specs 1lp black vinyl with printed inner sleeve

specs 1lp black vinyl with printed inner sleeve and download card

black vinyl 40th anniversary reissue of the debut creation rebel album.

lp+mp3

pink 1lp vinyl with 12” by 12” art print and download code

ltd reissue

lp, glow in the dark vinyl + download code + poster

black vinyl incl download code + poster

ltd clear reissue

black vinyl

blue vinyl with dl code (ps not for all tracks ... tracks from rita morar und mark stewart are not available on the dl code)

rip , lee scratch perry

the 1981 album from new age steppers available on vinyl for the first time since its original release. includes an insert with new liner notes and a download code.

the 1983 album from new age steppers available on vinyl for the first time since its original release. includes an insert with new liner notes and a download code.

rare dubs, version excursions and unreleased tracks from the vault of new age steppers, recorded between 1980 and 1983. the vinyl lp includes a download code.

first vinyl release of the 2012 album from new age steppers, comes with download code included.

extended reissue of the 1993 album from african head charge. pressing on double vinyl with several bonus tracks, including download code and fold-out poster.

the 2011 album from african head charge available on vinyl for the first time. pressing on double vinyl, including download code and fold-out poster.

extended reissue of the 2005 album from african head charge. pressing on double vinyl with bonus tracks, including download code and fold-out poster.

us-singer/songwriter jeb loy nichols, ex-mitglied der fellow travellers und compiler der kultserie country got soul, veröffentlicht mit mitgliedern von dub syndicate und roots radics ein reggae-album auf on-u sound, produziert von adrian sherwood. das album erschien bereits 2010 in limitierter auflage in japan, wurde aber jetzt komplett neu abgemischt. die cd-auflage enthält zudem 11 bonustracks bzw. versionen, die auf der lp als download-code beigefügt sind. nashville meets kingston oder lee hazlewood meets the wailers oder johnny cash meets horace andy. the high priest fo country cool. rolliing stone

reissue

reissue des debütalbums (1981) der legendären psychedelic-dub-formation african head charge um den jamaikanischen produzenten & percussionisten bonjo iyaginhi noah, dessen damals undefinierbarer sound maßgeblichen einfluss auf experimentelle bass-labels wie hyperdub oder tectonic hatte. mit dem clubfavoriten *stebenis theme* und dem track *far away chant* aus david lynchs *wild at heart* soundtrack. re-cut by dubplates & mastering, berlin, for maximum bass pressure! lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).

2x12inch lp incl download code

limited ! translucent orange vinyl lp incl mp3 download code

ltd ed

reggae

the 1980 debut album from new age steppers available on vinyl for the first time since its original release.

extended reissue of the 1990 album from african head charge. pressing on double vinyl with several bonus tracks, including download code and fold-out poster.

outtakes from the “songs of praise” and “in pursuit of shashamane land” albums by african head charge. vinyl lp with download code and fold-out poster.

the upsetter and adrian sherwood radically re-version the original tapes. limited silver vinyl pressing.

the upsetter and adrian sherwood radically re-version the original tapes. black vinyl pressing.

lee scratch perry back at it with adrian sherwood at the controls. limited edition gold coloured vinyl with download code included.

double vinyl with download code and booklet.

the debut dub syndicate set from 1982, pre-dating the involvement of mainstay style scott. this features various members of creation rebel and african head charge turning out a wild dub set, with hard-hitting rhythms and fx-mutated melodies phasing in and out of the mix . recorded quickly with track titles cheekily poking fun at the contemporary series by the scientist which pitted him against various b-movie foes. the tunes themselves however are deadly serious, with version excursions on some classic on-u vocal cuts such as “bedward the flying preacher” and “across the red sea”, and a continuing commitment by producer adrian sherwood to take his love of reggae and filter it through his exploratory and uniquely english approach. re-cut at dubplates & mastering in berlin. includes download card with bonus track and sleevenotes by steve barker (on the wire)

