remastered reissue of the 2001 album from fennesz. contains ‘ohne sonne’ and ’47 blues’ previously only available on the japenese cd versions, ss well as an new extended version of ‘happy audio’. double vinyl in gatefold sleeve with download code included.

recorded in kobe, kyoto, tokyo, september 2015 photos by jim orourke. layout by shunichiro okada despite decades of activity and having crossed paths in various collaborations editions mego is honoured to release the first ever duo recording from two of the most highly regarded citizens of planet experimental electronic. individually, jim orourke and christian fennesz have been responsible for numerous legendary works which merge the traditional avant-garde with contemporary sensibilities. on its hard for me to say im sorry these giants of experimental electronic practice come together for an immensely powerful sonic experience. the signature of both o rourke and fennesz cohabit this new release with o rourkes gurgling harmonies swimming amongst the shimmering frequencies and strummed melodies produced by fennesz. two side long tracks situate themselves as a warm electronic adventure. simultaneously radical and comforting these works shift from gentle sonorities to fully distorted explosions all of which reside within a template of tension between musical and non-music matter. timeless in execution and presentation its hard for me to say im sorry is a deeply rewarding sonic experience from two of the most romantic gentlemen active in experimental music today.

special 12 inch featuring new versions of the track fa, taken from the debut fennesz solo album >hotel paral.lel< (1997). 15 years after its initial release, christian fennesz gives this throbbing monster of a track a new seeing to, extending it and adding more of that magic he is so well known for. the album was always an exercise in exploring alternate means of hearing club based music. this new version carries that concept further.
this is backed by a cracking new mix by the ever productive mark fell, adding his unique beat structures, and even a mlk sample, which lends his contemporary rhythmic landscape a odd nostalgic twist.
this 12 inch can be seen as a warm up for the new fennesz album, which is currently scheduled for 2013 release.

the rebirth of cool m=minimal is pleased to release a masterpiece of the early 21st century on vinyl. till the old worlds blown up and a new one is created is an outstanding work of reductionism and minimalism. martin brandlmyar ( radian / trapist / kapitalband 1 ), werner dafeldecker ( polwechsel, david sylvian, autistic daughters) and christian fennesz ( touch / mego / thrill jockey ) on this record created a new kind of cool jazz coupled with a big portion of new york school ( cage, feldman, brown und wolff). its hard to describe the music with words. this work reveals his secrets only after listening to it a couple of times. it grows with each time you listen to it. in this work, silence and noise are never used as an end in itself. as equal parameters they stand in the composition that also has space for some tonal >flower<. our recommended listening time is – round about midnight.

fennesz writes: seven stars was recorded in vienna in january 2011. i recorded and mixed the album within 3 weeks. liminal and july were existing pieces which i have reworked. (i wrote an early version of liminal in a hotel room in bali in 2010). there is also a version of liminal that i have been playing live for some time. my friend steven hess, with whom i have worked before, happened to be in vienna at the time of the sessions, so i invited him to join me in the studio. christoph amann recorded the drums using a selection of his great microphones including his amazing new josephson

mit ihrem debźt-album waiting for you (2009) kreierten king midas sound ein phŠnomenales werk, das irgendwo zwischen elektronisch beeinflusstem rock, dub und der langsamsten spielart von hiphop changierte. live ergŠnzen sie das ganze seit jeher um quasi-apokalyptische, fx-getrŠnkte shoegaze klagegesŠnge und klŠnge.

christian fennesz (gitarre /electronics), david daniell (gitarre) und tony buck von the necks (schlagzeug) sind weltweit anerkannte kuenstler im feld der experimentellen musik, die jeweils schon mit kźnstlern wie ryuichi sakamoto, sparklehorse, mike patton, jim o rourke, thurston moore (sonic youth) und vielen anderen zusammengearbeitet haben. dieses duestere und atmosphaerische album entstand waehrend des big ears festivalls in knoxville im februar 2009. die cd erscheint im mini-lp stil in klappcover verpackung. die vinyl version erscheint im hochglanzcover und ist auf 1000 stźck limitiert!

a monumental mix and a groundbreaking journey - selected tracks from joris voorn’s gu43 session on triple vinyl, housed in a gatefold sleeve.

spanish ambient composer suso saiz presents his album >nothing is objective<

zwei weisheiten aus dem modeselektions-einmaleins. erstens: eine selektion ist immer so gut wie der abstand zwischen ihren unterschiedlichsten gliedern, je größer, desto besser. zweitens: eine selektion ist umso besser, je öfter man überrascht wird und je mehr neue entdeckungen zu machen sind. bevor die lichter angehen, hier noch ein paar harte fakten: *modeselektion vol. 03* kommt erstmals ohne eigenen modeselektor-beitrag aus (vom souleyman-edit mal abgesehen), einfach, weil es so viel gute musik von alten und neuen freunden gab.

incl dj koze remix !! für >candil de la calle< hat sascha ring aka apparat den gleichnamigen song selbst bearbeitet, als auch dem österreichischen multiinstrumentalisten fennesz zur neubearbeitung zur verfügung gestellt. zudem hat sich elektronik-dekonstruktivist dj koze an >black water< herangewagt, um wieder einen seiner unnachahmliche remixe anzufertigen - für spannung wird garantiert!

it has been a head-spinning couple of months for miracle. the new ldn/nyc synth-pop duo comprising singer daniel osullivan and synth overlord steve moore have released their debut ep on house anxiety (the big pink, zoo kid etc) to fevered critical acclaim, notably wowing the likes of wire, nme, dazed and confused and pitchfork in rare, uniting form. they then made their live debut with a series of shows with likeminds darkstar and blondes, before premiering their stunning debut video for the eps leviathan lead track >the visitor<, in the us via pitchfork and then in europe via dazed. now to tie a ribbon around this meteoric first chapter, they are releasing a limited edition double 12-inch vinyl ep, collecting together on physical release for the first time the comprehensive, dazzling selection of mixes and reworkings that >the visitor< was treated to.

modeselektion vol. 03- kommt erstmals ohne eigenen modeselektor-beitrag aus (vom souleyman-edit mal abgesehen), einfach, weil es so viel gute musik von alten und neuen freunden gab. das ganze ist daher erstmals auf einer zweifach-cd zu haben, au§erdem als digital bundle und, leicht abgespeckt, auch als doppel-12-inch-lp sowie auf zwei ep-auskopplungen auf vinyl. 19 tracks, lauter sź§e frźchtchen. das maskottchen ist diesmal nicht umsonst der ananasaffe.