopy groove. a trick for jack in the box

danish producer martinez rarely fails to surprise club music lovers with his versatile views on techno and house. his very special enthusiasm enables him to seize new musical territory with every release. with his debut record on cadenza, his house sound develops another depth, a more general view of the ever evolving tension between life and music. the mzuzu ep is all about bass. the bass is all around, the bass gushes into every corner of the club, it pervades concrete and iron. while the low frequencies deal ruthlessly with architecture, they are kind to us humans. the basslines put the dancers in a conforting state of hypnosis which might be an unconscious reminder of the long gone time when one still rested in ones mothers womb. it arouses the memory of a state when one is completely merged with the surroundings. martinez reorganises the structure of house music: the lashing grooves cease to be the center of the tracks. martinez moves the heartbeat of the music from the beats to the bass. its firmness releases the other elements of the tracks, creating a free-spirited feeling. freed from their regular task the grooves are enabled to be rough and open. instead of trying to control the crowd, they ravish us with their liberating energy. the tracks rarely need anything else. the icing on the cake consists in tiny vocal samples. creating an irritating athmosphere, they put us in a state of constant curiosity. disolving completely into the flow of the tracks, the human voices become pure sound. >mzuzu chant< & >adagio< are for the beautiful moments when the dancing crowd detaches itself from time and space

specialist interest is back!! with a huge release from mr. pete herbert, a tremendous release to inject a new lease of life into the label. a1: well heeled - melodic bass line with snyth stabs and arpeggio, a very big room sound. the track builds with a great groove and very spacey sounds. killer track!! a2: earthy powers - popping synth line really makes this track! gentle bass adds to the groove and widens the sound with a funky guitar riff adding an organic feel. vocal is a brilliant addition.

nice price deal !!! souled are back after a years break to build their studio and get their record label fresh minute music rolling and it seems to have done the trick with support for the label from radio 1s annie mac, gilles peterson, rod da bank and toddla t and plays on kiss 100, 1 xtra and galaxy as well as where it really matters on the worlds dancefloors from heavy weight djs benji b, karizma, martyn, floating points, joy orbison, kyle hall, kode 9, louie vega, osunlade, recloose and rainer truby. the labels tracks have also landed on fabric, ministry of sound and soul jazz compilations and have been licenced to america, south africa and japan. not bad for a years work and now their first 4 track album (finished in the newly built studio) is getting some heat. support so far from gilles peterson (radio 1), phil asher, simbad, mad mats (raw fusion), rocky (xpress 2), craig smith (6th borough project), julio bashmore, kay suzuki, green money, sy sez (aprodisiax), robert owens and patrick forge.

terrence parker presents music works volume # 1 (catalog pmw001) is a special project featuring tps favorite picks from his parker music works label featuring house fused with disco, funk, soul, gospel and jazz. tp chose these 3 tracks not only because he likes them personally, but they were also among the most requested tracks by tp fans for a vinyl release. the a side features tps gospel-disco-house production of >let your love show< which was produced in 2010. the b side features a jazz-house fusion track entitled >soul juice< by dj leandre of paris, france. also featured on side b is a disco-house stomper entitled >lets get some love< produced by matt veloce who is a new producer from minneapolis, usa. for fans who like the sound of tps classic tribute ep, this special release is a must have!

spun presents the neurofunk legends synthetix & corrupt souls! these artists were a big hype from 2003 - 2006 with their very own unique sound and caused mayhem in the scene on labels like renegade hardware, obsessions, freak, black sun empire, disturbed and many more. spun came up with these 2 forgotten gems that still sound fresh. neuro heads will love the freaky sound of the a-side with the unmistakable heavy stepping beat and neurotic synths. the vibe reminds us of the good old days while the flip will fit in every djs set with its heavy percussion, siren like sounds and heavy synth stabs! still fresh! only limited available, so grab it while you can.

