probably one of the hardest to find digital tunes of all time. recorded at king jammy s studio, old pan sound is a sound clash song recorded to bury any soundbwoy! vernon maytone aka vernon buckley started singing from the tender age of fifteen and formed the groupe the maytones in 1968 with his neighbour gladstone grant. the maytones sucessfully made a string of hits, to name a few funny man, loving reggae, serious love africa we want to go
vernon felicity is also known as conforce and boris bunnik, the tireless dutch producer who marries analog and digital sounds together into otherworldy sound tracks. now he is back on mos once more after a new conforce album on delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.
number four will be born to the floor. melomanic mastermind vernon felicty is the freshest residential of the harbour city and we had to trouble up faster then bonny & clydes motorbike. heres what happened... get ready for a fix of rotterdams danger!
for its eighth release apartment delivers its first long player, by mysterious producer, vernon (dixon avenue basement jams / night gallery). little is known of this artist – what we do know is that his formative years were spent in belgium, immersing himself in the emerging new beat and ebm sounds emanating from the countrys dance clubs. for his release on apartment he has created 6 tracks that reflect these early influences, whilst also taking in other techno, house and electro influences. pounding drums, rasping hi-hats, rave stabs, twisting acid lines and grinding synths all come together under the unique tutelage of this most skilled of producers, all the while watched by the experts…
HOW TO TRAVEL THE UNIVERSE (WITHOUT A FLYING SAUCER) (WHITE VINYL)
coloured 12" Vinyl UK25.10.13
the man from marseille vernon dropping his second e.p for dabj here, building on the groove of his debut >chicken dance< but adding an extended palette of sound and taking things in a slightly tougher direction. >how to travel the universe (without a flying saucer)< kicks of with >ignition<, an eerie ghost train cut ripe for an lsd-fuelled danse macabre through the town after the witching hour. >one night in tanzania< rolls out into a rugged, clave-led jacker: a perfect mix between the deep and the tough that vernon can deftly muster, seemingly with ease. flip the white wax for a run of jagged, acidic noise on >how to build a pyramid<, a perfect soundtrack to getting >the acid life< tattooed on yer forehead tebori-style by a crippled ex-yakusa in a back-alley whorehouse...
when hartmood sent us his stuff in the late eighties we were like >oh my gosh its far too early for that kind of next gen shit!< we asked him if he was in a hurry. he said >do what ever you like!< more then two decades later we thought it was time to release his shit. and so we did. we asked boris bunnik and dcnt to do a remix and in the end we even had some more next gen shit!
the unstoppable boris bunnik is back once again, this time as vernon felicity with a four track ep for mos recordings. the tracks see him explore his usual analogue heavy sound, but there is a little more space in his arrangements, a more rueful mood...
coming off an outstanding 12 inch,, release on dixon avenue basement jams this mysterious artist returns w/an ep that ranges from slamming acid and bass heavy techno to a thick house jam with a dizzying jazz influence.
the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.
ihnen sagt der name vernon garrett nichts? eine seidenweiche stimme, fulminante bühnenpräsenz mit der professionalität eines tanzlehrers und ein lächeln der größe texas? - richtig! es ist höchste zeit diesen musiker näher kennen zu lernen!
auf >the story of< finden sich vernon garretts funkigsten songs wieder. viele davon sind seit ihrer erstveröffentlichung in den 60-ern / 70-ern zum ersten mal wieder erhältlich. die vinyl edition ist auf 500 stück limitiert.
super limited 12 from rob mellos no ears outlet. we literally only have a handful of these. reminiscent of classic landshark jams, this punchy 808 led, quirky vocal house workout has all the trademark no ears elements.
