straight off the heels of his highly successful bird brain album teaser tracks, aundy and beat that bird comes the definitive claude vonstroke record everyone has been waiting for. the a side is classic genius cvs at work. he constructs a mad vocal pattern up and down through 4 octaves and all the vowel sounds of the live human voice. then he creates a chord out of the notes all coming together for en even bigger surprise in the 2nd half. this track is quite simply unique. there is nothing else like it. the b-side resembles the freaky side of cvs harking back to the tech funk sound of tracks like chimps. this time claude makes an ultra-wide filter sweep sound like a pair of humongous tits bouncing up and down on a trampoline. the boob jokes are there but the track is so filthy dirty its hard to even find time to chuckle.

the speed freak & stormtrooper present their new kickin production on absurd audio, ragin industrial hardcore / speedcore 4-tracker, must have for the lovers of this sound!

nice price deal !!! future sound of london_papua new guinea breaks remake

clone west coast series continues with more hot releases! after tyrell and mr pauli its the hasbeens (tyrell & overdose) who deliver the heat!. this is as big as you can get it! we could do a lot of talking about the track and the daily struggle of human beings etc... but just listen. top production leaning on classic italo but in a new modern jacket with sharp production... the clone west coast sound :-) simply irresistible

heavyweight vinyl. in this light and on this evening, the new album from editors, represents a significant step forward for the band following the huge successes of debut album the back room and the number 1 follow up an end has a start. there have been many changes to life in editors since an end has a start broke the band worldwide and established the then birmingham based four piece as one of the uks most prominent bands of recent times. bassist russell leech and guitarist chris urbanowicz are now resident in new york while singer tom smith has become a father. these changes added to the sense that in this light and on this evening is the start of a new chapter for editors and the band came together in london for the recording sessions with producer flood at the start of 2009 with a determination to push their sound into wholly new territory.

3 track ep from g. mitchell. techno soul in the hi-tech funk sound

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

incl. chris wood & pascal feos remix!
played by: nick curly, gregor tresher, johnny d, ivan smagghe, karotte, federico molinari, d. diggler, mihai popoviciu, allop grant, martin eyerer, matthew styles, catz n dogz, meat, sebbo, afrilounge, anthony collins, timo maas, …
after their great release on below records, the jacuzzi boys bring us the next bomb on levelnonzero. the original track, called cascabela, comes along with a deep groove and an evil voice which keeps the dancefloor under pressure. but at the latest, when this crazy >cascabela sound< rises during the break, you will see the crowd freaking out. on the flip, chris wood & pascal feos sticked together and created a remix, which is deeper and more into house than the original...

pong musiq presents sven schienhammer aka quantec! he grew up in the 80s and have been working on electronic music since 1995. he maintains a fruitful relationship with the styrax label and produced a plethora of dub tech gems over the recent years in labels like echocord, millions of moments, meanwhile, smallfish and francois ks wavetec label. he s been considered the natural successor of moritz von oswald and mark ernestus (basic channel). this 3rd ep on pong musiq records contains 4 absolutely massive tracks for all the dub-techno fans out there. sven proves his amazing talent and moves his sound to the next level. floating music with hovering chords and his characteristic kick-drum shuffle, shimmering keys edging into the mix for a truly tripped out excursion from the deepest recesses of berlins techno dub vault. it is very hard to capture the feeling arising from this great music in words.

bapp jim? that means swing at its best! listen to this sound of the 20s. plattenbau-music 003 also offers a great electro-remix by the sexinvaders. the b-side is the typical minimal-techno-stuff by tonkberlin with a lil blubb and a remix from roberto mozza.

