incl brothers vibe & arado remixes

aus music proudly present their final release of the year which brings with it the return of recent signing paul woolford. the houndstooth and xl recordings regular continues to refine the emotionally charged drama of his recent work and in doing so, enhances his constantly evolving catalogue with a continuation of the recent heaven & earth ep on aus. the father, son & holy ghost ep sees woolford propel heart-wrenching melodies with thunderous drums in a manner that only few are capable of. progressing with resolute intent, the package includes 2 club-ready cuts and the beatless, string-laden son which completes a release of radically heightened compositional intensity and rounds off a stellar 2016 for aus.

this is the third release on the fledgling genosha basic label. ghost in the machine is back to serve up four dark and brooding industrial techno dance floor destroyers that are guaranteed to mess with your sensibilities. this record’s got everything: huge intros, huger kickdrums, hugerer breakdowns and cute little hi-hats. it’s a winner.

u is a producer and dj currently living in london. previous records for man make music have proven suitable for the club as well as home listening, while a collaboration with babe, terror as btu for erol alkan’s phantasy label was varyingly described as “pleasure with a sense of dread” (the line of best fit) and “akin to having five songs playing simultaneously on your computer” (the guardian). 2014 saw u’s debut ‘haven in a heartfelt world’ ep described as -giddy electronic fuzz that packs the subtlest of punches descends into dense glitch noise then returns triumphant gritty and melodic” (crack magazine) and “distorted dreamstates” (ransom note). after the deranged chamber­edits of vienna for where to now?, u returns to the well­trodden path between flattery and irreverence in dance music with a special edition 2-­track 12- for phantasy sound. friendly ghost enters with a splay of combat­bongos, a thin synthetic aura draws over the fluctuating rhythms before a strangely negative bassline sets the pace in nu­wave perpetual motion, inevitably spiraling back on itself into a clattering reversal. on the flip ascension hymn rushes headlong into a mechanical shunter, abruptly dragged back by a frail and singular voice reciting an uncertain mantra of self­fulfilment over this blunted hardcore epic spanning 13 minutes. pressed to heavyweight vinyl, designed and printed by the artist in an edition of 300ish.

review 89:ghost present an ep recorded in 1996, and originally only a test pressing (2 copies remain in existence) on nottingham house oracle cas roc s big fella imprint. now remastered from the original tapes, it s 20 year wait for an official release is over. 4 late nite trax from deepest 90s nottingham, diy studio kinda cloudy. 300 slabs of no-frills black wax

ramona is happy to announce that chinaski will return to live at robert johnson with a hypnotizing-john carpenter-proto-house ep titled ghost rider.

* first vinyl re-issue, includes bonus track “daddy needs a throne-
* official re-issue in collaboration with original members
* 24 bit/96 khz re-master from original analog tapes
* restored art, expanded to a gatefold tip-on jacket
* includes download card, 8 page booklet with track notes by the artists, lyrics and archival photos

number 10 in the ghost town edits series.

after countless singles, lps and performances played around the world, james donadio is back with his first full length effort since 2014s petit cochon. ghost detergent is a consummate amalgam of fried gear, chunky bass and fractured samples. donadio s extraordinary ability to fuse his wide range of influences into a collection of lucidly executed and concise jams has reached it s paragon.

since his first release in 2014, gardens of god has been building himself a sterling reputation that many can only dream of. this autumn sees the lithuanian dj and producer launch his own sodai imprint, with his own two track production river/ghost ep forming the debut release.river opens with a captivating force and level of intricacy that’s undeniably a gardens of god signature production. g host is highly emotive and charged, a record that unfolds with such force taking overarching white noise and horns to command the peak of the night. the creation of the sodai label arose as an outlet to release his own music at his own pace. as he explains,sodai will allow me to experiment with my sounds and create an ongoing project that gives me the freedom to style both with art and music. minidaugas lapinskis aka gardens of god has only released a handful of ep s and yet his name is often spoken with great regard among fellow artists, including the illustrious maceo plex. for over a decade gardens of god has been steadily mastering his craft and creating both film and television scores. it is only in recent years that he has decided to unveil his work and open the doors to his studio, as seen over at xlr8r

four-tracker ep of tracks i found on an allegedly refurbished hard drive i ordered on russian ebay. hand-printed linocut outer sleeve. the dark past side is for you at home: a1 is a slow burning, melancholic acid track, a2 an atmospheric ambient excursion. the bright future side on the flip, on the contrary, is made for the club: b1 is a house banger with one of the most fun breaks in a long time, b2 brings you the summer right onto your turntable.