fer br is one the most prolific artists on the special series imprint with now finally his debut album ready to launch early 2011! fer br has stirred the techno scene with his incredible fresh and funky techno sound. very well produced and very very party friendly! the girls just love his sound. so if you are into the dj-ing for getting the girls, you must play fers productions! with not only great tracks and remixes for labels like gtmuzike, basics, subcult, code, cobra, patterns and many more he also set up his own imprint which is called funkme. thats just fer br. it cant get any funkier! this is funk. fer br presents: this is me!

a1: your last chance - very housey vibe on this one, with a heavy kick drum/snare combo. expanding synth line and very subtle percussive elements help the track build. it really kicks in when the vocals hit along with a funky ass bass groove. beautiful! a2: sailin 79 - slow paced track, centred on the vocal. great backing with bass, rising & shooting synth sounds. not so much for the dance floor, a great track for bar surroundings or a low key dj set! b1: youre welcome - smooth groove on this one, vocals are really well executed and give the track a great edge. killer track! b2: love is gone - super chilled track with a cosmic disco feel. waving synths, and echoed vocals create a very big sound. this track is encapsulating, pulling you into the groove for the entirety and sticking in your mind once its ended! brilliant stuff!

support from pig & dan, gary beck, electric indigo, dj misjah, nicolas masseyeff, paul nazca, brothers vibe, linus... absolutive records is back !. after micromattic & opuswxerk, its time for dean olbricht to produces a powerful and hypnotic techno on this french label. both >tiliae ep< tracks include devastating sound which ll surely fire up worldwide dance floors this winter. b side, this is the talented maxime dangles (sign industry / kompakt), no need to introduce him, he disturbs the original version of >narvik< by pushing to the top techno style! such a delight for berghains sound addicted!. for those who purchase the vinyl, the track > tiliae ii < is in free download via a qrcode on the sleeve cover.

to kick-start the fina campaign we literally hunted high and low to find an artist and sound that we felt would represent us and give a statement of intent. what we didnt expect was for this search to take us south of the equator and into to the deep southern hemisphere. this is not the first place that you would expect to hear warm, deep underground house but this is exactly what you get with the melbourne based mic newman. and thinking about it, it doesnt get warmer or deeper than melbourne does it? mic is a young producer who we believe is destined for greatness. at the age of 29, hes already had a string of underground smashes on labels such as murmur, tsuba, dirt crew, freerange, and now for fina records. the intriguingly named live east, die young ep (mic riffing on his time spent living in london) sees what mic doing what he does best and demonstrates why his future is so bright. on die young, the tougher a-side, mic keeps the beats solid, and the groove tight and hypnotic, while the smooth chord stabs get right under your skin. prolonged foot tapping ensues. on the flip side, live east, mic takes it a little deeper with ever so subtle disco touches. the vocal sample asks what your name is and to take off your jacket as if to welcome you to a very messy after hours on this mcde-esque low-slung house groove. on remix duty, the on-form jacques renault and marcos cabral aka runaway, lift the track out of the south hemisphere and take it in a north easterly direction all the way to the caribbean – adding plenty of steel drums and pads on their interpretation of live east

after an incredible whirlwind of a year lee foss returns to the culprit fore with >your turn girl<. foss is the labels most consistent and prolific artist with this ep being his fourth release, solo or as part of hot natured. it is safe to say, lee has become one of the pillars around which culprit is being built. the >your turn girl ep< carries foss signature hallmarks: melodic funk-infused basslines, vocal hooks that grab you from the off and a smooth electronic edge. lees incredibly emotive sound makes him stand out even in the current glut of soulful dance music washing over the global scene. your turn girl – the title track is an epitome of foss >ominous funk< style, playful yet with a distinctly sultry edge. yet another memorable r n b female vocal bit sits on top of some of lees own best synth work. and driven by a killer analogue bassline. >pyramid scheme< –bristles with the disco-inspired propulsive energy. an acid-flecked low end, that comes to the fore mid-way through, a swirling guitar sample, the crisply sharp drums add up to the releases, perhaps, most hands-in-the air moment. >cabin party< continues the themes lee explored with his mega successful hot creations ep. foss eschews the standard house beat yet again, opting for his most organic drums yet, stunningly conceived textures and melodies, with another pair of vocal hooks to die for. finally >warriors< has been a staple of many a culprit dj set for the best part of 2010. lees trademark combination of a terrific electronic bassline, and an unabashedly emotional sample work make for a deep house stand-out tinged with a sense of nostalgia.

