in the 70s radio stations were a powerful force across the whole of the us, and anyone with a transistor radio had access all kinds of music. live music was another matter altogether, and unless you found yourself in a major city your nights out were limited to what the local talent had to offer. this was especially so with soul and funk acts, as mainstream rock and pop was where the money was. so for small time oklahoma soul bands such as husband and wife charles and barbara burtons groups messengers inc - and later burton inc - times were tough. however, like many purveyors of soul, tough times were no match for those with determination, persistence and a story to tell. many artists scraped enough money together to make a 45 or two on their own label, but the burtons took this to another level – they got themselves organised and released their own full length lps.
limited to 1000 individually numbered vinyl lps.

after a new trip to new york and several collaborations on their respective projects both fellows decided to work on a common project: in the cut. still inspired by mid-90s new york hip-hop, this albu is produced entirely by dj low cut. nutso is not alone behind the microphone since you will found many guest appearances like smiley the ghetto child, rasheed chappell, dirt platoon, timeless truth, nems, ft, ag da coroner and c-rayz walz. like the song *shut em down* (a tribute to public enemy) or *grand scheme*, the 10 tracks of *in the cut*, definitely boom bap, will bring you in a world where underground hip-hop sharp lyrics, mingles with the melancholy samples soul 70s.

take it, make it, on the a side you will find again a bassmental driven techno track >techyes<, 8 minutes of a heavy bassline and trippy percussions are perfect to burn every dancefloor ! >hypnotica del mare< after some crazy holydays at he baltic sea coast and the isle ibiza peter found deep inspiration by stones and mushrooms, this brings you 11 minutes of psychedelic acid house with raw basslines and a lot of accidental sound suprises.

nyta hails not from the big apple, but from bristol, uk. his real name is mensah anderson, who is also the seasoned producer that you probably know simply as mensah. the nyta guise focuses on being a fresh outlet for his 120 - 130bpm 80�s electro, house & techno influenced tracks & creations. the �new york transit authority� name was first adopted for a split 12�� release with conqueror (redlight) on redlight�fs lobster boy label last year. his side was a slinky, 808 house number entitled �*off the traxx�*, which deservedly found its way into fact�s 50 best tracks of the year & was caned by a wide range of top djs across the globe, including joe goddard, loefah, redlight, boddika, jackmaster, disclosure, pearson sound, benji b & giles peterson to name just a few. nyta has already proven himself as a talent on the decks with sets across the world & two exclusives mixes: one for dazed & confused & �ethe one�f for fact mag that finished in the top 20 best fact mixes of the year.

stuck in the 9-5 grind, stifled by the impersonality of constant social media and mobile interaction, contemporary urban life can be suffocating. for a certain breed, release cannot be found in the vast, unpopulated great outdoors. urban animals congregate in heaving warehouses, seeking solace in the liberating beats of the kick drum. they are bound not by association, but through a shared experience of primal relief felt in those shadowy, dance floor corners swelling with the sounds of low end frequencies and brazenly sculpted grooves. this is the urban animals jungle.

on perfect view, swedish producer hannes norrvide returns with his third full length and it is warmer and more inviting than any of his previous work. the album is composed of largely instrumental pieces, focusing more on beats, samples and general ambiance than its predecessor, last years growing seeds.

limited nice pice action
its been a while but now, finally, freedarich and stiggsen are back on freizeitglauben with more dreamy and dubby minimal entertainment. two tracks full of rich textures and subtle melodic seduction to pleasure your senses. and since the ep already miracously found its into the groove charts, it was time to finally release these amazing tracks to have a happy transition from the last open air afterhour to the upcoming autumn.

lost and found new jersey house and more freestyle tracks by ray escortienda recorded at his basement studio in newark during the moody winter of 1992

for its 37th release, throne of blood reaffirms its love for all things french, with a new ep by one of the countrys finest ambassadors: chloe. the kill the dj co-founder found time in her relentless dj schedule to deliver two originals to form the backbone of the aptly named smash ep. two cracking remixes round out the release.

three marvelous house pearls by luvless and a great remix by ooft! on release #5 from leipzig / germany based rose records.

