support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

the record is dedicated to quality house music, touching the deepest jazz realms with the song *spiritually captured* by glenn underground and on the flipside the wonderful *how i feel* by isoul8 that features the genius kaidi tatham on keyboards, licensed from the neroli records catalogue and remastered for the event. also on the b side a wild collaboration from isoul8 & ricardo miranda, a real futuristic track for the headz!

praterei turns 8, if releases were years and to celebrate, proffers a stamped 10 from label swami, 7 citizens. >do your head in< is charged with a side duties and a bit of a cerebral poke it is too. flirting somewhere betwixt both reverie and nightmare, it’s as playful as it is tormenting. it invites you round for a cup of tea, slaps you about a bit and calls you names before putting you to bed and whispering slightly sexy things in your lughole. >stride< is an altogether less hairy affair. its honest. its honest about the fact you are going to need a safe word. an acid romp with unwavering purpose.

highly recommended! enlightened wax is proud to harbor on the side a of its fourth chapter all the dirtiness of the legendary dj octopus (muscle records) has been. >the black face< is a funky, abrasive, filthy track and >heavy breathing< is nasty twisted house anthem. marieu, the boss of the label showcases on the b side two sci-fiinspired cuts. >talk to me< is a jacking piece of quasar techno,while >about you< is a smoother delightful excursion into broken beatsterritories. vinyl only!

neue 12 inch des katalanischen duos downliners sekt auf infiné: die a side von *balt shakt* ist ein verstörender david lynch-albtraum auf afro-psych-jazz-grooves, die b side beginnt mit minimal dub-techno und entwickelt sich zu einem düster-verstaubten uk garage-shuffle-trip.

parisian label mlh are pleased to present the first vinyl release with four tracks by the ny legends the dat project and the groove victim.based in paris, mlh brings real house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. the sounds of house compilations are intended to be a simple contribution to the history of a relatively young musical scene but whose culture is already full of true legends. this time, the major league house have chosen two new york underground house scene activists to appear on its first vinyl. a-side signals the return of the legendary dat project, better known as william rosario. with 25 years of experience, numerous aliases and more than 350 releases in notorious imprint as nervous records, strictly rhythm, umm, next moov traxx… william rosario is considered as a pioneer of the dance scene. the dat project tracks come with the genuine old school deep house vibe from a producer who was there at the beginning. the release features 2 of his oldschools classics especially remixed and remastered, including the 92s hit >let the rythym move you<.on the b-side, mlh present two stomping tracks by the mysterious jay brown. under his groove victim alias,he brings us some deep dopeness coupled with swinging beats and atmospheric synth melodies. after several great releases as the wanderings ep, foul tracks ep, the chosen tracks ep…on imprints as cyberjamz and my love is underground, the groove will definitely grab your attention with these two hard grooving tracks...

the young guns of karlovak with a sub series... karlovak chrome. the murkier and more twisted sound for the demented hours at the floor. this is the third side of the coin from mr. tophat & art alfie. limited supplies... so dont sleep on this one!

vr is delighted to welcome the ukranian disc jockey volta cab for its thirteenth release. the dnipropetrovsk local delivers a three-track ep that kicks off with the dance floor weapon i cannot sleep. classic warehouse beats in combination with twisted vocals. jamelia builds up on the a-side with some shifting hats that call for the dance floor. in b2, volta cab remembers when house had artists and personalities. i remember is an idyllic journey that tells a story.

sc001, titled *streets are like*, is the first installment on new born label scandalo music, launched as a platform to bring brazils very own musical footprint mixed with collaborations with international artists and pioneer producers. the limited edition 12 inch offers up an original nu-disco gem reminiscent of early lcd soundsytem along with a collection of outstanding remixes showcasing the originals funky bassline, captivating vocal and live disco feel that so many tracks fail to achieve. prepare to be served warm crunching guitars, floating soundscapes and latino percussion blended, filtered and delivered sunny side up.

we are pleased to welcome back the extremely talented need for mirrors duo back to the dispatch camp. here they strike completely on the money with the hard hitting funk-led *sling blade* and backing up the a side we have a heavy slice of bristol themed flavour for 2013 with *grapefruit*. both tracks present a clear nod to the old school and inspirational late 90s sounds we always loved (but never left!). need for mirrors prove again with this release that they are quite simply on a roll both as individual artists that make up the nfm duo and in their own individual right, definitely ones to watch for the rest of 2013 and beyond.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

mellys uses striking kicks. sobre and efficient his sounds are physical and brings a natural born good feeling on the dancefloor. the a-side is all about that, a powerfull dancefloor 180 bpm fat confort. his selectas of friends tunes on b-side is exactly on the same scale. format c brings an obsessing hardtek oldschool tune while zside brings a superb dancefloor track as well. honstely this is a total sticking 100% to the peur bleue sound style. digging for more collab! and very awaiting playing this record for real on the dancefloor!

