limited edition of 2000 copies on transparent blue 180 gram vinyl, housed in a gatefold sleeve. the electronic music duo groove armada released their fourth album “lovebox” in 2002. the album includes some of their best tracks, ramping through genres from rock ’n’ roll to the psychedelica and ska. it also features collaborations with artists like neneh cherry and richie havens, who ads some soulful voices to the whole. opener “purple haze” introduces us to a giant guitar riff and highlight “madder” takes the groove out of the clash’s “magnificent seven”, before moving on to the raps by m.a.d. they’re incorporating a lot of samples in the fine structured melodies of soul/funk/rock and hip-hop. after playing at club nights for years andy cato and tom findlay joined forces and created their debut album northern star and breakthrough hit “at the river”. it was the start of a collaboration that brought them hits like “my friend” and “superstylin’”.

killawatt steps up for his 3rd solo ep on 47. a1 accupunk thrashes and beats with complex rhythm programming. a2 the roamer continues with high-velocity alien minimalism. b1 polar polemic slows the pace to heavy stepping with cyborg talk. and b2 glacia systemic decelerates even more so the voices and synth-lines are glaciers twisting in space. portsmouth, uk–based producer and dj killawatt released the solo eps 47010 and 47012 in 2017, and featured on the label s first release 47001 with label head tommy four seven.

(180g vinyl- mini lp) south london producer ben hauke takes a sonic excursion to south america via lewisham for a new seven track release for far out recordings.while littered with afro-latin percussion, and samples of obscure brazilian, cuban and colombian records, only old stays true to ben’s distinctly london identity, with a record that fluctuates between house, broken beat and instrumental hip-hop.

with new track warschauerstrasse , claudio ricci has created an expansive seven minute workout of twisted synths and deep house drums. the first remix comes from long time techno heavyweight timo maas and the prolific and inventive basti grub. their singular remix speeds up the original and layers in fluttering toms and percussive sounds as well as broad, groaning synths and the distant sound of a bustling city at rush hour. sudam label boss and ibiza based artist kintar flips the track into something spacious and haunting. eerie keys and sweeping synths keep you on edge as the rubbery techno groove rolls on into the night. bulgarian based metodi hristov loves to experiment and has a distinctive techno style that gains support from the likes of richie hawtin, carl cox and adam beyer. in his hands the track becomes a peak time tech banger.

the latest transmission from emotional response s ever-essential schleissen series takes a trip to the fourth world with jon keliehor on the a side. there s no denying the influence of jon hassell on tracks like opener -serpent in the sky,- but keliehor channels those exotic notions into some truly captivating music that is all his own. from chiming tones to purposeful percussion, his sound is a rich and evocative one, beautifully recorded and artfully composed. on the other side, lord of the isles indulges his ambient side to great effect with no less than seven vignettes of varying moods and energies, all played out through delicately handled synthesisers.

limited reissue on clear vinyl for rsd 2018.

alternate versions of fleetwood mac’s 1987 album “tango in the night”. limited 180 gram vinyl release for rsd 2018.

limitiertes vinyl plus downloadcode.

ryan parks is a mixed media artist, music producer/performer, and ceo/founder of critically robust cassette tape label, harsh riddims. he was born in college park, ga and grew up skating all around atlanta, soaking up the dense kaleidoscopic cultural ooze found both in and outside the perimeter of atlanta. aside from his visual practice which usually takes shape as mixed media (jacob lawrence/matisse inspired in my opinion!) collage, he has been releasing music as fit of body for seven years. fit of body crafts soulful house ballads that draw on freestyle, bell hooks, old school detroit techno, jazz, and southern rap passed through a no wave paradigm. fit of body has previously released work on cgi, dka, ransom note, and his own label, harsh riddims. “black box no cops” is fit of body’s debut 2mr release, named for atlanta hallowed skate grounds, black box. the vinyl release includes a download code.