the ambassador of the bat, yes it is true, and the ambassador of german melodic techno music dominik eulberg is releasing, 8 months after *ein stuckchen urstoff*, a new ep on traum. fans of his music can anticipate another masterpiece of melodic music, which is based on him fiddling with sounds, acoustics… keeping up of what we refer to as the eulbergsche language. this time it seems to be even more exhilarated and driven by passion. does this make sense when you speak about someone who is considered to have great compositional skill? yes we think the liveliness shows up in greater chunks, and the crispiness of the ideas rise to a point which is exceptional and... for those who seek techno realism… it can be found here as well.

ambivalent & michael l penman debut on ovum with *shimmer*. having found a very fruitful collaborative friendship, michael l penman and ambivalent (aka kevin mchugh) have begun exploring the intersection of their approaches to music-making. they originally connected when kevin discovered michaels music in 2010. after playing many of his productions in his dj sets and including them in a mix-cd (_ground) release for minus, kevin made contact and the pair began exchanging files and swapping ideas. this led to time in the studio together and yet more file exchanges. quickly a natural creative balance emerged as they found that their production techniques were complementary as is their shared love of groove, bass and musicality. for their ovum debut the duo have delivered a trio of tracks that have those three elements at their core. title track shimmer brings together raw jackin funk with a warm driving bassline and scything techy stabs whilst chevalier matches its fun bouncy groove with an infectious and spritely melody. final track memogram comes heavy with the oldskool, delivering a bed of beats and samples beneath the very heaviest of acid-kicks. not for the feint of heart!

for those who know the story of the bridge wars, there is some irony found in the fact that scott la rock, representing the south bronx, was born in queens, though he did relocate to the south bronx at a very young age. after graduating high school la rock spent four years in vermont at castleton college where he earned varsity letters in basketball, but more importantly for the world of hip hop he became more and more enamored with music. on graduation he returned to new york and began working as a dj and as a social worker at the franklin armory mens shelter in the bronx. it was at the shelter that scott met kris parker and the duo formed boogie down productions. the rest, as they say, is history. roughly a year after the tragic shooting death of boogie down productions founder, dj and producer scott la rock b boy records and krs-one issued this special remix album, a man and his music (remixes from around the world). billed as a limited edition collectors classic the project was released in a limited run – briefly available in the 90s – and now after years of being unavailable reappears as a tribute to one of the genres early pioneers.

the newly found pulp imprint is focussed on re-emerging the more classic vibes in deephouse. pulp01 is being launched as a vinyl only limited product. first come first served.

aluna george are excited to present their hotly anticipated debut album. featuring the brilliant your drums, your love, just a touch and the anthemic you know you like it the duos debut has proven to be one of the most eagerly awaited albums for 2013. its been a massive year for the london based band following their mobo, brits critics choice and bbc sound of 2013 nominations with only two official releases in the bag.

part 3 of the emotional relish series sees robi insinnas work remixed by a quartet of british producers. death in vegas overseer richard fearless tackles >be loved< starting with an ethereal loop that builds on top of itself before the beat kicks in and the remix heads for the dark (leather) dancefloor. mr andy blake channels the collective spirits of the slits, the pop group and killing joke on his space echo laden remix of >adolescent sex< whilst weatherall acolyte scott fraser returns to the relish cause with a typically chugging rendition of >turning< that has found favour from croatia boat parties to the catwalks of paris s/s 2013 no less (check youtube for evidence). cosey club founder richard d clouston slows down the tempo for a brooding, mind bending take on >blue girls<.

a jungliest note found in saviles bleak holiday hideaway buttressed against the crowdless live threshings of an emmplekz ensemble ohm full tilt in whitechapel late 2012 ... proceeds will pour into gaping, unpaid mouths ... pay and display ... bm
pressing on translucent, white marbled vinyl. comes in clear pvc sleeve with printed insert and red stiffener.

cocoon recordings welcomes pele & shawnecy for his cocoon 12 inch debut. without any doubt the rosenheim resident is one of the fastest rising names in germany. the bavarian tech-house-hero has built up an impressive reputation over the last two years. his driving and testosterone loaded productions and remixes can be found in many top notch dj-sets and charts. pele is a master of kicking tech-house and his style of incorporating chords and vocals create real peaktime highlights. there is no escape when the sound of pele kicks in on your pa system!