following up his successful foray of sampling on otp party breaks, andy ash finds himself diving head first into the darker outer limits of big room dance music. >another world< nods its head to technos yesteryear, more specifically detroit. imagine a slower version of the motor citys soulful chord pulsing sound and youll find yourself in the right ballpark. add to this andys finishing jacking touch and the result is golden. this time around otps remix work finds italian man of the hour nicholas, from no more hits (label) fame and otps very own marcos cabral

berlin based ed davenport & oliver deutschmann are both established producers in their own right. with a similar interest in urgent, atmospheric moments for the dancefloor, their first collaboration emerges. a proud and powerful statement of the pairs passion for techno, >trump< runs over ten minutes, focusing on a central, ethereal theme that resonates above a rigid wall of percussion. ibadan records boss and internationally respected electronic music figurehead jerome sydenham lays his hands to >trump< in his dynamic, accurate remix that draws us deep into his mechanic-organic sound. nyc based brendon moeller crafts a bass heavy, urgent >appliance< that honours the groove of the original and morphs it pleasingly into more spaced out zones

pop ambient returns. kompakts beloved series. this is our other arena of bliss, always curated and carefully compiled by label co-owner wolfgang voigt (aka gas). somber times call for more introspective sound scapes - >pop ambient 2011< continues its mission to slowly persuade its signature sound introduced over a decade ago. this year we see the series leaning towards a slightly darker complexion than its predecessors.

southern florida, 1984. the sonarphonic sound was pioneered by james mccauley aka maggotron / dxj / basstech. originally produced for bound sound records in 1984, this is one of the earliest and rarest recordings from mccauley and marks the beginning of the underground miami bass electro movement. in the following years he recorded hundreds of tracks including >the bass that ate miami<, >temple of boom<, and >attack on the planet of bass<. maggotron is still active in the genre and is currently working on a new album. if you are unfamiliar with mccauleys musical adventure, let the sonarphonic be your guide. tip!!

one would be curious as to what a track such as this one would sound like. images and visuals floating through your head as you press play, the airy, angelic pad intro induces you into a trance-like state before soothing piano lines and a pitched-up vocal reminiscent of the early hardcore era takes you away. as the drums come in with a half-time feel, it is easy to imagine japanese taiko drummers playing their part. once the break takes hold, a short span of melodic heaven uplifts before the drums take control again.

italojohnson starts the new year punctual with his third stroke. this record will have something suitable on it for everyone out there. without batting an eyelid, its crosseyed and selfconfident, looking at three different floors at the same time: the a-side focuses on the chicago house floor. it begins with a recognizable toolish sound. slowely but surely the theme of the track opens – the track works through a breakdown, a classic drum roll sneaks in and jack grabs again. the b1 provides an unusual turn on the third italojohnson production. theres no space for compromises here. the track stomps on the steam engine warehouse floor. a flowing acid hookline is settled in the industrial drumline and gives the track its meaning. the second track on the flipside completes the whole package and is destined for the late night hours. thats everything there is to say about this track – the strength and emotion can only be experienced by listening first hand. love, peace and happiness

