the best and most delicious german liveband with their 4th album, the beatsteaks with “smack smash”. the album contains as many hits as its forerunner “living targets”, but this time they captured even more of their live frenzy. top rankings allthroughout the country, saying “...long time there was none more rocking out!”.
this re-issue includes a downloadcode.

ismael s addition to the nous camp is an impressively expansive account of contemporary electronic club music, with one foot firmly planted in a robust and ripe understanding of its roots in gritty us electro funk and proto house, alongside the industrial machine music exemplified by the first wave, while the other foot finds itself skating around a future reticulation, informed emphatically by the hardcore continuum and all of its awesome sonic artillery, while infused with the rhythm and grime of now.

killawatt returns on tommy four seven’s 47 imprint for its sophomore single artist ep.
uk’s killawatt made his debut 47 appearance on the first various artist ep, 47001 in 2015 with his contribution, ‘tensile’, alongside kwartz, isolated lines and tommy four seven. following his appearance at 47’s new event numerology in berlin, killawatt steps up to deliver the label’s second solo artist ep, 47010, which combines deadly broken rhythms, futuristic soundscapes and cutting textures to create 4 solid techno stepping experiments.

launched in early 2015 by a collective of crate diggers, afro music-heads and vinyl- buying obsessives, africa seven s aim is to spread the love and knowledge for african music in all its forms. in the wake of this effort, afrosonique vol.1 is the ideal first instalment of a series of compilations bridging african tracks from the 70s and 80s with the most talented artists of today into a remix and re-edit series.

(erol alkan rmx) slip into your tin foil hat and do the maskindans, its almost album time (not again!)

fusing tantric sexual spirituality and speech with the energy of pounding beats and a functional driving acid baseline. according to thee j johanz its inspired by an incidental visit at love temple (arambol, india).fusing tantric sexual spirituality and speech with the energy of pounding beats and a functional driving acid baseline. according to thee j johanz it’s inspired by an incidental visit at love temple (arambol, india). tantric temple stirs and elevates the floor, making all ‘feel as one’ through a unifying vocal climax. the tantric bricastic version channels basic raw and dance energy, stripped down and nice in the mix. last track once upon a time, a co-production with nathan homan, explores the outer zone with some dubby acid disco tech with a tasty spaghetti western touch. sleeve art by david homan.

(dj hyperactive, absent remix) one sound is highly effective in its simplicity, nothing is superfluous on this grooving, bass-laden beast,while ‘myth is a revolving stomper thats primed for the dancefloor with its layered beats and shining cymbals. adding another dimension to the ep are remixes from chicagos dj hyperactive and the antwerp based dj/producer, absent.

credo turns ten. this is the soundtrack. since the very beginning credo as a label stands for an uncompromising dedication and passion for true, authentic techno, just as the mastermind behind the label, alex bau. over the past ten years an impressive list of contributed their art to create a mosaique of modern, contemporary technosound that meanwhile is received as the -credo sound-, both musically and productionwise. credonow continues its sold reputation with credo.ten, a compilation including lvrz, mikael jonasson, leghau, dirty basscore, vloyd and of course alex bau with a stunning cooperation with no one else than the horrorist.

vinyl only, ahead of their collaborative album later this year, pier bucci and oskar szafraniec present their first sampler titled tipico latino featuring a remix by el_txef_a. emerging in the mid 00 s, chilean producer pier bucci first appeared on cadenza with a release alongside luciano himself before dropping multiple releases on crosstown rebels, including his acclaimed album familia . since then he s appeared on get physical and rawax, not to mention launching maruca music - a platform for his own music featuring heavyweight remixers such as baby ford and thomas melchior. szafraniec has been producing under different monikers since 13 years old, releasing two solo albums, recording alongside a guy called gerald in 2012/2013, and touring as a live performer. as oskar szafraniec his production debut was a collaboration alongside ricardo villalobos two years ago, but since then he s appeared on murge recordings and cyclo, as well as collaborating with pier bucci on rawax, who oskar met whilst touring japan tipico latino features gloomy spanish vocals as intricate elements are brought in and out of the mix across its nearly nine-minute duration. subtle throbs and echoing effects are blended with metallic percussion and deep synths for a wistful and mesmerising aesthetic. forbidden colours founder el_txef_a, whose remix talents have been recruited by permanent vacation, galaktika, akbal and culprit, reimagines the original providing a drawn out intro before exploding into a frenzy of crashing cymbals, animated acid and serene vocal moans.