terrence parker is a detroit legend and to celebrate this first edition of finally (terrence parker late night dub), in the pure house tradition with shaking bass, glamourous vocals, strings and piano, we decided to asked a remix to the one in france that keeps the houses flag high and strong: manoo. maya jane coles remixer, mixed on panorama bar 04 by nick höppner, signed on such labels as deeply rooted house, real tone record, ... with manoos remix, the vocal has been changed in an hypnotic mantra, synths are like rolling waves and the drum section is like a heartbeat. also two others remixers from the d!fus team lead the track in real different directions: laurent caligaris choosed the love and deep side: nostalgic and beautifull. maxco found the dark side of the deepness, miles away from the original reconstructed on rythmics, ambiance and deep synths.
already support from norm talley, ata, laurent garnier, fabrice lig, enola, claude monnet, grego g, patrick vidal, arno gonzalez, anton x, krispaglia ...

every label needs a strong summer release and we are pretty sure we found ours for this summer. from the very first second we heard this demo from stockholm based producer claes rosen (1/2 of dubstep duo l-wiz) we knew this would be one of our fave releases on local talk. seriously, its a real beauty! with a slight r&b touch, melodic chords and thumping house rhythms both tracks have that perfect contrast of soulful deepness and an uplifting feel. on the a-side daydreaming is a club friendly track with a bumpy house rhythm and smart r&b samples…the perfect summer tune! the b-side with wonderful is exactly what is says it is…wonderful! it is deep soulful house at its very best and music that puts a smile on your face every time your hear it. all in all its a fantastic package of exquisite house music ... enjoy the summer folks :)

old future music is an exciting new independent record label based in naples. the label prides itself on understanding and delivering quality deep house & funky music. its founding members are all specialize in various different areas of the business, from promotions to web design, from investments to industry contacts. every possible part of business/industry relation has been covered, enabling this young company to meet the same level of professionalism found in many of the already larger, long established record labels.
but of course, old future music was not set up just with business in mind - far from it - the founding reason for this label is simple ... for the love of house music because the future is in the past! our influences are: all the things makes with heart and love for music.

nice price deal !!! the idea for the sundowner sessions came about when mike found an old tascam cassette 4-track recorder at a garage sale in maplewood new jersey a few months ago. he went home and recorded some songs over a few extended sessions in his living room with headphones while his daughter napped upstairs. taking influence from early belgian trance and the diy noise and power electronics records simonetti released on his old label troubleman- the idea was to capture a moment in time and document it, and never revisit it again. projects like this is why new jersey exists as a label.respect to come org, united dairies, steinklang, american tapes, transmat, hospital prod, and tesco.

chris jarman, previously known as raiden, now known as kamikaze space programme. get used to it. wncl recordings is proud to present ksps debut vinyl offering where we see the producer bringing his found-sound recordings (bits of old truck and a pocket full of coins amongst other things) from the field to the warehouse ...

spanish label granulart recordings, launches their newly found imprint with an excellent kessell release. dark and dusty techno for the heads. this packages contains a very special substance release.

as apple pips continues to explore its opening mantra of echo, depth, swing and bass within the duplicitous realms of modern electronica, it welcomes to the fold two long-standing friends of the label and in turn sheds light on their own fresh avenues within house music. you might already know lrusse as id or behling, commonly found kicking up the dust alongside sam baobinga simpson in all manner of styles and tempos, while bleecker has an accomplished back-story in dubstep as wedge & through his own if symptoms persist imprint. in their new venture both producers fuse their dancefloor inclinations with more searching, experimental textures and tones, placing crafty sound design on a level pegging with the more immediate tropes of groove and presence.

