after two years since the first vinyl release in 2010, other heights is proud to announce the tenth vinyl release, released as 3 seperate eps. the second ep is a combination of elements of techno and house.tom dicicco, markus suckut, brooks mosher and metrobox have been wandering around in the musical mind of other heights for quite a while. now the time has come to combine their work in one overwhelming deep & jacking techno ep.tip!

ltd coloured 12 inch , after two years since the first vinyl release in 2010, other heights is proud to announce the tenth vinyl release, released as 3 seperate eps. the second ep is a combination of elements of techno and house.tom dicicco, markus suckut, brooks mosher and metrobox have been wandering around in the musical mind of other heights for quite a while. now the time has come to combine their work in one overwhelming deep & jacking techno ep.tip!

after two years, the labels owner alex piccini returns with a new ep and first vinyl on kosmophono. a collaboration with subspace that delivers two great examples of what the label wants to bring this year. elpmis has all the elements to drive you mental, the dark bass goes underneath the skin and the melody building up slowly throughout the track can take you to another world.

rummage in some boxes of my favourite record store i found a cover that made me curious. l kubic & tagträumer² - the only thing in this world and on the flipside a remix by alle farben. when placing the needle at the beginning of the vinyl the first sounds were very strange. i thought that must be a record from the 60s lost in the tech-house box but than a straight beat turned everything different. a piano melody slowly sat down firmly in my ear and i was longing to know where the journey takes me. after a while an acidline pushed everything and i was sure at this time this is not a normal 4/4 tech-house record. alle farben remixed the themes very playful and i heard that he gives the elements more pressure for the club. so at the end i bought this one and i cannot imagine taking this unique record ever again out of my record case.

killer! raw and moody house! simon ferdinand with 4 amazing and deep flowing tunes on night drive music. that’s defo house music outside the box. simon is an artist to pay attention to in the future.

crooked man has made a huge impact this year with a handful of releases which re-interpreted the best of raw house music. release no4 is an impressively punchy and unique duo of vocal cuts, packed with attitude and sonic style.

raw killer underground house sound

deep&disco recordings presents chicago-based band the right now with *call girl*, a gritty piece of live retro-soul with a package of varied and unique mixes. the a-side kicks off with hot toddy turning the funk up a notch in his characteristically musical way, in a mix that layers new live elements over the original and builds to a dazzling peak. following that is the original version: a straight-to-tape recording of the band with lush keys, tight rhythm section grooves, horn stabs, and vocals that drip with soul. then on the b-side, dicky trisco turns in a deep and dubby late-nite disco burner, and label head jkriv takes the tune into old-school house territory with thumping 909 drums and bouncing piano stabs. early dj support from kon, 6th borough project, lovebirds, ooft!, jacques renault and more.

the release opens with quite baked, a stripped, low-slung cut that embraces loose, swung drums and rolling low-end rumbles. the record adapts to a simplistic hooky structure that allows subtle transitional periods to keep things captivating, infusing a blend of gritty elements that gleam with analogue sparkles and warmth, resulting in a tasteful slice of rough and ready house music. next up is as olways, taking things in a deeper direction with smooth rhodes chords driving the melodic movement.

berlin consumer records kicks off with >somatics< by monya, backed up with remixes by joseph mcgeechan, bas mooy and steve stoll. expect nothing less but raw, claustrophobic techno.

while a series of projects are slated for release under the dirt tech reck banner, the first is the electric street orchestra. its inspiration is from those who are called street people. forgotten people from a forgotten city. it has also steeped in the detroit tradition of ignoring the notion of genre and taking a broad range of elements and inspiration to create something that is both new and familiar. bringing together a constellation of detroits sonic masters. dtr-01 takes urs mad mike and agent chaos, house music king theo parrish, hip hop/house percussionist dez andres, and rock/funk master guitarist duminie deporres, and joins them through the lens of jeedo’s vision of the future

this record includes an amazing and unique remix by mick wills featuring isabella venis & intergalactic gary. frigio records presents the first part of the lost series by juanpablo. this first series is dedicated to creatures that are disappearing from this planet because of human colonization of their territory. this time, juanpablo drops us 3 tracks with a strong identity and lots of energy that combine similar elements of heavy atmospheres and deep melodies.

the first in an ongoing series of collaborations focusing on live improvised hardware based jams comes to us from bookworms and steve summers. 3 raw whirlpool techno / house tracks

this is the second vinyl in jerome sydenhams 3 part animal social club vinyl series. what you hear is not really the rainforest, or the wilderness. dont let yourears and eyes fool you. the primal edge, that instinctdriven music, raw and inviting, signals another meeting of the pack. and every time the wild ones get together, the quality of the sound is unmistakable. breathe, dance, listen, drink your fill, take it all in: this is an environment where there are no inhibitions and spontaneity is everywhere, in everything. a place where house and techno are the heartbeat. this is the primal universe of the animal social club.