currently based in stockholm where he djs regularly at late night city tracks at under bron, gordo is a mysterious and previously unsigned producer whose music spencer parker discovered on a documentary video about los angeles latino community and its roots in the rave and club scene of the early 90 s. breakbeat infused and reverberated percussion create the skeleton of opening track to the sky whilst crafty vocal snippets and saturated chords ebb and flow through its course. next up, para ti forms a tribal aesthetic with chanting vocal samples, deep bounding drums and hypnotic strings until breathe generates a timeless house aura with an irresistible lead synth complemented by floating pads. free expression is a dark dancefloor cut that closes the package with incessant kicks and twisted detuned blee

this anthology brings to light the music of robert Æolus myers, featuring recordings from 1982 to 2006 that were previously available only on cassette or cd.
the music within “a retrospective” tells the story of a man whose music elevates its listeners to a place of inspiration and enlightenment. often ethereal, Æolus’ music is driven by synthesizers, melodic flutes, sweeping patterns, and subtle rhythms to seed inspiration from deep within the listener.
one might assume that Æolus carved a new path for electronic music in hawaii, but the islands never quite fully embraced the burgeoning new age scene that Æolus found himself a part of during the 1980s and the early 1990s.
few artists in hawaii have produced a body of work, let alone embarked on a musical journey, such as the one that Æolus has created.
for aloha got soul, this release marks a new chapter of bringing rare and relatively unknown music of hawaii to the surface.

wah wah 45s are proud to present the first release from afro-dub stalwarts and brand new signings, soothsayers. having been fans of this influential south london based outfit for the best part of two decades now, its come as a great thrill to finally, officially welcome them to the fold.

henry thomas low key 45 on raptown records has until now been a featured in the record boxes of deep boogie and two step dj s who know the deal, it s now time for it to spread its fm synth wings to bigger dancefloors. what more do you want, a solid two sider that only slipped through ebay a few times on the cheap as people did not know it, managed to bag one of those myself and with some help from a good friend track henry down, alive, well and looking forward to his music getting a revival.

i released zebra over 10 years ago on 12- year ago when at jazzman records but deicded to do it on the original format with a brand new master as its always been a favorite 70s dancefloor killer (huge on the deepfunk scene in the early 2000s) and i needs to fit in peoples 45 box. 500 only.

awesome tapes from africa continues to unearth must-hear gems for a wider audience with its reissue of south african bubblegum music stars umoja s 1988 ep 707. huge tip!

skyline remixes ep collects on vinyl some of the most exciting remix moments from the rapid ascent of izo fitzroy - the gospel & blues sensation whose debut album skyline has been lauded by both uk and international press. in its original form (produced by dr. rubberfunk) the album is a stunner but it soon became clear that a voice as distinctive and powerful as izo s was always going to suit the remix treatment.

lemmy ashton made quite a splash with his first outing on his own tnc label last year, and now hes back to follow up with another salvo of premium heaters geared towards disco friendly dancers. there s a chunky, looped up quality to silver suitcase with its insistent bass lick and slamming drums, but there s equal space for soul thanks to the string-loaded sample hook. by way of contrast lunaire fires up the acid flare and heads straight into a babbling brook of 303-related goodness. amsterdam rounds the ep off on a stomp, whipping up the kind of bombastic disco drama that would get studio 54 moving were it in action today

nice price deal !!! the melbourne deepcast is the brain child of andy hart and myles mac. both venerated djs in their own right, alongside harts production prowess, in 2009 the duo formed what was then a podcast and online hub intended for the sole purpose of celebrating quality house music from melbourne and beyond. it has since become a record label, but its original aim is undeniably its most important. the website has shone a light on all of the above names (and more), helping to create the sense that something special is happening in melbourne.

inspired by life on the touring circuit, this ep takes its name from a night the producer spent in sliema, malta. produced to mirror the frenetic movement of (night)life on the road, the album jumps violently between poles of darkness, familiarity, paranoia and comfort in the club.

trippy atmospheric tune, song of trees, perfectly remixed by sid le rock aka pan/tone (kompakt, my favorite robot, ladomat 2000), london house music veteran luke vb and anatoly ylotana himself. ylotana music by anatoly ylotana (ylotana project) and sergey sergeev (mix club, solyanka, troyka multispace). based in moscow, russia and initially set-up to support all of the sex of insects band releases as well as those of its collaborators.

