...this is the very first criminal activity of the street-sound gang called crime scene before their gang-leader was killed in a drive-by shooting...
limited edition of 99 handnumbered single-sided vinyl copies with infosheet.

spreekader aufnahmen is a new berlin based label. originally coming from tech house and minimal techno we are also releasing any kind of music we think it is worth hearing so that the essence of spreekader aufnahmen is good music. no matter if it is house, ambient, or any other kind of thrilling sound. we are obsessed with good music and therefore we are hopeless victims of sound. spreekader aufnahmen proudly presents to you >tamtam<. >tamtam< is going to be our first release on spreekader aufnahmen. the release features artists such as schulleri & eiblonski, benno blome, kotelett & zadak and last but not least nico stojan. the original mix brought to you by schulleri & eiblonski (labelowner of spreekader aufnahmen) is what you would call a prime-time happy-go-lucky hit at its best. talking about the remixers, benno blome (sender records) added a fast forward piano that way >tamtam< the track even goes happy-go-funky. kotelett & zadak (golden gate) took their time and made it nice and deep, perfect for every afterhour. finally nico stojan (bar 25) added piano and vocal to his version of >tamtam< and made smooth and sweet.

following their second album >demiurge< released in may 2011, >medium< arrives as the first non-studio based production by emptyset, recorded on location in the remote woodchester mansion in gloucestershire. the collection of tracks explores the duos preoccupations with the elemental properties of sound and bare rhythmic structures and overlays it onto the textural possibilities of space and material. the project marks their first act of adapting their analogue-based studio system into an architectural intervention, pushing extreme bass and feedback into the irregular spaces of the unfinished building.

warm, sparse, subtle pulsating ambient/ambient house album.
what is behind >human too<? its the debut album by thomas bachner – the hidden mind running playtracks records, releasing his debut album. first audio studies recognise the order of the tracks: in the end, the ten stories, each embedded in the right place, shape the album like a well-written childrens book of sound. its the first glimpse into the depths of the playtracks head and it feels curious and thriving at the same time. catalogue number 11, it reaches the human ear from several directions: downtempo, house, clicks&cuts, ambient and a subtle bit of techno and jazz. by filling the albums grooves they make it an audititve pleasure, both at home and while clubbing. enjoy your meal!

for a blink of an eye shhhh leaves the mystical and foggy output to open its doors for floorburning loopfunk with a gypsy taste by no one else than german techno�producer sascha muller, an experienced senior in electro�scene releasing his infinite creative output for some decades now. starting with the main theme >sommernachtstraume< (summernight dreams) and a video with handmade moulded plasticine characters it burns down the romanian street credibility at first glance. an additional remix by bluff with reminiscences to ancient hypnotic techno music as celebrated in cologne mid 90s closes the a�-side while a new confusing journey starts on b�-side. with its two hypnotic big city nightlife classical electro pieces >bangkok< and >future punk part ii< the soundtrack returns again and reveals a soft carpet full of robotic cyberpunk maelstrom for dancers and listeners after 6a.m. we welcome another new unexpected artist on shhhh, stating that eclecticism is not a bad word, but a desired place to be.

after releasing some cross-eyed dance floor burners on district of corruption, little helpers and bar25, pablo roman alcalá aka beaner brought some seriously sexy bent grooves over to brooklyn for those ever lasting late night benders. his first ep for thema was a dark and tangled ode to the drug-addled prose of author, denis johnson, which was well received by a slew of various deranged djs. this time he returns to stake his place on the dance floor with four deep, fractured after-hours jams. the name mixed doubles is apt, as youll find the pairings of unlikely elements on these tracks aligning nicely… before they are slowly pried apart. of course, thats when things truly get interesting

this is the first vinyl teaser for the upcoming andre lodemann album fragments which is to be released in may 2012. the album contains both original material and remixes produced by andre lodemann.Ê this ep selection features brand new remixes for the south african house group liquideep and the charles webster produced january tuesday both 2012 releases. lodemanns edit for lusines two dots was originally done for private use. now it found its way to a release. lodemanns mes remix was somewhat overlooked and now receives proper support here. all tracks bear lodemann typical production style creating an epic emotional ride

bristol based mensah anderson delivers something a little different from his current output and dj sets for his first release on deep medi. the gambia was picked up by mala almost two years ago and has yet to leave his record bag. it featured heavily in mala?s xlr8r?s podcast, which was voted best of 2011. ?the gambia? is a slow burning, dark minimal and heavily tribal journey taking in elements of techno, afrobeat with a touch of danchall, this output leans more towards mensah?s alias ?new york transit authority? than previous mensah releases and also shows the diversity of mensah as a producer. ?trailing moons of saturn? on the flip takes on a more laid back and cinematic approach with it?s subtly layered synths, thunderous bass stabs and intergalactic rave vibes and effects.