next up on the ever-eclectic xvi records, a shadowy figure steps into the spotlight: enter the mysterious captain over, whose dark yet soulful bruk-infused tracks soundtrack the next stage of their voyage towards the sun. for his debut outing, captain over calls on the abstract vocal stylings of the legendary trim (roll deep, 1800 dinosaur) on opening track sick. showcasing why hes one of the most iconic and forward-thinking mcs to grace the mic, trims dulcet tones twist through a jungle of shuffled beats and subterranean sub-bass, an eerie child-like melody drifting overhead. clack clack and no one ever really flies inhabit a more dancefloor friendly space, their unique syncopation, fierce instrumentation and relentless energy open up the dancefloor for some real get loose moments. on the remix, they hand the controls over to xvi homestay books (following on from the success of his previous feel it in my bones and high praise edits vol 1 releases which won praise from the likes of the black madonna, moodymann, gilles peterson and seven davis jr) books expertly crafts a cosmic footwork jam, full of his trademark soulful chords and eerie midnight saxophone licks. as he prepares to launch his forthcoming ep no-one every really flies into the cosmos captain over is beginning to cement his place as one to watch in the uk underground a sequel ep featuring grime upstart nico lindsay is scheduled for release later in the year, with several more collaborative works in progress.

after a brief time away from releasing music in 2017 to refresh his ears, essential house artist argy is back with a bang in 2018, as this debut ep on play it say it proves. greek dj and producer argy has been a prolific talent over the last decade plus, releasing a variety of sounds under a number of different aliases. his given name has always been reserved for house and techno, which is classically informed but always infused with the sound of the future. it’s come on key labels like bedrock, bpitch, ibadan, and most recently the martinez brothers’ cuttin’ headz imprint, and has spawned four fantastic full lengths. those releases, along with his storytelling dj sets, have made the these days label boss a much loved and ever-present part of the global underground scene. the excellent title track the way of kings opens up the ep with seven standout minutes of surging house. slick, powerful kicks drive it along as expertly crafted synths bring real drama and tension up top. it’s a tasteful bit of hi-tech soul for the peak of the night and is as essential as the title suggests. switching up the mood is the vibrant los animales, which has a busier, afro tinged groove and tribal percussive energy. lithe synths dart about to add dynamism and movement as vocal chants get you on your toes and the whole thing is sure to make a huge impact in the club. last of all, move like a panther featuring the new yorker in berlin, elbee bad, shows another side to argy. it’s a perfectly raw house cut with plenty of jacking chicago spirit. the drums hit hard, the synths are trippy and the snares force you to move. add in a dark bassline and spoken word mantras and you have a real piece of explosive club dynamite. these are three typically inventive and well-executed tracks from argy that are stuffed with original ideas.

essential ist ein album, das ursprünglich für pete tongs bbc radio 1 essential mix im mai 2017 im soulwax eigenen studio deewee in gent aufgenommen wurde und in weniger als zwei wochen entstand. seit der gründung von soulwax im jahr 1995 sind die dewaele brüder stets neue und kreative wege gegangen. im vergangenen jahr haben sie nicht nur den soundtrack für cafe belgica geschrieben und sämtliche auftretenden bands erfunden und produziert, sondern waren auch weltweit mit 2manydjs unterwegs. mit deewee betreiben sie ihr eigenes record label und studio, veröffentlichten als radio soulwax online diverse mixe, arbeiteten mit james murphy (lcd soundsystem) unter dem projektnamen despacio zusammen und hosteten auf beats 1 ihre eigene radiosendung 2x2 - nicht zu vergessen die innovativen remixe für acts wie warpaint, tame impala, metronomy, arcade fire, daft punk, gossip, hot chip, mgmt und viele mehr.

third longplayer from brooklyn based experimental post-punk trio the dreebs, consisting of eight songs and seven instrumentals.

limited edition of 1000 copies on green & yellow marbled vinyl (death money) with download code included.
vive la void is the new solo project of sanae yamada, co-founder and keyboard player of moon duo. yamada wrote and recorded the self-titled debut album over roughly a two-year period, during windows of downtime in moon duo’s substantial touring and recording schedule. the dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception. the result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by yamada’s understated but captivating vocal melodies and her striking lyrics.

the language of strings: audio memoirs of electronic etudes & nocturnes. freeform electronic artist hieroglyphic being aka jamal moss offers a selection of audio memoirs, sonic madness, frequency enlightenment, & hedonistic modulation. limited edition grey marbled double vinyl.

