bangin berghain techno , decks tipp

ltd repress ! long awaited.

2017 re:issue , 1 per customer
one ist das debütalbum von ben klock. ein album, das in seiner visionären strahlkraft nahtlos an das shed-album auf ostgut ton anschließt. one ist ein extrem starkes techno-album, das in seiner eigenständigkeit zu einem frühen höhepunkt des jahres 2009 zählen dürfte. zumindest sitzt die messlatte - auch für ostgut ton - jetzt erst einmal erfreulich hoch

2017 repress -- commencing ovums 20th birthday celebrations, josh wink digs into the vaults for a very special piece of the labels history, presenting three perfect reinterpretations of winks hyperkinetic acid techno classic are you there.

ostgut ton reissues neun of zehn with original tracks by ben klock and ryan elliott as well as len faki revisiting rainbow delta. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. without any doubt, the best klubnacht moments are when dancers let go in trance not peak time, not big hitters, its the subtle nuances that matter. ben klocks first solo production in six years on a internalises this formula: a simple beat, pulsing sirens, a shimmering melody, some sprinkling flute notes and ben’s your uncle. sirens is a pure, hypnotic cut, shrewd and stylish. on b1 ryan elliott underlines why he has been playing both of berghains floors regularly: smith lake is somewhere along the lines of micro techno/macro house, something living inbetween musical worlds and floors, combining tribalist bongo percussion with ethereal synth pads and a delicate bassline. is it safe to say that rainbow delta is a modern classic? because it is! on b2 len faki revisits his 2007 release in form of a stripped-down, bare-naked and intimate ambient version. a modern classic, turned seren

adam beyers unique vision of the afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. ben klock steps up to take on the afterparty too with the sound ever so synonymous with him. he uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created.

native-detroiter terrence dixons longtime alliance with godfather of techno juan atkins has helped forge his own powerful sound in the world of minimal techno.

the third and final part of prime numbers trusme remix series. once again berlin is in the house with berghain master ben klock taking the trusme classic >w.a.r dub< into deep & dark dancefloor territory. in his inimitable style all is condensed into a tightly worked & clinical production. the groove is meticulously worked into making for some hypnotic techno. klocks compadre & panorama bar resident ryan elliot takes on >nards<, stripping back its parts to an insistent & organic piece that that builds to the end. vakula completes the set with a tough reworking of >need a job<. unremitting acid moves bend around a heavyweight break with increasing intensity. serious dancefloor material.

ltd 2012 repress on black vinyl... >post-traumatic son< by o/v/r aka ruskin & regis in 3 mixes by ben klock. a collaboration made in techno-heaven, delivering pure awesomness!

incl. ben klock / inigo kennedy remixes. rmxs for phases big binary opposition, which took the techno scene by storm.

brendon moellers long player homage to the spirit of techno works, electric deluxe taps two of the albums polar moments for remixes to deliver work ethics. selecting one of works toughest tracks for the a-side, adjust to the fading light, the ep opens with a rare vocal refix from berghain resident ben klock

ltd 2012 repress !! after kerri chandler computer games remixes by ben klock (drh018) & argy (drh019), 2 new remixes from ben klock !. a future big classic !

altogether lost is a collaboration between the bristol based experimental techno duo emptyset and the detroit vocalist cornelius harris aka atlantis from underground resistance. inspired by an early 20th century poem of mystical heritage, the project marks the first ever joint production by these three major capitals of electronic music and is backed up by a very friendly and creative label partnership between emptysets label multiverse and clr from berlin/germany where both labels are going to release different versions of remixes of the original in a mutual promotion and release approach. clr started this series with the release of the stunning original and a slamming remix by chris liebing and now follows up with a ben klock remix and a very deep and atmospheric interpretation by ripperton.

berghain resident, klockworks label boss and ostgut ton artist, ben klock leads the way, having remixed the track for his own sets, now rejected bring it to you. backing ben is another techno favourite of the rejected camp, dvs1.

the eponym track of the album could not deserve any better musical researchers than ben klock, ark, tom taylor & paul woolford and fumiya tanaka to endorse his first prolog and the 30th vinyl of infiné s catalog.

