time 4 harmony in this world from moss opens with the title track that is a 15 minute ride of percussive elements, atmospheric synths and melodies. resonant on the flip is a exquisite piece of experimentation & a day trip thru divination rounds off the ep with a slow tempod basement track.

mysterious newcomer jamie blanco displays a clear skill in assembling the kind of raw, atmospheric late 80’s chicago house so close to our hearts - the kind of late night jams which can just as easily roll in and out of string drenched disco cuts as they can moments of strobe-lit intensity. beautifully executed, and another sureshot from cynic!

after the success leonid neverminds light is here ep, we invited a few artists to reinterpret and reshape leonids work. first up is dutch duo duijn & douglas, who already released on nowar, who took on thymus stimulator and turned it into a deep and funky time bomb. very basic and strongly efficient grooves layered with riffs and counter-riffs, making you hooked instantly. a wonderful hip-shaker! on the flipside detroits kris wadsworth, with solid releases on nrk and boe recordings, applied a more machine funk approach turning feel into a deep jack workout with leonids original dreamy sounds enveloping kriss rawness. finally miles sagnia, whose releases on his own atmospheric existence and aesthetic audio prove to be timeless gems, also combined the raw and the soulful. a true deep house gem with funky basslines, straightforward beats and a sweet deep almost detroit techy vibe.

above machine is a new label from production duo the project club.field of dreams (reprise mix) incorporates their trademark dreamy guitars coupled with a gorgeous synth hook courtesy of the dave smith prophet. this mix is best served horizontal.
the lexx remix stays close to the original mix but moves gently into the world of disco by adding a smooth bassline by reto gaffuri, along with a tight drum track that together creates a beautiful beach bar groove.
d-pulse serve up a top-notch remix production using all the very best elements from the original mix whilst adding their own unique quality and musicianship to the proceedings.
beginnings started off life as a remix, but ended up as a project club beach epic. the track is irresistibly melancholy and a worthy inclusion on this stunning debut 12 inch.

hotflush presents a special collaboration between two modern-day techno innovators: paul woolford and psycatron. both maintaining an influential discography on labels such as planet e, intimacy, tresor, and bedrock, they have come together to produce >stolen<, a nine-minute techno excursion. utilising relentless, throbbing percussion that sizzles over growling, acidic synthesis and carefully placed samples, its presented in three distinct versions, introducing filter-swept chords in the dub mix, and an even deeper submersion in the second dub mix that perfectly eclipses the raw temperament of the original.

the kdms is a underground-supergroup. englands no.1 indie - disco diva kathy diamond (permanent vacation, eskimo, moodmusic) and maximilian skiba from londons rekids label (solo album coming up soon) teamed up to do a real band. the result are some very crisp, catchy but raw house tunes with a great pop appeal. kathys unique voice that combines soul-funk background with a very own timbre meets max’s way of contemporary electronic production. he does it like prince: playing all the guitars, drums, bass and keyboards alone. and then reworking it on the computer. check the amazing morgan geist remix!

chicagos ricardo miranda makes his debut for the ace stilove4music label, maintaining a fine year in which he has already dropped some serious heat on rush hour sub-label hour house is your rush and his own noble square imprint. title track >102point7< is all jagged synths, throbbing arpeggios, slashing claps and a rolling acid groove, marking it out as one of his most incendiary productions to date. on the flip >rotary cells< is deeper still, a 909-led jacker with undulating layers of sub bass augmented by a wonderfully woozy vocal which extols the virtues of true chicago house. this is followed by >greenline<, a stripped back jam with scuttling hats and the kind of paranoid synth melody that wouldnt sound out of place in jeff mills something in the sky series. this is dark, raw, pulsating dance music - highly recommended.

crosstown rebels turn up the heat with luca bacchettis sensational >tango<, a latin-infused half step monster of a record setting dancefloors ablaze with its raw passion and infectious charm, presented here with an inspired >voodoo rewix< from venezuelan producer eduardo castillo. expect to hear this everywhere in the ensuing months, its going to be huge

there are still around, real environmentalists for whom the term preservation means more than just a trend. paul-david rollmann alias even-tuell belongs with his artistic productions (among other things, one of the creators of the enthusiast label workshop) to the class of those who answer the call for effective art, design and indulgence. the maxim is always the free will, emancipated from szperfluous market mechanics and the falsehoods of the zeitgeist. for musik krause, his activity is recorded on 2 releases. a split with metaboman and a formidable remix for ian simmonds adorn the catalog. with his quasi-first complete musik krause ep he shows a raw and coarse club music sound without losing even a breath of the aesthetic and compelled movement. all three pieces sound as if they were crafted from centuries old tools, in the way that his music is filtered through the machines humanizedm discharged in a kind of essential honesty.