hard times call for good music. this time around times are ruff (tar) dedicated their beat fabricating skills to a double ep for tomorrow is now, kid! the tink! project will put some raw, deep, soulful and garage tunes in your ears. as a dj collective, times are ruff is heavily influenced by the windy city, taking inspiration from the past, but never sounding outdated. focussing on long - preferably all night - dj sets in which times are ruff strives to set itself apart and tell a true musical story to the audience.

cleveland is forever in search of the brown note. this is his second offering for the esp institute. side a’s tusk is a beautiful paradox—rhythm programs that churn like the inner workings of a grandfather clock, unmistakably mechanical, yet fashioned through muted analogue instrumentation that paints a deceptively organic picture. the crystallized jangle of fm synth voices toy with the softened drum patterns and vibrant animal-like chord gestures over nearly seven minutes of splendor. on side b, aku digs further into mysticism, manifesting digital jungle themes, cleverly abstracted through erratic bleeps, distant tribal drums, atonal flutters and synthetic bird calls. the cinematic quality of clevelands production shines through both tracks, but its aku that sweeps us from reality to embark on a moonlit expedition in search long lost treasures, proving cleveland a virtuoso skilled in building complex narratives with sound. these two songs will modulate your frequencies.

to mark the first astonishing chapter of his career, seth troxler is presenting this is then, an essential ten track compilation album taken from his ever impressive discography.

radio slave’s colossal ‘the revenge’ track now gets expert remix treatment from klasse wrecks label head luca lozano. luca has also released on the likes of optimo, sex tags ufo and unknown to the unknown and brings a raw, acid tinged sound to his beats. as a performer lozano’s versatile dj sets span between raw house, cosmic disco and dynamic breakbeat selections, which is why he’s become a regular at key clubs across europe and tasteful festivals like houghton. his ‘how bow dis’ remix’ is solid and features wild old school flavours in its huge drum breaks, a monstrous bassline and dark filtered vocals. it bangs for seven superbly heavy minutes with plenty of twists and turns along the way, and will transform any club or warehouse into a writhing, sweaty mass in seconds. on the flip, his ‘how bow dah’’ version is based around elastic drums and rumbling bass while a loose synth line darts about up top. some distant synths bring a sense of serenity to the madness and so despite the physical impact of this one, it also has real emotion to it.

steve pepes danza moderna takes cues of all manuel cascones musical experiences (from no wave to weird pop, from sound scores to abstract ethno music and even children music) and puts them inside the big container called dance music trying to demolish some of its automatisms. the result is seven tracks that feel too alive to enclose them in a genre. music thats playful and transcendental at the same time, with the kind of natural and effortless feel thats so hard to achieve

we present to you the second release on minor notes recordings. this is the brainchild of moscow s guydee, who is part of the new breed of excellent house artist s coming out of russia at the moment. romantik ep is an intimate groove collection direct from the heart of anton bogomolov aka scruscru, based in nizhny novgorod. scruscru has been quietly going about his business for the past few years releasing on labels like vintage, jazzve & vensa recordings. he s an actor in both his everyday life and music. on this wax you can find all shades of his emotion accurately packed into his true school house beats. the ep comes complete with 4 cuts that will rock any dancefloor including a remix from traxsource number 1 deep of 2017 black loops with a divine take of finding all your love to round the package off nicely. dj support - laurent garnier, gerd, dj nature, hot toddy, jimpster, aroop roy, seven davis jr., simbad, lay-far, jacques renault, art of tones, shur-i-kan, and many many more.

incl dl code, dam swindle present ‘high life, their second studio album due on the 28th may on the duos own heist recordings. the heart of the album was recorded over a three week period at their amsterdam studio in march 2017, and the release will coincide with the fifth anniversary of the label. since forming in 2011, the dutch duo have carved a unique place for themselves in the scene. their sound - which merges references from multiple decades into one smooth aesthetic - quickly rose to popularity for its careful blend of soul and rhythm, taking cues from their passion for obscure records, with influences ranging from house and funk to afrobeat and soul. dynamic live shows and dj sets afford them a packed touring schedule across the globe, whilst their label heist recordings is credited with consistently breaking new artists. the album explores the intersection of live and electronic music, with much of the improvised material left largely untouched to maintain its organic sensibilities. dam swindle describe the album as an electronic album with a live approach, combining our love for house, ambient and jazzy harmonics, making it a record interesting for the club, as well as a pleasant album to put on at home.

dutch pioneer mg (aka gert van veen) is responsible for a series of huge house classics to ever emerge from the netherlands: a-men s pay the piper, quazar s seven stars, house of venus dish & tell. the list is long. under his lesser known moniker zodiac trax, gert produced some of his moodiest material. released in 1992 in two parts, these beautifully crafted tracks remained fairly unknown up to this day. for this re-issue frame of mind selected the deepest tunes from the obscure series. a previously unreleased track called planet x is included!

album nummer 8 von paul !! any questions ?