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

low-end blessed, heavyweight dub techno piece from the top drawer of a rather well known, but perhaps deliberately shy producer. hand stamped and individually sealed in a simple yet rather beautiful fashion, this is arresting steppers business, no doubt. the cut, performed with all the soul and depth you expect from dubplates & mastering, is super loud and as heavy as required for all man-sized playing out needs. observed through the vapour trails of the downbeat side to basic channel, the advanced sound system research of chain reaction and echospaces afterswell - consider this as something of a two-movement love letter to august berlin rhythm chambers - heavily aromatic, opiated but still trudging rhythm and grace - enveloping bass, heady atmosphere, excellent

released in 1980 this italo gem has more recently become a huge collectors item worldwide due to its incredibly hard to find status (ú100 ebay / discogs). this album was the prototype for the whole italo sound, with the majority of it written in 1979, but was only a minor hit in its time and not much is now known about the band. the album spawned two singles gipsy and back to heaven but is full of off kilter disco classics such as mister luck and down to the disco. dusted down and remastered this album has really stood the test of time and given a fresh lease of life its bound to find a whole host of new fans worldwide.

heavy playes by ellen allien (charts pos #3), sven vaeth, richie hawtin, dj t ... we are very happy to present this new and fresh style of ahmet sisman s notorious sound! supported by grand master flash, run dmc, africa islam and eddie murphy!!

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name. known for rocking clubs and releasing a string of killer twelves, belfast-based phil has hooked up with german powerhouse cocoon in recent times. sven väths label is now about to release shh, a groundbreaking piece of work that will undoubtedly gain phil plaudits across the board. shh seems to not only reference every sound phil has ever loved in music, but is formulated in a completely fresh and futuristic way. listen carefully and you can detect elements of dub reggae, old hardcore like lfo, hip-hop, early 90s electronica such as autechre/black dog and other warp staples, as well as the futuristic techno that phil excels in. for the album phil went back to old sound lab recordings dating back to the 1950s and 60s. utilising some of these sounds in the initial construction, he built up tracks using a combination of old samples sourced from original and weird places and some live new instrumentation as well. there are live drums, some electric / acoustic/ bass guitar and live keyboard playing as well as some choice guest vocalists.

>realtime art< - that s how blackisbeautiful call their electronic music art. an analogue idea within the digital age. inspired by the aesthetics of analogue music devices, the first album of the dortmund-based producer team will be released in september via the upcoming cologne-based techno label 200. blackisbeautiful partnered up at the vrstck club in dortmund two years ago. they bonded through their deep connection to analogue art. residency atvrstck and a musical and friendly collaboration were to follow. both look back at long-term musicianship and life experience. while tim dicke paved his way into the electronic scene through being a drummer, bassist and soloartist in punk and hardcore bands and later on as dj, Ümit han quickly moved from djing to producing his own tracks. in 2006, Ümit won the remix contest to gabriel anandas >glücksmelodie< and also released tracks on karmarouge, meerestief, harthouse and other labels. blackisbeautiful created two tracks in real handicraft with alerion and purpur: mesmerizing and enthralling at the same time! music that invites you to dance and yet puts you to rest for a closer listen. attention to detail and experiment-happiness get you addicted to blackisbeautiful: occasional street recordings of sounds in everyday life and sampling of snap-shots run through their dynamic sound images.

>faith< is a breathtaking longplayer that is produced from the early points in my life where house music at the time between 1994-1998 was more open and free without styles clashing and everyones sound was being admired. the productions and concepts for this projects was created by...

many deeply-rooted house influences from blaze to larry heard
to early 1990 strictly rhythm housegrooves witth strong influences of jazz
to intelligent new jakbeat tracks with less noise clatter and more
soft-cushioned toned multi-melodies and vocals.
faith is a creation from all of my life experiences
also everyone s life in general.
the world we live in..
the struggles
death
life
parenthood
finance to survive
sharing
friendship/relationship
this is the story which unfolds thru emotional emancipation manifestion....
then the alternative thoughts....

beautiful
melodically high
strong
vital,
true,
natural,
incarnated ..