the excellent beats in space label continues to impress with each release. following up lauers monster mascat ring down release, eddie rushchas celebrated secret circuit project steps up once again, bringing us *afterlife*. a typically freeform analogue synth workout with fx drenched vocals and that unmistakeable secret circuit vibe who better to handle the remix than the ukraines very own analogue ambassador, vakula. his treatment is a textbook vakula production, warm, expertly evolving, raw machine funk. wrapping things up we have a dub version, in the truest sense of the word, an utterly spaced out and remade rub down. typically superb artwork and shrinkwrapped sleeve packaging as you have come to expect.

this is a joint venture of up and coming paskal & urban absolutes and house veterans henry l & ingo saenger. all 4 producers are connected by their penchant for deep and raw house music, while living quite far apart in berlin (b), düsseldorf (d), dortmund (d) and koeln (k). paskal & urban absolutes recently released on the highly respected sonar kolletiv label among others, whereas henry l and ingo sänger released on their own farside label and have been playing house music all life long. the 2 original tracks plus the 2 remixes are all sexy swingers! welcome to 2013!

after his groundbreaking european-wide hit remix of asaf avidans >reckoning song / one day< the berlin dj & producer wankelmut releases his debut single on get physical music / poesie musik. with the great australian singer emma louise by his side, he presents > my head is a jungle<. wankelmut takes his >one day< sound to another level and delivers a powerful 124 bpm tech house groover with nice added guitar and vocal elements that make this an easy recogniseable >must have< tune for 2013

vinyl only! amazing raw cuts from back in the days! dark and dirty analogue mixup between detroit techno and chicago house.

with its non-placed devices and hard-to-pin-down aesthetic falling between electronic and psychedelic music and the warm-hued sounds of traditional acoustic instruments, burnt friedmans zokuhen,produced exclusively for vinyl, may be considered an extension of bokoboko. on this new double ep, too, the music focuses on uneven rhythms that dictate the groove for all the participating musical elements and display a formal logic to which all the instruments gladly succumb. with its even rhythm and proximity to dub reggae, the track kon ki (c2) shows that exceptions from the rule are permitted among the six new tracks and two re-worked bokoboko themes that round off this follow-up.

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

modern house bombs with disco elements

a stunning house track with warm dubby chords and hypnotic vocals on top, a real club banger ... detroits favourite norm talley delivers a raw and minimalistic 8 min masterpiece of hypnotic house just like we are used to...

doubleheart, the collaborative project of two of scotlands longest serving creative individuals in electronic music - jd twitch (optimo espacio) and neil landstrumm. taking its name from title song *roots* - a sub heavy, tension building track that re-imagines jamaican dub poet michael smiths original from the seminal 1982 album ‘mi cyaan believe it - the ep as a whole works as an analogue exploration into the rawer side of dance music. working together allows these veteran producers to fuse their individual styles and musical sensibilities, combining landstrumms raw aesthetic and mastery of hardware manipulation with twitchs unrivalled knowledge of what makes a dancefloor tick. spawning from the depths of their imaginations and machines are 4 club-ready tracks brimming with anticipation and menace. although taking its inspiration from 80s electro and 90s acid & rave, the final result is far from a throwback to a halcyon, bygone era. instead, they have managed to carve out a distinctive sound the bleeps and bangs its way firmly into 2013.
dj support from optimo, ben ufo, joe goddard (hot chip / 2 bears), nightwave, daniel avery, lando kal, sinden, clouds, west norwood cassette library, medlar, hot city, tayo, auntie flo, sei a ...

underbelly records return this january with a three track ep from dutch producer wouter de moor, entitled >dx love< and backed with a remix from kris wadsworth.
the kris wadsworths zombie surfer remix opens the ep here and in true wadsworth fashion embraces a raw, dubbed out detroit vibe. punchy drilling beats and underlying twisted melodies drive the track alongside a penetrating arpeggiated bass-line, the result is a moody, peak-time slow bloomer with a touch of class as expected from the detroit master.
pressing on white vinyl.

bittersweet atmospheric & raw, pure techno

the first release of the new dutch label pinkman contains four great tracks from drvg cvltvre, formerly known as ra-x. his music is slow, doomy, with broken disco and house elements, focussing on on hypnotic repetition and percussion. most of the music is made with electronic means, but is rooted in an organic, percussive approach.