a few years ago i saw a documentary about the audio trickery employed in ww2. i was totally flabbergasted and soon absorbed anything i could find on the subject. artists and scientists alike cooked up incredible situations to fool the german army. inflatable tanks and trucks stacked with speakers projecting recordings of an imaginary reality were used to deceive and deviate the opponent. this odd scenario influenced me profoundly and drove me towards composing music that related these feelings. the project only collected dust inside my head until radio bongo heard of it and encouraged me to finish. sveinbjörn bjarki jónsson aka sonic deception

seit mehr als einem jahrzehnt sorgt ripperton für einzigartige grooves und zählt zu recht zu den gefragtesten produzenten der szene. er veröffentlichte bereits auf labels wie planet e, innervisions oder maeve, und wir fühlen uns geehrt, seine neue ep unter seinem house-alias headless ghost auf drumpoet veröffentlichen zu dürfen. die vier killer-tracks sind future und classic zugleich! banger und listener in einem! all unsere erwartungen wurden übertroffen! uns hat es umgehauen ... enjoy!

cool one man show!!!!!

kaleid, 4 trax of wonky, late-nite-swing, the first ep of new house stuff by nail on his own 89:ghost label. step away from the drip-tray. props to bones. 300 copies on no-frills black vinyl.

ghost culture returns to phantasy with safe/multiply. an unashamedly club-rooted double single, both tracks find ghost cultures expert electronic manipulation in more direct mode, recalling the tension and euphoria of early experiments red smoke, half open and understand

very original and special - even for the huntleys & palmers label - synth-folk music.180 g vinyl

-ghost ii coast- is the result of ion ludwig s years of pilgrimage aka touring. dub, reflective, sacral, peaktime, house, n ambient reprise, its all on this triple gatefold vinyl. connecting all those elements is the very relaxed vibe ion delivers. p

dub-ito is a new label born from the long time friendship of the southern italian duo claudio mate and francesco mazocco (defrag). the funny name of the label is a mix coming from playing with a few words from different languages while talking about music, giving a unique outcome. straight uncompromised beats meet proper dub-techno landscapes, with a special deeper remix version by fabrizio lapiana.

lucky, the third single from ghost culture, is a distinct slice of haunting vocal performance and psychedelic electronica. co-produced by erol alkan, it is also perhaps the strongest showcase yet of ghost cultures burgeoning prowess as not only a natural studio experimentalist but also as a confident and compelling songwriter, creating music that’s both instantly memorable and yet always intriguing. complimenting the original recording of lucky is a remix from the pioneering matthew dear in his audion guise, whose celebrated talent for bridging esoteric elements of techno, pop and dub lends itself perfectly to exploring the detailed and subtle layers of ghost cultures unique vision. the remix drops on vinyl and via digital stores in mid september, just head of greenwoods hotly anticipated next london headline show at corsica studios on the 23rd. dont miss it.

if you hold a mirror up to a vampire for long enough, they will soon run away. 300 copies for the universe. love is the answer. nail x

no fires were lit during the production of these tracks. 21 years bc. i don t need those defibrillators. be kind, go vegan. 300 copies for the universe. love is the answer. nail x.

2000black switches up the funk flow on 2035black with a release from our dear friend dominic stanton aka sonars ghost.

most excellent unlimited presents ghost guide, a deep listening session from osaka’s mori ra & dj ground aka oyama edit (??? edit). four psyched-out cuts edited from the duos obscure record collection, and overdubbed in their home studio, range from chilled cosmic disco jams to frantic psychedelic krautrock pieces that make for both a killer listening session, and head-turning tools for the discerning dance floor. vinyl only edition of 400 copies

4 high tech funk gems. 2 re-edit by osakas oyama edit crew + 2 from johannesburgs sad ghost. no synth funk fan should pass this one up.

*mouth* follows acclaimed lead single *giudecca* that was reworked by factory floors gabe gurnsey. now, with running back co-founder and tuff city kid gerd janson – often referred to as the djs dj – and his label affiliate shan on remix duties across club, instrumental, 808 culture dub and acid versions, *mouth* is set to propel ghost culture to new heights and further establish his well earned position as one of the most accomplished new acts on the musical landscape.

ghostminers 2 is the follow up ep to wilsons debut album, ghostminers. its an acid techno four-tracker which continues to dwell on all those who have worked and lived underground.

since the last record, the band have embraced creative opportunities, dave (drummer and producer) travelled to mali with damon albarns africa express, and dave and tommy (synthesizer operator) worked on the score for the royal shakespeare companys production of john websters bloodthirsty jacobean tragedy the white devil. dave established his own label, kick and clap, named after the club night he launched when he first moved to dalston and vinnie (singer and guitarist) and jim (bassist) collaborated with award-winning artist haroon mirza at stromboli arts festival last summer, at the foot of the islands volcano.

azrael and ghost form the two original tracks on hvobs sixth ep. not only do they offer an acoustic and conceptual taste of this springs hvob album, they are, moreover, accompanied by two remixes: pillow talk from san francisco (wolf + lamb, life & death) apply their sound to the pulsating and percussive arc of suspense that is album-opener azrael

gerd under his ny stomp alias is shaking up the almost already underground classic the journey and detroit rising star north lake brings neverending stories to a brand new level with maestria. essential.