its more than a house album, its a complete story...
with jtc singing vocals. myself(traxx) singing vocals
and nancy fortune singing vocals on my album..
- melvin oliphant iii aka traxx -

the souvenir family grows this fall with two newcomers, two new remixes and four new essential tracks. please welcome warmly the global vibes of cj jeff, m-in and the remixes of kreon and sante on souvenir021. on the a-side, souvenir celebrates the talented greek electronic scene. c.j. jeff aka nikos safiris gradually built his sound through releases on his own label rythmetic or modern love. he signs a remarkable entry on souvenir with the a-side >got 2 b<. wave your arms! take a breath! a tribe of incredible bongos players is surrounding you, when the vocals of an androgyny shaman start compelling you to a never-ending foot-stomping dance. you are right, where you want to be. damn, it s >got 2 b< a hit. kreon has been raising a fair share of interest lately with appearances on cecille numbers, resopal or robsoul. he signed a dub remix and a perfect spell to push to the party to the early sun shines of the day. back to germany on the b-side! m-in aka marcus ferdinand from frankfurt has spread his talents of producer with releases for off or get digital, and early supports from josh wink, johnny d, thomas schumacher or dj t. again we are talking about deep sensations, haunting vocals and afro rhythms. the tiefschwarz brothers have hammered >capetown river boating< on the road this summer. now its your turn to send a blessing from south africa to your crowd. studio partner of ali and basti, philip sante maier has barely released >dambalaa< last month, that he is already back in production. nobody will complain. his trademark, a clearly percussive approach and a dizzying groove particularly fitted with >capetown river boating<. 2 - 2, we gladly go overtime!

alex ridha aka boys noize is, along peers erol alkan and justice, part of a new mongrel breed of techno / electronica artist with a maverick bent and solid vision, beaming a myriad of influences from the past through a prism to create something fresh, new and exciting. founding his own imprint boysnoize records (bnr) in 2005 he achieved to establish his very own sound. alex released the first boys noize album “oi oi oi” in 2007 on bnr which featured febrile club favourites like “& down and “lava lava” and also more soulful techno tracks like “shine shine” or what many regard as one of his finest works, his remix of feist’s “my moon, my man”. official remixes for the likes of depeche mode, snoop dogg, justice, late of the pier, his latest work for royksopp, highly regarded dj mix compilations (bugged out! / i love techno) as well as productions for black eyed peas and canadian genius gonzales proved how versatile he could be. now boys noize presents his second longplayer as a lim.ed on vinyl instead of following the commercial path after the unexpected success of “oi oi oi”, boys noize passed on any big name featuring, the great pop approach or feeding trends. keeping it real, “power” starts where “oi oi oi” has ended and shows the freshest of electronica and techno music.

already supported by nick curly, dan ghenacia, markius fix, robert dietz and more!
alex is back with his london home cinematic recordings - this time with a 4 track stormer! >north london cutz ep< is a homage to his inspirational north london neighborhood - where his infamous >rhythm tech< studio is based during the last couple of years - and he got it just right! he delivers a phat 4-tracker with plenty of moods to choose from!
on the a side >bellawatt< - a big room techno with a disco feel and a rumbling bassline on point with todays sound. a2 brings us >ductile< introducing a jackin chicago vibe with a more techno attitude on the beats and a pumping tribal groove on the subs. >this goes out to ron hardy he from chicago< belches the spoken word. funked up to the max! on the flip >route 277< is a warm tech house affair with a dub mood and a strong banging hihat beat and the last joint goes deep and techy with a hypnotic vocal and a haunting oriental melody, all summed up in a percussive jungle mood. overall a very strong and dj friendly release to stay in the box and a perfect follow up to alexs latest releases on arearemote, cecille and tuning spork earlier this year!

mechanism aka denver mccarthy is one of the first true pioneers of industrial tekno. these 3 trax have all been re-mastered for a fresh new sound, and have been a big influence on tekno & industrial hardcore. hard edge drums, trippy arrangement & live recordings of real life organic sounds make this music timeless & relevant today.

1999 classic from the urban sound gallery (ron trent/anthony nicholson)!!

roland dark soldier appel unleashes two tracks on night moves. two great tracks from mr appel here. check the deep crushed sound of no memory which prepares you for the madness of silver bullet.

watch out for this one!
analog mode presents portugals techno man at the moment, a. paul!
with loads of huge releases under his belt and after his great remix on spiros kaloumenos white noiz track, he is back this time with a 4 track ep, to show once more his solid and powerful techno sound.there is no need to say more, just hear and imagine what these bombs could cause to the dance floor ... a must have!