ltd warehouse found! were excited to announce that our new limited vinyl series will raid the record stores soon. the first release produced by marc neyen is limited to 200 copies and a must-have for music lovers and vinyl collectors alike. aside you is a beautifully designed piece where multiple layers of organic sounds merge with twisted synths to create a warm, melancholic atmosphere developing throughout the whole arrangement. a composition full of emotions and subtle details that let the mind wander. thoughts flow, time bends and youll slowly escape reality. the perfect tune for late hours

ltd 2013 repress
prime numbers return with m7. the first side is taken by a remix of wireman’s >armour<, the original of which was included on pn04 released at the end of last year. the remix is from move d (deep space network, source records), he ups the tempo and in trademark fashion softens the surfaces of the original, warming the core of the track whilst creating a bass heavy groove with twisting beats, synths and a husky hypnotic vocal sample. the flip includes two tracks. to start we have >crushed< by actress. darren j. cunningham aka actress runs the much lauded werk records and this track is taken from his limited cd only album >hazyville< (released on werk in the autumn of last year ) >crushed< is slo-mo, extra bass heavy, low slung house with an addictive lofi synth riff and submerged strings. the track bumps along with hiss and crackle to good affect before turning into a badalamenti-esque loop to finish. to round things off be, the up & coming manchester based producer provides >when you left<. be cut his teeth with the chicago based still music and a great al hudson reedit which found extensive dj support on its release. >when you left< is a shuffling downbeat house groove with a jazz sentiment featuring deep rhodes keys and clipped drums, the track breaks up into a bluesy accapella section then builds up to a more direct 4/4 groove to the end

kanzler & wischnewski came together in 2009 in order to make common cause regarding djing and producing. while one of them comes from the bavarian nuremberg and the other one is located in berlin, both of them have found a way to combine both cultures - by simply not doing it.

phonica records welcome the latest addition to their ever-growing stable of talent, pick a piper! the brainchild of one brad weber, usually found behind the drum-kit at caribous live shows, angus fraser and dan roberts, pick a piper combines dance-music structures, polyrhythmic percussion, atmospheric sound design, loopy melodies and a focus on electronics and production technique to create a sound poised between the organic and the synthetic and phonica white have been blessed with two killer remixes to release on a limited stamped and numbered 12.

ltd warehouse found

bill youngman has been around for almost 20 years with releases on legendary labels like serotonin, scandinavia and tresor. he crossed many styles from melodic electro to really, really harsh techno, but recently he seems to have found his very own personal style. the music he released on killekill in the last two years show a very singular approach to techno and electro. percussive, deep, melodic, toolish – all at the same time.

samuli kemppi may have begun in warm house climes as the duo sam & gigi, but he has since found his niche and fame sound tracking the deep and icy black recesses of space. 2009s komisch debut, deep space helsinki ep, birthed the galactic signature that would come to define his solo techno output for labels like prologue, mote-evolver and perc trax, meanwhile cementing his stylistic meanderings to a single, albeit flexible, narrative. parallax of one second ep is samuli kemppis third outing on m rec ltd, after the full cyclic model ep and remix inclusion on ben gibsons more than milk, and sees the fin plundering the astronomic theme once again with stellar sci-fi precision.

allez! real tone is back with another fresh new ep, full of deep flavours from two underground rebels. as always we are focused on the highest quality and the best music, regardless of genre, regardless of style and most definitely not concerned with the latest trends.
our man at the controls for this journey into the depths of electronic music is alland byallo, a los angeles-born producer who really hit his stride while living in san franscisco. it was there where he became one of the team behind the west coast citys legendary kontrol parties, along with sammy d from pillow talk, greg bird, nikola baytala, and craig kuna. the seminal events gained all promoters worldwide notoriety and helped alland to evolve his style. he is currently residing in berlin where, of course, he has really found himself musically so consider this new ep a cocktail of west coast usa meets berlin. a product of allands melting pot upbringing, yet oh-so-cohesive and built for dancefloor workouts, as proven by his outings on labels such as liebe*detail, poker flat, dirt crew and now real tone records.

honing his craft from his live-in studio above a south london public house, william arcane weaves striking vocal leads through impeccable electronic production and sound design.having experimented for years, permanence represents a young producer reaching maturity. william arcane has created something incredible incorporating sounds found in londons clubs, streets and his own beautifully considered vocals.