the artists and inventors, along with the many other notable composers present on this 2lp compilation, are the true innovators in the sounds and science of electronic music and its production. they are the ones responsible for the dawn of a much revered genre, the originators of the musical concepts that have since developed into what we now know as electronica and dance. these are the true pioneers of electronic music.
pressing on grey coloured 180 gram vinyl.

biomechanoid is the classic 1980 album by composer and flutist joel vandroogenbroeck. the cover art served as the basis for the design of the movie alien. its 1980, in munich, germany, upstart production music label coloursound library releases their debut album. capitalising on the success of ridley scott s alien film, the label dropped biomechanoid, featuring cover art commissioned by hr giger, whose horrific necronom iv lithograph served as the basis for the design of alien and the music of the relatively unknown joel vandroogenbroeck. comprised of bleak, cinematic synth soundscapes and percussion, the album served as an inaugural calling card for what would be a decade of dizzying solo releases by vandroogenbroeck for coloursound, running the gamut from mesopotamian ethno-folk to synth sequencer funk to electro drum breaks to in-utero ambient delights

much could be said about german house royalty boris dlugosch. from his teen dj years under the wings of fronts legendary klaus stockhausen in hamburg to his own marvelous tenure there that is pretty much synonymous with the explosion of acid house in its proto- and post-incarnations. one could examine his role as a herald of us garage and jersey house or as a remixer of underground gone pop records. but we will leave that and other stories for the front page soon. the traveller ep is the result of dlugosch and cassara meeting at a mutual friend of theirs, getting excited about their shared love for classic synths (see sh-101 for the traveller bass line) and exploiting the latter’s extensive synth collection. what you get: classic disco, french house, electro-funk, dj sound effects (that tractor plowed the front every night) and most of all fun, fun and a little bit of extra fun. chin-stroking impossible.…

albuquerque s plastik people continues to be the leading bastion for hard swinging garage house in the deep south. this time label boss marc cotterell has linked up with dominic balchin as tuff vibes to bring the classically informed heat to the people who just cant get enough of that warm, soulful sound. leave me cold does the absolute opposite of its title thanks to the oodles of piano, organ and more melodic flexing besides. jazzy 99 is a more accurate guide with its sassy sax licks and vibing chords, and then rhythm of the vibe pushes the tempo up for a purely dancefloor minded workout.

most of the releases on imogen recordings to date have been from label boss ilija rudman, but this time around the disco house operation is turning to a relatively fresh proposition ourra. the alias of one simon tappenden, this time is the first dedicated release for ourra and he comes out swinging with the sultry slap-bass inflected title track boosted by a classic vocal turn from robert owens. rudman meanwhile weighs in heavy with no less than three remixes of the track on the b side, with the radiophonic mix standing out thanks to its stripped down effectiveness.

the sadly departed jaki liebezeit was the kind of drummer whose influence will be continually recognised over the decades to come. best known for his work in can, there are also many more sides to this singular sticksman, and emotional rescue has chosen to shine a light on his post-can period living in stollwerck. on the a side of this 7inch curio is the sound of phantom band with linear johnson & the protons. rush rush has a spiky new wave bent to it, but still liebezeit s drumming stands out. the b side drums off chaos need little explanation its the sound of one of the all-time drumming greats letting rip in a ferocious blast of percussive abandon.

critical music reaches its 100th release in its 15th year, celebrating with the landmark album fifteen years of underground sonics. spanning the broad spectrum of drum & bass that the critical sound represents, the exceptional 15 album is as bold as it is beautiful and looks to serve the test of time in the d&b history books.

we are extremely happy to welcome yet another talented crew from italy in the moonshine family. d-operation drop is a project born in 2010 thanks to the encounter of 5 university students wich found themselves sharing the same house and more importantly, love for music (in 2013 zeemo joins the crew, modifying the formation from 5 to 6 elements). after a couple of early collaborations, almost casual, uniradio cesena gives to d-operation drop the chance to lay the foundations of an underground music program on air twice a week. thanks to this experience the group officially finds its frame and looks forward to its new goals such as producing, djving and vj’ing. to date d-operation drop, after almost seven years of experience, has received support from artists like j:kenzo, distance, n-type, icicle, radikal guru & many others. releasing music with notable labels such as lion charge, artikal music uk, subaltern and now moonshine recordings.

