ltd backstock !! first release on the legendary blueprint label by james ruskin and richard polson

incl. tracks by surgeon / oliver ho / regissurface re-launch

new world of echo from glasgows very own guests riyl if you re into - flaming tunes, idea fire company, annea lockwood

for the likes of jeff mills

limited vinyl release with download code included.

julian jeweil drops out his new ep >schema< on drumcode

spanish dj and producer psyk returns to his own non series with opal lake. this 40th release on the imprint and also the first release of 2020 is a stellar four track techno pack including a collaboration with fellow spanish producer architectural

next up on ben sims’ symbolism ltd is madrid based producer aiken with a mesmeric techno 4-tracker.

transparent 12 inch vinyl with full cover

produced by sciahri , mastered by neel

punks are back! after a stunning debut in 2017 these guys are returning with new material. this record was influenced by the latest events connected with governmental issues with russian club culture - raids, shutdowns of clubs and major festivals. damage was inflicted on our beloved clubs and festivals such as outline, arma17, rabitza. we admire our neighbors who fought for their houses and managed to protect them: ukrainian closer, british fabric and georgian bassiani.
this is a message about a sincere wish to save equality and independence. there’s no place for political games in our cultural life. only freedom matters.

fantastisches, drittes album des münchner produzenten scntst aka bryan müller auf boysnoize records. scenes and sketches from the lab ist ein amtliches werk, das die makellosen skills, reife und musikalität des jungen produzenten, kombiniert mit einer fülle an frischen ideen, offenbart. die 14 tracks hüllen techno, ambient, bass, idm und electronica in neue, kunstvolle und hochdetaillierte formen, die sowohl auf kopfhörer als auch im club perfekt funktionieren.

moc’s alek s returns to the mothership with his third full ep, dropping just in time for the label’s third birthday. kicking off the release in style, „consciousness outline“ lays down the groundwork for a solid slice of punchy techno. featuring a minimal array of elements, which aptly intertwine instead of seeing new layers pile up, it’s a gradual build up of a powerful groove. hypercolour & soma records alum roberto clementi takes on remix duties, revamping „consciousness outline“ into a cavernous techno affair. switching the main focus on the percussive leads proves a good venture, as it results into a piece with major dance appeal. „penny drop“ dives in with a spacious loop, which keeps centre stage throughout the entire construction. overall, it’s an airy track, with ample pads and a loose yet gripping melody. „neverending“ rounds off the pack in an atmospherical, upbeat fashion. ascending synth pads make for an uplifting ambiance, all set on a backbone of electrifying percussion.

samuel van dijk is an electronic music producer, sound designer and media artist from the netherlands releasing deep electronic music as vc-118a, mohlao, and multicast dynamics. drawing inspiration from technology, nature, film, and fiction, his productions and live sets embody a dynamic musical framework. since the dutchman surfaced as mohlao for labels like meanwhile, field and other heights at the turn of the decade, van dijk?s music has found a firm position, the ethereal electro vc-118a project, deep ambient techno as mohlao, and subterranean ambient as multicast dynamics.

a prison of predictions is the first lp from the ownlife label (excepting seld series, focused in pressing back gems from two decades ago) and also by the person behind it. leiras.
on it, the producer showcases a compendium featuring the characteristic sound of the platform, pushing ahead cyclical techno together with tracks that evoke the persistence of remembrance. echoing the preterit sound of sandwell district and renewed sound formulas from almost two decades of uk electronica. ambient brush strokes outline soundscapes surrounded by analogue sounds that share space with more direct and snappy songs. a scape on the frenetic side of electronica with an idm-leaning end closes the equation.
substantiating his versatility as a producer with the label’s previous 10 titles and undoubtedly confirmed on this record, leiras offers a consequent closing for the first stage of ownlife, which finishes on this point in order to look for new sound structures for the next transmissions.
this lp has been created in berlin during the last months using mixed recording techniques with the purpose of conceiving a narrative thread that gives coherence to the release, without doubt an inflection point in leiras’ discography.

after the first successful record, danish label front man gaze ill pursues another excursion through the ever-growing dubstep-spectrum. he returns to his own physical outline of cue line records with four hefty cuts that surely make up another stellar record, however he s not alone. last time it was his partner in crime rdg, this time its frontline support from the dutchman & bass mammoth tmsv, who’s given space-time a completely different spin.

an obscure tape release discovery by red light radio founder and close friend of the label, orpheu de jong, led to music from memorys latest release. this two track 12inch highlights the work of electronic music pioneer joel graham, a san francisco based artist who self released two cassettes in 1984/85. originally recorded and performed live on pre-midi analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found in both contemporary dance music as well as in works of more established vanguard artists of the time. slowly unravelling and deeply hypnotic, joel grahams music seems to manifest a doorway to a profound new world and can be seen as a forerunner of what was to come in electronic music.