ltd 2013 repress !!
big with: john daly, dj hell, marcus worgull, nick curly, wighnomy brothers, jazzanova, julius steinhoff, jimpster, till von sein, dionne, p.toile, trickski, carsten klemann, dave dk, sevensol, anthony collins, michael reinboth, christopher rau ...
ok, first of all i want to reveal a myth: these infotexts are mostly writtenby the labelowners themselves, not by hard-working editors. so what happens, when the guy behind a label releases his own music? well, either he is a well-organised deadline-machine and he asks somebody capable of doing this stupid job, or he realizes:
>oh fuck the distribution whats to do their work and they needed thissheet weeks ago...< so in the end, hes gotta do it himself: of course,now i could tell you how great this record is (what it is!) and what ahell of a motherfucker i am (also true!)... but i prefer telling yousentimental other bullshit instead... :)
this ep marks a newbeginning in my career. since some time now, >the fog burns off< and we get more and more stable in the buisness. last year we were on the road quite a bit and we found many new friends. people from other cities, who believe in the same things, who do similar stuff and who are of the same kidney as we are. so that makes me very happy, which reflects in the music. for the first time i feel like coming home, although we are at the beginning of our journey into the industry yet.

1nce again is back, this time with the first single in a double package! this is the first of two 12 inches containing one of our absolute favourite tracks from prolific producer ken duke aka dj duke. closer was orginally released back in 1994 on dukes power music records and the amazing klubb kidz mixes quickly found its way into many djs record bags, including label boss mad mats who rates the flava dub as one of his favourite deep house cuts of all time. if u ever heard mats spinning a house set chances are big you have heard this mix blasted loud! first up for remixes duties this time is mark seven, parkway/parkwest label owner, a true djs dj, a passionate music lover and record collector extrodinare. the so close mix of closer is deep house at its finest, an homage to the classic prescription sound keeping it ultimately atmospheric. the stalker mix continues on the same vibe yet develops into something more meaty and pumping during its course. together with the original klubb kidz flava dub and the mark seven mixes this release got everything a true deep house head needs.

limited to 500 numbered copies on purple coloured & marbled vinyl.
there is not much information available about this mysterious release, but it looks like a sunken treasure has found its way to daylight: a crazy no-wavey-punk-funky jam by the artist formerly known as a guy from minneapolis. now available for the first time on 12 inch! pressed on purple vinyl with white marbling, this beautiful diamond comes along with three pearls: a re-mastered version of the original track, a cover version and a jackin house re-edit. we suspect that berlin based producer noema droped the crazy cover version and chicagos own jamie 3:26 rides the rhythm on the edità rumours..rumours..rumours

little is known about mysterious producer tommy rawson. our first acquaintance was the aptly named shy track on red rackems smugglers inn 001 release. we tried to find out more but the trail got cold pretty quick. it was not until hearing gilles peterson playing a version of hugh masekelas dont go lose it baby on his show that word got around, tommy rawson was back. this particular anthemic track found its way to mats who then started playing it out and every time, in every club no matter where in the world the reaction was same, people completely lost it on the dance floor! we had but no choice to release the track and luckily enought tommy must have a sixth sense because at the same time mats blasted the track at the local talk office to convince tooli shouting: this is the next big release for local talk, i m telling you! another track made it into his mailbox, the soulful house jam brenda done died with no name. both tracks ended up on this 12 inch of course. mr rawson has delivered the goods here, warm, sunsplashed music all the way. a name to watch for this year and probably not mysterious for long.

deluxe book-style package, includes artist notes, complete musical scores and photographs - 2x12 lp + cd.
in 20 years of kompakt no one ever got bored: the cologne-based label always knew how to maintain its geographic and stylistic positioning on the fence. we owe that to all those great – and also wildly different – artists who have found their way to us in two exciting, sometimes exhausting, always inspiring decades. from the borderlands between faux pop and cheerful science also comes colognes multi-instrumentalist gregor schwellenbach, who separated 20 label classics from their dance roots and re-recorded them as chamber music.

luke williams has released an extensive catalogue of electronic music under his quinoline yellow and tatamax pseudonyms which are predominantly found on skam as well as his own imprint uchelfa. in the present and now seemingly back from his self- induced hiatus, we find luke composing again and instigating a spell of remix projects for various producers.
williams plot returns from his extended period in the wilderness to realign his priorities and interject some overdue music back into the public domain. he delivers his eighth release, palisade mount under his quinoline yellow moniker for touchin bass. expect twenty-five minutes of archetypal hill jogging beats and cawl-fuelled melodic sustenance. open wide!