siwell drops his first smasher for 2012. remixes are coming from gonzalez & gonzalo and david herrero cr2 records, stereo productions). black vinyl repress

for more than 10 years,philip bader has been mixing it up in the berlin electronic muisic scene as a producer, dj and label founder – no wonder then that his first studio album,wishful thinking,to be released on berlin label highgrade records, is such an eagerly awaited piece of work.philip, a native of the capital city, has taken a year to complete this debut long player that seemlessly juggles a wide range of musical styles.

düsseldorf born niggemann has enjoyed a constant climbing success in recent years thanks to his precise tech house productions on 8bit,tsuba and supernature.now based in berlin,he arrives on poker flat with this,the first single to be lifted from his imminently arriving album debut. we dont want to tell you too much about the album right now, but if these two tracks are anything to go by,be sure youre in for a treat!dont wait (extended mix) layers niggemans trademark tight, percussive beats as it builds towards a surprising vocal arrival and a killer,positively hung bassline.equally perfect for late night sessions as it will be for the coming spring summer season,basking in the sun,its a versatile and uplifting cut in the true poker flat tradition. on the b side a dubbed out synth voyage unfolds with curious.working snappy drums and airy,wistful fx,niggemann skillfully tells his moody story with passionate charm.swirling synth pads lift before a mid-point break gradually introduces a second theme,cementing the young producers able hand at writing melodies and creating strong,rushing feelings.

thanks to those whove supported auntie flo and the first two sell out releases. ahead of his debut album, future rhythm machine, wed next like to introduce the hotly anticpated remixes forthcoming on vinyl from pearson sound and newcomer sophie. stripping back the original pearsons signature sound is all over oh my days and includes mix-friendly intro. his take has been a staple in every set from the hessle audio gang for months and recently featured in his essential mix on radio one.introducing the talented sophie in whose hands, highlife is morphed into a rapture of synth-laden goodness. one to watch over the coming months. early support and people with kind words to say include ben ufo, jackmaster, blawan, erol alkan, optimo and capracara amongst others.

die blume is egokinds first ep and a good reason for us to celebrate. the twenty one-year-old now shows his broad repertoire with his 3 tracks. in comparison to his typically rather progressive sound, this ep is much more relaxed and a good foretaste of his great love for melody and varied sound effects.

first available only via decks.de !!

dubbed the >next hot natured< & following on from the first two successful sleazy releases we bring you the new signing from cassino, italy. william medagli fuses deep house vibes and a nudisco vision which is really going to set the floors alight. williams style is straight up moog magic mixed with classy & classic sounding vocals, so much so you feel youve heard them before! his sound really does keep you locked into a futuristic grooved out disco inferno

nice price deal !!! hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta. with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people. now set to unleash his highly anticipated debut lp on climate recordings, rregula presents: the barramundi experiment.an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep. the vinyl ep features 4 groundbreaking tracks of the album. the a-side holds 2 superb drum n bass tracks for the dancefloor, while on the flip you will find 2 massive bass tracks that will do equal damage on the dancefloor! the vinyl ep also includes the full doublepack cd in the sleeve!

with our next release kontra-musik launches a new white label series. the sound will be a bit rougher and punky but still with quality and uniqueness as main focus. first out is the trio frak – sweden’s best-kept techno secret. why not keep it that way? limited 200 copies!

next up is the highly anticipated second release on graphene.. enter into a future prophecy world, where the stark realization of armageddon is foretold in all its hell-fire glory. solenoid is the narrator and observer of a planet controlled and afflicted. the future of the humanoids is about to concede to a terrifying conclusion. prepare to be sucked into a repressive nightmare. first up colony is a carved slice of visionary purgatory. distorted pads swirl in whirlwinds of vortex like cylinders. its a piece of perfectly crafted technoid mayhem. on the flip feathermen begs the questions who are they what will they do what is their mission all remains unanswered, except to acknowledge that a vile plan is at work. it s an hypnotic trip that eerily changes with every play. the main riff attacks your cranium with subtle but deadly force, eating its way into your soul. shuffling rhythmic drum patterns are juxtaposed with curious bells and creeping washes. the feathermen are in control. last on the flip pandemic is the absolute realization of a contaminated world. the pathogen continues to take down more and more of the planet. steeped in urgency and despair, the spaceage break gives insight to how the world might be after the annihilation....a new beginning or a end of all ends you must decide. one thing to conclude is that however much they unleash their destruction, they can never defeat nature itself. solenoid delivers a distinctive, badass ep that additionally works sweet as a dj tool. to be continued... words livia terri played by dimi angelis (figure, smallville), obtane (synewave), ben sims (drumcode, hardgroove), perc (perc trax, clr), bcr boys (nachtstrom)..