raw and dry techno monster, decks tipp

supported by: ricardo villalobos, reboot, mathias kaden, markus fix, sascha dive, ray okparah …
jax is a collective of like-minded artists, musicians, thinkers movers and booty-shakers, who believe there is more to records than just some grooves engraved into black plastic. their vision is to treat each release as a presentation in itself, complete with original and individual artwork, features and an exhibition. each production will feature artwork shown in a cube of about 8 cubic meters. every record-released will be strictly-limited to 500 copies, which includes a poster referencing the piece made by the artist! daniel roth was born in seeheim near frankfurt. he started to experiment with different styles of electronical music using an akai mpc and a juno 106 in 1997. by this time he wasnt thinking of making music his profession. he then started his studies in skulpturing at the städel in frankfurt. after having finished art school he took up producing music again, influenced by his art and contemporary dance music styles. with his jax release he showcases his ability to combine different elements with his unique touch.

october and john osborn are proud to present the inaugural 12inch on their newly minted bristol and berlin based house & techno label: tanstaafl records. tanstaafl is an acronym for there aint no such thing as a free lunch. we kick things off with john osborns debut release, epoch 4 backed with a darker, reduced, dub-influenced version. john based in berlin worked with october in his bristol based studio to create and produce some wonderful, raw, dirty analogue house music. both tracks were meticulously produced by herr osborn and recorded and engineered by october. laurie appleblims joined the studio session and he dove straight into the juno 60 and played the melody that finnishes the track off. tough floor business for your feet and mind, tried and tested around the world. a great start for this promising label.

after our trilogy of black-labeled records (bigbait005-007) featuring dark and rather technoid house tracks, i.a. by portable, s-max, elektroherde and peter clamat, we now start our white-labeled, hand printed 12 inch vinyl series with a raw and soulful house record featuring three stripped-down-to-the-bone tracks by lee webster and glenn astro.

chris duckenfield has done more than a few laps around the acid house track producing and djing since the late 80s, and achieving success through numerous music projects, rac on warp, as swag with richard brown through the 90s and more recently with his popular peoples front & duckbeats aliases. >i really do believe< joyously straddles the disco & house worlds, a rollicking metalic riff, soaring etta james vocal samples, a healthy dose of acid and a serious low end - constructed for sweaty basements & causing a major stir with a few choice drops at the recent electric elephant festival in croatia. new and super talented producer chicagodamn provides a superb remix on the flip, taking the key elements of the original to a strobe-lit warehouse destination in fine style!

support by: losoul, hunee, aubrey, xdb, basic soul unit, fabrice liq, iron curtis, dan curtin, octave one, keith worthy, baaz, dj 3000 …
with detroits kevin reynolds we are proud to welcome one of detroits best kept secrets as the latest member of the nsyde family. starting as an audio engineer at derrick mays seminal techno label transmat, kevin has spent most of his career helping others to shine. honing his production skills in the transmat studios refining a variety of projects, he has accumulated an impressive body of work in the background over time. with the release of nsyde 002 kevin has now set the focus on his solo career and the years of experience and raw talent have truly left their mark. showcasing his savvy for deep mesmerizing grooves, he brings us two tracks for the mind, the body and the soul, ready to conquer dancefloors worldwide. fusing raw tribal elements with warm strings and chords, kevin creates his own fresh trademark flavor, paying homage to the original techno soul of his hometown along the way. keeping traditions alive by retro-perspective modernism. with a unique sound, lauded by the likes of gilles peterson and osunlade, kevin reynolds is the perfect match for the nsyde musical philosophy.
so listen close and let our secret weapon from detroit blow you away!

raw and dirty phunkin chicago house ep...

the a-side contains acid snow. a raw, leftfield acid house ode to new york in 2011, acid snow speaks to the young men with a future and tells them not to delay, the city is waiting. fuelled by classic 303 tweak and propulsive analog drums, acid snow plateaus in a guitar-heavy finale that conjures the spirit of the citys no wave sound – acid snow is no wave house, no house, acid rock, acid not acid, armando on no new york, sonic youth at the warehouse in chicago. out of love for the future, it lays down dynamite on the cornerstone of tradition.

raw, deep and dubby sounds from an unknown artist on this first havamal release. this is the full-cover edition with artwork by birdie, limited to 50 hand-numbered copies.

raw, deep and dubby sounds from an unknown artist on this first havamal release.

hailing from hamburg colourz hits you with >liquidation< which combines classical pop elements with massive beats and top notch sub basslines. flip it over and you are treated to >the cove< which is a mind blowing masterpiece that combine rock with 175bpm beats and we strongly believe this producers going to go far.

