lithuanian based label sodai started its journey in 2016, making it a label still in it’s infancy but making a big impression. owned by artist gardens of god, who started the label to create his own ‘no limits’ plat-form for his experimental sounds and projects. while at the same time a platform to give other artists the chance to also have freedom with art and music. with releases from raxon, few nolder and third son under their belt, the label shows no sign of slowing down, next in line is italian producer alex schaufel (suara, diynamic) who is welcomed to the label with a his heavy hitting four track ep entitled ‘roots’.

dreadsquad, aka marek bogdanski, returns to the scene with the second and third instalments of his riddim machine series. as part of a collaboration consisting of dreadsquad’s own superfly studio and the renowned moonshine recordings, listeners are in for a treat, courtesy of poland’s most prolific reggae dancehall producer. as ever, dreadsquad manage to encapsulate all evolutions of reggae – from rocksteady, roots and rub-a-dub to dancehall and dub – all with a present-day twist to keep the bass bins rumbling and the people skanking.

dreadsquad, aka marek bogdanski, returns to the scene with the second and third instalments of his riddim machine series. as part of a collaboration consisting of dreadsquad’s own superfly studio and the renowned moonshine recordings, listeners are in for a treat, courtesy of poland’s most prolific reggae dancehall producer. as ever, dreadsquad manage to encapsulate all evolutions of reggae – from rocksteady, roots and rub-a-dub to dancehall and dub – all with a present-day twist to keep the bass bins rumbling and the people skanking.

korpus 9 records kicks off with a brand new ep from dubspeeka, featuring four tracks of high impact and atmospheric techno. korpus 9 records is a brand new techno label from russia managed by kwazalski. the main aim of the label is to release fresh and innovative material, not only digitally, but also on vinyl. all the imagery and influences of the label come from an abandoned research station that is deep underwater, where unusual events are happening around it on a constant basis. charged with the first release is shadowy bristolian producer dubspeeka, who has put out his music on drumcode, senso sounds and get physical, runs skeleton recordings and has a fierce techno sound. the opener here is garrison, a driving number with heavy drums and a warm but edgy mood. garrison 2 is more spaced out, with celestial pads baring a feeling of suspense above the firmly rooted drums. garrison 3 then has lumpy drums that bob up and down, as acid lines, water sounds and metallic hits all add atmosphere to the cavernous groove. last of all, garrison 4 is an eerie dub techno track with real drive but also plenty of thoughtful emotions. it closes out a brilliant first ep on this exciting new label.

french producer lb aka labat returns with a new lp named “fake memories” on his own label alélah records. he surprises us with some more hip-hop and r’n’b music, liberating his love for jazz rythms and harmonics. known for his talent at playing with samples, this new lp expresses his actual potential, offering a large use of instrumental stuff : violin and piano chords, guitar riffs… together with delicate voices that balance with the old school drums and procure gentleness to the sharp hats. the b3 eponymous track even discloses the man’s voice, with lyrics sang by himself

this is amsterdam based musique exotique’s launch realised in the form of a seducitive solid white, blue & purple 12” record that includes a free digital download (printed on the label) as well as wonderful cover art by the infamous japanese twins, hamadaraka.
dutch artists machinegewehr and ayden vice team up to bring that timeless retro italo vibe with moroder inspired bass arpeggiation, mysterious vocals and epic pads.
on the b side, san francisco based dutch artist, yobkiss, offers up a masterful remix taking the track into darker electro territory. his offering includes beautifully haunting japanese vocals by the producer’s long time collaborator yuko araki for exceptional exotiqueness.

recorded at the age of 14, in 1956, under the direction of her father, reverend c. l. franklin, these gospel recordings of a teenaged aretha franklin are not just a sign of the brilliance to come, they are a force unto themselves. at this time aretha was performing in her father’s church, new bethel, in detroit, and traveling with her father’s »gospel caravan« tours, performing with the likes of sam cooke & the soul stirrers. like so many of the soul and r&b stars of the 50s and 60s, aretha started out in the church and it was there that she made some of her most powerful and transcendental music.

till today fumio itabashi is a vital part of the japanese jazz culture as a live performer and film score composer. those who want to see how he makes love with his piano should check the world wide web for the french documentary jazzed out, that captured his unique way of playing in one episode. but as music is always firstly for the ears, and not for the eyes, this little letter in-front of you would rather like to recommend to play the “watarase” recordings loud to get hooked by the highly infectious piano gems that have been recorded at nippon columbia 1st studio in tokyo on 12th and 13th of octo-ber 1981. they will haunt you. they will come for good. and they will force you to be a good friend with the repeat button – whatever medium you chose to surrender to the piano jazz music of fumio itabashi.