gabriel ananda was captivated by the sound of classical music by the early age of 8. he was encouraged by his family to practice the cello, but it was through playing the guitar that fueled his motivation to continue to learn about music. the guitar became a useful tool to express his creativity, but gabriel was not finished searching for his musical direction. in 1995 that changed. a dj set by sven väth was the pivotal moment that ended gabriels search to find his passion and two years later, the new producer celebrated his first release for the german label hörspielmusik. he went on to release singles on treibstoff, trapez, platzhirsch, and karmarouge before producing what was for him, a life changing track

dollys first release in 2012 and immediately setting a high standard for the year to come! this time aroy dee under his mos disguise is delivering the deepness, and this one could be very well one of his strongest releases to date. present as usual are his trademark vintage synths & drums, but this goes beyond the average retro chicago stuff. skillfull on the machines while its very clear the music comes from deep within. marcel fengler on remix duty adds a little techno punch, which perfectly tops of this very fine release.

the 100th release is a massive milestone and we know everyone is waiting to hear exactly what we are going to be releasing and how we are going to do it. so listen up, the basic plan is as follows: four digital and vinyl releases spanning a year, cat numbers will be 100.1, 100.2, 100.3, 100.4 coming out roughly every 3 months ok, first release is croydon girl by chris liberator and sterling moss with rachel rackitt, backed with the drums by d.a.v.e. the drummer and ant, both avin it and hard acid techno monsters, a fitting way to begin.

after a string of releases, most notably for the respected wagon repair label, we are thrilled to invite hrdvsion into the gigolo brothel for his first ep since last summer.

dark grinding techno for fans of ben klock, marcel dettmann, function... black vinyl

nice price deal !!! producer adrian sherwood and ari up, the lead singer of the formative british all-female punk group the slits, first met in 1978.

vinyl only! first 250 handstemped, handnumbered and white marbled vinyl. got2go 001 with a banging and jacking house ep. raw oldschool house/techno with a touch of vintage. incl huge snuff crew and affie yusuf remixes. this first release is definitely dedicated to the dancefloor heads and allows us to figure out what will be the policy of the label.

the friendship with jason lanox and henk goes way back into the early days when we started holding parties on an old shipyard in amsterdam. from the first moment henk was captured by the productions of jason lanox. henk followed him closely and saw him grow as a person, producer and performer. the first album >burning every bridge that i cross to find some beautiful place to get lost< was the reason to finally realize the long kept ambition to start henk recordings.

so after our chart topping first allstar 45s release featuring the dancefloor outlaws & coldvet, where back with another special limited edition 45

this band from houston, texas scored several hits with >i cant stop dancing<, >tighten it up< and >strategy<.
archie bell & the drells released seven albums in ten years and the tension that existed on their previous two records, which slipped back and forth across the disco/funk divide, is gone here. >strategy<, including honky tonk pianos, swelling strings sections, thumping basslines and soul singing background vocalists making this one of their best albums. elements of barry white and harold melvin making this album a full disco album. it made it to #37 in the r&b charts, and music on vinyl has the honour to re-release it for the first time on vinyl since its original release.
180 grams audiophile vinyl preassing.

nice price deal !!! tactical records impressed everyone with there first releases and this one from the funktion is even better. >detonate< and >natural selection< flew out on promo and we had to up the order on the full releases as the demand was so high. watch out for their third release as its getting a lot of love from all the big guns.

this compilation contains some of the vital and most important music ever committed to vinyl. it covers the first recording years of elvis aron presley, years which saw him progress from teenage memphis truck driver earning 35$ a week to a multi-millionaire performer with the music and movie worlds squarely at his size 11 feet.
double 180 gram heavyweight vinyl in gatefold cover.