** very limited 2015 repress**
only 1 copy per customer / nur 1 platte pro kunde
raw & heavy hitting 1990s rave house/techno reminiscent club bombs.

abdulla all of a sudden appeared on the scene with his label... and a couple months later he pops by again with this 2nd twelve. trippy deep gritty techno tracks from this guy thats clearly not aiming to be the next most popular producer in the resident advisor poll. uncompromising tracks that must be played out loud in a dark basement style setting with loads of smoke and strobo. raw techno just as we like it!

komisch welcomes a new act for its ninth release. tricaustic is a collaboration between longstanding dublin techno djs sunil sharpe and jon hussey, and they bring their experience to bear on these raw and distinctive techno tracks

flying donkey music, after the first two releases by samuel l session and kirk degiorgio got the respect as one of the new more interesting labels in the underground stream. as third release we can appreciate the homeboy claudio mates m2g4: he shows us something new and different, which is hard to catalogue, just a techno/house track or a simple piece of electronic music. tribute mix by claudio mate is a perfect journey in deep, dark, emotional, emotive lands within an amazing epic ending with guitars played by luca petrosino (an italian guitar talent). orlando voorn really doesnt need any introduction: his deep divine mix is the perfect mix and balance between raw grooves, melodies and solid bassline like his usual trademark. its perfect for dancefloor people who loves berghain or fabric. david hausdorf is a classical musician from the munich philharmonic orchestra but he is also well known for his old works on labels such as synaptic waves, styrax leaves, salo, lifetime music.

here comes, well, certainly not the record to turn your party upside down. the first lurker release brings two raw and sluggish instrumental rides through deep slowmotion territory. young talent babok shows us how to move that midnineties downbeat spirit into an adequate place for 2011, his mysterious djurh combines a strongly fragmented rhythm section and a distracted piano from somwhere below.
on small window, nic & jaq manage to hold the balance between early fall romantics and mid winter darkness,reaching the goosebump-o-meter s full scale with an intense samplesound and a thick drumset.

the third ep from laak on austere is very much in the same vein as the labels ethos – raw, profound underground house music! with the past releases on austere getting props from players such as jus ed, keith worthy, steven tang, anton zap, malcolm moore (altered moods), deep space orchestra, homepark, pjotr (ethereal sound), area/m50 (wave) and dj spider, this ep will not disappoint the heads so dont sleep on this!

early support: adonis smith, hakim murphy, neville watson, perseus traxx (future flash), anthony shakir, david vunk (moustache records), massimiliano pagliara, mass prod, ksoul, photonz (one eyed jacks), boris noiz, ali renault (human shield recordings), humandrone, michael eldridge, rick hopkins (thunder, london), terrence sinclair allen, john heckle, lula circus, eddie richards, alexxei n nig (exprezoo), rufus (bosconi records), moody manc, merrick brown, g marcell marcell, edoardo scarpellini (aka e-dward!).
locura present the second vinyl of our brand new imprint, locura records. they are trying to involve the best underground artists, focusing on the first chicago sound, with deep, acid and disco elements. this record starts with our collaboration with ennio colaci, half of minimono (oslo, bosconi, tuning spork), >the keeper of dreams<, remixed on the same side by the highly acclaimed german duo snuff crew (gigolo, rush hour, snuff traxx). the 3 tracks b side will contain 3 originals by meschi (lunar disko), rio padice (tsuba, morris audio) and takeshi kouzuki (mathematics).

the jivers is a production duo formed by the two french djs/producers don pascal and fred spider. having not known each other before, their paths first crossed when both of them had moved to barcelona in 2007. soon they discovered their common love for deep and soulful music ranging from jazz, funk, brazil to nu-jazz, broken beat or house. their debut single >do what< has already been featured on the jazz&milk breaks compilation and received amazing feedback and spins from djs all over the globe and was brought to an even broader audience after being included on several compilations such as >saint germain des pres cafe<. now the song is being re-released in form of the do what ep including a brand new track called >move on girl<, again featuring the unmistakable voice of anqui and remixes by dj moodz, don pascal and fred spider. the jivers music can be described as a dance-floor oriented fusion of jazz elements with modern beat productions including the colorful and melodic vocals of anqui.