after many years of steady work bristol-based artist joefarr created a well-respected profile on his own, he is now joining the label showing a side of his works that many never saw probably, and others always knew but never saw on a record. development always takes time, and time is nothing when the art comes out in his true form. this is “dedicate” - a very important record that represents something deeper than a peace of wax, label boss emmanuel took the big responsibility to remix the title track and make his own view of joefarr’s dedication.

helsinki’s we jazz records launches a new series of live recordings, the -we jazz live plates-, offering a closer look into the label’s live activities. the first installment of the series is a recording from berlin captured in october 2017. the six-tracker features black motor, bowman trio and jaska lukkarinen trio offering two potent slices of raw live jazz each. all of the compositions herein are previously unreleased or new arrangements.
the album -berlin 27.10.17- was recorded at club monarch located in berlin’s kottbusser tor during the second annual scope festival (a collaborative effort of berlin’s xjazz and we jazz). the dense atmosphere of the packed club is present in the recordings which showcase three major acts from the vibrant finnish scene. musically, the album ranges from the undeniable swing of jaska lukkarinen trio’s -roger- and bowman trio’s -the hillary step- to the scorching updated version of black motor’s -branches-, subtitled here as -berliner musik-.
the -we jazz live plates- series offers an easy access into the label’s live productions via simple yet elegant lp packaging in plain cardboard sleeve with a postcard featuring the full download added inside.

in his long career as a pioneer of sound, the advent has become a legend in every sense of the word. back with a new offering for our revamping of thema recordings, dorian blue is the sound of an artist who truly hasn t lost their stride. never afraid to bend around genres and cliches, he throws the whole of dance music history into a blender. as he is known for, the advent breathes new life into different versions of his tracks, with back-splitting electro to 909 workouts that will leave your feet throbbing for more. we here at thema are honored to work with such a master to help get us in touch with our roots. play it loud, play it fast.

so unterschiedliche einflüsse wie funk, psychedelic rock, latin und electronica zu schmieden ist nie einfach, aber “exotic other” beweist, dass diese band der aufgabe mehr als gewachsen ist. “exotic other” ist das debütalbum von animanz aus london und der argentinischen und kongolesischen sängerin juanita euka. mit neun ansteckenden funk-infizierten tracks ist das album eine dynamische reise durch die rockige exotik. aromen von rhumba, cumbia und merengue bis hin zur punk-attitüde und elektro-energie des club-funk-sounds des titeltracks “exotic other” repräsentieren die rasante und vielfältige art ihrer heimat london. die vinyl-lp erscheint inklusive downloadcode.

liliterete edition von 1000 nummerierten exemplaren auf weißem vinyl inklusive downloadcode. mit spannung erwartetes debütalbum des londoner produzenten und multiinstrumentalisten leifur james, der - ähnlich wie der gleichgesinnte floating points - auf eine organische art analoge elektronik und warme akustikinstrumente zu einer begnadeten melange aus jazz, psychedelia, klassik, blues, electronica, folk, world und soul fusioniert, teilweise angereichert mit seinen soul-vocals. das ergebnis ist ein weiträumiges, besinnliches, dennoch energetisches werk aus reichhaltigen strukturen voller nuancierter elektronischer instrumentals, dubby synths und jazz-breaks.

executive producers: brett wilcots, jim stivers & graham carlton produced by kevin dixon & frank youngwerth / a1 mixed by larry heard originally released in 1990 / official repress 2018 groovin recordings licensed courtesy of brett wilcots

sound designers, producers, djs, promoters, and electronic music enthusiasts alike, funclab hail out of milan, italy. the group started in 2016 and their artistic practice ranges from video art to documentary films, sound and environmental installations, as well as photography, dj performances, radio shows curation and fashion soundtrack projects

so you thought u-trax was all about fancy, state-of-the-art, absolutely undanceable, hard-to-understand, semi-intelligent techno? well, you’re absolutely right, but this u-trax-release is just not! produced by german heinrich tillack, these tick trax volume 1 are just the good old way of making techno. raw & uncomplicated, in the tradition of the chicago underground.

