having discovered electronic music at the end of the 90’s, thomass grew up going to raves where trance was one of the main styles played at this massive partys. the influence it had on him was planted deeply into his dna and this ep is the interpretation he has these days of the genre. he moved on to different pastures soon after but the style was already in him. thomass now takes the old fashioned elements he still likes and takes them to new directions. fueled by gated chords, dreamy arpeggios, trippy vocals and percussions this tracks are destined to take you back into the past and bring you right back to the present. forget what you learned. trance not trance.

early june 2019 frankfurt am main based label mmodemm unleashes drums the first of a series of vinyl compilations in the spirit of signature sounds, stating a tribute to sound-libraries a deconstruction of your favorite preset sound-groups. drums will be followed by sound-themed releases flutes, voices and slapbass within the next months.&#8232,, drums features a proggy composition by eva geist (macadam mambo), a raving clave inferno with odd, pitched chants by cienfuegos (l.i.e.s.), a dance-floor drum-solo straight from ireland by lumigraph (opal tapes, mr. saturday night) and last but not least a drunk masterclass drum-lesson by peder mannerfelt (avian, berlin atonal rec), taking house apart with his dumb drums

finally, after a being one of the most featured artists on mindcolormusic, bromic put together a selec for a longplayer. manifold influences between acid, idm, sometimes bass or even funky, drawn together in these trax, creating so many different mood shades between hyperactive or happy, energetic and playful acid, things to call horror house appeal like a new kind of music even. a solid statement, but still just a peak on the works of this dude from bergamo, italy. i really enjoyed compiling this one, also had an interesting journey that i hope i can share by releasing this!

14 tracks drawn from the modern and kent labels of los angeles.

präsens editionen presents the debut album from swiss musician and producer samuel savenberg aka s s s s.

originally released on the seminal london housing benefit imprint,straight out of swag records many labels, swag classics 003 is the work of eddie richards and gideon jackson. since its 2001 debut the ‘a side biscuit barrel blues has steadily become what you might call a bonafide, 100% kosher tech house classic. delighting clued up clubbers the world over with its laid back, but strangely compelling, effortlessly driving groove, its a track thats grown in stature with each passing year. the other side pull tab to open (bit of a fast food theme going on here) is another dance floor gem in the original tech house style. now available again on vinyl for the first time in 17 years.

repress! i and donato always send each others the tracks we make and exchange feedbacks on what we do, but when he sent me this music for the first time for me it s been love at first listen in a way i had never experienced before with his music. i wasn t even thinking i would be the one to release it back then...

rush released!! not presold. star creature’s space funk bass hunk hero ourra drops this stylish disco boogie groove featuring london’s alena on vocals. originally slated for release in the fall, but rush released due to demand. peaktime summer dance floor heat in both vocal and instrumental versions. pressing on red coloured 7 inch vinyl.

with previous releases from some of the top heads of the electronic spectrum, including leif, steevio, arnaldo and more, the imprint untilmyheartstops returns with its latest release, this time for mysterious producer ekeko. rich analog tape waves sit nicely beside thick 909 rhythmic elements throughout this killer three tracker. the title track -beyond good & evil- starts things of with strong spirit, taking pulsations of warping synths and balancing them with hazy club driven patterns. this theme continues through fm joy and eye ache but with a wider focus on the dubbier elements of the electro and house spectrum.

3lp vinyl of denmark techno rave tracks! tip - ltd repress (different artwork to 1st press)

made up of six tracks but presented as two 17-minute pieces, the record meanders through warm chordscapes, glistening synths and loose live percussion, weaved together with field recordings and ambience.

a loss permitted to open its eyes for but three hours and there glimpsed, finally in focus a mystery that begs earnestly, “ask me nothing” now, once more the problem is yours alone. keiji haino & charles hayward live at the copeland gallery, london. pressing on translucent orange vinyl.

brewers musical output is true to purist sensibilities that favour economy of sonic components and studio prowess over unnecessary fanfare, but all the while forging new ground & refining a genuinely personal aesthetic.

classics by the kings of soul music on 180 gram vinyl.

songs for a one-string guitar is the debut instrumental acoustic guitar lp from jonny dillon

the entire tape was made using a cursed roland sp404 sx, filled with broken beats, warped vocal samples and playful synths and glitches. the sounds range between meditative ambient, lo-fi beats to study to and jungle. the composition is relaxing and zen, but in the meantime will give you enough quirky details to hold on to.

new diy label from amsterdam based rachel green with her new zohar project. only a small batch but nonetheless a cool release which we like to support!