coming out of the audio plants fraternity, ukranian drum & bass artist pageant brings a bright and breezy musicality to the scene on this expansive debut album. the beats come through clear and punchy while the instrumentation takes its lead from ltj bukem s smoother moments to results in a very palatable kind of liquid drum & bass. this is as feel good as the genre can get, and with its wide scope for natural and synthetic sound sources it never tires on the ears. whether it s the soaring vocal of elena aki on space song or the expressive guitar trills on taxi driver, there s always something catchy to draw your ear in to pageant s smooth as silk soundworld.

taking proto sites back to the hypnotic hardware methods of earlier releases like lutto lento, s olbricht and sentry, suspension ep makes things kaleidoscopic, raw, repetitive and asynchronous. high gain perishing delays gradually cook your brain while flerbing sci-fi reverberations crawl across the atmosphere. this five-track cassette mantra has a furry analogue outer crust barely containing its computer controlled acid consciousness. each tune has its own density and unique stripped back bass structure which carries the whole thing along, absorbing strange hissy elements as it rocks downstream. breaking through the mantle, sawtooth voices murmur foreign incantations, swinging loopy phrases come and go jamming their way into repetitive bass squelches all pressure cooked to the extreme.

shaddock 09 – people like me – comes courtesy of boost riders, alias of a well known hip hop producer from madrid. they deliver a classy and catchy latin freestyle tune featuring a prominent voice sample. -people like me- has been lying in our drawer for some time, it is a personal favourite and this track is the reason why shaddock records was founded. finally the time for its release is here – backed on the b-side by a mind-blowing and much darker electro/industrial remix by dj stingray.

2017 re:issue , keys of life continues with its series of releases paying tribute to the sound of acid house... tin man a.k.a. johannes auvinen is of finnish descent, having lived all his life in los angeles. tin man says his tracks relate to the history and mood of acid house, calling them <just simple dance songs, with an emphasis on the bassline slowly changing>

2017 re:issue ,keys of life continues with its series of releases paying tribute to the sound of acid house, which was spawned in the 1980s chicago when such as inventors as phuture and dj pierre discovered the squelching and mind-expanding sounds of roland s tb-303 bass synthesizer, the invention which eventually had serious repercussions in dance music culture all over the world. tin man a.k.a. johannes auvinen is of finnish descent, having lived all his life in los angeles

picking up right where ep 1 left off, ep 2 kicks things off with a bang. first up is catz n dogz and yotam avnis for blakkat a high pace burner ideally suited for dance floors from panorama bar to under the leds of watergate and every club in-between. the duo return with the bright version of afterglow for the second cut on ep 2 and aptly titled, it pushes an intense, glitter filled ride to its limits. embarking onto the b-side, o.a. peas from heavy hitter eats everything & lord leopard take a trip down memory lane with a heavily sample based feel good tune that will absolutely demolish dance floors worldwide. rounding out the ep is a final collaboration between catz n dogz and reno wurzbacher with ma people and its by far the smoothest and most laid back tune of the bundle, but never does it let you rest as a mesmerizing groove and lush atmospherics tell a deep, complex tale of late nights and early mornings.

the aula magna team presents the label s tenth release, rom by seph, featuring cosmin trg as remixer. a modern and energetic ep that showcases the artist’s unique techno sound: deep, robust & daring.
lead track rom kicks off the record in breakbeat manner, an epic cut that twists its sounds progressively through distorted percussive and melodic riffs. this is followed by cosmin trg’s tribal take on the title track, a mind-dazzling and hypnotic reinterpretation.
two techno highlights from seph’s latest live sets thrust the b side even further into the dance floor. inner warps its solid rhythmic core through swirling dub noise mayhem and p+1 ends the record with a steady synth chord that evolves throughout the track on top of a powerful, stripped down beat.

mysterious berlin based label mask preps its debut release titled ‘lemmy’ with four untitled cuts this april. a new series born out of an established german imprint, mask’s enigmatic debut release was produced using a selection of analogue gear including a moog slim phatty, e-mu sp-1200 and nord rack 2x. the a side begins with a track built around a tightly programmed drum loop which subtly builds, laced with mix-slicing hats and sub-low kicks whilst stretched out chords dissipate around a crunchy synth lead. the second production is twisted and dusty, using flanging and reverberated effects to lead towards a distorted breakdown, driven from the depths by gusts of full bodied snares and a growling sub line. on the flip, dulcet tones of a female vocalist join lush melodic chords to cleanse the palette, whilst working within the confines of a subdued yet crisp drum machine groove. the final track then strips things back even further, employing minimalist percussive hits and a warm bass lead, leaving space for its soothing female vocals to do the talking

odes of the kabatians is a collaborative project from emergent french producers pvnv and amandra, and with their inclusion on the silent season x series they bring a different mood from the consistent dubbed-out nature of many of the releases. varsovie i is a crisp and clear exercise in cyclical techno programming, while varsovie ii throws shades of light and dark into the melting pot to create an arresting modern techno workout. on the flipside varsovie iii takes a more murky turn towards intricate textures and rhythms and then -varkovie iv- blows things open with a broken beat and tender chords, while still retaining that tough production finish that gives the record its grit.