>hoping for the invisible to ignite< was recorded and mixed between paris, normandy (fr) and saint-margaret of antioch church in leeds (uk), these four haunting orchestral pieces were performed in the studio live, and re-recorded using a wall of sound process, adding the natural reverb of the church to the raw tracks. the dvd includes the super 8/16mm black&white film >as true as troilus< by jayne amara ross & a bonus live performance shot by alain grodard & rod maurice during the festival des nouveaux arts sacres at saint-eustache church in paris.

second episode of the lifes track saga reach the top of a new intergalactic dimension! the spiritual and cosmic attitude of the faboulous italian live duo this time gets, on a1, more techy, hypnotic, mind-penetrating and aggressive, while a2 shows a fresh mysterious, sexy and holistic reinterpretaion of some of the best oldschool chicago house made by artist like virgo four. on b1 instead youll find some raw and melancholic keys a la glenn underground style with a touch of percussive madness and b2 ends up the ep with a trascendental and estatic boogie tech funk tune dense of trancier gentleness and tantric expressionism.

***ltd edition orange vinyl***
comes in shrinkwrapped sleeve
dj support from efdemin, richie hawtin, franck roger, osunlade, rob mello, ethyl, huxley, iron curtis, anthony collins, melon, chris duckenfield, martin landsky,.. tsuba colours returns for the orange edition with rising star jordan peak who delivers two raw & soulful underground house trax. the remix from steffi is an absolute stunner, complete with soaring strings and warm analogue production. shrinkwrapped and pressed on orange vinyl with matching sleeves, this release is a must for any vinyl collector. strictly limited to 500 copies. be quick!

eclipsemusic is pleased to announce the sixth release introducing the talented canadian producer matt thibideau. he is known in toronto, detroit, montreal, & berlin for having performed with the ikes of mike huckaby, akufen, richie hawtin andreleasing music on labels such as mike shannons cynosure and sub-static with hisnew wave-industrial band repair.. matt has a very personal approach to making music that refuses to use software instruments and give free expression to his unlimited passion for the sound of his analog synthesizers. he records directly through a mixer playing his live instruments. this particular feature shines through his deep and warm sound! >when its time< is a typical techouse style track with a solid structure consisting of a straight and bouncy rhythm, deep bass with futuristic chords and techy arpeggiators running over it. the track starts very deep develops into a more raw sound that leaves no survivors on the dance floor! >holding on to you< is a much more dub-oriented track this time we have ambient and rarefied atmosphere which develops progressively over a repetitive bass line and drum machine rhythm with a mixture of chords and pads typically inspired by the basic channel sound. the title track >night drive< (licensed from matts obsolete components record label) is a masterpiece of deep house music vaguely reminiscent of many mid-nineties works from labels like guidance recordings and wave music, that will become an instant classic for all deep-house heads. very melodic and groovy bass line with a mixture of pads, reverberated chords and many delayeffected elements. 7 minutes of pure deepnes

after a smash debut release that had house heads from around the globe taking notice, no matter what records is back with a vengeance for their second release. this time around label co-founder alex agore takes the lead with 4 tracks of raw underground house deepness that channels the energy and spirit from dance floors of long ago.

we are very happy to deliver this excellent kuniyuki remix of mr raoul k. >africa< was kunis best favorite track on the album >introducing my world<. kuni said this remix was inspired by mule 7 years party at robert johnson,frankfurt. this remix is more club friendly, modern deep house sound but you can still listen his organic and musical elements. dont miss this excellent remix!

there are a number of producers who are known for being prolific, roska, cooly g, benga to name a few, and now gerry read can be added to that list. the cambridgeshire producer has only a handful of actual releases to his name, but a vault of hundreds. we can well imagine his hardrive straining from the sheer velocity of ideas that he sends our way. raw, urgent and frequently off kilter, gerrys production challenges your ears but always manages to lock in the groove.

a timeless dancefloor destroyer by josh brent, backed up with 2 downbeat beauties. just clap your hands everybody!