es ist wieder soweit: michael klein bringt elf neue, bis auf das kleinste detail ausgefeilte tracks heraus, die von nur selten aufzufindender musikalischer reife zeugen. wieder einmal erscheint seine musik bei seinem stamm-label second state, diesmal allerdings in form eines albums sein erstes. snapshot- begleitet den zuhörer auf eine musikalischen reise, die von groovigen, düsteren, verträumten und mit einem leichten touch acid verfeinerten sounds geprägt ist. jeder einzelne track ist auf seine eigene art und weise besonders, während sich dennoch ein roter faden durch das ganze werk zieht, was aus dem album ein must-have macht, das in jedem plattenregal stehen sollte.

this is something in between underground & commercial in a good way... patricio cabezas is an experienced musician and producer, born in chile but lives and works in sweden. after years as a touring bass player, he dedicated himself to start programming synthesizers and producing electronic music. in his music, cabezas embraces the grey zones and in-between-ness that formed him since childhood. he approaches music the same way, discovering and experimenting, almost hybridize genres and moves between live and programmed performances. in 2015 the tom ep was released under his alias this other space on tasteful nudes/argot. cabezas is also working in collaboration with dagfest (paper recordings, bearded man, melodica) and 95kbps (krater).

garage bands suddenly obtain cult status and become the antithesis of their initial appeal’ garage class were a group of reluctant outliers who produced one of the finest contributions to the wave of uk diy music that emerged during the late 70s and early to mid-80s. hailing from alsager in north west england and comprised of tim shutt (vocals) phil murphy (lead guitar) clive williams (guitar) lynne sanders (bass) and phil bourne (drums / bass on studio recordings) garage class originally went by the name of the pits before their then manager steve hurt imposed an alias which, though unpopular within their ranks, would nevertheless reflect the shambolic art they would eventually capture on their first and only single.

belgiums most praised dubstep label duploc has been consistently releasing two-track singles since 2015. the imprint curated by platform duploc.com now announces the launch of a new 12inch vinyl release series. catalogued as duplocv001, the first ep features no one less than label resident hebbe. the dutch up-and-comer was introduced to duploc in the beginning of 2018 with duploc020, as he was signed to crucial recordings and artikal music uk short after. now he returns to the label for the first volume of the new dupplates series. watch out is one of hebbe’s most anticipated tracks as a chest-oppressive weighty sub bass rolls through a distorted landscape of cinematic samples and sinister melodies which are constantly progressing. of course resident enigma dubz has to be involved in this first instalment as he delivers an incredibly stunning remix, hitting you with pure bassweight and powerful synths. on the flip side, compatriot melle and the like-minded mr.k enthusiastically accompany hebbe to unleash both the bouncing wayside as well as the murky lemon twist, two highly overdue cuts. the dupplates vol. 1 is an essential in your record collection and marks a first much promising episode for the next to come on duplocs prestigious series.

the music on this lp was sourced from recordings made for two sk live performances in 2017. reproduced here in the same manner they were originally performed. everything by suzanne kraft.

so here we are with riotvan s second installment of the -familiar faces-, showcasing what s happening with the label these days (a lot), making label-residents shake hands and welcome affiliated folks to the syndicate. just another evidence of how riotvan has evolved into a renowned think tank of likeminded artists and indicator of state of the art sonic bliss.

the heavy industrial crunch and rubbery synths of fraks trademark sounds come to hypercolour with the four track berga magic ep. the swedish techno trio have been active since the late 1980s, issuing cassette tapes (and later, vinyl) filled with blueprint techno and electronica on their own boerft records label. following in the footsteps of severed heads, d.a.f. and devo, frak have truly embraced performance art and experimental minimalism over the years, never compromising, always innovating. the berga magic ep comes brimming with raw analogue explorations and delightfully incongruous noise.

lp with digital download card. selected by sky girl co-conspirer julien dechery, le raccourci culls 15 tracks from ganderas extensive cassette discography, discarded dat recordings, and split cd with lyon toy music project klimperei. while ganderas nostalgic melodies incidentally parallel with the piano key manoeuvres of pascal comelade, robert haigh and dominique lawalrée, le raccourci could only stem from the escapist desires of one eric morin.

late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong influence from the music of detroit and chicago. obscure australian imprint offworld records reactivates after a 21-year hiatus to issue the still tomorrow ep by producer tim jackiw as a label follow-up to the rare science of sound vol 1 touted as one of the best deep techno 12inch singles of the 1990s, reissued in 2016 on the recondite label and now highly sought after by collectors worldwide. a series of archival dat and tape recordings produced in tim’s adelaide-based home studio during the same mid-90’s period as science of sound and the recent memory feedback release on slow life berlin, this 6-track extended play 12inch covers a broad spectrum of electronic sounds including late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong infl uence from the music of detroit and chicago.

limited pressing on audiophile 180 gram vinyl, including cd and exclusive art-print.

genau recordings introduces its second vinyl release by italian techno duo exilles, including an outstanding trippy remix from fabrizio lapiana.