incl. sascha dive remix!! ray okparas ama recordings returns after the resounding success of its debut release for ama002, the surrender ep by vernon & dacosta, the belgian based house project of vernon bara and massimo dacosta. the pair have been producing music for 10 years since meeting in belgium and have released tracks on labels such as om records, robsoul, aroma, a second smell, icon, diy, amenti, ready made, klassic fiasco, off rec. and many more. they have remixed over 40 tracks for artists such as brett johnson, fred everything, johnny fiasco, swirl people, jt donaldson, bear who? and someone else to name but a few. the surrender ep is characteristic of their style with a cold, industrial groove comfortably juxtaposed with an infectious soulful spirit. the lead track, about our music, centres on a groove that just keeps on keeping on, sleazing its way through your body before the vocalsam ple with an ode to jazz punctures the track. one of the finest exponents of the groove, sascha dive, steps into the remix for about our music with a dark beat dub that corrupts the bass line and warps the vocal into a distorted, eerie sermon…
he postgate and smallfilms output has a worldwide following, and this magical music contributes greatly to the impact these legendary tv adventures have had. the music is wistful, sad, pastoral and utterly charming, the cds look wonderful, sound
vernon returns for his third 12 incjh for dixon avenue basement jams with new beats, four thumping body tracks strictly for dem wot know. starting off with some slow-paced jailhouse house, *dark river* has been doing the rounds at barlinnie prison s weekly friday night shankfest, and is now finally available for the rest of us law-abiding citizens. comes on wintery transparent blue vinyl with a yellow centre stamp!
exzellenter sampler mit 16 superben soul/r&b-raritäten, deren gesamter sammlerwert heutzutage bei über 6.000 us-dollar liegt. the nightriders mit ihrer perle -lookin for my baby- (1959, sue records) macht alleine fast die hälfte davon aus. ferner dabei: paul perryman, vernon harrell, earl king, mike robinson, u.v.a. eine wahre schatzgrube!
the american boogie down finally makes it on vinyl! to celebrate the 10 years anniversary of the groundbreaking compilation by jerome derradji & rob sevier (numero), past due records, the reissue division of still music is finally releasing this incredible selection or rare and lost boogie funk and disco from the midwest and beyond on wax. the dlp includes an exclusive poster with liner notes by rob sevier and artwork by al kent
one of the best rhythm & blues and soul albums ever, the mythic ‘new breed r&b’. compiled by ady croasdell in 2001 this album was only released on cd by kent label, an album that ady compiled using the singles that kent released during the 60’s by transferring the songs from the original analogue master tapes.
liquidator represses this gem for a unique release limited to 1000 copies. for the first time ‘new breed r&b’ is released on vinyl and is doing the best way possible! a double lp housed in gatefold cover including lyrics, pictures and liner notes by adrian croasdell and paul welsby, as well as a new front cover image.
pretty much one year ago we elated critics, reviewers, and music lovers with an album by the name of praise poems. 12 months later we are proud to introduce you to the third volume in this already highly acclaimed series. what warmth was to the first and abraham battat was to the second volume, feather is their counterpart on praise poems 3 (pp3). the double vinyl release includes a download code.
low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.
we are delighted to announce our next release from blind jacks journey and crow castle cuts daddy, luv jam. the welsh born 58% rabbit / 16.1% hedgehog / 4% squirrel / 3.7% fox / 3.4% badger / 1.6% rat / 1% deer / 1% stoat, weasel, polecat, mink has produced 2 original tracks for only our second vinyl release. blyp ep will add to luv jams already extensive catalogue with previous releases on we play house recordings, throne of blood, tsuba records, phonica white and lany recordings and collaborations with dynamodyse, matomic and gnork. luv jam called upon the blind jacks journey and bokhari records regular, gnork to remix anti tracksuit party and vernon from glasgow imprint dixon avenue basement jams to mix >over draught facility<. a solid 4 track ep of which we are extremely proud of.
THE ROOTS OF HIP HOP - FROM CHURCH TO GANGSTA (2X12 LP)
2x12" Vinyl lp UK10.01.14
hip hop did not develop in a vacuum - its roots can be traced back to the earliest afro-american music, and the folks who were influenced by these sounds along the way. this lp compiles some of the great recordings that showcase the spoken word and street culture put forth from the 1920s through the 1960s that would go on to influence the entire rap music genre. the themes will be familiar - religion, politics, black experience, badass gangsta rap, speed, sex, drugs and rock n roll. lets listen to the lessons that the hipsters of the past taught the rappers of today.
the latest incarnation for bliq comes in the form of brazilian future primitive thingamajicks and his lysergic quest through sound on >patricks last trip<, with vernon felicity channeling a different kind of synesthesia. drop out – turn on – tune in.
