nobody less than adriano celentano producer detto mariano plus his drummer gianni dall aglio recorded this previously unreleased italian psychedelic, erotic, horror movie soundtrack in 1976! all in all 46 mega dope tracks on 2 lp s. ranging between deep, dreamy and funky psych tunes. 1.5 million hits on the movie on youtube! classic in italy. be sure this 500 copies limited edition will be sold out soon. hq collector edition. side a & b are the original songs as used in the movie. side c & d are the uncut long versions of the best tracks as produced in the studio in 1976.

16 songs from the eurovision song contest, presed on 180 gram heavyweight vinyl.

“firenze! l’assassino e ancora tra noi” is one of the last big italian giallo / slasher horror movies.
released in the mid 1980’s the movie telling the story of a murder series which really happened during that time in florence. a psycho killer was hunting down woman and the police had no idea at all who’s the person behind the cruel crimes. the whole case also delivered the idea for hanibal lecter and the silence of the lambs movie from 1991. detto mariano produced this wonderful completely unreleased score on the hight of his success when he was also producing stars as for example adriano celentano.
very dope horror themes for the soundtracks collectors and a lot experimental electronics, score and ambient meeting jazz, pop, space disco,… is what you’ll get on all in all 35 songs.
record 1 continuing our „film sonoro“ idea and is mixed down as if you would be „in the movie“. record 2 provides audiophile mastered songs and bonus tracks. remastered by 1970’s/1980’s spanish cult producer josep llobell.

constantin xenakis work possesses exactly what i really love about intelligent electronic music. its stylishly repetitive, coded, mechanical but, at the same time, very organic and playful. this is how argyris theofilis, also known as zodiac free arts club, explains his fascination with european artist constantin xenakis. born in cairo, xenakis work often includes written script, in particular symbols andcodes of everyday life, traffic signs, alchemy, the zodiac, mathematical and chemical symbols, egyptian hieroglyphics as well as letters from the greek, phoenician, hebrew and arabic alphabets.a balance between human and inhuman that makes his art somehow mystical. after becoming fixated by xenakis, the greek music producer searched and eventually met him for the first time in 2012. after several meetings in paris and athens, they both decided to present structures + codes, a concept album conceived as an homage to the painters vision. each one of the eight songs in the album corresponds to a painting by xenakis, translating its intricate shapes and patterns into spirit-lifting compositions filled with elliptic arpeggios, repetitive drum machines and esoteric melodies in proper kosmische manner. but this is not a mere exercise in style. as xenakis paintings, its music that transcends its own codes to become an esoteric experience. this record should be heard comfortably.

(180 gr, purple/pink/white marbled coloured vinyl) morning star is a combination of the sound of the congos and the pura vida sound. it features 6 new congos songs, 3 songs from pura vida and a dubversion called dub love. the album has the vintage lastark sound and was mixed the oldschool way using the mixer as an instrument.

jeff beck ist eine wahre legende. angefangen mit den yardbirds in den 60er jahren, gefolgt von der jeff beck group, bis hin zu seiner solo- karriere. sein einzigartiger gitarrenstil und sein ehrgeiz, immer neue musikalische wege zu gehen, sowie neue sounds auszuprobieren, haben ihm viel bewunderung bei musikerkollegen und fans eingebracht. im jahre 2007 hat jeff beck eine reihe von konzerten im bekannten „ronny scott’s“ club gegeben und jedes dieser konzerte war ausverkauft. die cd- und dvd-veröffentlichungen dieser konzerte sind zu den ultimativen jeff beck live-aufnahmen geworden. zum ersten mal wird das konzert auf 2-cd und 3-lp veröffentlicht und enthält dabei alle songs von dem konzert, auch die songs mit gastauftritten von eric clapton, imogen heap, joss stone und ein sieben songs umfassendes set mit den big town playboys.

stephen malkmus und seine band haben in über 17 jahren 6 alben veröffentlicht und sich auf unzähligen touren zu einer konstante der us-amerikanischen indie-rock-landschaft entwickelt. auch auf seinem siebten album, “sparkle hard”, zeigt malkmus keinerlei kreative ermüdungserscheinungen, sondern bietet klassische stephen-malkmus-songs mit unwiderstehlicher subkultureller strahlkraft. schon 2015 begann malkmus mit der arbeit an “sparkle hard”. damals gönnte er seinem heimstudio ein technisches update, kaufte elektronische drums und arbeitete gleichzeitig an der musik für die netflix-serie “flaked”, für die er unter anderem den song für den abspann schrieb. alle demos für “sparkle hard” wurden an einem tag im april 2017 aufgenommen und nur einen monat später zusammen mit den jicks in portland im neuen studio halfling aufgenommen. letzteres gehört dem the decemberists-multiinstrumentalisten chris funk, der “sparkle hard” auch produzierte. als gast konnte malkmus kim gordon (sonic youth) gewinnen, die mit ihm das duett für den song “refute” einsang. limitierte silberne heavyweight lp mit zweiseitigem insert und mp3-downloadkarte.