2018 reissue of an unknown masterpiece regrouping old recordings from the chelmsford (uk) based chen yi commune. the sound of chen yi is rough & brutal. electronic music, soundcollages that reminds to throbbing gristle or (early)spk aswell as electro-pop-tracks & songs like early cabaret voltaire, chris & cosey, severed heads.

after reissuing stanislav tolkachevs masterpiece blue mood, the intergalactic research institute for sound comes back with two fresh pieces from georgian artists zesknel and irakli. following a strong start with de sounds from georgia, this new record explores a more abstract electronic music. zesknel, who is a resident of the renowned bassiani club, collaborates here with irakli on two dreamy and airy soundscapes which aspire to depict and recreate the atmosphere of the georgian capital. to do so, they asked for the help of rezo glonti who proceeded to make field-recordings in tbilisi. this work served as a base in order to create something unique and true to the city. the project is part of a sound installation which aims to blend architecture with sound. the idea of the two artists was to conceive a space where they could translate the spirit of tbilisi. inside that space will be found works exhibited by other georgian artists. and this is all part of the exhibition >lara protects me. eine georgische erzählung< at the museum angewante kunst frankfurt

ftwr recordings welcomes paris-based producer guillermo jamas for his debut album. a mesmerizing journey through minimal, house and techno with 8 originals + three additional tracks to download inside. comes with the finest artwork by camila martinez

on an unassuming cassette, just labelled ‘robert rental’ in green dymo tape, these demos have lain unheard for years amongst his family’s treasured possessions, cared-for artefacts of a life cut short far too soon.
these songs, which robert recorded in his council flat in battersea in 1980, provide an enticing glimpse into his all-too-infrequent solo work. on most occasions, robert worked with thomas leer, daniel miller or other collaborators. these are rough recordings, tape hiss still in evidence, but his creativity shines through the murk, like uncut diamonds.

armand (26 jahre, synths & drum machines) und clara (25 jahre, vocals & drum machines) lernten sich auf einer kunsthochschule bei paris kennen. er schwört auf den techno des berühmten warp-labels, sie sang bei den garage-rockern cannery terror. nach ersten diy-shows stieß das hippe label cracki records auf agar agar, 2016 erschien die debüt-ep -cardan-, auf der clara erstmals ihre rolle als hohepriesterin des goth auslebte: eine art wiedergeburt von siouxsie im gewand von donna summer. stücke, die klingen wie ein diskoider schamanischer trip, dunstig und ultra-langsam, ein aufruf zu besessenheit und hingabe. zwei jahre danach sind ihre konzerte monate im voraus ausverkauft. nun erscheint ihr mit spannung erwartetes debütalbum -the dog and the future-, wieder mit dem markenzeichen von agar agar: claras hingebungsvolle stimme schwebt über makellose, dunstige slow-disco instrumentals. es ist ein melancholisches, nostalgisches und zugleich poppig-futuristisches album, das sich thematisch um die virtuelle realität, um simulationen des lebens, um hunde und um die liebe dreht, und vor augenzwinkern in richtung pop-kultur, vor labyrinthischen rätseln und opium-geschwängerten schwingungen nur so strotzt. es oszilliert zwischen granatapfel großen herzen, einem himmel aus schatten, dem dunst der erde, mystischen zuckungen und dem schwarzen leder des nihilismus der neuen blank-generation.

as the first asian-american solo rapper to perform at lollapalooza and coachella, and to release a greatest hits record, lyrics born has broken through countless barriers to cement his illustrious career. now, on september 14th, on the cusp of acting appearances in acclaimed films as sorry to bother you, and the upcoming always be my maybe, he will be the first asian-american solo rapper to release a 10th album a record of funk and soul woven into classic, boom-bap hip hop called quite a life via mobile home recordings.

the inaugural release on enigmatic conceptual artist and freerotation regular aboutface’s new label coordinates a limited physical release series exclusively showcasing his music and original art, depicting conceptual themes and exploring the aural terrain of two sets of location coordinates around the world. coordinates 1 explores ultra-sonic bat recordings from lincolnshire, england, and ancient mayan culture from the chiapas region, mexico.

