label boss dave allison drops a bomb in the shape of cocktail blue with remixes from dj steef & virgin magnetic material. pressing on translucent blue vinyl.

final part in the charles cohen trilogy on morphine records. featuring various works made for dance & theatre productions between 1976 & 1988. eleven tracks in total - lovingly spread over double lp and featuring some of the most beautiful material of the series. another essential purchase. tip!

2x12inch lp gatefold, blue vinyl (a), white vinyl (b), printed inner sleeve,! the duos long-awaited comeback was followed by critical acclaim and a series of live performances. while playing festivals in ibiza, georgia, denmark and the faroe islands last summer, john guldberg and tim stahl took the time to put the finishing touches on their upcoming release: uptimistic music, a double album featuring vol.1 and a second record of unreleased material.

after stumbling across good guy mikesh and making an edit of his track *freddy* - maceo plex delved deeper into the back catalogue and decided he was bona fide ellum material… one demo request later and the *from another world ep* was born. a trio of original tracks, one of which features production partner filburt, it is dark, beautiful and warm music for cold winter nights.

giovanni damico (white rabbit recordings/ragrange records - salerno) is maybe the most productive producer we ve ever come across. and were not just talking quantity, were talking quality! for geography records sixth release weve had so much fantastic material to choose from so we decided to put out two eps by giovanni. the first one is called >cuttin, samplin, housin part one<.ranging from the kind of beautiful house music geography has been known for since the release of julius steinhoffs epic out in the woods ep back in 2011 on the a-side to the more fun loving style of the b-side, reminding us of our two latest top 40 hit-records by real cool and shakarchi & straneus.

unlängst eine kultfigur in seiner heimatstadt helsinki, in der er teilzeit als tramfahrer arbeitet, stellt jaakko eino kalevis erstveröffentlichung eine verlockende einführung in das werk eines charismatischen künstlers dar, dessen psychedelischer pop gepaart mit elementen aus funk, space-disco und folk extrem faszinierend daherkommt. der autodidaktische multi-instrumentalist spielt alle instrumente ein, singt und produziert sein ganzes material komplett eigenständig. als vorgeschmack auf sein debütalbum, welches nächstes jahr erscheinen wird, veröffentlicht domino ende november die vier tracks starke dream zone ep , welche uns einen tiefen einblick in jaakkos magisches universum verschafft.

straight out of new york city, the man behind white material makes his work them records debut, with 4 killers of pure analogue madness.
early support from paul woolford, boddika jackmaster, mosca, larry heard, ed davenport, chris duckenfield, perc & semtek ...

brand new material by marcos cabral following his false memories 2xlp archive release earlier this year. on the capri social ep we see cabral offering three varying tracks all touching upon the outskirts of house, techno and beyond as he captures the energy of the machines to create effective and engaging psychedelic excursions.

file under disco have steadily been building a seriously strong back catalogue of 100% original disco music. so far this has taken shape through digital eps of original material by artists like drop out orchestra and jkriv & the disco machine, plus a series of big hitting vinyl remix releases from acts like the idjut boys, ron basejam, dicky trisco, pete herbert and duff disco amongst others.

details sound unleash another killer. raw techno material for them in the know.
edition of 300 copies, black label, including a5 insert. mastered by matt colton at alchemy mastering, london 2013.

once more exciting things have been brewing in art departments studio over recent months. not only are they to release a much-anticipated full length on crosstown rebels in 2014, but they have also finished a red-hot new single. the sun comes up is reportedly the last record produced in the vein of their first album before the acclaimed duo release a slew of new material. it comes complete with an equally compelling remix from life & death alumni and break through duo mind against

essential re-release of early outline material, fully re-mastered and bought up to date, 1st in a new series of re-releases

polymath james leyland kirby must surely have one of the most confounding cvs in the business: he spent years taking the piss out of the music industry with anthems rallying against the (vv)mcps, he notoriously fell out with various well known record labels for reasons you ll just have to google, goaded aphex twin with a series of tributes and channelled his love of everything from falco (rock me amadeus), chris de burgh, frankie goes to hollywood and stockport karaoke nights into a stream of increasingly bizzare 7 s back in the early noughties. but at the same time he was responsible for releasing some of the very earliest material from boards of canada (hell interface: 1997), made a ruck of frankly groundbreaking industrial electronic records, brought new beat to the worlds attention and, in 1999, made his first album as the caretaker, a project that would go on to release some of the most loved ambient/ lynchian albums of recent times.

it is 2013 and in this release we hear a totally new approach to sampling. a vinyl release of two artists. fitz ambro$e (cape breton island) residing intokyo, & ohbliv of richmond, virginia(usa). fitz ambro$e sound has unique influence from 90s hip hop and 80s soul, he is also affiliated with cosmopolyphonic collective in tokyo. from the record archives of his father, ohbliv developed the charm of sampling. the record is a 14 track collage of beats from two uniquely talented artists who transcend their individual musical roots. as if competeing with each other both leave the remnants of sampling material, and the method in which they cut and chop is truely an interesting work.