2018 repress! this 2x12inch ep is leon vynehall s second release on 3024. a very personal statement, this record shows vynehall s dedication and versatility in seven moving songs. uk garage meets big room house

originally released back in 2011, lord giveth, lord taketh away, saw freddie gibbs team up with legendary east coast beat maker statik selektah. the project was recorded in a single day, with the sessions being broadcast out on u-stream. across the seven track ep, gibbs showcases his hyper technical gansta rap flow, stepping out of his comfort zone rapping over some classic nyc boom bap production. the ep features guest spots from trae the truth, smoke dza, termanology and more. omerta inc. will be bringing this collaborative project to vinyl for the first time. as well as featuring the seven tracks from the original project, the vinyl release will include two bonus tracks, crushin’ feelings and carry on featuring joey bada$$.

miles davis’ greatest hits back on vinyl .

surgeons new full-length, luminosity device, takes bardo thoedol - the tibetan book of the dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories.

the italian dj and producer viels is the perfect example of a promising artist who has earned his stripes in the scene. his first contribution to dynamic reflection was a single track on a va two years ago, then a solo ep on the nursery last year and now it s time for his first well-earned vinyl called distrophism. although his sound has matured over the years, he has never compromised as far as his straight forward sound goes. circular, the a1, is the best possible example of that. the continuous drive keeps it going for well over seven minutes, without ever becoming superficial or dull. the b-side extends to other sides of his musical spectrum by making use of more drone-like, hypnotic elements. beside these three convincing originals, spanish heavyweight svreca jumps in for a remix of circular, completing the variance of styles. needless to say, this new release, proves that viels as an artist and this ep in particular, are forces to be reckoned with.

- amazing and lovingly crafted box
- red colored vinyl in 180g
- strong limited numbers worldwide
- very special printed banderole
- each vinyl in a fullcover printed sleeve - more than 40 tunes - 10 vinyl -

fresh on francis harris kingdoms imprint comes adamo golans seven track lp, exile and the new. golán is the alter ego of british-german artist laurens a. schmidt, who has been pursuing a more club-focused techno project, while developing an ever deeper fascination with experimental music, ambient and film scores. drawing influence from his adopted homes berlin and currently london, the 26-year-old has been uncompromisingly trying to develop his own musical voice

blue 01 comes in the form of a split 12inch release from tessela and lanark artefax. it features tesselas glisten, a track weve loved and coveted since joy o slipped into his essential mix in 2016. alongside that is the intimidating stillness mix of lanarks touch absence, which we first released as a limited edition whities dubplate back in 2016. it has been remastered by beau thomas at ten eight seven and the artwork as always was designed by alex mccullough

losoul returns to action with his first long player in almost ten years, and delivers a stunning collection of compositions for the hypercolour released island time. otherwise known as peter kremeier, the german producer has mesmerized us for many years with his organic and emotive house music, largely released on the influential playhouse label, but of late has seen him release singles for karat and tardis records, as well as his very own another picture label. fans of losoul wont be disappointed, as a diverse yet utterly familiar sound aesthetic pours out over the albums seven tracks in his own inimitable style. the jazzy broken beats of gold tooth shine with their micro-sample chops, whilst mean time is a dense and dubby slow stomp, teasing the drums with space echo and injecting sparse bass work where it matters. inventive, spongy house grooves are delivered on boppin lower and square down smoother whilst the album closer, lava in you is a master class in ambient sonics and shimmering keys over a lo-fi swinging groove. its been over 20 years since losouls signature single open door, and the german producer continues to pour out honest and rewarding music.