originally issued as a cassette on the roir label alongside the likes of bad brains, suicide and the contortions, this second album from 1983 is an uncompromising collection of heavy dub manners and experimental studio soundscaping. dreader than dread roots rhythms sit alongside delay-baked post-punk instrumentals such as drilling equipment and synchroniser first ever international vinyl edition, re-cut as a double lp at 45rpm for improved frequency response, includes bonus track blood shed dub from the classic disco plate series, download card, and gatefold sleeve with sleevenotes by michael dub shore and steve on the wire bar

unreleased archival tracks from the on-u vaults! serving the same purpose as the recent return of the crocodile set did for african head charge, this lp illuminates the early development of one of the flagship acts on the label, allowing some truly magnificent versions to be heard for the first time. mostly stripped-back raw takes, they highlight the rock solid rhythm foundation laid down by such incredible players as style scott and charlie eskimo fox, as well as three vital soul-in-the-echo-chamber interjections from the late, great bim sherman. essential early-80s dub damage.

hauntological dub taking the mystical eastern melodica scales pioneered by augustus pablo and applying them to a unique mix of reversioned cult themes and roots rockers. doctor pablo was a key member of creation rebel as well as contributing to such canonical albums as cry tuff dub encounter volume 1 and some of the early hitrun records sides, a pre-cursor to on-u sound. it is also the third album appearance by the dub syndicate. features the much-loved dub re-rub of the theme tune to classic british science fiction show doctor who.

increasing access to new studio technology resulted in this splicing of dub reggae dna with cut-and-paste sampledelia. anticipating the later work of labels such as def jux, wordsound and anticon, this 1985 album paired crack jamaican session musicians such as the roots radics’ drummer style scott (by this point the instrumental leader of dub syndicate) and the congos’ ashanti roy with public image limited’s jah wobble and keith levene, not to mention the restless mixing desk boundary-pushing of producer and de facto member adrian sherwood. a more reggaefied take on the industrial funk sherwood was making with tackhead during the same period, lovers of digidub, outernational sounds and even the wilder reaches of 80s hip-hop will find much to get lost in here

“return of the crocodile” enthält 8 bislang unveröffentlichte african head charge tracks und versionen aus der zeit zwischen 1981-1986 und folgt unmittelbar auf die 4 jüngsten lp-reissues des kollaborationsprojekts von adrian sherwood & bonjo iyabinghi noah. diese radikal unterschiedlichen versionen früher ahc klassiker wurden liebevoll von on-u sound archivist patrick dokter von den originalmasterbändern restauriert und im berliner dubplates & mastering studio geschnitten. lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).

re-release des dritten albumklassikers der singers & players, einem losen kollektiv um prince far i und bim sherman.staggering heights gilt als höhepunkt ihres katalogs und als uk-dub meisterwerk, an dem diesmal mikey dread (frisch nach seiner arbeit mit the clash), ashanti roy (the congos) und mitglieder von dub syndicate und roots radics mitarbeiteten. mit den beiden legendären tracks bedward the flying preacher- und snipers in the streets. re-cut by dubplates & mastering, berlin. lp auf schwarzem vinyl mit downloadcard und 24x12inch poster.

exklusiver track aus den gemeinsamen sessions des japanischen kult-trios nisennenmondai mit dub-legende adrian sherwood, aus denen das hochgelobte album -#n/a- entstand, das anfang des jahres erschien. subtiler dub-techno im post-punk-style. mit zusätzlichem remix von chris carter (throbbing gristle), der eine gehörige portion machine-funk beisteuert.

sherwood at the controls vol.2: 1985-1990 liefert 16 von sherwood produzierte oder remixte tracks zwischen electro, industrial, noise, hiphop, afrobeat und dub aus der zeitphase zwischen 1984 bis 1990. klassiker und raritäten, cd-erstveröffentlichungen und fünf(!) komplett unveröffentlichte tracks von lee perry, dub syndicate, bim sherman und african head charge. dazu ausführliche linernotes mit den entstechungsgeschichten der einzelnen tracks, archivfotos, lavelscans, uvm. alle formate unmixed.