possibly the biggest release on off in 2011 so far! off 26 introduces two new talents to the label: berlin-based friends daniel dexter and nhan solo. they deliver >our thang<, a dead-funky discofied summer tune, based on samples which all lovers of 90ies hiphop will dearly remember. on the flip side, labelowner andre crom & martin dawson deliver a deeper, more linear interpretation, based around a mighty bassline and an epic slowdown in the main break. second remix comes from luca lozano & sacha robotti, who score with a raw and toolish groove, adding further elements of the sampled song and additional sweet vocals.

this pressing with printed paper is limited to 100 copies in a coloured vinyl ... after his last house party, adalberto is back on the way to school to perform his homework on the box called 909 ...nothing more - nothing less than raw deep-, acid- and ghetto-houze can be expected...

this pressing with printed paper is limited to 100 copies in black vinyl ... after his last house party, adalberto is back on the way to school to perform his homework on the box called 909 ...nothing more - nothing less than raw deep-, acid- and ghetto-houze can be expected...

from the very outset, the m.c.d.e. remix of shit robots >answering machine< picks up in a completely different realm from marcus lambkins original, which appears on his 2010 debut, from the cradle to the rave. the stuttgart-based producer has replaced janine >planningtorock< rostrons slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. rostrons own pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. last up is another rostron creation, the whisper remix, which actually outpaces lambkins version in bpm, but is lighter all the same. here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the songs rustling path.

only one copy per customer / nur eine kopie pro kunde .. full of deep quality house music from helsinki. the opening title track -doright!- is a soulful broken deep house journey through rhythm and vibe. powered up with deep detroit chords and vocal samples. second track -keepitraw- is a tribute to detroit deep house, especially producers such as omar s, moodymann and mike huckaby. raw grooves topped of with heavy percussion breaks. b-side starts out with -othaway-. strange enough, the track combines both african and bossa influences. this mellow jammer has a piano hook that seems irresistible while the percussion floats through track until reaching it s peak in the end. final track for the release is an old school style tr-909-influenced ourlove. simple piano stabs on top of a killer house groove can never go wrong. keep an eye-out for the finnish deep house scene, be on the look out for more trevor deepness coming late 2011.

out 26th of sept. mikkel metals new tartelet ep travels deep into the spectral voids of space. empyrean pads and raw drums reverberate in our ear meatus on cassini -soft kicks with shrill claps and a prodding bassline bringing back memories of mikkel metals earlier dubby excursions. phasing, relentless, and a favourite in the early hours of both the night and morning, cassini has everything needed to become a mainstay for all djs brave enough to venture beyond our known realms. mazurski, a galaxy of beaming details and radiant synthlines colour it deep, while the echoes of light gone by envelops the transient listener. following on the same side is the dub version (vinyl only), outlined by a scrapping kick, filtering sequences of sonic waveforms and abraded sub-basslines. all this rough beauty is fully submerged in a crystal pond of levitating strings and sparkling monotones. these cuts will transport you beyond, both in front of properly charged sound systems and laptop-powered earphones. referencing both the recently resurrected new age wave and the analogue power of london, mikkel metal has brought a completely new dimension to the tartelet universe, the quality is undeniable, the construction timeless and the foot-tapping ensured, so get floating.

walls alessio natalizia and sam willis dont deal in perfect wholes. the kompakt duo return swiftly on the back of 2010 s critically lauded self titled debut, an album that picked up mojos coveted electronic album of the year, featured in nmes end-of-year lists, not to mention winning fans such as of jamie xx, caribou, james holden and impressing us trio battles so much that they have invited the pair on tour around the us this coming october. yet it isnt these admittedly impressive accolades that make the announcement of second lp >coracle< such an anticipated one, what makes walls so alluring is the fully immersive experience of their mellifluous electronica – reaching out far and wide to pull influences sonic, emotional and theoretical together into patterns of blissful phantasmagoria. taking their debut as the prototype, willis and natalizia have taken those initial early-sunrise evocations and pushed them to even more grandiose expanse.<br /including cd version of this album.