7 track ep/mini album by l/f/d/ms richard smith dream bleeds overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late 90s and the caustic spirit of ebm. richard smith says about dream bleeds, attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. these tracks thread together each starting point completely open, each new step informed by the last. i find it interesting that the process is the same but the outcome somewhat unexpected shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. they reach a different end point due to that evolution of circumstance.

this was an artist website exclusive but now available to all – we have limited stock available, be quick!

the greatest hits from one of the greatest voices of jazz compiled on vinyl.

music is nice f/k/a fantasy f/k/a snippets (of life, love & everything in between). produced in 2013, but shelved by the label. now finally out through omena. one could argue that these tracks mark the beginning of a creative journey for hnny. it s a brilliant parade of wonderful beats and melodies and a glimpse into the producer s musical thought process. for every track that delivers the expected, the next one does something quite extraordinary.

big names on the big ones, known to many but unknown on these summer slammers. pressing on transparent 10 inch vinyl.

ras g back at it with more boom bap instrumentals.

hedonistic italian nineties but injected with a dose of edgy ny tribal house

essential reissue to launch new the craigie knowes sublabel wormhole wisdom. jamie odells the loxodrome e.p. has been sought after for years by collectors. the discogs sharks have made a pretty penny, but their hour is up! all 4 tracks have also been remastered with care by alden tyrell, keeping their original charm while equipping them for the new millennium. enter the wormhole and take a step back to 1994!

the shanklin sessions came out of the shanklin road studio that andy sims shared with one of his partners from soft rocks, bobby coulman. acid jan started its life as a jan hammer edit that andy was doing for one of soft rocks disco powerplay releases. there were a few parts that never made the final cut, but were too good to leave, so andy got friend jaime read in to jam with the left over bits, and from that acid jan was born (none of the jans original parts made it to this finished re-incarnation). acid jan found it s way onto cynic label boss felixs usb and subsequently was played at every festival/club that felix played for about a year. when andy heard felix playing it at alfresco festival in 2016, they decided to release it on cynic. in search of a b side for the release, andy dug out the other dat s from the session acid jan was recorded at, and found sitars over shanklin, a suitably oddball track to grace the other side. a little piece of chicago via india recorded in brighton.

schwarze standard doppel-lp mit zwei bedruckten inner sleeves in eingeschweißtem, gestickertem outer sleeve mit 5mm rücken inklusive mp3-downloadkarte.

phat collectors item box, including 5x12 inch singles.

charles duff and daniel fisher have known each other since well before their respective forays into dance music. they serendipitously crossed paths at some point in the early 2010s with mutual friends in the nyc club kid scene. shortly thereafter they realised they both were keen to ditch the vapid hipster bullshit that had fueled their early careers thus far in order to pursue something pure: techno. mind you, this was at a time when it was not terribly cool to be into underground dance music. if anything, they both were greeted with massive skepticism from their peers but that didn t ultimately deter them. both went from relative obscurity to regular slots at berghain. and for two american kids musing in a pathetic bedroom studio, this was nothing short of a dream come true. a prophecy had been fulfilled. the two tried their hands at numerous attempts at collaboration over a 5 year period but nothing seemed to stick. most of it sucked horrendously according to them. but not on this occasion. the stars finally came into alignment and they were able to execute a concise group of tracks that finally made sense together. which brings us to threads. threads, an homage to the uber-dystopian bbc docudrama from the 80s, sums up their dynamic approach to tracks. it s an alienating, sinister take on techno that somehow manages to not fully lose faith in dire times. much like life today.

the aptly-titled sunrise sets the deep, confident tone and soundthat runs through the release, mixingwholesome, contemplative house chordswith a warm, generousacid line emergingorganically. on the flip, sunset dives furtherintothissound, diving back beneath the horizon. almostbeatless, midnight produces more intense oscillations for a weightless trip thattranscendsmere machine manipulation. gnork& 130eoa reinstall a subtle groove for theirunderstated but irresistible remix contribution.

meda fury welcomes tom wrankmore aka eliphino to the imprint for a stunning ep of thunderous breaks, 303’s and serious sub-bass pressure. hailing originally from the leeds, but with wider travels to settle down in both london and berlin, wrankmore’s music embraces hip-hop, rave, and uk garage. he now serves up a pungent confection pitched between the hessle audio crew, joy o and demdike stare’s most recent efforts. having released heaters for brownswood and hoya hoya over the years, eliphino now debuts as part of the meda fury family with the realistic sex ep. wrankmore has been locked away in his studio for the last 1.5 years, abstaining from gigging and releasing records to knuckle down and produce, emerging with a new darker edge and a much more hardcore sound. tom explains: “the theme of the ep is trusting your intuition in an information flooded world. i’ve collaborated with visual artists tom pounder & jon harris who have created two videos for the release, one for disc rhythm and one for realistic sex.- meda fury boss nick williams, “tom s new music epitomises to me what modern club tracks should sound like - wild, energetic, deadly. he’s discovered his own dark new world of sound fusing breakbeat, acid, speed garage and even industrial stylings”

shape-shifting post-punk quasi-legends bourbonese qualk are finally getting a bit of the shine they so richly deserve after years in obscurity, not least thanks to the retrospective compilation on mannequin back in 2015. now platform 23 are reissuing their classic album -laughing afternoon, originally released back in 1983 and having lost none of its impact. its a slippery, shape-shifting creation that veers between uneasy soundscapes and gutter-dwelling funk, with some truly visionary signal processing, electronic textures and more besides in the mix. its a crime this crew arent held in the same regard as their other early 80s post-industrial peers, but at least the wrongs are being righted now.