das japanische kult-girl-trio nisennenmondai hat nach einer kollaboration mit electro-dub-produzent shackleton in 2015 sein neues album mit dub-legende adrian sherwood aufgenommen und entwickelt sich damit von einer noisey no-wave-band weiter in richtung organic techno. zu ihren die-hard-fans zählen die battles, prefuse 73 und chris & cosey (throbbing gristle), die internationale trendpresse (nme, the wire, dazed & confused) lobt sie über den klee. dank sherwoods teilnahme gewinnen winzige rhythmische details und subtile dub-elemente an bedeutung, die erinnerungen an den klassischen basic channel-sound wecken. die internationale ausgabe enthält zusätzlich zwei live dub mixes, die sherwood in tokios unit club mit zahlreichen effekten live aufnahm. diese liegen als bonus-cd bzw. dem doppel-vinyl als download-code bei

reissue des dritten albums (1983) der legendären psychedelic-dub-formation african head charge um den jamaikanischen produzenten & percussionisten bonjo iyaginhi noah, dessen damals undefinierbarer sound maßgeblichen einfluss auf experimentelle bass-labels wie hyperdub oder tectonic hatte. *drastic season* wurde von produzent adrian sherwood als *experiments in active frequencies, out of time noises, rhythms within rhythms, and endless tape edits* bezeichent. re-cut by dubplates & mastering, berlin, for maximum bass pressure! lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).

reissue des vierten albums (1986) der legendären psychedelic-dub-formation african head charge um den jamaikanischen produzenten & percussionisten bonjo iyaginhi noah, dessen damals undefinierbarer sound maßgeblichen einfluss auf experimentelle bass-labels wie hyperdub oder tectonic hatte. an den aufnahmen waren jah wobble (public image ltd), skip mcdonald (sugarhill gang, tackhead) und albert einstein (mit seiner relativitätstheorie) beteiligt. re-cut by dubplates & mastering, berlin, for maximum bass pressure! lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).

parallel zum re-release der legendären singers & players *war of words* lp erscheint *war of version* mit zwei bislang unveröffentlichten tracks aus der albumsession, sowie zwei meisterlichen dubversionen von adrian sherwood. cut by dubplates & mastering, berlin.

reissue des legendären on-u-sound klassikers der missing brazilians von 1984, der mit seiner rhythmischen kollision aus noise, dub und elektro der musikwelt den atem raubte. vocals von shara nelson (später massive attack) und annie anxiety (crass records). neu geschnitten im berliner dubplates & mastering studio für noch wuchtigere bässe. schwarzes vinyl inklusive poster und downloadcard mit zusätzlichem bonus track *ace of wands (unreleased extended mix)*.

trevor jackson erlangte mit playgroup und als output-labelbetreiber (lcd soundsystem, four tet) weltweiten ruhm, später stellte er die strut samplerserie metal dance zusammen. nun erhielt er den auftrag, die elektronische seite des adrian sherwood-labels on-u sound abzubilden, was ihm mit vorliegenden 27 tracks auch vorbildlich gelang. die doppel-cd/dreifach lp science fiction dancehall classics bietet einen perfekten einblick in die früh 1980 er szene, als electro, dub und post punk kollidierten. neben favoriten von african head charge, mark stewart + the maffia und dub syndicate finden wir den bislang unbekannten track dead come alive aus der frühphase von neneh cherry, sowie zahlreiche tunes, die erstmals auf cd erscheinen, darunter von bim sherman, tackhead und der späteren massive attack-sängerin shara nelson.

trevor jackson erlang mit playgroup und als output labelbetreiber (lcd soundsystem, four tet) weltweiten ruhm, später stellte er die strut samplerserie metal dance zusammen. nun erhielt er den auftrag, die elektronische seite des adrian sherwood-labels on-u sound abzubilden, was ihm mit vorliegenden 27(!) tracks auch vorbildlich gelang. die doppel-cd/dreifach-lp science fiction dancehall classics bietet einen perfekten einblick in die früh-1980 er szene, als electro, dub und post-punk kollidierten. neben favoriten von african head charge, mark stewart + the maffia und dub syndicate finden wir den bislang unbekannten track dead come alive aus der frühphase von neneh cherry, sowie zahlreiche tunes, die erstmals auf cd erscheinen, darunter von bim sherman, tackhead und der späteren massive attack-sängerin shara nelson.