last years universally acclaimed full-length the predicting machine found musical mastermind and producing demigod john tejada in full gearhead mode. hunched over a plethora of synth modules, the la-based sound wizard dug deep into the circuits and put together an expertly crafted album driving both lab rats and floor lizards in a glorious frenzy. now, the puppet master returns with somewhere, a double headliner 12 inch relighting the fire and putting the beats where the mouth is.

move d is a true legend in deep, house music. we own a lot of his records. when we found the track * wanna do* on the 50th groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. the track was too good to be only available through that cd. so move d sent a second - also really great - track along, and the result is what youre listening to at the moment. the first 300 copies are available on marbled purple vinyl

move d is a true legend in deep, house music. we own a lot of his records. when we found the track * wanna do* on the 50th groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. the track was too good to be only available through that cd. so move d sent a second - also really great - track along, and the result is what youre listening to at the moment. the first 300 copies are available on marbled purple vinyl

special remarks: white label promo only
roman flügel. dat tape. techno.
eight miles high. never released.
recently found. strange. straight.
dark. heavy. loop. dub. techno. pressure. stamp. white. trax. klang. frankfurt. high speed ebm. industrial. tekkno

*** vinyl only release, no digital release***
after sides from matthew burton, seuil and albert schwartz, sammy dees ultrastretch label returns in 2013 with volkan akin. a regular presence at berlin institutions like club der visionäre, akin has been slowly rolling out his brand of prickly, spaced-out club tracks since the end of the last decade, both under his own name and as v for volkan. but if volkan akin has up until now been unfamiliar beyond germany, his ultrastretch debut, voltage, featuring an absolute beast of a ricardo villalobos remix, stands to turn more than a few heads in his direction. densely packed and intricately constructed, voltage is an extended groove you can get lost in. cymbals ring softly amidst whirrs of faintly melodic clicks, scratches and voices. but at the center of akins churning, percussive arrangement lies a warm and weighty kick sure to keep dancers pinned to the floor. like so many great perlon records, voltage can be taken as a deeply considered exercise in sound design or as a deadly club track simultaneously, with akins musical sophistication and knack for an inviting beat working hand-in-hand. the original mix spends over 11 minutes unraveling, but as you fall further into the swirl of akins interlocking rhythms, youre likely to stop counting. a shorter constant voltage mix evokes sunrise, pulling back the originals heft to reveal gorgeous pads and hints of organic rhythm. ricardo villalobos, sammys longtime label mate at perlon and a producer who likely needs no introduction, digs deeper into the thump at the heart of voltage on his acdc remix. focusing on the originals wisps of melody, villalobos turns in a warm, zoned-in remix that feels of a piece with the singular techno trips found on his recent lp dependent and happy

french producer fulbert launches his newly found rawthenticity imprint with 4 raw deep cuts made by himself. the significant fulbert sound is heavily present on this piece of wax. thumping drums are subtly combined with vocal cuts and floating pad sounds. raw house music in its essense.

sunkissed recordings latest offering features four balearic gems from the incredible grace jones. one of the faces of the original ibiza party scene, grace spent many a debauched night partying hard on the island and her music was as influential on the original balearic scene as it was in the new york disco underground. first up is the amazing tom moulton 12 version of la vie en rose - a slo-mo sensual disco masterpiece that became an anthem at ibizas amnesia. next up is the extended 12 version of feel up with a fantastic groove that filled floors from the paradise garage to pacha. on the b side, we get nipple to the bottle another stunning sly & robbie production that found favour on the balearic dancefloors and last but not least the extended larry levan mix of the party classic pull up to the bumper.

turns out that cold meat lights no fire so attached to this music are ghosts of my life transcribing their emotions into techno. first half of this rocket is more on a negative tip, the second half is more positive, like we all should take it. either way you should listen to both sides cause they complement each other, so try to relax and enjoy the ride, or get off your ass and jam.

listening to >white< by finish artist abysss is like closing the eyes and dreaming your own movie to the sounds you hear. it is the perfect soundtrack for staring into the sun and walking through clouds where synths meets found sounds, lo-fi recordings are hitting loops n accidents and lovely melodies are forcing high goose fleshs of luck…