the remix package kicks off with a reworking from alexi delano who has recorded for poker flat, harthouse. items and things, plus 8 amongst others who takes the title track secret moon in a deep and spacious house direction with their superb mix that works from the off. l.a. artist david alvarado steps up next on kazantrip and drops a driving slice of brooding techno that is perfect warehouse material. last, and no means least, is the rather legendary d. digglers live dub interpretation. the urgent low end tribal nature provides a solid backdrop for the fluid elements of the original to drift over. this wax edition release is a rich & complex package of mixes with real depth and is another stellar single from the ever­impressive klartraum and certainly worth to be pressed on lucid vinyl.

when walter merziger and arno kammermeier head to the studio to work on new material for their long time project booka shade, the result is a winning combination of underground sensation and club hit, as titles such as mandarine girl and body language have proved to great acclaim. its a balancing act that only the most successful electronic musicians can do so successfully over such a period of time. booka shades new single >love inc< is no exception. presaging the fifth studio album release from these berlin transplants,>love inc< is infused with pure club sound created by merging a refined sense of sonance with solid craftsmanship. the duo pays a contemporary homage to chicagos former king of house, lil louis, whose 1992 hit club lonely serves as the tracks sample

when irr track hound ada goes sniffing around the corners in cologne, she means business. one can imagine her happy panting when she learned that she just intercepted unbelievably huge and simultaniously unreleased material from matt karmil. here is the result of this strange event. matt karmil is letting us all inhale his scent.

featuring new material and recorded in the bands isolated studio on the edge of the essex marshes, the album ebbs and flows in mood like the nearby blackwater estuary. working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances.

in 2011 when mad mats and tooli went to sonar festival in barcelona they met ludovic llorca aka art of tones outside a club. little did they know back then that two years later on they would release a 12 inch together. the same thing ep opens with the title track and kicks pretty damn sweet with its strong vocal, the guitar, bass and rhodes jamming on top of a tight groove, there is also a dub version included on the b-side. last but not least, the great sgatmi is a jazzy and bumpy house take with lots of samples perfectly balanced. all in all, classic art of tones material and the work of a producer firing on all cylinders.

exposed within the interior of these tracks are a variety of intrusive and extrusive igneous structures. they include the extensive hydrothermal alteration of rhyolites and gabbros and a central megabreccia created by hydrothermal dissolution and collapse. the siliceous megabreccia is at least 40m thick in its center - to only a few meters thick along its edges. the breccia consists of fragments of white to dark gray cherty material, quartz-rich bass, diagenetic clap nodules, and stromatolitic snares. it is intensively silicified.

everybody likes doumen, but also everybody says >oh no ... i love doumen, but its hard to play their records in my dj sets or to have a party with them...<
so this is why we founded van doumen. it is a rework sublabel, completely based on original doumen material, following the idea of tracks that work in dj sets, but still have the doumen spirit. the first record was done by scherbe (uncanny valley, big bait, ..), philipp matalla (kann records, internasjonal spesial, ..), webermichelson (holger) and potensia (modern soul, ..). the first two tracks are superb club smashers, followed by an angry caricature monster of techno and finally potensia walks you home in the most intimate and beautiful way possible. to be honest, we say this record as a first step of van doumen is a classic already.

für clark bilden seine remixes die spannbreite an unterschiedlicher musik ab, die er in den letzten zehn jahren veroeffentlicht hat. mit einem unterschied: sie wirken geloester, weil man beim umgang mit material anderer kuenstler mehr freiheiten genießt

powel aka paul christie is a berlin based dj/producer, and a relatively fresh name on the underground house circuit. christie has previously released material with some exciting new labels, namely, berlin-based label keller, wunderbar recordings and deliciuse, here he joins the fina roster, well and truly putting him on the map, and slotting in alongside move d, cottam and leif.

one max per customer! marks and cuts written on the body - our device of joy and pain. of memory, function, movement, ability... giegling presents prince of demarks debut album on their new techno imprint forum. most of the material recorded in 2010 shows the path of the warrior, his needs and desires that left traces along his way.

ltd yellow vinyl 2013 repress !!!
the title track tin of worms showcases crisp, tight linear drum programming a ribcage shaking sub base & supernatural sounding synth sounds which build & drop in a question & answer format over its 8 minute cycle displaying the original principles of minimal techno alongside forward thinking sound design.
for the flip side we proudly introduce westway which is original baby ford material written on the eve of the millennium, recorded on fordÆs now defunkt hardware set up and mastered from dat. this track conjours images of smoky late night jazz clubs with its smooth intermittent piano chords & strings that seem to float in an out of the mix like the warm breeze on a long summers evening set starter, nightclub techno lesson, afterparty showpiece the choice is yours!