headless ghost trilogy on tamed musiq is over with this final ep including brilliant reworks from swiss fellows deetron & agnes.

in recent times, phantasy have provided the soundtrack for many adrenaline fuelled nights and hazy mornings with critically acclaimed albums from daniel avery (drone logic) and connan mockasin (forever dolphin love & caramel). their latest discovery ghost culture emerges from the shadows to make the space between those two worlds his own. since announcing his arrival one year ago with a debut single mouth, the london based artist has built up a feverish following with a further pair of ear catching singles. this trio of sell-out releases, each pressed on invisible vinyl, offered a glimpse of a rare talent whose music was just as at home in the club as it was in ones bedroom. now phantasy, are proud to present his self titled debut album, a collection of ten tracks rich in emotion, musicality and sonic artistry.

limited 2014 repress !! massive hit of ibiza @ dc10, decks tipp

remix !!phantasy are proud to present a remix of ghost cultures guidecca. a stretched rework from factory floor s gabe gurnsey, transforming the original into a glitchy progression of post-industrial tech house, complete with chopped vocal edits and hypnotic synth lines. limited to a few one-sided 12s.

89:ghost s head gonk nail gets a call from positive divide about remixing a track the latter did with legendary house vocalist robert owens. after short negotiations an agreement is made, braised tofu is delivered to a secret address and soon after 2 mixes appear in pd s inbox. included here are both nail s efforts, plus a remix by pd him/themselves. previously available only as a download, 89:ghost now supplies the physical. 300 copies in red vinyl only, no-re-press or digital.

after their departure to russia with ol meda fury head south west to holland and visit star in the making d-ribeiro, fresh from early releases on midlight, syncom data and finale sessions.

after debuting for the first time at this years we are fstvl, producers/djs mk & lee foss and singer/songwriter anabel englund have announced their first official release together as pleasure state. coming out on jamie jones and lee foss label hot creations, the group announce the highly anticipated release of ghost in the system

4 unreleased cuts by nail, echoing perhaps the more jacked-up moments of his --big d s lounge-- lp that was released on diy that same year. speaking from his tent pitched outside the oswestry service station goods entrance, he recalled, --i have no memory of making these tracks--. 300 on clear vinyl, no repress.

killer debut album from jared wilson on his own label 7777. wilson states the album draws inspiration from the literal underclass. ghost miners is influenced and dedicated to all those who have worked and lived underground, from gold miners in south africa, copper miners in the 1800s in northern michigan, the mole people of nyc to orphans living under bucharest. raw acid and techno of the highest caliber as only jared wilson can do!

with his first two singles for phantasy, mouth and giudecca, ghost culture emerged from the shadows with a beautifully elusive sound – winning plaudits from the likes of pitchfork, the guardian and more, they marked out londons ghost culture as one to watch, a hype most definitely consolidated with new single arms.
pressing on transparent vinyl.

holy ghost! are back in 2014 with 2 epic remixes, both sourced from the disco epicenter of norway and taken from their acclaimed sophomore lp dynamics.

holy ghost! release their second twelve this month, more fantastic work from a/jus/ted - the pairing of fellow dj & producer justin strauss also part of whatever whatever and teddy stuart/eddie mars (unonyc).

headless ghost with both genius of time members on remix duties.

arranged by haners (a1, a2) and citizen (b1).

played by nail, luke solomon, pete woosh (diy/spirit wrestlers)..first volume of house tracks picked from the velocet catalogue, nails previous label, which he ran very badly between 1995 and 1997. most of the unsold, og copies now lay in his ex-wifes cellar, covered in mushrooms. 300 on clear vinyl, no repress.

coldplay: ghost stories – ihr brandneues sechstes studioalbum auf 12 inch vinyl im gatefoldcover.

the next remix 12 inch from last years livity sound compilation features remixes by ghost-202 aka ron morelli & svengalisghost and beneath.

emotional especial gathers pace with an eighth release from richard sen, a man whose cultured touch has had a hand in various strands of the uk underground for the past two decades. graffiti artist, graphic designer, music curator, dj and producer are all vocations richard sen has done at one point or another. here he goes solo with the ghost train ep, a dark and brooding release of old school meets new school house jack that takes its cues from 80s new york, italian house and the nascent uk acid house that sen himself documented with aplomb on a 2012 compilation for strut. naggingly familiar samples and a low slung box jam groove drive the spectral title cut forward, whilst sens mastery of delay is shown with aplomb on the dub version that closes out the record. nestled in between is the highlight however in *meteor shower* where discoid basslines merge with psychedelically charged keys and hollowed out steppers percussion.