>vintage violence< is john cales first post-velvet underground album and was originally released in 1970. cales signature sound with the velvets was purposefully rough and aurally challenging, but >vintage violence< is a startlingly user-friendly piece of mature, intelligent pop with a smooth, satin finish.
the welsh rocker shows a pop craftsman at work on ten tracks that reference everything from country rock to beach boys harmonies to the band-style americana and beyond.
180 grams audiophile vinyl pressing.

the irish blues-rock multi-instrumentalist rory gallagher recorded quite some solo albums throughout the 1970s and 1980s. music on vinyl already released the lost album >notes from san francisco<(movlp349) in september 2011.
now its time for gallaghers first two albums to get fully remastered and pressed on audiophile 180-grams vinyl. rory gallagher released his eponymous solo debut album in 1971. this album marked the departure from taste, the first band which gallagher founded, and the start of his solo career. gallagher wrote all the songs himself and recorded the album with two befriended belfast musicians.
>deuce< is gallaghers second solo album and was originally released in 1971 as well. in contrast with his previous well-produced album, >deuce< was an effort by to capture the energy of a live performance. in order to do so gallagher would often record immediately before or after live performances while keeping production at a minimum.
remastered audi on 180 grams audiophile vinyl with printed innersleeve.

the irish blues-rock multi-instrumentalist rory gallagher recorded quite some solo albums throughout the 1970s and 1980s. music on vinyl already released the lost album >notes from san francisco<(movlp349) in september 2011. now its time for gallaghers first two albums to get fully remastered and pressed on audiophile 180-grams vinyl.
rory gallagher released his eponymous solo debut album in 1971. this album marked the departure from taste, the first band which gallagher founded, and the start of his solo career. gallagher wrote all the songs himself and recorded the album with two befriended belfast musicians.
remastered audio on 180 grams audiophile vinyl, including printed innersleeve.

early support by frivolous, dj sneak, adam port, mihai popoviciu & matt star. the first arms & legs release in 2012 comes from daniel steinberg. take some house and a pinch of minimal, add a dash of electronica & put some disco to the top. shake well… enjoy!

boston house music ace john barera with his absolutely brilliant first ep on ortloff records.

nice price deal !!! the first release on kanzleramts sublabel k2o, made in 1996 by david distelmann & heiko laux aka the global segment.

it marks the long awaited reunion of electronic pioneers vince clarke (erasure/ yazoo/ depeche mode) and martin l. gore (depeche mode), who have joined forces for the first time in over thirty years to craft an album which, demonstrating their mutual love of electronic music. after initial tentative discussions, and a meeting at short circuit presents mute festival in london, where they both performed, these two influential musicians and songwriters, began work on the 10-track album, working in a typically unique way with the pair working alone in their respective studios, communication only via email, exchanging files until the albums was ready. the album includes the recent 12inch ep1 / spock, described by the quietus as one of the best tracks of 2011, plus the forthcoming ep 2 / single blip. the album was produced by vince clarke and martin l. gore and mixed by the influential californian electronic artist Überzone / q.
comes as double 12 inch in full artwork gatefold cover, including cd-version of this album.

oliver klein is back again! after his fabulous album release in 2011 he teamed up again with his mate kolombo to present you some new tunes. with party party they present a stunning minimalistic techno banger that we loved from the first second! the remixes are done by 2 of the hottest youngster in he scene. harvey mckay and fabian argomedo. harvey is responsible for the techno site, the most people already should know him for his great releases on drumcode, soma, saved and more. his remix is a true techno monster made for the prime time. his sound is very charismatic and thats what we really like! fabian is a really nice guy, very down to earth and absolutely focused on his music! the man from chile turned the original into a techhouse smasher! he produced a hypnotic beat, bass, groove and combined them with the fantastic vocal snippets. mr. argomedo has also just released a stunning remixed for fatboy slim & riva starr and had massive releases on label like snatch, takt records, monique musique and many more.

valanx is the new project of arne weinberg. after deciding to stop releasing under his own name, the project is focusing on his new-found passion for electronic music beyond the techno productions he is best known for. this first album is the result of liberation and recovered inspiration in the studio, and the ability to express musical experimentation without boundaries. this is how arne weinberg sounds in 2012. valanx stands for edgy, dark, sinister and thoughtful electronic music without limiting rules such as club compatibility, crowdpleasing or certain expected structures, tempos or sounds that confine most of todays musical genres. everything is possible, expect the unexpected. 300 limited lp copies - no digital distribution.

the first part of his big city tale entitled großstadtmärchen acted like a catapult for oliver koletzki in 2009, pushing him from the dj booth into the limelight of electronic pop music. now, three years later, oliver releases a sequel to the successful long player in the form of großstadtmärchen 2. in addition, stil vor talent is presenting a jam-packed double vinyl remix package of some of the album’,s many highlights.