a grand return once again to both deep moves and music in general for parris mitchell. we are proud and honoured to present juke joints vol two with three brand new original tracks from the chicago legend, his first new material since 1997!

der amerikaner marcus ortega aka lorn bearbeitet die schnittstelle zwischen minimalistischen technoklängen, dubstep und bass musik. mit der debris ep veröffentlicht lorn das erste neue material seit seinem letztjährigen album ask the dust und die vier tracks zeigen erneut, dass der amerikaner soundtechnisch in der ersten liga spielt!
pressung auf 10 inch vinyl, mp3-downloadcode inklusive.

few nolder is now ready to release a new 12inch on silences sub label best kept secret to further his recherche and moody point of artistic view that someone once pinned down as female techno. never failing to surprise, always full of unprecedented material that takes the listener to a mellow yet driving soundscape.

limited to 377 copies, hand stamped vinyl - a four-part series focusing on unreleased material from those close to the label, with the third 12 featuring tracks from stephen brown & jonas kopp.

gilesku records is back with two eccentric minimalistic techno tracks delivered by onur ozer. obviously heavily influenced by peak hours in the club, these tracks will serve their purpose right, providing a perfect hook to drive people further in a higher state of consciousness. by paying close attention to detail, he manages to provide music where he bravely paints fat techno sounds with minimalistic elements, layering them by unconventional noises in the background. a peak time material!

special nice price action - chocolate says hello to spanish producer oscar barila (material series, parquet, acker dub, einmaleins,suruba). he delivers two great house to techhouse tracks, dry love and running away. dry love comes with two awesome remixes from kasper (esperanza, lomidhigh, bass culture) with his back to chicago remix and from ataneus (ostwind, acker dub). enjoy your chocolate

dance mania release some all new material from traxman with westside boogie traxs vol. 3 providing a belated follow-up to the 12 inch that the producer released on dance mania under the traxman da geto dj name in 1996

new sheffield label shabby doll records makes its debut with nails donks ep. nail is nottingham-based neil tolliday, a producer who spent the last decade creating deep downtempo joy as one half of bent – their debut album *programmed to love* helped ease the worlds ills back in 2000. now, with love for nails solo manoeuvres truly reignited, sheffields shabby doll label is taking the next step with his first new solo material for years. called donks, nails new four-track ep showcases his flawless dancefloor instincts: there is something deliciously seductive about this early hours charmer. one to play when things are getting wonderfully weird… and finally, never4gedit brings back the sunshine with some sweet, melody-flecked disco. with nails vintage house output currently proving to have real staying power, lovers of real british house music eagerly await his new tracks. so if you have got a dark room and a feeling, let nail, shabby doll and donks add a little magic to the night.

hold tight....new population one material, on mr terrence dixons own label. seriously classy, abstract techno, excursions that sound-clips cannot really do justice..... hes on his a game here! genuine tip!

the flatlife deep debut of liverpool-based artist binny, including remixes by oliver lieb & tim gaal. the oliver lieb remix of release is a pounding tech-house track based on the two major themes of the original and treated with the typical oliver lieb signature sound - peak-time material! the original version is a soulful and uptempo broken-beat detroit techno track. the journey once again takes you back to the motor city: a lush sounding pad sound is accompanied by a shuffled and funky rhythm track. the tim gaal remix slows it down and incorporates a retroish deep house feel. flatlife deep is run by jack wax (flatlife records) in cooperation with tim gaal (adepth audio), focusing on warm-sounding analogue techno music.

all done from recycled material / from real records to vinyl coasters (made from abandoed vinyl records)

after more than a decade of silence no gigs, no music, no nothing, gramme return with their debut album fascination. the cult around the band and their lone release, the pre-release ep, continued to grow until in 2011 some mysterious 12inch bootlegs of like u began to appear, with edits by joe goddard of hot chip. a few months later self released white labels begin to circulate with new gramme material. those recent eps have gone on to form fascination, the first full studio album by gramme

*airglow fires* is the first new lone material to emerge since his masterful *galaxy garden* album, his most complete body of work to date. departing from the themes of the rave/hardcore revival and cinematic interstellar travel, *airglow fires* sees him exploring a more considered and intimate sound alongside a rediscovered love of classic hip-hop, as he explains: i love hip hop and house music when it is at it is rawest - to me airglow fires has that kind of 90s basement vibe to it, where the lines between the two genres are kind blurred.