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

big with nick curly, agoria, laurent garnier, anthony collins, nima gorji, jimpster, tim xavier, brothers’ vibe, einzelkind, ripperton, dyed soundorom, italoboyz, stephan bodzin, thomas schumacher, gavin herlihy.. alexis bernard aka seuil returns to freak n chic this autumn with freak & violence, a two tracker which sees the parisian leader-of-the-new school take his impeccable sound into deeper, late-night territory. with huge releases for eklo and moon harbour since his last ep for freak nchic, seuil has been a name on many a lip and with this sort of output its likely to remain that way. warm synths and a tweaked spoken vocal dominate the title track, freak & violence. the synths have an ethereal, trippy vibe but are balanced by ultra-dry, ultra-groovy drums while the vocal slips in and out of audible significance which makes for a hugely absorbing listen.

ltd edition white vinyl in shrinkwrapped sleeve !!! big with: nick curly, martin landsky, agnes, lauhaus, gorge, moodymanc, markus fix, kabale und liebe, einzelkind, meat, motorcitysoul, milton jackson, brothers vibe, x-press 2, ekkohaus, kreon, brendon moeller, alex flitsch, willie graff,.. the tsuba colours series continues with the debut tsuba release from londoners ethyl & huxley with the >white ep<. like all tsuba colours releases each 12 inch is on coloured vinyl (this time white), shrinkwrapped and strictly limited to 500 copies. for relative newcomers with just one release on cecille to date, ethyl & huxley have a depth to their sound way beyond their years. a side >haiku da niente< is like all good deep house used to be – soulful, musical and gently hypnotic without a cliched key in sight. >mother tongue< has the vibe of an old skool masters at work track and the ep closes with the more up tempo >carte blanche<.

the model is no stranger to gigolo, and we (the royal we) are no strangers to the model. as a supporter of gigolo records, you, our fated reader, should be familiar with our protagonist previous gigolo adventure. but in the words of the late george harrison, >all things must pass< and with this in mind we would like to reintroduce...
the model doesnt just have his own sound, he has in fact attempted to engineer his own genre: dark-techno-baroque. the sound has been crafted through a penchant for aristocratic mannerisms and a passion for high fashion and low fetish. it also happens to pretty succinctly sum up part of his unique personality. set against a backdrop of refined charm, there s an underbelly of something dark and brutal, which is possibly the best way to describe the a-side >in the night<. in many ways this could be seen as a return to form for gigolo, immediately poppy but structured as a classic song with haunting vocals underpinned with a driving techno rhythm. to further consolidate the techno aesthetic look no further then >flex on the b-side and you have a pounding track that could have been played by daft punk in 96 and will probably find a home with a diverse selection of djs today.
the >vampire funk ep< is the first release from the models forthcoming album on gigolo. the concept is in the same vain, but delves deeper into the dark-side of the model. exploring his fetish with the night and creatures that occupy its opulent corridors. like classic transylvanian tales the music from this album will present details that set the mood and composition to create tracks with narrative regardless of lyrics or words. the result being music that moves both bodies and minds and stirs the blood. as pretentious as this sounds the author of this mindless scrap of paper has the fortunate privilege of speaking from experience. as the mind that moves the hands that moves the keyboard is the mind that is being moved by the music as i type and you read. so we are already part way there. the rest will unfold in the coming months.

the ortofon o2 headphones provides loud, strong signal output and rugged construction to easily withstand the rigors of djing. • frequency range: 10-22.000 hz • impedance: 64 ohm • sound pressure level: 114 db • weight: 275 g • with jack adaptor, gold plated 3.5/6.3 mm. • with transport bag