cute swedish pop from 1984. a gothenburg secret. passed from music for dreams kenneth bager to cantomas phil mison to rogue cat sounds dean and ben. pop that rocks a cool, faux-reggae lilt with bluesman licks and harmonica hooks. cute like other sought after rogue cat favourites. terry crawford s gunfighter. or romie singh sdancing to forget. martin caine s snowbird city. its lyrics asupercalifragilisticexpialidocious-like nursery rhyme front, framing bad girl playground reminiscences.

after the big succesfull of the “metti una bossa a cena”, gerardo frisina now presents the unbelievable, amazing 2nd volume. a precious recovery of the past to revitalise the present, which builds up new ideas of the future. “metti una bossa a cena”, whose title is completely inspired by the famous soundtrack by ennio morricone, goes on into this research field, discovering very rare tracks of this italian bossa panorama. we believe the result is perfect. gerardo frisina, track compiler of this project, has brought to light some rare tracks and perfectly matched them to create a unique and elegant thread.

an edition of five independent singles in original cover art, unique soul jazz records’ record store day seven-inch box set comprising five fantastic bespoke rare and collectors’ punk singles, all re-mastered and all come in their own separate exact replica original artwork. featuring classic punk rarities from the likes of x_x, the bizarros, hollywood squares and more, all in original stunning artwork! this unique box-set edition is only available as a one-off pressing especially for record store day 2018.

vinyl 12inch (180 g vinyl, limited full cover) 1st single of the long awaited new album high life featuring pepe bradock mix + pepes >urgent spookapella<, john barera & will martin boomerang dub, original mix

unique soul jazz records’ record store day seven-inch box set which brings together a stunning five-single/ ten track selection of mind-blowingly groovy selection of african, latin, jazz and funk music from the congo. absolutely killer and essential tracks (mostly unknown) from the masters of the vibrant congo scene in the 1960s – featuring the groups franco & ok jazz, rock-a-mambo, african jazz, african fiesta and more. roots african meets dizzy gillespie, james brown, ray barretto & more. the bomb! this unique box-set edition is only available as a one-off pressing especially for record store day 2018.

part 2 of 4 from johannes heil gospel series (oddevenlp001) .. comes with full cover and red innersleeves. stunning mindblowing techno tracks

crackazat returns to local talk with a second single from his album rainbow fantasia. this time two of the stand out tracks sundial and holding you close get the remix treatment by groove assassin and waajeed ! first up is nick moss aka groove assassin, his take on sundial is a rousing rhythm of soulful house that comes bumping in. he kept the essence of the original track but also added some lovely keys, it sure hits that sweet spot and you re hooked for the full seven and a half minutes. on the flip former slum village and platinum pied piper beat maker and producer-extraordinaire waajeed turns holding you close into something imaginative with its layered percussion, jammed keys and vocal arrangement. its every bit as clever as you d expect from a producer that always approaches music with a fresh perspective. to complete the package is also the original of holding you close.

er produzierte the strokes (this is it) und regina spektor, damon albarn, ian brown, ian astbury (the cult) und zuletzt die spanischen hinds, jetzt legt gordon raphael aus seattle mit sleep on the radio sein eigenes debütalbum vor. auf den 12 songs zeigt er sich inspiriert von bowies glam-rock-phase, den unnachahmlichen gitarrenriffs eines mick ronson, der glam-pop-perfektion der sparks und seiner liebe zu frank zappa, prog-rock und weirdo-sounds. und sein gesang klingt wie eine wundervoll-trübe version von peter perett/syd barrett.

after establishing their indigo aera label over the last seven years, amsterdam figures jasper wolff & maarten mittendorff now step up onto delsin with a four track debut ep which includes a remix from the legendary sterac. jasper wolff & maarten mittendorff are long time players on the amsterdam scene as residents at de school, esteemed label bosses who have put out music by the likes of kirk degiorgio, stephen brown and louis haiman, and as producers with a richly atmospheric dub techno sound. steve rachmad aka sterac joined the studio for the mix down of all tracks, and also provided a dub version of tesseract. it completes a package of deep and artful techno that is laced with beautiful ambience.