limited to 200 copies in white – marbled vinyl with an exclusive vinyl-only dub remix! movida records presents 2 remixes from the track >la movida< which was original released on the part 3 of the compilation (movida010-3. on the a-side you have that remix from wigbert (sono vivo / levelnonzero) which is a very deep and spacin trip to the next dimension. on the flipside you have an classic dub remix which is done exclusive for all vinyl lovers and will not be released digital.

oneoffs volume 3 offers just like the previous volume four new cuts from four different producers. first up we got swedish producer jonas rathsman and *yes i am*, a lush deep house track that is both heartfelt and sublime. let it breathe on a large sound system for maximum effect! ending the a-side is duo twinpeaks funk-fuelled ride *not that tech house - dj tool dropped by paris hilton you were searching for*. a track that would fit right into any peak time set, even by paris hilton. want from pixel82 is a punchy track with its scattered synth chords, jerky hats and a thick groove followed by *life is a gamble* where jesse futerman takes us on a soul inspired journey of deft sample manipulation

the fat dog label returns for its second outing with yet another confident four tracker designed for both the head and the feet. the proceedings begin with the sublime moonrunners. introducing contributions from new artist spooner, the production duo use their hardware to take us to the very craters with this bubbler of emotive deep techno with dissonant house touches, d link (fat dog & ny*ak) continues the basement feeling with urnogud4me, albeit at a slower tempo but still keeps the floor burning with an unsuspecting, intense voodoo-house mystery. this is raw club music. side b we head straight onto a greasy dance floor called werk. lush pads intermingle with breathy flute stabs while the building groove consistently nags attention from your feet. stop teases us back onto the slo-mo dance floor yet again with another scorching deep house groove for the hips with a subtle funk to be desired at the disco as well as the deep room. limited copies!

limited reissue of this ultra-rare gem from 1978 originally released on tiny nyc private press label wabine productions. both tracks on the 12 inch are absolute killers and hugely in-demand with djs and collectors alike. although *sail on* is the acknowledged biggie, a highly sought-after jazzy soul classic melding super-cool low-slung grinding island funk with understated steel pans and a dreamy female chorus, dont overlook side as wonderful *the martians visit* - a tight slab of sun-drenched space-disco with a solid up-tempo caribbean groove, great strings and squelching bass.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

spanish talented artist eduardo de la calle who release on superwax rec, mentalgroove and name a few... we loved his latest release on cadenza. its hypnotic minimal but quite musical. it reminds me early villalobos. on a side, the ranchors time is timeless hypnotic techno.on b side, both tracks are more berlin house style. they are for the fan of kink or levon vincent stuff. we are very happy with this 12inch, hope you enjoy!

erster 12 inch teaser von daniel bortz als vorbote zu seinem debütalbum * patchwork memories*. mit 3 exklusiven tracks seiner eher dancefloor-orientierten seite. praktisch eine triple-a-side.

the >baumgartner< release marks the third solo ep by van bonn after his >maserung/schwerpunkt< and >onwards< on telrae in 2012. so it was high time for another solo release with him. his new track is again a timeless classic, gracefully flowing without much of an interruption, it is his most melodic release up until now. the track is nevertheless very much detached in style from what van bonn has released solo and together with stefan gubatz on telrae. the track is at ease and at the same time connects to a feeling of melancholy. marko fürstenberg wrote the remix on the flip side transforming the original into a tight and bass heavy dub track. marko breaks with the flow of the original and creates a much more rigorous dance flloor rocker that introduces one element after the other. this is not for the weak and for bass lovers only!

this vinyl release brings together first class remixes taken from the singles, the future is yours and good for the city - which features sam duckworth of get cape wear cape fly fame. first up on the a-side from solomuns diynamic crew is adriatique. the duo were big fans of the future is yours, featured it on the diynamic podcast and got in touch with the kraakers to say they would be up for remixing the song. the result is deep house heaven and a summer terrace stalwart. next up is portuguese disco don moullinexs take which lays down a classic disco style and vibe in the mix.