nice price deal !!! finest minimalistic groove & kick monsters! only for djs. the colombian duo jose m. & tacoman have recorded on top labels like material, area remote and sphera records and have written three tracks for trapez ltd now. >what are you watching< is a tricky traxter with a cool swing programming to keep you happy on your feet and moving. this is very much a beat track but has an outstanding groove that makes it so special. raw and streetwise it makes sure things are always going fine. one of these tracks that are loose and tight at the same time. a perfect alliance.>warehouse< seems at first less funky but convinces with an hypnotic aspect and a congenial feeling to it. >kick this< is similar to >what are you watching< a strong groover with sounds in the background and a catchy vocal line. all three tracks are cool and perfect for groove addicts.

nice price deal !!! rob amboule is a relatively fresh name on the scene, the young artist stepped onto 2020visions radar following the london based producers self released white-label, kerri01. a record which put amboule on the map and was heavily supported by the likes of paul woolford, who closed the space terrace with one of the cuts last year, and heidi on her radio 1 show. this introductory single has now led to a full ep of original material for 2020 here, joining the likes of ejeca, huxley and maya jane coles on the roster.

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

dj duo redondo from holland (material, sintope) deliver a massive tech and filter house ep – great pack for the primetime

die indie-helden sebadoh veröffentlichten ihre secret ep inkl. brandneuem material nach über 14 jahren als 12 inch auf domino! die secret ep der mitbegründer des indie-rock, sebadoh, ist das erste neue material der band seit ihrem letzten studioalbum the sebadoh von 1999. in lou barlows proberaum geschrieben, nahm die band diese ep mitte 2012 im kalifornischen studio indietopia auf. bisher war die secret ep nur digital und exklusiv über die bandcampseite verfügbar, und einige der songs waren bei ihrer usa tour 2012 zu hören. jetzt erscheint sie endlich auch physisch als 10 inch via domino.

herrmutt lobby is back for more. their third release on eat concrete (one as bretzel zoo) reveals a more soulful and laidback sound then ever before. the new haters gonna hate ep reaches beyond their previous material but still comes with their own style of improvised beats, lowend bumpers and weird time signatures.

more than six years into his career after several eps and a full album, there isn’t much known about ben gibson, and he is clearly keeping it that way with intent. gibson first emerged on jeff mills’ experimental, influential 6277 sublabel but then again vanished into the ether, he only reappeared three years later on perc trax, even more surprisingly with a full-length. since then, he’s gone on to steadily more notice with perc’s imprint, sect records, and most recently m_rec ltd in spite of the continuing lack of information. exposure isn’t the most important thing for us at chronicle though, and after hearing these five tracks, we saw exactly what it is that drew mills to him from the beginning. it is a sound that we find a perfect fit for the techno futurism of our chronicle series, and here we offer a platform for gibsons more sci-fi, ethereal sounding material, exclusively on vinyl for the fifth edition of our sublabel.

atlanta-based helix expands on the techno/grime hybridity hinted at on his hit drum track 12 inch with the newest instalment of night slugs club constructions series. it is apt that some of the original material shortlisted for this release was lost to the digital tides, subsequently having to be restored or rebuilt in night slugs london studio during a visit by helix in late 2012.

der vorabtrack made to stray aus dem neuen album cold spring fault less youth schlug in der weltweiten trendszene ein wie der blitz: von pitchfork bis nme, von fact bis resident advisor überschlugen sich die aufgeregten lobeshymnen zum ersten neuen mount kimbie material seit zwei jahren. das visionäre duo, seit seinem debüt als neue vordenker in sachen elektronischer musik anerkannt, hat die schwammige schublade des post-dubstep endgültig verlassen und entflieht mit live-instrumentierung, warmen keyboardsounds und geerdeten schlagzeugbeats der enge des dance/electro-kontextes. auch die verpflichtung des enigmatischen vokalisten king krule dürfte ihren anteil daran haben. die elf neuen mount kimbie tracks wirken reifer, selbstbewusster und noch mutiger, und ihr wechsel zu warp wird ihre entwicklung hin zu noch ganz anderen klanggefilden, kontexten und konstellationen weiter beflügeln.
doppel-vinyl im klappcover, inklusive mp3 download-code.

with his second ep planet g, hxb weaves a deep and progressive techno whose architecture a mesh of dense, lush and organic sonic material. a constant line of tension runs throught this opus. acid bass lines and stratospheric chords constantly thwart the dark side and uncanny that lies in the atmosphere of this planet g.

superb new diagonal release! 1st edition on red vinyl also comes in a screen printed poly jacket.
john cage once stepped into an anechoic chamber expecting to hear silence. instead, he heard the low-end throb of his own blood pulsing through his body. this is the story that gave blood music, the first new act on diagonal, their name. it is an appropriate one too: simon pomery, the creative lead and only ever-present member of the band, strikes his guitar with screwdrivers, mallets and his own bare fists, frequently putting real blood into the blood music that spits violently from the band.