12 inch ep zum neuen adrian sherwood-album >survival & resistance< mit vier neuen tracks, basierend auf samples aus dem album, aber mit dem unnachgiebigen bounce des dancehalls komplett reloaded/recovered und dancefloortauglich gemacht. für sherwoods berüchtigten live- und dj-sets, die bekanntlich ordentlich bangen.

nice price deal !!! producer adrian sherwood and ari up, the lead singer of the formative british all-female punk group the slits, first met in 1978.

nu sound and version is an 11-track album of re-workings, re-mixes and re-recordings of tracks originally recorded by lee perry and produced by adrian sherwood and the on-u sound crew.

on-u sound presents lee scratch perry nu sound and version to give it it s full title - contains reworked, remixed and re-interpretated versions of 11 adrian sherwood-produced lee perry classics. reggae legend lee scratch perry first began working with on-u sound in the late 1980. initially working with style scott s dub syndicate rhythm section, he then collaborated with adrian sherwood on time boom x de devil dead in 1987 and from the secret laboratory in 1990. he would return to the label in 2008 to release the mighty upsetter and it s companion-piece dub setter. the tracks on this album see lee perry receive some of the most radical treatment his work has ever had, as his distinctive vocals bob and weave in the midst of bass, rave riddims and extreme experimentation fashioned from the imaginations of some of todays most cutting-edge, dub-influenced producers. newly commissioned versions by bullion, congo natty, dialect & kosine, and adrian sherwood make their exclusive debut appearances here, alongside productions plucked from the sought after series of limited 12 s by kode9, mala of digital mystikz, moody boyz, horsepower productions, and pempi. all original recordings produced by adrian sherwood.

excellent mala dubstep mixes !!

nice price deal !!! under secret construction in the on u workshop for the last few months, lee perrys interpretation of the black sabbath classic iron man is finally ready, complete with heavy boots of lead. with adrian sherwood at the controls, and additional input from renowned reggae producer dennis bovell, this full on thumping dub stepper finds scratch positioning himself as the iron man - lion man - lightning man - super man who dont drink no booze while sub basses throb and wobble the bolts from his joints and the beats hit harder than a rivet gun... surely not what ted hughes had in mind. the flipside dub mix arrives courtesy of pempi, who recently broke out with a track on studio rockers? at the controls compilation. pempi ups the full of dread quota with a heavy barrage of drums, stuttering synths and swelling bass, to create a version that has the potential to consume every motor vehicle in the southern hemisphere. iron man lives again!

this latest episode in the lee perry bespoke remix series adds yet another twist to the musical path, with a hair raising interpretation from horsepower productions. yet another must have release from the ever mighty on u sound.

with yet more prestige productions in the can and waiting to be announced, the mighty upsetter remix series steps up a gear with this pumpin dumpin rub from kode 9. the hyperdub boss took the better part of six months to work and rework lee perry and adrian sherwoods original audio ingredients, repeatedly returning to the drawing board, and here at last are the fruits of those reverent labours. heavily reshaped from the prototype album cut apart from lee perry and samia farahs reverb soaked vocals which remain largely intact, kode 9s remix of yellow tongue strikes right at the heart of funky, emphasising what that word has meant for three plus decades while at the same time highlighting the better elements of the bass oriented genre which has recently co opted the name. insistent clicking beats and a subtly pulsating rhythm fuel the ride, yet its the looping mid tempo house groove that gives this track its dancefloor appeal as much as its fragmented syncopation and pneumatic low end spring. offbeat dub version on the flip nails selector essential status, as if that was ever in doubt, and with a limited pressing run confirmed this is one not to be missed.

nice price deal !!! this second outing in the series of special remix 12s from lee perrys the mighty upsetter album finds tony moody boyz thorpe back at the controls, and this time hes brought his full kit of soundsystem tools along to the job. rocking the spot on an uptempo steppers rhythm, his fired up take on international broadcaster is a tight sprung burst of bogle energy, laying righteous claim to the ground where dancehalls brash excitement meets dubsteps plunging bass dynamics. awash with selectah sounds and mile long reverb delays swirling around a monster sub-bass undertow, an insistent funkin for jamaica beat drives the ride while a slick sing jay hook from lsk rotates to habit forming effect. with the added attraction of mr scratch and mr manuva doubling on abstract deejay instructions ? adjust your face... adjust your waist - the propulsive five minute sunsplash of international broadcaster will kick up dust in every yard where they do the reggae clap. no vocal version excursion on the backside ups the needles to red on the dubwise meter for extra soundboy satisfaction.