mit chaim, kiki, skinnerbox und we love liest sich die liste der auf vinyl only edits vertretenen künstler wie ein who is who der bpitch tech-house allstars. und damit nicht genug – die vier künstler liefern neue bearbeitungen ihrer favorites der letzten singles: chaim lässt seinen tech-house knaller ur around me noch eine spur spookiger klingen. skinnerbox meisterwerk god is fading klingt ebenso energiegeladen wie tricky, und we love s elegische tech-house songperle end of night schiebt hier mit gestripptem arrangement noch zwingender nach vorne. when lou met vernon, das neue werk von kiki, verrät schon nach den ersten takten zweifelsfrei seinen all-time-lieblingstrack, dessen originaltitel ohne weiteres als motto dieser großartigen 12 stehen kann: groove is in the heart!
christmas compilations are often cheesy, smooth selections of bland, overplayed seasonal pabulum. even announced with funky or groovy, it often leaves listeners disappointed. so were jan and tobias. first, they were bugged out by the all filler-no-killer compilations. the second and more important reason was that of the considerable number of proper rare groove tunes recorded and released in the 1960s and 70s, many languished in obscurity. the pair started a collaboration to create a funky-soul xmas compilation.
the lp sleeve contains scans of all 45rpm single labels as well as liner notes to each song. the vinyl comes with a gatefold cover and is limited to 500 copies.
VISIONQUEST CLUB EDITION SPRING SUMMER COLLECTION 2011
12" Vinyl UK15.06.11
the visionquest label is cultivating an immaculate reputation for fresh and beguiling sounds, joining the dots from celestial pop to deep techno. now presenting a special >club collection spring summer 2011< the label showcases some of 2011s most promising artists.
two 80s-era tracks from one of the most sampled musicians of all time! tony cook was drummer for james brown among others and released the proto-house tune >on the floor (rock it)< in 1984. get to the point is from the forthcoming tony cook album on stones throw called >back to reality<. for fans of dam-funk, peoples potential unlimited etc. check!
lost my dog s miami sampler contains a taste of what you can expect from lmd over the next few months with four corking tracks from giom, bleep district, yse pres. frank h carter iii and roland nights (vernon & dacosta remix). dj support from: ashley beedle / mark farina / halo / dj heather / miguel migs / lil mark / dj mes / swirl people & more..
bump music return with their 4th instalment shes so dirty ep. still running red hot from the recent whizkid ep, style of eye makes a welcome return along with lil mark and belgian funk duo vernon & dacosta. three very distinct versions using the same cheeky vocal make this release one of bumps strongest releases to date.
nice price deal !!! a1.>hammarskjoeld limited< presents its second release coming from lars moston...and thats what we call a real right rollin beatfreaker. nice funkyticed and distortion dominated, it pulls the souls out on the peakin floorblizzard...we like this! a2 >philip de boyar< manufactured the remix. keeping it a little bit more native he steers that thing thru the original elements and putting some ultra magnetic flavour to it. clearly we like this again and again
electro flavoured funked up house track with sexy female vocals a side feat a massive richard dinsdale mix plus the original version flip over for andy caldwells electric mix and a deep grooving vernon & dacosta dub
feat. tracks by omar s, joris voorn, lco dice, jay haze, guti, iron curtis.. balance music presents balance 021 mixed by nic fanciulli. the saved records boss delivers a stunningly intricate mix that highlights his ethos as dj and label owner. cd1, entitled simply balance is a subtle and expertly crafted mix that balances a plethora of diverse tracks, often three at a time, to create an expansive but well focused journey. on cd2, nic showcases the sound and ethos of his own saved records with a collection of records exclusive to the imprint. whilst keeping the focus on quality house music, the mix highlights the diversity within the label with a discernable collection of tracks that straddle various styles, atmospheres and tempos – many of which will be available exclusively through balance 021.
blues boppers! jukebox faves! rompin stompin rnb taenzer! ein ganzes album voller rauher, ausgelassener 50er & 60er rnb banger! die jukebox jam clubnacht begann im sommer 2007 und brachte us rhythm & blues von gestern auf die tanzflaechen von heute. diese zusammennstellung auf jazzman wurde von dj liam large compiliert, eine sammlung die ueberaus vielfaeltig ist und sub-genres wie rockin blues, greasy r&b, jump blues und popcorn wunderbar verbindet.