texan / mexican neighbours, the silver rider and the funk district hold hands in disco diplomacy that will break down any wall. what a time to be alive: 20 years ago, these would have been buried on the b-side, but in 2019 they rock down the house of the largest of clubs.

the subversive electronics duo is back at it again for the sixth release on planet euphorique. ambien baby brings you another slab of total sonic disorientation, the good kind the one that invites you to dance, but also questions the stifling boundaries of genre within electronic music. dreaming up a sound that welcomes confusion and experimentation over the tried and true. here we have a spectrum of colour and vibes electro, experimentalism, and primal sensibilities mash and clash in an odd harmony that begs the question, where are we now?

a miramar is a place from which you can see the ocean. the bolero group, miramar, chose this word as their name to evoke a place of peace, reflection and solace for a broken heart. even the bolero, a romantic music born in cuba in the 1800s, might have been conceived by the seaside. in the 50s and 60s it became the quintessential musical expression of romance in latin america. it is this era of the music from which miramar draws their inspiration. urgencia (or urgency), tells of the desperation a heart feels when it is swept away by romance, but risks all for fear of not having another chance at love. the flip, salida means a way out. it is a song about the surrender that comes after trying to break free from the darkest of places, of endless frustration and sadness. the lyrics allude, but never tell.

first word records is thrilled to announce the next lp release of 2019.14kt presents iamabeenie: for my sanity.

repress - welcome to the fourth chapter of the elaste series! in this compilation i am progressing a style i am inaugurating: vintage futurism. the best metaphor for this genre is charanjit singhs 1982 album ten ragas to a disco beat in which he created a sound which mirrors, but more importantly pre dates, the first acid house record by five years. it is no novelty record, but truly capturing the hypnotic potential of acid/house music. it became my key track for elaste volume 4

180gram vinyl, full cover artwork. ethereal and intimate, refined but free flowing sounds from this highly talented italian artist.

2019 repress! after the first 2 phil releases that both sold out in the first days we have phil 002 ready. jazzy and lush tracks that have a solid drive, but somehow seem to be so fragile that you instantly start to care for these tracks and want cherish them and put them on a special place in your record collection!. better life is probably the track that will turn most heads with its great dancefloor appearance, but lets not forget the other three tracks with their jazzy approach, such as the simply brilliant moody mode.

bobby darin’s greatest hits on vinyl.

the debut album from frenship on vinyl.

4 excellent old skool but modern jungle tekno tunes from matt teksteppa wilkins on his new imprint, innercore project

the very best of the rolling stones from 1971 - 2016 on triple vinyl, housed in a trifold sleeve.

khanum joins the small but already acquainted dubs galore family with 2 soundsystem hitters.

matt edwards launches stranger in the night with his first solo material since 2017. the rekids offshoot will release regular music by four artists, namely radio slave, king britt, anthony rother and fred p, who will each drop three eps over the next year. “with rekids being 100% focused on releasing music for dance floors i felt the need to create a new platform to explore a wider musical vision and invite some of my all-time electronic musical heroes to be a part of the series,” says matt edwards. both numbers near the 12-minute mark but each track portrays a different aesthetic. opening with precision drums and crystalline notes, ‘ground control’ makes a nod towards the hi-tech soul sound of detroit and drives forward using a sultry bassline, erratic chords and the occasional icy stab as an array of contrasting sounds operate in unison. on the flip, a syncopated rhythm lays the foundation for ‘last communication’ whilst a tantalising melody joins poignant synths, constructing a profound and hypnotising journey.

1per customer , repress from the debut album from slovenian act videosex. while little known outside of the former yugoslavia, videosex’s self-titled debut album from 1984 sold in significant numbers, making superstars of the young slovenian musicians responsible for making it. the set not only helped turn yugoslavian teenagers on to the possibilities of western-style electronic pop, but also inspired them via satirical, often explicit lyrics. their debut performance at the novi rock festival in ljubljana lead to an immediate contract offer from slovenia’s biggest record label. it wasn’t long before the band were holed up in studio top ten in ljiublana recording what would become their debut album. they effectively moved in to the studio for days and weeks on end, clocking up well over 200 hours of recording time in which they mixed experimentation with a desire to polish each song to perfection. the result is their first album which includes nine songs touching a variety of sexually charged subjects including erotica, lesbianism, voyeurism and sadism.

the 1978 marvin gaye album back on 180 gram double vinyl, housed in a gatefold sleeve

mexico’s shiro schwarz is back again! the neon but also black & white lover duo teams up with a big collaboration including zackey force funk on the chorus, produced by trailer limon from the pendletons & dj epik, plus mixed & mastered by b bravo. also includes an instrumental version on side b.