first issued in may last year in a mad limited and high priced promo run which sold out in days, this monumental plate from the hugely influential on u sound label is now back in print due to unending demand, and this time at a standard pocket friendly price to satisfy the masses. taken from lee perrys latest adrian sherwood produced album the mighty upsetter, god smiled is the first of a series of special remix 12s, each of which will carry new rubs and re dubs by some of todays most in demand studio dons, with every mans dem up on their a -game for this prestigious project. leading the charge, tony thorpes bespoke heavyweight moody boyz makeover is an epic seven and a half minute excursion, stirring up a righteous echomania for the 21st century that sounds like a herd of rhinos brocking out to felas africa 70 horns with live sound mixed by... well, adrian sherwood. top dub vibes throughout and a rampaging instrumental version on the flip make up a potent dose for the bass addicted everywhere.

top selection, cd mit 19 tracks im umweltfreundlichen ecopack, sleevenotes mit ausführlichen trackinfos.

5xcd box set + booklet

das japanische kult-girl-trio nisennenmondai hat nach einer kollaboration mit electro-dub-produzent shackleton in 2015 sein neues album mit dub-legende adrian sherwood aufgenommen und entwickelt sich damit von einer noisey no-wave-band weiter in richtung organic techno. zu ihren die-hard-fans zŠhlen die battles, prefuse 73 und chris & cosey (throbbing gristle), die internationale trendpresse (nme, the wire, dazed & confused) lobt sie Ÿber den klee. dank sherwoods teilnahme gewinnen winzige rhythmische details und subtile dub elemente an bedeutung, die erinnerungen an den klassischen basic channel sound wecken. die internationale ausgabe enthŠlt zusŠtzlich zwei live dub mixes, die sherwood in tokios unit club mit zahlreichen effekten live aufnahm.

die erste ausgabe mit dem titel -sherwood at the controls vol.1: 1979-1984- prŠsentiert 14 von sherwood produzierte oder remixte tracks zwischen post-punk, mutant-disco, dub, funk und electro aus der hochphase zwischen 1979 bis 1984. klassiker und raritŠten, cd-erstveršffentlichungen und zwei komplett unveršffentlichte tracks (prince far i, voice of authority ft. congo ashanti roy). alle formate unmixed.

*late night endless* ist das ergebnis zweier jahre studioarbeit, die sherwood und pinch für entwicklung, re-dubbing und dekonstruktion ihrer tracks brauchten. die 10 stücke berühren den urbanen swing von uk garage, den interstellaren 1990er ambient-dub und den mystischen minimalismus der frühwerke von pinch. sie alle fügen sich zu einem grossen ganzen zusammen, dem stets ein schwergewichtiger alt-futuristischer dub-puls unterliegt. das album, eine begegnung zweier generationen, ist eine kollision zweier tektonischer platten der internationalen soundsystem-kultur, die post-punk, jungle, dubstep, allmächtigen reggae, techno, jamaica, ramsgate (ostengland) und bristol verbindet. die doppel-lp erscheint inklusive downloadcode.

last year, adrian sherwood, artist, producer and founder of the legendary dub label on-u sound, and pinch, one of the freshest faces in dubstep and the man behind hits like qawwali, joined forces to reconstruct pieces of survival & resistance, sherwoods first album in 6 years. pinchs contribution to the recovery time ep proved so successful that it has now led to the pair cementing an equal partnership - a brand new project that brings two seminal producers operating within different orbits of the bass and dub scene together. the first fruits of this studio collaboration can be heard on the killer on-u sound vs. tectonic 12 inch, which pairs up bring me weed with the weed psychosis mix - a vital melding of their two styles and an intriguing preview of more to come. after a stunning debut show at sonar tokyo, sherwood & pinch appear at sonar barcelona 14 june, dour 20 july and neopop 10 august.