3 x weisses 12 vinyl, in bedrukcten innentaschen, im gestanzten 5mm breitem hochglanz-cover, inkl. download-code

made of concrete release number 11 sees a joint effort from danny kotz and avi caspi in the form of an incursion into the deep end of spacious techno. reject unfolds steadily, as spatial loops intertwine with piercing zippy synths. the laid back melodic outline is aptly layered with sombre french vocals by laurie eve jasmine de larohe which giving the track a mysterious yet groovy appeal. starting off with a subdued bassline, canopy follows a slowly ascending groove, as progressive synths and wavy hooks further the track into deep tech territory. for the b side, myles sergé swiftly jumps in on the reject remix, stripping down its embellishing elements and shifting focus towards the bassline. what ensues is a compact backdrop where the bass and percussion take the lead, resulting in an intensely danceable reinterpretation of the original. stepping away from the murky ambiance present in previous tracks, karat boosts a slightly more vivacious range of harmonics. energetic synths set a peppy, 70sreminiscing mood, while the melody keeps the cut anchored into present day electronica.

fun records third reference is bound to fly well over the rushes of those trying to find the sounds that should stay fresh until the seasons end. and beyond. barems new ep emerges from a kompass aiming to its perfect and dainty studio timeless beats and to christian burkhardts bombshell, the first remix hosted by fun since its launch in august 2015. the argentinian artist has pushed his studios equipment to reach and outline the sound hues that define his labels personality joining the vibes of its two first releases. the first reference was produced by the two founders: barem and alexis cabrera. alexis cabrera produced the second release and now, as a way of giving this first years cercle a complete sense, barem launches this unique third ep

yet again the leafs are turning neon golden, reminding us of the change of seasons lying at the edge of our doorstep. the first cold breezes and the fading warmth of the sun, which we just took for granted so easily, sketch the outline of that mild and soothing melancholia resting in autumn s palms. a mood we can very well enjoy to bury in deeply and with luise s newest release listen to closely. -mentis excessus- is a tenderly crafted tale, a musical journey that paints broad images of false memories and blurry resemblances. like a déjà-vu that lasts too long to put aside, it crawls up your neck to give you that eerie feeling of curiosity with which you look at the uncanny world that suddenly surrounds you. we are very pleased to welcome -wide awake- as the most recent addition to luises s sheltered, little family, a project that has its foundations at the talented hands and hearts of -niju-, -ninze- & -okaxy-. these three banded together for greater good to provide nothing less, but their as well as laut & luise s first album. not restless, no insomnia, just wide awake.

dink & tk: young guns looking to make a name for themselves in detroit and beyond. for their debut they present 4 finely tuned club gems. from refined curves to warehouse edges, the sonic outline of detroit looms large in the newest offering from beretta grey. this is techno that evokes passion, on and off the dance floor.

fragil musique s 14th release comes from cosmjn, young and rising romanian producer delivering a perfect and subtly crafted dancefloor outline.a dope track, sweating with a continuous and hypnotic groove stretches elegantly over the a side. for all house music connoisseurs. to elevate the gem even more, none other than marcellus pittman on the b side. here, it s all a matter of generous and appealing curves, for a deep and soft-spoken re arrangement that keeps true to the original.

souvenir music is proud to introduce you to its in the city 3 compilation which will be released in conjunction with a worldwide tour, hitting all major cities of europe from april to the end of summer 2013.

der untergang refers to an dystopian city in which from one day to another everybody went crazy - the perfect outline for the remixers oliver koletzki, umami and label heads aka aka! every remix comes with a different vibe and mood. koletzkis housy interpretation is perfect for the late evening hours and brings some carribean flair on the dancefloor, umami comes up with a real tech house stomper while aka aka elevate us to another level of their collabortion with their trumpeter thalstroem. must have!!

following the intricate alleys down in the shattered underworld, molar module and emad parandian rejoin under harsh neon light to share haknams third vinyl.
>kifarasi< on the a-side by molar module offers absorbing percussion underlined with ambient echospaces, industrial patterns and a propulsive bass.
the b-side >arezou< by emad parandian combines dulled nautical atmospheres, crackly analogue percussions in deep symbiosis with energetic solid drums that densify space. mysterious vocals seem like a relict of ancient times.
truly a hearty third release that etches elaborate details into the outline of haknam.

ftfo - for the fans of milton jackson, tuccillo, ali kuru, leon & kreon, george g, gorge, livio & roby... jazzy caravan is a grand peice of work that is looking to outline the silhouette of apparel music classics soul. the jazz follows us to the sweet memories of unforgettable melodies that are interpreted by artists par excellance for a special event. every producer represents one scene, unique and unmistakable. jazz samples (where oneboy project has groomed well the classical instruments - the trumpet, the piano and the double-bass) were given to every artist.