ricardo jefferson is a producer and dj based in manchester, england. the four tracks on this ep demonstrate a distinctive style. the roots of his sound are in funk, disco, space rock, prog rock, but he has melded them into a sound that is more than just the sum of these elements. this is funky, bass-heavy, trippy techno for the dance floor. a1 a brutal truth. this is a big tune that builds relentlessly. the track has an inclusive, celebrational, feel which simply invites everyone to lose it on the dance floor. 124bpm. a2 persons unknown. this tune doesn t have the relentless build of a brutal truth. instead, this is a tune to drop when everyone on the dancefloor is in the zone and locked into the groove. a finely crafted trip created with multiple delays skittering around the sound field, anchored by the funky bass heavy groove. 123 bpm. b1 the egg part one. a track employing a tight kick drum of differing weights to propel the groove, overlayed with a circular keyboard motif. on the off-beat, add the processed sound of someone hitting a metal sheet, and viola! - one aggressively funky dance floor bomb! 123 bpm. b2 god of the machine. this track has a simple 4x4 kick and handclap pattern pinning down a delicious oscillating bass line, under a classic descending four chord circular chord progression. off kilter ride cymbals give the track its backbone, and fluidity. ricocheting handclap delays add dimension. sly stone would be proud of this groove. now get on the dance floor and strut your stuff! 119 bpm. the cover shows a still image from the music video a brutal truth directed by ricardo jefferson and laura lee.

new ep from detroit techno and graphics legend alan oldham.
following up the more experimental >johnny gambit 01: the prodigal son< graphic novel/soundtrack (pure18lp), alan d. oldham a.k.a. dj t-1000 gets back to basics with the >blaster ep<, phase two of the pure sonik records restart.
>blaster< kicks off the proceedings. a dirty, tracky, and bitcrushed statement of intent, >blaster< is a 130 bpm love letter to all the hard techno fans in germany and spain who have kept the faith and supported dj t-1000s international dates all these years, and the definitive statement that pure sonik records is back!
on the b-side, oldham goes electro with >i rock shit everyday<, a dark, dirty, detroit electro-groove inspired by one of his all-time favorite detroit electro acts, ultradyne. the ep closer, the lo-fi >machines<, is the sound of your laptop, tv, and coffee maker conspiring against you in dial-up modem code. what happens when your microwave starts thinking it can cook better than you? you better watch out...

culoe de song is a new star from africa. his debut release on innervisions was a one of the best deep house record in this year. this second release is following his unique african touch deep house sound. a side, the fallen shiren is a emotional deep house with the sound of piano loop, african instruments and fantasy african chorus. this track is very modern and first class african taste house music. b side, inspiration is very simple but effective percussive house track. its a timeless dj tool.

first up on the a side is do one a shakey, stompy belter that winds up into the first drop of gargantuan bassweight with the sound of a racing motorcycle having its heels nipped by a dyson hoover fuelled on uranium. it then continues to pile on the pressure pound after pound in a frenzy of sidewinding synths and sliding pentatonic scales.

vinyl addicts and dj robots perk up your ears! live at robert johnson is proud to announce the vinyl extraction of ivan smagghes >live at robert johnson compilation vol.4<. the special super-sound-maxi- single from >its a fine line<, the new project of ivan smagghe teamed up with tim paris comes along with a special remix traitment by roman flügel and ata macias also known as >springrolls in firenze<. c etait bon, tres bon!

the dutchman jeroen verheij aka secret cinema is now looking back on almost twenty years of experience within the field of electronic music. his first production sonar system, which has originally been released on the legendary belgian label hithouse under the alias meng syndicate in 1990 and was re-released two years later on music man, is rightly belonging to the absolute classics of rave techno and has antedated the rotterdam-detroit sound axis with providing a staccato somewhere in between a piercing snare and an acid siren.

markantonios analytic trail label has been instrumental in creating what is now recognized as the neapolitan techno sound. the labels inventive approach is the key to their success. marrying raw basic elements with funloving party vibes, the label is a destination for djs wanting a bigroom sound. previous releases have featured the likes of rino cerrone, valentino kanzyani, the advent, davide squillace, and joseph capriati.
electric rescue has been at the heart of the parisian rave scene for the past fifteen years. cutting his teeth at parties at legendary avantgarde club >boy<, a career evolved fast, becoming part of the mentasm crew alongside laurent garnier and chaotik rames. since then electric rescue have released on many innovative techno tracks on high profile labels including fcom, afu, yellow label, eterno and his own skryptom imprint.
the flash tool is a simply constructed but incendiary club tool. deploying a limited palette of elements to create an earcatching track, the use of heavy kick, undulating bass, ever rising synth lines and wildly distorting pitch tones screams dancefloor impact.
las castagnettas is nothing short of a mainroom monster. uncompromising and direct with a raw, assertive energy this is inyourface ravetastic techno. booming beats and abrasive sounds set the tone but this is all about the supersized bass stab. watch out..
saving the title track for last, electric rescue unleashes the beast that is locomoto. industrial and uncomplicated, this 4am bodyshaker is packed with plenty of percussive punch and crowderuption moments to ensure maximum effect. file under >encore tune<.