canadian label silent season continues its mission to marry modern electronic music processes with the ancient nature of the label s base on vancouver island, this time turning to mosam howieson to deliver a four track ep of ambient techno experimentation. the melbourne-based artist has a unique approach that should appeal to lovers of heavyweight bass pressure and subtle, moody cinematics, not least on opening track i. there s a submerged acid throb to ii, but only after time spent lingering in a beatless reverie. loaded with surprises at every turn, this record has a lot of depth that should it rewarding faithful listeners for a long time to come.

hypnus records regular blndr makes the leap over to silent season as they continue to celebrate their expansive tenth anniversary with a series of unmissable 12inches. dub techno is very much the order of the day on this grip of four tracks from the french producer, with shimmering chords and subterranean rhythms spelling out a perfect recipe for total meditation. -abstraction- is a highlight with its thin slithers of sound ducking and diving between the erratic kicks while partial drifts on a slow-creeping beat that gently buffets the vaporous chords downstream. with whispers of club compatibility tucked into the folds of these heavy-lidded tunes, there are many ways you could find yourself engaging with this 12inch.

some things are heavy and some are not. why is it like this? style for instance seems to have no weight as long its timely and modern. gravity might change, but style endures. it s not how low you go, but where and when you show up. temporarily the peripheric mainstream may attract more likes then the contemporary self-contempt. gravity can be a bigger enemy then yourself. don t let gravity get you down! mix mups new 12 is fighting for a world where gravity is for everyone, regardless of rpm, bpm or bitrate. in this times mix mup and mikrodisko are standing as proud allies together. we shape magic carpets out of black gold! m12 vinyl slices will beat the terrestrial gravity! hover the spoon. over the moon.

o celebrate the 25th anniversary of ugkãs first album, get on down goes the extra mile, presenting it for the first time ever on vinyl. and 2-lp clear vinyl at that, giving the strutting, funky grooves the chance to really stretch out on your system. back in 1992, southern hip-hop was still proving to the world that it could sustain a fan base that was chiefly raised on rap from new york and la. the geto boys and 2 live crew had made strong cases by the earliest 90s, and pimp c and bun b were ready to make their own. most of the trunk-bumping bass comes from drum programs and basic sampling on these tunes in later years they would build their sound into something even fuller and deeper. self-produced with additional work from houston locals bernie bismark and shetoro henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely. you can hear the beginnings of the groups true greatness in these early lyrical workouts ¹ several taken from the regional cassette-only ep the southern way that got them signed to jive with tales of street hustles, relationships and self-reliance in a world stacked against them. they may have been done early-on, but that doesnt mean they arent crucial to ugks legacy cases in point being the three singles: something good, a charismatic update to bill withers use me up, and pocket full of stones (the latter featured on the menace ii society soundtrack). beyond the singles, deeper cuts like iãm so bad, feels like iãm the one whos doin dope and cramping my style made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.

one of the core members of the apollonia family is the mastermind behind the label’s latest release. shonky steps up with his first solo ep since ‘plombiére’ which dropped in july 2016. full of funky flavours and that distinct ‘shonky style’, the new ep consists of four brand new tracks produced exclusively for apollonia. each track emanates its own unique vibe, while reppin’ shonk’s irresistible groove. on side a we have ‘tyrolien’, a jaunty number with bright tones and a tight, rolling groove. shonky injects it with a series of unusual fx and what sounds like an wizened old creature, speaking about ‘the foulest stench in the air’. it’s a superb combination and sets the ep off to a great start.next up is ‘beat street’ which has a heavier set of beats, which stomp down as a marauding b-line gets to work. tiny fizzes and cheeps in the background add depth, sounding like robotic birds at play in the wild. the track is minimal in its make up, but deep and engrossing, classic shonky material.flip the vinyl over and we have ‘torro rosso’, a bold, stomping workout with fresh percussion and a jovial analogue riff. as the bubbly low end percolates way down below, the beats pump the track along and an extra layer of analogue funk enters the fray midway through. the final track is titled ‘serpent a&#768,,, sonnette’ and swithes the vibe. it’s loose, meandering and twisted, with a hypnotic bassline and super sharp percussion. this one is going to get the dance floor locked into a groove, as it progresses a sweet, chirpy melody brightens the mood. feel the glow!once again shonky demonstrates his ability to produce groovy dance floor cuts that have their own unique fingerprint, danceable, unusual and utterly captivating. grab the new ep now!