>post-traumatic son< by o/v/r aka ruskin & regis in 3 mixes by ben klock. a collaboration made in techno-heaven, delivering pure awesomness!

one of the ultimate music man classics gets re-worked by the master himself. included are two different remixes by ben klock from berghain and ostgut ton fame. essential

hot on the heels of his recent berghain mix, ben klock continues his exploration into the many zones and movements within the techno world.

black vinyl repress !!! we are very proud to present ben klock first 12 inch on deeply rooted house: red alert has this very dramatic rush feeling a dark track that combines hyper funky drums with haunting dark sounds, while viscoplastic has a dark sleazy vibe that will get you!

kontra-musik continues its 10inch remix series. this turn is for ben klock and oni ayhun to get busy and rework tracks from the jason fines future thought album. ben klock now finalizes (may we call it the kontra-musik berghain sessions after shed and dettmann remixes) with a stomping, chicago-esque modern dancefloor cut. by adding vocals but keeping jasons original chords, there is some serious anthem warning to this one. on flip there is some magic! oni ayhun leaves us with a stunning and experimental tech electro kraut excursion. think yello magic orchestra jamming on beats provided by morris day and the time... wooow what a track!! another great piece in the carefully builded kontra musik catalogue! check

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

red colour vinyl. we are very proud to present ben klock first 12 inch on deeply rooted house: red alert has this very dramatic rush feeling a dark track that combines hyper funky drums with haunting dark sounds, while viscoplastic has a dark sleazy vibe that will get you!

bangin remixes by robert hood, function, kenny larkin

limited 12 transparent vinyl / numbered copies. after kerri chandler computer games remixes by ben klock (drh018) & argy (drh019), 2 new remixes from ben klock !. a future big classic !

this series on bpitch control called >camping< consists of 3 parts. the first comes with two great minimal melodic and dark groovin tracks by ben klock and safety scissors in the ellen allien germany remix.. tip

ein acid-infiziertes biest, das einen subtil in die mangel nimmt und extrem gut gelaunter primetime track im berghain-style. techno aus dem bilderbuch

bpitch control macht seinem namen alle ehre, meisterstück !!!!

rerelease !! auf dem bpitch ableger regiert der smarte, erhabene minimalismus, der manns genug ist, auch zur primetime ein fass auf zu machen. prost

newe sublabel of bpitch control !! special rerelease, excellent crunchy minimal techhouse stomper

big follow up !!

2015 re:issue
>one< ist das debŸtalbum von ben klock. ein album, das in seiner visionŠren strahlkraft nahtlos an das shed-album auf ostgut ton anschlie§t. >one< ist ein extrem starkes techno-album, das in seiner eigenstŠndigkeit zu einem frŸhen hšhepunkt des jahres 2009 zŠhlen dŸrfte. zumindest sitzt die messlatte - auch fŸr ostgut ton - jetzt erst einmal erfreulich hoch

ben klock zeigt auf no. 66 ein schonungsloses insider-set, wie eine entdeckungsreise. statt der hits waehlt er raritaeten und unveroeffentlichte tracks wie zb. von staffan linzatti, sagat, k-hand und dj bone werden kombiniert mit oldskool-favoriten von josh wink, robert hood (aka floorplan), luke slater (aka planetary assault systems), dvs1 und technasia, die wirklich nur ein langjaehriger trainspotter kennen kann. dazwischen mischt er den uk dubstep-helden burial, brandneues material von mathew jonson, sigg gonzalez und sagat, eigene produktionen, edits und reworks, sowie neue cuts seines labels klockworks. ein fantastischer mixtrip von au§ergewoehnlicher und kompromissloser qualitaet!

pop

the debut album from ben hauke on limited pink coloured vinyl.

the debut album from ben hauke on classic black vinyl.

next deep house masterpiece by ben la desh

why can t we live together ist ein song, der 1972 von timmy thomas geschrieben und aufgenommen wurde. im darauffolgenden jahr war er ein chart-hit und wurde auf dem album why can t we live together veröffentlicht. es war einer der ersten großen hits, bei dem eine rhythmusmaschine zum einsatz kam!

incl. ben liebrand reworks

first pressing in blue transparent vinyl!

incl. ben liebrand funk mixes
coloured gold vinyl!

incl bushwacka!, rennie foster, sex sells remix

gentle ben and his sensitive side is now gentle ben and his shimmering hands: a new line-up means a new album!

deep drum & bass from fushara & ben kei