vs take on house music comes at the listener from an outsiders perspective, as his native ukraine traditionally hasnt been a hotbed of this genre. consequently, his new album on nuearth kitchen, 13th district, hits your ears at an odd angle, as v (aka vakula, aka mikhaylo vityk) bends somewhat familiar tropes into fascinating, fresh shapes. clearly enamored of american funk, soul, and jazz, v recalibrates these familiar elements—the amino acids of house—into dream-logic, hypnotic scenarios that accentuate their visceral and cerebral qualities.

oliver hos alias for the less obvious techno stompers has always been full of surprises. although you can take the man out of the rave, but not the rave out of the man, raudives >traffic ep< is a retro futuristic team of hermaphrodites. four tracks that recall metal dance - the genre that never was - as well as disco elements, house hints, a techno taste and wave wonders. a record made for sven vaeth and trevor jackson, with >beams< already on heavy rotation with dixon and ame for a while now.

for this ep its all about removing reliance on computers and unleashing pure vibes. taking a step back into the past franck roger adopts a raw approach with his latest ep on real tone. removing the comfort of working via sequencers, franck instills more of a live feeling with the love is always two-tracker.

slag is a live techno band consisting of equal parts musicians and djs. the four experienced men draw on their experience from record shops dance floors and film-/ theater-music and have the common passion for techno in their neural pathways. with the passion for electronic music and classic synthesizers, they created a sound black as oil and white as freshly fallen snow. the band varies their performance with a large portion jam elements and makes their live shows tension filled in both club and concert performances. a concert by fire slag starts in the deepest dub and ends in a furious techno ballad.

after 21 releases and covering most areas of house its time to introduce anaxander and present a new sound to the ever growing local talk catalogue. the a side antionette is a perfect electronic influenced body-locking flavored track, an organ alongside a bouncing bass and a rhythmic feel is sometimes all you need to get moving ! its the b-side that really take things to the next level. anaxander both puts his own clever stamp on these two tracks and delivers acid in the old, vintage sense that owes more to the raw and unpolished club tracks played by ron hardy at music box than to the old school house vibes you have expected from local talk. both cat feeding and i want you now are two tracks of a new era of local talk. innovating, futuristic and original produced electronic analogue funk for 2012

raw stomping, distorted stepping, industrial atmospheric techno jam

call it whatever you want. we think of it simply as techno music. deep, raw, mystical and industrialesque music that makes you think about your desires and gives you the illusion of clearing away time and space. having lived in almost all corners of the world, it took nothing more than finding themselves in berlin, a dose of random chance and a barside conversation for irakli and yacoub to figure out they had similar views about music - and so, i/y was born. i/y 001 is a three track intense journey into the depths of techno.

the second part of the >what about talk about< series by baaz starts with >owls night<. a deep house tool with a vigorous bassline, some classic 909 elements, weird vocals and a pumpin piano chord. >those things< the second track on the a, infects you with positive vibrations and the magic mood. the b side enters with a remix by the highly skilled producer michel bauman under his moniker soulphiction. he turned the track called k.m.s. into an emotional and strong kicking house tune. a cut for the special moments. the original is produced by iron curtis & baaz . 90 bpm, a dippy pipe organ, wooden beats and shaky percussions. the last track >whatabouttalkabout< is a lush experimental listening slice, prober for the dark and chilly winterdays.

2013 repress !! highly recommended! deep, strong and relentless, this is the first full length e.p. of the analogue cops on their own label restoration. as usual, an unquestionable raw force is summoned by the abrasive touch of their experienced hands on incorruptible machines, without any mean computer involved in their operations.

next klap klap by labelhead and mastermind samuel l session. dark chords combined with driving beats. samuel at his best!!

for their 10th release manchester based label my first moth present a collaboration between two visionary artists from opposite sides of the atlantic. new york born rapper blurum 13 should need no introduction after lacing countless records from the last decade with his distinctive gravel-voiced flow, most notably the classic ninja tune album >children of possibility< which he recorded as one-third of one self alongside dj vadim and yarah bravo. producer frameworks is a relative newcomer although still fiercely prolific, having notched up collaborations with long island legends qnc and uk rapper bang on amongst others. with releases on first word records, hero records and organik recordings, frameworks is quickly forging a reputation for a solid production technique, fusing old-school sensibilities with a touch of live instrumentation and a keen ear for a killer sample.
dj support comes from dom servini (wah wah 45s), dj gilla (first word), dj asparagus (raw fusion / g.a.m.m.), alex crescent, and agent j (groovement radio)

raw, outsider techno & puristic, minimalist, mesmerizing electronics.