following hivers excellent ep, let recordings again welcomes american dj and producer jon hester to their imprint. currently based in berlin but with previous spells in chicago and minneapolis, he returns to the label for a second ep following 2017s communication ep, and other outings on the likes of rekids and dystopian. his adventurous drum programming and high speed techno style kicks things off with radiance, a manically melodic track that takes you on an energetic trip. impermanence is a deeper, more cinematic piece that features rueful pads but still a driving drum line, then stratospheric has huge, hammering kick drums and squelchy synth sounds as well as dancing keys that bring warmth, groove, and soul. last of all, this high class excursion is completed with horizon, delivering barreling drum patterns and edgy pads that trap you in suspense as it races on. all four tracks deliver a high impact techno sound that very much looks to the future.

mika visited the moog sound-lab in april 2015. he made one his last known solo studio recordings in the form of two vinyl sized side long pieces. entitled “lydspor” - danish for ‘soundtrack’. mika worked almost exclusively with the lab’s moog modular system 55.
this uk sound -lab instrument is the sole protoype model (containing several golden filters) of moog’s recent sold out reverse-engineered edition (55 units only) recreating the 1970’s classic.
on completion of his sessions mika announced ‘i could work with this machine for the rest of my life….i would need nothing else”.
a second moog session was planned but tragically mika died in an accident in april 2017, shortly after he had approved the vinyl mastering.
pressing on translucent vinyl.

this is a rare gem of a record from fantastic soul band the soul kids stemming from the democratic republic of congo, including covers of james brown & the mighty flames hit singles -lickin stick- (1968), -papa s got a brand new bag- (1965), wilson pickett’s -hey jude- and a french vocal version of otis redding’s soul hit -respect -. this amazing young band, which released only four 7inch singles and one album, is a great example of the influence of soul music and french pop bridging to the new afro soul scene that the musicians of kinshasa were involved in during the time of post-independence. ngoma was one of the first record labels intent on providing local artists recordings from both sides of the congo river to the people of the drc and west africa. created in 1948 by a greek man by the name of nicolas jeronimidis, the ngoma label was active through 1968, pressed in france until 1971, with a tremendous catalogue, including this historical and essential soul masterpiece!

japanese artist - tominori hosoya has been releasing on a good deal of underground deep house / techno vinyl labels such as deepartsounds, mixx records and minuendo recordings, though this will be his first album on his own th pressing imprint which is only 5 releases deep but is already a firm favourite for the likes of titonton duvante, keith worthy, hiroshi watanabe & jimpster

this single is very special for visions recordings as we see a fresh collaboration between alex attias and luman child, two swiss artists reunited for the first time.alex proposed luman child a collaboration after listening to his music. then they met and talked about music , visions, influences, method of work and decided straight away to work together without knowing each other well and pushing them outside their comfort zone. they are both very happy with the resultjalex attias has been in the music for many years producing, remixing many great artists and djing all over the world. at the moment alex is about to release a compilation on bbe records ( lillygood party !) , plus a couple of remixes are on the way and he s also preparing other singles for his label visions .luman child produced in 2017 a killer first album with german label solid ground still available on a neo soul hip hop tip. he reached number 11 in the uk soul charts. as a musician and bass player luman child had a few collaborations with ferry ultra, gogo music and marc mac 4 hero.the project they present here is very organic soulful and musical. this single hold two killer tunes for the listener and the dancers.the a side is a 125 bpm disco jazz funk killer jam with live bass, fender rhodes and vintage keyboards sounds driven by a very funky drum beat and live basseline aimed to the dancefloor and good time party people keeping a smile on your face. its simply groovy and goes on and on for 10 minutes of pure disco pleasure.the b side is a funky number boogie jazz funk inspired by mr ayers vibes and sounds . the rhythm is groovy at 120 bpm and the moog bassline is round and fat. accompanied both track by fender rhodes and dope keyboards sounds, this one will definitely find place in dj boxes for those who play and love soulful music with an open mind. groovy , warm and soulful at his best.

vox populi field works vol.ii is the second part of a broader project entitled ‘field works’, in which the label travels to different locations in the world in order to collect sounds, eventually creating an archive of some of the finest and humblest musical traditions. inspired by academic methods proper to ethnomusicology and ethnography, this project’s aim is to showcase the diversity of our human cultural heritage, which is threatened by accelerated globalization and homogenization of the worldwide musical spectrum.
this record is the result of a twenty-day trip to japan. led by anthropologist and label founder fred scharf and his vox populi records crew, this is the second instalment on the ‘field works’ series. this 12’’ vinyl release is a collection of field recordings, jam sessions, studio recordings, street soundscapes, religious rituals, fighting championships and wedding ceremonies, all of which were remixed and reinterpreted by japan blues, tim karbon, hiroaki oba & shizka (aka inoue shirabe), delivering tracks whose core represents a wide array of traditional japanese sounds.