ftfo - for the fans of milton jackson, tuccillo, ali kuru, leon & kreon, george g, gorge, livio & roby... jazzy caravan is a grand peice of work that is looking to outline the silhouette of apparel music classics soul. the jazz follows us to the sweet memories of unforgettable melodies that are interpreted by artists par excellance for a special event. every producer represents one scene, unique and unmistakable. jazz samples (where oneboy project has groomed well the classical instruments - the trumpet, the piano and the double-bass) were given to every artist.

sister label to markantonios analytic trail imprint, mkt records is all aboutproviding a channel for different concepts in techno music. looking forward in to the future of electronic music, mkt is a space for new sounds to develop, evolve and emerge. originally created as a home for markantonios experimental work, mkt has developed into a destination label for all forward-thinking techno acts. unearthing a never-ending conveyer belt of neapolitan techno talent, markantonios mkt records have consistently struck gold with a series of eps from emerging artists such as joseph capriati, mladen tomic and flavio diaz. this time out label boss markantonio takes the controls for an ep of his own.
title track >play the music< kicks off the ep in understated but highly effective style. forged from a brooding low-down bass with plenty of wiggle this track cuts a heavy mechanical groove through waves of sci-fi effects as it builds and drops.
>funky junkie< pumps up the tempo for a full-on ride through funked-uppercussive techno. centered on a groove of big heavy kicks and jacking snaresthis inventive vocal track joins the dots between early chicago house and techno.
>debug< completes the ep by taking a more stripped back approach, laying out a minimized tech house outline around which is added a combination of a bigbouncing bassline and layers of tribal horns, firing percussion and rising sirens.

a fresh new three album track remix ep containing mixes by charles webster, the long term deep house maniac who serves to be an incredibly good choice, will saul, label owner of simple and aus, and a final remix by the man himself phonique. the charles webster remix of worked it out starts off as a nice thudding beat with a crisp minimal click on the offbeat, until an echoing vocal sample swifts in and around starting off the soft but pushing shoulder shifting bass line. smooth piping reverbed blows outline an almost euphoric melody, a very trippy and atmospheric tune with soft cymbals pattering away in the background. soothing sounds and housey chords mix perfectly to make a chilled out dreamy beach tune with a nice progressing beat. a swerling bridge with a 90s casio chord melody steps in and then fades out to the echoes of the vocals drifting silently away into the sun. on b1 its the will saul remix of bang. dun, dun, dun, dun, whoosh! - then a descending high minor melody calling with an electric bass response. squeeky bird sounds and weird reverbed chords makes you feel like you‘re in a crazy dream falling and falling yet the beat keep you stable and composed just about! an out of tune dungeon computer game. strange but true and also very interesting!! and finally, on b2 its the phonique version of space cruise feat. gui borrato. trekking through a spaceship journey tune with mechanical functional sounds releasing here and there. a repetitive two noted melody comes in and fades out, is replaced by an array of spaced out tones, arrivies back again, meets up and resounds into a fanc

incl track & remixes from kollektiv turmstrasse, butch, robert babicz, henry saiz, tinlicker....

beathazard recordings releases the first album of kapis alter ego, downrocks, straight from barcelona, deep into the electro funk.

cd jewel-box with 8 pages stapled bookle. after 20 years of good, loyal and unforgettable services to pop music, les innocents retired. jean-philippe nataf and jean-christophe urbain remember their meilleurs souvenirs (best memories): from jodie, a 7 recorded in 1987 to danny wilde (1999), this bandÕs discography underlines perfectly the strength of melodies and charm of harmonies. if no unreleased track expands this best of hits from the four albums, meilleurs souvenirs fly across time and draw a perfect world on an outline inherited from the beatles with dentelle and les cailloux. some high quality pop music to make une vie moins ordinaire (a less ordinary life).

6-seitiges digipak, im gestanzten hochglanz-schuber, mit 2 weissen trays (mittig & rechts), kein booklet

mere is a new project that began as a soundtrack and continues as an experimental, dark-ambient jazz group. guitar, drums and bass clarinet provide an intense and improvised journey into the abyss. the trio first came together to work on a soundtrack for a dutch tv documentary called visserman. having known each other for some time this was the first time they had combined together to write music and the name mere comes from the dutch word for more. each member adds a different influence to the sound, the modal finger picked guitar playing of thomas adds a sense of movement while gareth takes both folk and free jazz ideas to play against leos free rock influenced drum work. the tracks were recorded all in single takes with just a quick discussion of outline and tuning as a basic guide. gareth davis records on important, miasmah, sonic pieces, dekorder, home normal etc. collaborating with machinefabriek, steven r. smith, scanner, frances marie uitti, ryan teague, elliott sharp, ian hawgood and the like. leo fabriek releases on digitalis, home normal etc. and is also the drummer with the noise rock band julie mittens.