uk hip hop’s original and best live band are back with brand new album ‘bring out the sound’, released in march 2018 on bbe music. founded in the early 90s by ollie teeba and jake wherry, the herbaliser have earned every single accolade they’ve received during almost 25 years of touring and recording. best known for delivering a series of groundbreaking albums on ninja tune and providing one of the all-time highlights of the ‘fabric live’ mix series, the herbaliser’s most recent lp ‘there were seven’ was issued on their own ‘department h’ imprint back in 2012. having worked with hip hop royalty such as jazzy jeff and pete rock over the years, not to mention releasing j dilla’s first and last solo albums, bbe are delighted to share in the herbaliser’s musical journey.

one time pressing of 500 copies
made in the designers republic
mastered by beau thomas at ten eight seven
nkisi loads up a four-track cartridge of blistering hardstep gabba/techno for arcola with the dark orchestra. with previous physical releases being cut across a near impossible to find whitelabel 12” for mw and contributions to co-non worldwide founder chino amobi’s paradiso (the wire magazine’s no. 1 album of 2017), the dark orchestra is set to be one of the most imperative charges from both nkisi and the non-faction yet.

earmusic is proud to announce the release ‘here come the aliens’, the first studio album in seven years by pop icon kim wilde. ‘here come the aliens’, produced by ricky wilde, contains 12 brand new songs and it has been recorded at rak studios in london - the very same recording studios where a big number of albums that changed pop and rock music were born and where kim began her career back in 1981, recording seminal hits as ‘kids in america’, ‘chequered love’ and ‘cambodia’. the album combines kim’s pop roots with her love for rock music, presenting great guitar riffs and drum beats. ‘here come the aliens’ marks a milestone in kim wilde’s exciting career. comes on translucent yellow vinyl with download code included.

the sandy beaches of new south wales, australia, give way to dusty beats of aussie producer shinji in this funky seven inch single on cold busted. taken from his forthcoming album in colour (coming in april 2018), this single features two retro-tastic tracks that will send the beatheads swinging across the floor. “second wind” opens up with heavy rhodes piano chords accompanied by a crucial rhythm and streetwise horns. evoking the soundtrack to a tv detective series from the ‘70s, the cut unloads serious action in a 45-slinger’s dj set. flip the record for “grand mash,” which begins in the hip hop zone before soundtracking a movie scene of the pimp-mobile once again in pursuit. groovy horns, tough beats, and a way-cool-for-school spoken interlude move this one to the top of the crate-digging charts. shinji strongly delivers the goods, queuing things up nicely for his sure-to-be essential long-player.

les adventures de president bongo is a unique work that will reveal itself over the next seven years, give or take, in the form of 24 lp s. what is a groove? it is something that goes on and on, not changing much seemingly, like the growth rings exposed when you cut and fell a tree. it is no coincidence that tree rings resemble the spiral track of a record: they re both grooves of a sort.

a groove is a routine, a life lived. it may not always seem like much – a cup of bitter coffee, another day spent under the flickering fluorescent lights of an office, an overly long queue at the check-out of a suffocating supermarket. but it is also the scent of slightly burnt meat and birch by a gently flowing stream under a pink sunset, a silver fog clearing without notice to expose a starry sky and its familiar twinkling constellations, an impenetrable smile on a crowded morning train. it is the pattern exposed on the tree stump. a proper groove has ups and downs, it has drama. a good groove is a good story, a transmission into the future.

zoe mc phersons exploration of this world on string figures is a deeply rhythmic, immersive and forward-thinking piece of elec-tronic-leaning music that remains just as danceable as it does experimental. the album is fundamentally one of duality, exploring the traditional and the contem-porary, organic and electronic, audio and visual, history and the future. rooted in this duality is also a core theme around string being one of the most ancient and playful art forms and the seemingly infinite possibilities it offers in terms of shapes, structures and figures lines up with this as a trans-global art project. one that over time will involve video art, choreography, 3d motion design, macro film, instrumental and electronic sound. although for now is being presented through an av performance, films and a record with mc pherson collaborating with director alessandra leone over the seven tracks (which are laid out as chapters) the record explores glitchy elec-tronics, dub-tinged grooves, polyrhythms, and a huge array of instruments that takes in quiet blasts of atonal sax alongside wonky synths.

the fourth release of bassiani was dedicated to various artists. starting from cassegrains track departure seven, we encounter a completely new and unfamiliar artist ersatz olfolks with his track straight road. hector oaks strikes with old school atmosphere by move on circles, walk on lines, while thomas hessler competes the circle with melancholic vibe by his track memories.