fourth release from do easy records comes up with an outstanding deep and groovy anthem delivered by no one less than producing genius daso from cologne. >im over u< catches listeners and dancers immediately with its remarkable piano hookline and a perfect timed groove. the funky vocals push this track to a real house bomb and will set each club and outdoor floor on fire ! again, daso at its best ! on the flip you find a percussive remix by romanian sound wizard ali nasser. ali well know for his very own house style gives the original a more oldschool and rough touch that is pushed by nice funky bass. for sure one of his exceptional remixes. we love it and we hope you too !

once again another masterpiece from the dynamic reflection squad in your face! this time the spanish hermanos exium are responsible to represent the fourth coming release!
they smash down the door with the title track , >labyrinth<, a massive dancefloor killer with a big hit potential! with this track exium brings up oldschool memories with influences of their modern sound. this is exium at his best!
on the flipside, paul boex, mr. labelboss himself and his partner in crime marco rane, make their debut on the label with a soulfull remix of this original. with impressive releases on arms and naked lunch these guys prove once again that they are capable of bringin quality stuff to the floor. on the b2 exium comes up with a highly intelligent broken beat tune, called >plankton<. dave clarke already played this in his weekly >white noise< radioshow. big support!
once again an amazing 4th release from the dynamic reflection squad, let s pray for more of this pure quality stuff and keep our eyes on the the future. the scene need more labels like this which reflects the current techno movement and promises loads more of that sweet stuff in days to come.
dynamic reflection will represent only the true spirit of pure techno, they will put only the quality stuff back on the dancefloor!

mind-blowing pure and crafty techno killer tunes from well known samuli kemppi. he released on ostgut ton, pakkas-levyt, frozen north, and now on prologue! his beats in >droning< step in like the usual ones, but all of a sudden it turns into something new making your feet stomping behaviorally. circling and clanking sound chasing from left to right and up and down, right into your hypothesis - to activate the whole body. no change with the b-ones. perfect electronic music hand-picked from prologue! trust us and cover your heads! no one can hear your echo ...

mark stewarts first new material for 2009 has been a long time coming and features three new tracks recorded earlier on this year.
>chadderton< on the a-side is an astonishing slice of deep and woozy midnight house, complete with sleazy chords and a frayed spine that is primed for peaktime narcosis.
>above< opens the flip with relentless chords and a shuffling percussive line that never lets up, while >great day< closes the ep with a cathartic spell that ends almost as soon as it begins, letting in rays of sunshine through the dense thicket of sound that preceeded it.

perc trax returns with its 30th vinyl release with a split ep showcasing the works of both its newest and most established acts.
first up is ben gibson with 2 tracks that feature on his forthcoming perc trax album >in a realized luck of immanence<. both tracks instantly demonstrate what made jeff mills sign ben to his axis offshoot 6277. bens sound is a dense, atmospheric take on the now-classic uk techno sound of surgeon, regis, ruskin etc and both the rolling bass of >vanished between< and the sharp stabs of >wirklichkeit< prove that he is an artist to watch out for.
on the b-side label boss perc hooks up with the labels canadian connection metalogic to deliver 2 tracks that flit between broken beat and 4/4 rhythms with ease. both tracks feature an attention to detail that both perc and metalogic are known for with endless dubbed out synths and effects keeping the tracks interesting but never getting in the way of the crisp beats. these tracks have already been road tested around the world by perc in recent months and will be a key part of a launch party for this ep in toronto in october.