its been two years since pawas gupta contributed an enchanting remix on sirions first vinyl release. constant communication and cooperation lead to this all in all accomplished project called >huis huis ep<. pawas productions start off smooth and impress with delightful elements and perpetual dynamic. the development of each track is rarely predictable. tempting the act of prolonged anticipation is a delicate one and leads further and further into remote realms. carried into the sec repetitive parts by finely tuned synth-boosts makes us realize the force briefly before being caught up in the hypnotic sounds again. propelling deep house with a pinch of funk and a touch of detroit - the classic yet brilliant pawas style! moon harbours chris lattner needs no long introductions. releases on nrk, einmaleins, fear of flying and luna records speak for themselves, are proof of a successful and active time. the dry yet truly ideal base frame for subtle but succinct modules for this remix is its effective substance. the static sub bass, fulminate and with an enormous thrust, is reminiscent of the miami bass age - virtuous modulations, the very complexion of mr lattner. he remains true to himself, we like!

support by: hans nieswandt, baaz, alex agore, marquese, skipson, ynk, big in d_bug...
with his bellefonic ep, drei farben house from berlin creates a remarkable house-disco-hybrid.soul vocals, funky drums, warm basses – it is all there. wide range of accoustic sounds meets specifically selected electronic elements. with his rather classic idea of musicality drei farben house bridges rich soulfulness and slim, reduced funk. beauty and elegance, understatement and indulgence, meoldiousness and pop appeal – thats what this concept is about.tenderpark remains a prime address for softly gleaming pearls which light up in small side streets. about tenderpark: tenderpark is a vinyl label from berlin in quest of warmth and elegance in contemporary house music. lightness and pproachability are the main focus. tenderpark sounds the commonalities and connections between music and fashion. after the first series of record artworks had incorporated a fashion photo, tenderpark has staged a fashion shot for the new records again. this time the label has drawn on the sophisticated clothes of berlin menswear label a.d.deertz to play the main role in the new artwork.

francois x returns to the deeply rooted house label for his third record and we are very pleased to hear how he developped his style! code red has a great classic techno vibe, while haunted is an acid intriguing deep and dark track. proper techno! bonus comes on the flip side with the marcel dettmann remix of code red. his version is stripped down dark and pumping in his unique and raw and intense berghain style!

highly recommended! after the celebrated single >retro vogue<, restoration strikes back with a 4 track e.p. designed to blast the planetary sound systems. bombproof analogue music produced during wild sessions at the restoration headquarters.
on side a, blawan (r&s records), one of the most talented u.k youngsters, join the forces of the analogue cops. a1 is an analogue hand grenade: spacey, smashing, twisted. a2 is an heavy, jacky house excursion with delightful piano chords over solid raw beats.
on side b, mister ryan elliott (ghostly / ostgut ton) visits the analogue cops and the result is impressive. b1 is a forthright house track with a techno attitude, a sensual vocal hook runs over an huge bass drum with sharp hi-hats. b2 is an hard driving minimalistic sci-fi trip, dancefloor oriented but fast paced from trends.

killekills next release comes from snuff crew, a crew you might and should have heard about. snuff crews mission is to bring back the fun on the dancefloors worldwide. the masked duo is known for their jacking live shows that combine the raw energy of early chicago and acid house with a fresh and modern sound. rumour has it that they come from >somewhere in germany<, but their sounds draw a very heavy influence from the original acid house city of chicago alongside italo-disco and old school techno flavours. the use of old school roland boxes as sound sources and almost non existent use of even basic effects means their sound is rough, raw and aimed squarely at the dancefloor. their records have been released on labels like skylax, gigolo records, rush hour, playhouse and many more, but the two guys also run their own imprint called snuff trax where they release music of jackmates like kink and neville watson as well as their own tracks and collaborations with artists such as legendary robert owens. thats enough for now with the name dropping. killekill has got a lot of great exclusive material from the guys but decided to release only two very strong and distinctive tracks for now: domo on the one side is a proper acid monster that will go down on dancefloors worldwide like a hurricane and leave the dancers breathless. eat this on the other side is a rudimentary chicago jack track that might well have been taken off a dance mania record from 1992. this track is working its way with nothing but a few drum tracks and a vocal sample and is pure raw sexual energy.

stuart li aka basic soul unit (versatile, mathematics, ostgut ton) has delivered 4 new cuts of submerged bass excursions for nouveau kanada. all tracks sound distinctly raw and heavy, but with modern nods to uk bass and spatial elektro. stuarts deep appreciation of dusty house grooves shines through on all tracks - but his treatment of the lead cut >deep diving< pays homage to those dope dance mania b-sides of yore. for fans of kassem mosse, move d, adonis, larry heard, early ur, stl, edgy pearson sound or good brazilian jams from the 60s.