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

brilliant analog style chicago house / acid house bombs

brad peterson, the talented producer from edimburgh, uk, creates a groove-laden atmosphere in its beats and a wholly mental climate with deep pads and chords, with fabulous energetic tension. in the other side banfield audio plays with hypnotic analogues basslines and deep sounds of pads, without stopping moving into the depths with its earth heart.

take it, make it, on the a side you will find again a bassmental driven techno track >techyes<, 8 minutes of a heavy bassline and trippy percussions are perfect to burn every dancefloor ! >hypnotica del mare< after some crazy holydays at he baltic sea coast and the isle ibiza peter found deep inspiration by stones and mushrooms, this brings you 11 minutes of psychedelic acid house with raw basslines and a lot of accidental sound suprises.

midi mood records welcome italian producer dj manfred, to the label roster, showcasing a collaboration featuring the beautiful vocals of sanna hartfield. the ep is a melodic exploration of the deeper side of house with elements of dub and chilled beats fused with powerful tech house grooves

the a-side, brooklyn-based zebra katzs sex sellz, is the first vinyl release by the blog-hyped rapper, equipped with a label head teeths 150bpm remix. the aa-side is a 120-bpm electro-influenced dubby techno song by paris french fries. a quirky 12 inch, with a avantgarde rap song, a banger remix and a solid dancefloor track, quirky but working.

onetoone, this summer brings out the claws and show off its best artists in this ep entitled allstars. they are part of the team: john stoongard(pauls boutique) in side a, the owner of the label with big remix by martin patino (cadenza records).

comes on nice chunky 180grams vinyl! september, back to school again. in one side one of our favourite house artists from paris: le loup. cant stop is a funky and solid uptempo banger and cherish pauses the bpms blowing our mind out to another world showing how versatile can le loup be doing house music. on the other side one of our favourite newcomer from holland: junktion. smooth talking and lazy grind tracks are simply straight forward house music, hedonist and actual, but with some classic tricks that reminds us, in some way, to old legends.

the track 303/303/303/606/606 is heavy, slow grooving techno that brings the listener back to the dark emptiness of the plastikman consumed era. on the b-side the tm404 project is allowed elevated to new levels. with a yamaha sy-1 and a yamaha tg33 entering the machine park, tm404 for the first time, breaks his roland oath and opens up the project to a future of new po ssibilit ies. during the development of the svans ep this track actually went under the working title the summer hit. take a listen to the fine bassline, airy production and the selected ambient works-inspired harmonies and sounds and you will know why. welcome to over 12 minutes of pure old school bliss.

liverpool based andy ash hits the saft imprint with two excellent analog house jams. the overall sound andy comes up with, hints to the early machine driven house sounds from the late 80s on the a1 in love whilst transitioning into the more jammy house sound andy has been purveying on his string of latest releases on his a2 jam called black stem.on the b side saft regular kastil provides andy ashs >in love< with a heavy machine rework. kastil proves he has been crafting and perfecting his production skills with some new hardware gear. this remix hold the intense feel of a 4am sweaty club session. all and all saft proudly present the 5th installment in their series of pure and all round house releases.

limited edition 200 units by ford foster (opal tapes) tip

guerrilla soul is amir alexanders deeper alter ego. his first official release under that moniker is a tribute to elizabeth short, the black dahlia. she was a victim of los angeless most notorious unsolved murder back in the late 40s. deep, dark, moody, and emotive vibrations evoke a feeling of wistful melancholy. amir comes with 2 different perspectives of the same theme one on each side of the record. rhythmically moving with lush pads and a minimalistic, yet succinct bass line. deep and super deep are the flavours du jour

in 2011 when mad mats and tooli went to sonar festival in barcelona they met ludovic llorca aka art of tones outside a club. little did they know back then that two years later on they would release a 12 inch together. the same thing ep opens with the title track and kicks pretty damn sweet with its strong vocal, the guitar, bass and rhodes jamming on top of a tight groove, there is also a dub version included on the b-side. last but not least, the great sgatmi is a jazzy and bumpy house take with lots of samples perfectly balanced. all in all, classic art of tones material and the work of a producer firing on all cylinders.

our fourth release comes from ogris debris, part of the affine family (home of dorian concept and cid rim) and an internationally acclaimed producer duo from vienna. combining cutting-edge digital production with finest ingredients of techno and house, ogris debris create a unique brand of dance music that is widely acknowledged as innovative by the global scene.
for this release, ogris debris deliver a uk-bass influenced, chord-driven primetime house stomper, somewhat different to their previous releases. on the b-side, hyperdubs grime and funky don scratcha dva eases the rhythm with his rolling bassline sound for a weighty dj tool track, while the clonious diverts the energy with his soulfull keyboard skills and swinging drums into an infectious late-summer future funk affair.