this release is gifted by a special remix from someone who need no introductions today : chris carrier aka mr georget delivers a dope remix of one of the track that franck already released on home invasion called yabba.. the idea was to give to our favourite remixers (cause we got some good guys coming up aswell) the freedom to choose one of the tracks that they really like from the label.mr georget gave us a deep and hypnotic feeling on this one and we already love it it here, that s why we choosed to press it has a 45 rpm full side to give him the best sound and dynamics. on the other side franck give us 809, a track wich is the result of the sync between the 909 and the 808 together when it comes to speak about drum and some synths delighted by his own secret. bugz is a simple ruff track coming out from the mpc wich we can ear from the drums, and some stabs samples coming thru his vermona filter and passing by some external effects.. in and out its all about the jam here j we hope you will enjoy this new ep has the summer starts soon guys...

drum roll, people! sl009 is on its way. the recipe has not changed: limited quantity, hand numbered / stamped records and superior music. we take you on a unique house journey to explore the texture of sound and the color of feelings, from raw to deep all the way down to acid, carried on our va format spaceship. onboard, four artists, yusuke and jimini part of -serie limitée- crew and two new comers panthera krause and monster heart driver who are joining the family.

released in 1981 and seamlessly blending passion, sleaze and synths, this was the stunning debut album by the influential duo soft cell. the album‹s critical and commercial success was helped by the worldwide success of its lead single single µtainted love‹, a cover version of a soul song by gloria jones, which topped charts worldwide. the album produced two more wonderful top five singles in the uk in the shape of µbedsitter‹ and µsay hello, wave goodbye‹. meanwhile the infamous µsex dwarf‹ caused something of a national furore. bravo, soft cell!
180g, back to black vinyl with an mp3 download voucher

lumièreslanuit (alias lln) is glad to welcome dj and music composer keumel for its 9th release.

a newborn imprint with an obscure name makes the perfect home for kozo to showcase some of his studio work under the ooodjkoz alter ego.
uncle tom’s tune needs all its 13 minutes to develop, with the melodic pattern fading in and out the wobbly baseline, like hiding from the sci fi sounds scattered throughout the track. crafted to please crowds that enjoy to be cooked slowly, milly van illy takes it to a more dynamic pace, stiching the groove beneath the percussions and storing all the energy into the hi hats. as for lady gargara, we’re gratified with a twisted cocktail of chopped voices stuttering on broken drum loops.
uncommon as it may sound, drag and drob ep is here to add some spice to your record collection.

you re alone and you close your eyes. don’t imagine figures of light, make the darkness conscious. it becomes deeper, not eyelids anymore, and then something is around you, but you can’t open your eyes, you’re deep inside them. merge into oneness, not bright above not dark below. something with has no echo. waves and motion, not space and time. if a tree falls in a forest where no one is listening, does it make a sound? there are no signs in the snow. why this dream of something cold? the world is blue at its edges, the colour of that which can never be possessed. blue flames, deep ice, twilight. how do you observe yourself without knowing that you’re looking? the other side of your face. why don’t you let the gap be a gap? i was afraid there was too much space. when you stop focusing the image appears. everything seen at once. turn yourself into a point to get behind the surface. a messenger between two worlds. the hidden meaning behind alchemy: to be born again. you’re not born into this world but out of it. travel by heat, words are too slow. sound knows how to get around edges, wiser than light.

after numoment last imprints by borrowed identity, dj steef, arno e. mathieu, sebastien bardy and for its 15st release, the label presents torrebros -sitting on the brink of eternity- a classic techno experience. torrebros reviving the old 90 s detroit atmospheric moods with 2 original tracks and 2 remixes. numoment is also happy to welcome the well known karim sahraoui (transmat / mirakles music) for a remix on -subtil- and fred berthet on -la nébuleuse du coeur-.