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

lowjac demonstrates his versatile sound and production style, on a unique debut vinyl only release, featuring an exceptional remix crafted by metrolux label boss xdb. limited copies. >frontal rainfall< is a sublime dub techno piece , subtly infused with organic textures, while its driving flow unravels into an acoustic journey of dreamy realms and atmospheric moods. >hatfield junk< drifts without warning to a futuristic hip-hop direction, triggered by offset beats, cosmic synths and cinematic samples easing into an unpredictable breakdown workout. xdbs b-side interpretation, through different dynamics, rhythmic arrangement and depth perspective, is an astounding display of his ability to elevate the original track to a world of sheer bliss.

dj pepo presents: inspired! pepos own label to release his consistently evolving techno sound. dj pepo is one of the pioneers and most quoted djs of spains techno scene. each booth pepo touches with one of his naturally electric sets is filled with both rhythm and force, dazzling audiences all over spain. speaking of pepo is to speak of an authentic reference of spanish electronic music who has had a hand in the scenes history and evolution. he is a time bomb in the shape of music, getting richer with age and improving on each and every set with unexpected technical manuevers that jolt audiences alive and bathe their senses with musical delights this release is a showcase of his pumping big room techno with the sharp edge, backed up by 2 tracks from his friends a.paul and event 7 this is one 4 tracker ep you just cant miss out on!

the >calling planet earth ep< continues his journey of his experimentation with sound. in addition to the title track, >the magic city< and the sun ra homage >conversations in an analog dialect< showcase more of the evolving production from the mathematics label boss. hand stamped white labels. limited to 250 copies (no repress!).

crazy p return to 2020vision with their first new material since the stop space return album. the mts series is a chance for jim & chris to get back to basics and produce some club tracks for their in demand dj sets, before they reconvene with the rest of the band for their next album. already making waves with both of their soloexcursions (ron basejam and hot toddy), they team up here for two perfect examples of their trademark disco and house vibes. crazy p are quite rightly held in great esteem from some of the hippest names around, wolf & lamb, jamie jones and tensnake to name three. they have been ploughing their own deep disco furrow for many years waiting for fashion to catch them up, and now can take the plaudits for being figureheads of this uk scene. my love is a superb raw house cut, thats custom built for sweaty basement sessions, influenced by classic us house. make me wanna takes a moreunk riffs and diva vocals. both of superb examples of the amazing crazy p sound and have had unanimous glowing feedback from the few people lucky enough to have heard them so far

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

skreeeetch …. de lorean skidmarks scratching the tarmac. it is 1984 all over again. the most freshestest sound ever - even fresher now. as this is the sam with the golden ame! rough electro boogieness in high definition. what happened? running back, the goonies of the clublands, unearthed a treasure from the uk eighties art funk vaults: nature makes a mistake - written and produced by chris bishop, originally released on the cassette sampler >sex & bestiality<, bain total, something so much more streetsounds than thoughtcrime which was restored and remastered for vinyl in 2010. after that the little diamond was given the treatment by those ueber-couturiers of electrical bliss-dom: ame (teaming-up with marcel dettmann in the mix). the result is probably one of the greatest ame efforts ever, maintaining the spirit of the original and teleporting it onto the dance floors of the 21st century, the age this piece of futurist art always was destined to have its true rightful place in time. words by kk.

northern structures (troels baunbæk-knudsen and lasse buhl) are a copenhagen based techno duo. troels has been making all kinds of electronic music since the age of 14 but focused mainly on a long international drum’nbass carreer under the excentric pyro moniker. lasse is a longtime dj and has been developing his own productions, with a background in soundscapes and organised noise. both share a love for the harder and deeper sounds of techno not often found in copenhagen, taking in a wide range of influences from the early uk industrial and dub tinged berlin sound to jazz, experimental electronica and rock. the ambition is to create a marriage of industrial and organic textures by avoiding strict rules of programming and aiming for more of a jam based musical playground feel.

the first double a-side vinyl sampler from kosmo! contains incredible tracks by armin prayd and genji yoshida! that is what we call high quality piano club house sound