3 tracks to keep things moving during the fall months: *cause* is a bass heavy gem. *effect* is adames interpretation of chicago jack tracks. *repercussion* is a dark almost sterile track leaning heavily on the techno side.

nyta hails not from the big apple, but from bristol, uk. his real name is mensah anderson, who is also the seasoned producer that you probably know simply as mensah. the nyta guise focuses on being a fresh outlet for his 120 - 130bpm 80�s electro, house & techno influenced tracks & creations. the �new york transit authority� name was first adopted for a split 12�� release with conqueror (redlight) on redlight�fs lobster boy label last year. his side was a slinky, 808 house number entitled �*off the traxx�*, which deservedly found its way into fact�s 50 best tracks of the year & was caned by a wide range of top djs across the globe, including joe goddard, loefah, redlight, boddika, jackmaster, disclosure, pearson sound, benji b & giles peterson to name just a few. nyta has already proven himself as a talent on the decks with sets across the world & two exclusives mixes: one for dazed & confused & �ethe one�f for fact mag that finished in the top 20 best fact mixes of the year.

wbeezas first release on his own label, pfly music. two cuts. a side perfect high is a deep jam that kicks. b side i like it is a hard and heavy jacking groove with a delicious vocal sample. killer cuts

it is the collaboration we have all been waiting for! the careers of both catz n dogz and eats everything have been intrinsically linked since the polish duo debuted the incredible mr edible via his agenda-setting *entrance song* on pets in 2011. their relationship was compounded by dirtybird dynamics, both acts sitting on the fringes of house and techno, neither side shy of the rich taste of bass, the work of both eats everything and catz n dogz has always sat side-by-side… but never together. until now.
two instantly distinctive, unmissable originals. one killer remix. they say it is a dog eat dog world. well not anymore… welcome to the crazy world of catz eats dogz.

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

following on from the jtc 12 inch earlier in the year. hoya:hoya return with a 3 track ep from altered natives the a side is an completely unapologetic club banger which was swiftly signed after seeing the reaction to it when danny native opened his set with it at the club. the b side offers 2 slightly more experimental, yet still hard hitting tracks.

cool new release with sick jtc acid remix on minimal rome records! polysick has the honour to have the 25th release of the label, with two tracks for the mrx-patiendum est series. from the mysterious hypnotic visions of digital native (planet mu) and the proustian reverie of daydream (audiomer), polysick moves towards an obscure and sinister dancefloor with a 12 that hosts on the b-side a whirling acid remix by jtc.

craig smith & peter oakden release their second record on new imprint fifty fathoms deep, with root downs master of rare vinyl & wine rainer trueby & room with a view favourite marlow. on the a side youll find part.1 with rainer & marlows very first collaboration together finally seeing the light of day. on the flip side is craig smiths part.2. peace

10inch marbled pink, single press, 500 vinyl only, hand stamped, hand numbered and no digital.

modern und zeitlos und verträumt.
toller techno wie er hätte früher auch aus detroit kommen können.
klasse platte, finden wir.

ukrainian duo woo york debut on soma with the first in a two part series entitled ancient light. denis & andrew have been regulars on the underground scene in kiev for many years now and with a live act armed with drum machine, samplers & groove boxes they bring their experience direct to the dance floor. this ep explores the deeper side of hypnotic techno.

real house master phil weeks makes his debut on guy gerbers supplement facts imprint with a trio of dancefloor bombs packed with his signature bump, funk and bass. title track sharks looking for fishes is a fuzzy, warm affair with warping pads and shimmering cow-bells building with dusty samples combined with a jacking bassline. on the b-side bees assault is pure heads down techy business, unhinged and driving its the peak time banger of the release and an assault on the senses. lastly, hold onto the memories brings back the french deep touch with another solid jacking groove and faded vox.

tin man has been creating a stir on dance floors worldwide for many years with his unique vision of acid, techno and house. in recent times he has opened his production toolbox to a wider variety of styles, also focusing on songwriting, often adding vocals. the underdog series, produced last winter in new york, emphasizes on deep killer techno – this new release – the underdog ep part 2 – features three floor shaking techno cuts in different shapes. on the a side the aptly titled >swarm< features an epic minimal acid tune building over 10 minutes driven by twirling soundscapes resembling a swarm of killerbees on attack. flipping over there is >hack<, which bows towards soundhack with its dirty funked up sample chords and cut up groove. the ep finishes off with >rocky<, a masterpiece in reduction – hypnotic and deep techno.