nice price deal !!! yo kid! remember back in the day? the underground was truly the underground. people werent trying to make tracks. people were about nice songs. no chart dropping. no ra. no myspace. it was just straight underground pop writing. yo! remember techno pop? what happened? andreas dorau. yo kid! what happened? hamburg, parfüm. what happened? firm. oh! theyre still there. kompakt pop, cologne. what happened? can somebody tell me? ladomat 2ooo. we all know what happened.. console. what happened? egoexpress. what happened? micromusic. what happened? popacid. what happened? hans nieswandt. what happened? rework. what happened? scheinselbständig. what happened? christopher just. what happened? cologne, the minimal pop-house sound. you gotta be kidding. what happened? synth pop. come on man, whats up? techno pop. what the fuck happened? it used to be so good

the best paco osuna rmx of 2009! big with: sebo k, laurent garnier says: cool tribal cuts will play in the mix. bla bla ltd 002 release done by amsterdam artist wouter de moor. wouter de moor is a very wel known en respected techno dj in the netherlands. ‘afternoon thing’ is a real festival bomb. a groovy pounding sound that makes the people go crazy! the remix is done by one of bla bla’s closest friends and techno hero, paco osuna. check it out!

big with: luciano, laurent garnier, anja schneider, lauhaus, lee curtiss, slam, jimpster, federico molinari, dyed soundorom, clive henry, sasse, burnski, kiki, rob mello, italoboyz ...
>crewcuts & curls< is the greatest collection of prime productions yet from wales hottest new export, tomdemac. vibrant and dynamic, >crewcuts & curls< engages the listener in the moment. drawing you in with its tauntingvocal, demac creates a youthful sound that is masterfully produced, the product of a gifted musical mind. sweet humming is the haunting close, gradually filling the speakers with deep and prolific doses of swinging chicago-inspired house to create a whirling and effervescent creature. this is the third and most striking package that tom demac has produced for murmur.

nico grubert from switzerland give us his vision of sound in 3 tracks. a side is a furious one full of trippy wave perfect for you peaktime set! on the aa side you will find the track which is extact the name of this ep: >dom perignon ep< - classic smart and deep tech house. the second one is more catchy and fluffy dancefloor as well as a little morning on the beach! this one gonna be a summer bomb!

since more than 10 years dennes deen is one of the most important djs in the nightlife of austria. with his special sound he always plays himself into the heart of his audience. besides his many gigs he works also on own releases with success. with his studiopartner he had already some releases on philipp straubs label titanium and through that cooperation dennes got the offer to do a remix for the owner of the label, which was published on deep dishs label yoshitoshi. what dennes deen will do in the future is not sure yet, but we are sure that we will hear a lot of him furthermore. the remix on the flip is by gary beck, a fixture on labels such as edit select, perc trax and soma. this one will go into the cases of hawtin, beyer and the likes in no time!

subfossils music can be defined as being both deep and musical trying to give his tracks twists and turns from beginning to end. daniel ramm is a real teutonian perfectionist, each sound has been clearly defined in every nuance.munich native roland appel delivers the cant get no sleep remix - a solid floor filler with emotional outbursts typical of his production style!

ribn is a special unit of manuel tur&langenberg, they already released from ovum,styrax leaves. title track of a side is a very deep smoky techno dub sound. it reminds minilogue,beat pharmacy or that kind of artist. b1 lum lum is taken from the mule electronic compilation my favorite things vol.2. both tracks of b side are dubby electric slow deep house.

one year after their >serenity< 12 inch including a soundstream remix, it is high time for some new material by cologne-berlin based duo prosumer & murat tepeli. >u & i< is the result of an extensive jam at prosumers studio. this is a trend resistent deephouse song it brimming with their unmistakable signature sound. it has sounds of dancing horses, an adorable old school and a bassline lary heard would be proud of. once again, prosumer shares vocal duties with elif biçer both telling touching stories about night clubbing and human relations. >the jam< on the flip side is - quite apparently - exactly that - a jam. it is based on the recordings for >u & i<, but also caterss for a more upbeat dancefloor. it is the more techno oriented, instrumental side of the same coin and prosumer & murat tepelis most energetic effort to date