2012 was definitely the year of alex q. combining passion for music and incredible talent, he released not only a series of original ep s for labels like ostwind or his own baby kleinstadtfeeling, but also remixes for world famous artists such as kollektiv turmstraße on the well known - musik gewinnt freunde- imprint. to finalize this years success, iww music is dropping alex s masterpiece „guten morgen rosengarten“. perfectly representing his current style this piece of art contains harmony, melodiy and a thriving mixture of organic and synthetic sounds, that just makes you wanna dance! on the b-side labelheads and artists maxage and fabian kranz are embodying the current sound of iww: oldschool beats and raw synths.

funked up raw chicago house monster

these redux releases are like buses, we dont hear anything for ages then they hit us with three killer eps in a row. following the grand corporation and machete savane comes the return of phoreski. we have not heard much from phoreski for a little while, but you will soon hear why when you put the needle to the record on these two new tracks. he has been busily building up his studio into an enviable aladdins den of vintage kit, wires and analogue recording equipment. all synths and vocals you hear on these tracks come from phoreski, no samples, no guests, no edits. he has been hinting at this raw, analogue authentic sound for a while, but these tracks showcase a producer at one with the machines. >brown biscuits< comes across like some lost italo/cosmic gem, but via the north east of england rather than the lakes of italy. >machines< flexes tight proto-house rhythms with some bass that will make mince meat of lesser club soundsystems whilst the feuding synth lines fight for attention. this is proper body music, play loud!

is it balearic hit their late 20s with another superb release - this time craig bratley steps up with analogue dreams. craig has earnt quite a reputation from only a handful of releases, including the weatherall favourite and classic cut >birdshell< on instruments of rapture. on analgue dreams, craig lays down a gently evolving, acid tinged piano slow burner, all mood and melody. first up on the remix we have the ever essential bonar bradberry who amps things up and takes a clonking bass riff down the disco for a real good time. on the flip crimea x pare the musical elements right down and build an epic remix from the raw ingredients, employing live percussion and shimmering synths. finally joes bakery dial down the tempo and incorporate some deft acoustic guitar and gentle moodswings alongside the musical elements of the original.

a fan favorite on the full length release, robots & bumblebees is cvos special tribute to the great patrick adams. classic synth sounds with a hot gu groove. the b-side goes way deep with silent pimp, a comprehensive piece of chilled out elements and soulful jazz keys.

brooklyn synth/post punk outfit brings this ep to the lectric sands label. colors brings a raw guitar, deep synth bass, & a sassy dadaist vocal. cities of the plain is a more minimal cut with a chiming rhythm that is followed by the reporter is a plant. zoovox takes side b with a remix.

edec lashes back with some raw techno from alexander d niel. this young argentine has been on the cusp and breath of techno heavyweights the past year. edec007 is no different with a stricter form to the words underground techno. from one new talent to another as we also welcome bostons young techno heroes b-tracks. known for killer sets at panorama bar and their releases on supply records, the duo decide to revamp things up twice. double the pleaser double the fun.

charge your batteries and get ready for the next album on something. this double 12inch with fullside cover and unflinching madman beat arts, is another stl sure shot, taking you for a ride to the worlds of the always amazing raw something vinyl series.

-points of view- from emg explores in relative 009 old and new aspects of electronic music.
past present and free interpretation meet together through elements and influences...
4 live tracks recorded on 1/4inch tape for a deep sound experience

this will be a special eclipse release. one of the most valued and respectable dub techno artists atheus decides to stop producing dub techno tracks to explore the most introspective soundscapes of ambient and drone music, and this will be his final step into dub techno music. he needs no introduction, a bunch of stunning tracks speak for himself. his inspired music has been released on labels such as styrax and million of moments , probably one of the best dub techno producers alongside deepchord and fluxion in the basic channel legacy. the record consists in two original tracks and one remix. the title track das ende its a proto-dub painting where rhythm patterns are made by a mixture of pulsating bass frequencies, reverberated hi-hats, delayed stabs and weird effected voices. a well done mix of sounds brings the dub style forward to unconventional and more experimental paths. hypno chamber its a typical atheus dub track with all the elements in the right place. deep fat sub-bass and delayed chords textures worked together properly as always with taste and skills. a special release remixed by the special and talented young producer decoside. he worked the main theme das ende exploring the deepest side of his incredible skill in shaping sounds...

born in cape town, and now living in manchester, alex blaxx is 21 years-old. buzzin flys ben watt ran across his music in september 2012 after a tip-off on influential music blog fluxmusic.net and went on to preview one of the tracks on his bbc 6music 6mix residency a couple of nights later, it garnered the most texts and tweets for any track played that night.
the upshot is alexs debut three-track ep on buzzin fly. simple raw, deep house.