into the light is launching a parallel and limited series with contemporary material from both greek and international artists. first stop is the album postclub prism by the german producer cass. offering ten gorgeous ambient pieces about light and romance. since 2012, niklas rehme-schlüter aka cass. has released albums of varying styles, from the rather organic and loop based ambient pieces on loops & farewell sketches and the red atlantic ep on throne of blood in 2017, influenced by 80s pop sonics, to the more balearic and percussive recordings on the sound of glades together with wolf müller in 2016. on his new record postclub prism cass. explores his affinity to calm and atmospheric ambient music at the threshold to the reverberant sound of club music.

super dope compilation of vol 1, vol 2 and unreleased tracks by the somalian dur-dur band. the funk is strong on this.. heavy productions, lo-fi, tape hiss all over the recordings but still so much definition and dynamics. big tip!

the music contained in this album invokes the vibes and spirit that were so crucial to much of the music recorded during the 1960s & 70s in jamaica. if you talk to the musicians and singers of this era, they will tell you that the driving force behind the songs they created was the sheer love of music. this is one of the reasons these recordings are so powerful and move listeners to this day. music like this can only be made by those who were schooled in the studios and yards around kingston and is not something that can be easily reproduced outside jamaica. the kingston all stars represent some of the most legendary musicians to ever grace the little island & it is thanks to their passion and dedication that we have a lifetime of music to enjoy.

the music contained in this album invokes the vibes and spirit that were so crucial to much of the music recorded during the 1960s & 70s in jamaica. if you talk to the musicians and singers of this era, they will tell you that the driving force behind the songs they created was the sheer love of music. this is one of the reasons these recordings are so powerful and move listeners to this day. music like this can only be made by those who were schooled in the studios and yards around kingston and is not something that can be easily reproduced outside jamaica. the kingston all stars represent some of the most legendary musicians to ever grace the little island & it is thanks to their passion and dedication that we have a lifetime of music to enjoy

this is already our seventh deep love compilation and we dare to say our most complete yet in sound and flow. the ten pieces on this sampler blend in perfectly with that laid back late summer mood. we are very pleased to welcome yet again some new acts to dirt crew with the likes of jaxx madicine, ouer, times are ruff and s3a. we cross many borders not only in genres but also country wise. from the heavy disco sampled jam by french producer s3a to the jazz and funk laden epos of the italian 3 piece jaxx madicine over to the dutch deep house boys times are ruff who are well known from their, same named, label and finally to the berlin duo ouer who also run an own label and released with our good friends at heist recordings, delivering an ecstatic electronic floating tune here. this is all completed by some excellence from long time dirt crew artists. 25 places have been with us for many years now and their two eps have gotten so much love from the deeper deep house community. here they drop an epic almost idm techno like tune that closes this great album in the best possible way. our icelandic stall wart felix leifur drops a heavy hitter named buster. after his recent bobby donny ep earlier this year we are thrilled to have him back on dirt crew! harry wolfman and ponty mython need no introduction really, they are adding electro/ disco/ electronica fuelled cuts that form a great middle part to this mix of tunes. harry going in very smooth and relaxed, something else than his usual house workout which we really loved to present to you

12 classic rolling stones recordings from the early 60’s.

19 tracks from the critically acclaimed feature film on the ground breaking and iconic label mo’ wax. limited edition blue and red double vinyl, housed in a gatefold sleeve with download code included.

lp + cd with live recordings by icelandic ghostigital & finnbogi pétursson from reykjavik’s legendary bar sirkus & gallery i8, as well as danube festival, krems/austria plus an exclusive radio hit. all tracks are recorded from extremely loud concerts with on-site ultra low frequency installations. sonically this is classic – avant garde – electronic improvised noise & experimental music.

what recordings present their new release the m-ep (what03) with the original tracks „muzic- and „mentiv-. after the what? members and label owners tobi neumann and patrick ense released their first two eps in 2017 they had earlier this year already a highly respected release „what you doing ?- in collaboration with dorian paic and legendary singer eric d clark on arno einzelkind s imprint la peña. they went back to their studio and came out with this two little gems. the track „muzic- was already played by ricardo villalobos on several festivals during this summer.