autoreply offshoot stuga musik welcomes back apoena, who hails from porto alegre, capital of the rio grande do sul state in southern brazil. his first 12 inch for stuga musik - falando serio - was championed by the likes of baby ford, willie graff and jus-ed among others, the latter proceeding to release the self-titled apoena album on his own underground quality imprint earlier this year. as an accomplished musician of many instruments and nationally renowned reggae artist its no surprise he knows a thing or two about making a killer record. here he steps up with >mover<, a warm, hypnotic floor-workout that references the early pioneers and is equally suited to peak time or early morning play. on the flip >cooler< displays layer upon layer of colorful emotion whilst showcasing the artists love for vintage keys and analogue synthesis. enjoy!

having been wowed by tinis dissonant debut,label chief marc antona returns with his first new work since the november release of his fantastic long-player,rules of madness.a brand new double-header from the frenchman is lead by in flagrante. joining forces with aber costa, the pair present yet another joyful example of marcs innate ability to harness the most exotic of grooves whilst showering us with a dizzying array of sounds and samples.its nordic conversation is wrapped in beautiful organic percussion,as handclaps and rubbery basslines ripple throughout before ghostly chains ring out the closing beats.ipso facto on the flip is a pure example of stripped back house.beats, hats and an elasticated filtered riff open the show before the snare rolls usher in from the depths a throbbing wave of bass.

the slat blinds in berlins panorama bar are part of the vjs equipment, and when the mood is right (usually around sunday afternoon),he opens them up to allow slices of sunshine to penetrate the smoky club air.it doesnt happen all too often,remaining something special amongst hours of darkness.but as ruede played the first version of shades in his last p-bar set, it seemed to happen just for him, as if he had written this tracks distinct break especially for this moment:everyone was mesmerized. re.you & rampa with a rmx for shades are also no strangers to such euphoria, and as ruede recently lent them his voice,they return the favor by building a robust, custom-made bass mobile for the a2.then, on the b-side, ruedes fellow band members from the noblettes make an appearance.as with shades,the focal point is also the big break,only this one has nothing to do with techno - its more of an indie-house ballad with dance ambition.

grinch presents a collection of deep productions with dark, spaced-out tone, for his first solo ep. the title track sets the mood with a minimal, devilish bouncing shimmer, that grows into a subby monster in no time. the vibe changes with pulling teeth dropping us into a spacious ambience, with ghost tones of varying frequencies. on the flip, genjutsu, a heart pumping rhythm with knife edge minimal percussion. the final tune, 1:45am is reminiscent of a dark sci-fi nightmare scene and followed by waking up in a terrifying, cold sweat. together the tracks teeter along the lines of techno with dubstep influences.

pearson sound presents his >untitled< tune – first heard on the boiler room. support from ben ufo, jamie xx, benji b, jackmaster, loefah + more. please note >footloose< is only available on the vinyl format

striking out in june 2011 with his debut ep >in your gut like a knife< - a neat summary of his electronic excursions at that point - the beautifully artworked 12 inch acted as a portal into a world of daydreams, tumbling into shadows and embracing luminescence simultaneously. breeding surreal headphone-friendly landscapes, he struck a peculiar and delicate balance between otherworldly and familiarity, at times sneaking a sly glance towards the dancefloor but mostly conjuring a sense of longing and rye melancholy. ticking with a distinctive bounce and rhythm, it comes as no surprise that gang colours was raised on the bump and grind of uk garage. taking a step back from chopped n screwed rnb vocals and the swing of ukg, >the keychain collection< explores more sombre recesses within gang colours palette. the scattered technicolor synth melodies that characterised his ep are present, but softer, cosier even, weaving betwixt and between forthright piano chords and wills own vocals. >the keychain collection< eloquently captures gang colours first steps on a long road.

leix & samus new vinyl label novotek raw series is a powerful surprise. the first release comes from 1000smiley faces & angel mora, whose sublime work emphasizes good taste over trends. already supported by laurent garnier, luciano, m.a.n.d.y, danny tennaglia, audiofly, josh wink, silicon soul, richie hawtin, ben sims, gel abril, maceo plex, michael cleis, james zabiela, karotte, gregor tresher and many more.

already support by slam, aka aka, richie hawtin, dr. motte, veitengruber,toni rios, andreas henneberg, fabian reichelt and many more. after the first releases on basti grubs label hohenregler, zoo: technique or tanzbar digital, n.euss gives his vinyl debut on sophisticated retreats. he packed up two powerful and impulsive tech-house bombs, which get right to the point.

polar era comes out! this is the second reference of lycaon label owned by agony forces, the group that already surprised with their first: the noir age . this delivery is composed by two original tracks and remixes by the duo ancient methods from berlin, and by the leader of techno in spain, oscar mulero.