stephen malkmus und seine band haben in über 17 jahren 6 alben veröffentlicht und sich auf unzähligen touren zu einer konstante der us-amerikanischen indie-rock-landschaft entwickelt. auch auf seinem siebten album, “sparkle hard”, zeigt malkmus keinerlei kreative ermüdungserscheinungen, sondern bietet klassische stephen-malkmus-songs mit unwiderstehlicher subkultureller strahlkraft. schon 2015 begann malkmus mit der arbeit an “sparkle hard”. damals gönnte er seinem heimstudio ein technisches update, kaufte elektronische drums und arbeitete gleichzeitig an der musik für die netflix-serie “flaked”, für die er unter anderem den song für den abspann schrieb. alle demos für “sparkle hard” wurden an einem tag im april 2017 aufgenommen und nur einen monat später zusammen mit den jicks in portland im neuen studio halfling aufgenommen. letzteres gehört dem the decemberists-multiinstrumentalisten chris funk, der “sparkle hard” auch produzierte. als gast konnte malkmus kim gordon (sonic youth) gewinnen, die mit ihm das duett für den song “refute” einsang. schwarze heavyweight lp mit zweiseitigem insert und mp3-downloadkarte.

„let me in“, einer der beliebtesten songs von dives letztem album „underneath“ bekommt ein limitiertes vinyl-release mit zwei exklusiven mixen des titelstückes, plus zwei exklusiven, neuen tracks. mit treibenden rhythmen und eingängigen sequenzen, die sich in faszinierender weise an dirk ivens bohrend-heiserer stimme reiben, ist „let me in“ ein fesselnder mix aus fiebertraum und club-song. die neue dive-maxi enthält diesen hypnotische floor filler in zwei bis dato nicht veröffentlichten mixen von mildreda und attacke. hinzu kommen das ambient-instrumental „hollie“ und das wunderbar rohe suicide-cover, „i remember“, als exklusivtracks. das streng limiterte sammlerstück erscheint auf 180g vinyl, mit edlem coverartwork und ist ein muss für alle fans von dirk ivens musik und für alle liebhaber von liebevoll aufgemachten underground-vinyl-veröffentlichungen.

rickard jäverling, born and raised in borlange, sweden, and now living and working in stockholm is a wayward and productive musician. besides releasing material under his own name, jäverling is/has been part of constellations such as dodens dal, liljor and jäverling von euler. album 3, released on hoga nord rekords is his third solo album. album 3 breathes psychedelia, dub, swedish folk, progg and continental vintage electronic music. the songs on this album are in a way like a compilation of short stories rather than chapters in a novel. the common factor in this album is jäverlings exquisitely worked out melodies and the warm, round production but the songs can, due to the rich storytelling qualities of each one of them, almost be regarded as small albums of their own! the music made by richard jäverling is an embrace, a relative with a house by the swedish west coast or a day off, midweek in april. this album is inviting and calming but also as solid and mighty as a dalecarlian beech tree.

a native of the caribbean coast of colombia, abelardo carbono achieved legendary status in his country’s storied ranks of musical icons by combining the homegrown sounds of cumbia with the chiming guitars of west african soukous, enormously popular with the local tropical sound systems, and drenching the whole thing in his off-kilter, surreal and slightly psychedelic sensibility.
with the exception of a well-received compilation of songs from his 1980s heyday, carbono has been rarely heard from outside the sweaty dancehalls he still commands in his hometown of barranquilla. now, names you can trust has welcomed the reclusive guitarist and singer back to the vinyl format with a simmering afro-carib beast of a cut, recorded with the assistance of will -quantic- holland on rhythm guitar and mario galeano frente cumbiero, ondatropica on keys and in conjunction with lucas silva of palenque records & polen records. it’s a true cross-generational and international collaboration that is uniquely possible via colombia. the first release of this expansive & power packed studio session is a cover of vallenato pioneer guillermo buitrago’s la piña madura. this updated take veers heavily towards africa on a rock solid foundation of bass and drums, with abelardo’s trademark guitar and quirky vocals leading the way.

crown of brahma are charles stella, nicole willis & daniel wyatt. the songs “an angel on my shoulder” & “and i’ll be free as a bird” were recorded in the period between 1995-1997, originally set for release on an lp on rawkus records in 1997. this album would have followed the release of the group, repercussions, album charmed life (pony canyon, 1997). nicole willis was the lead singer / songwriter of this group. charles stella & daniel wyatt worked together at temple of soul in new york city, where some of charmed life was also recorded. these two vocal tracks have never been commercially released, however were heard by tommi grönlund of sähkö recordings and leftfield, who requested to work with ms willis in result. the two tracks have been remastered in 2017 by charles stella.

felipe gordon perfectly balances raw house with an edgy disco influence. his songs follow a less is more, fewer is better ethos, with each element meticulously placed, optimized for shaking booties.

somewhere between electro soul and melodramatic pop. music focused towards the youth set in some strange dream. not sugarcoating anything. these late 80s / early 90s recordings are something to truly behold! . aset was a collective founded by a group of individuals deeply involved in community improvement initiatives and the struggle for justice and equality. a project that would link motivated adults with talented young people in the washington, dc metropolitan area. the compilation takes songs from three released projects of aset, and one semi-unreleased single. latonya, a spunky 11 year old kid singing about divorce, love, and dancing. the poster child of aset. treo, a trio of high school gals in harmony singing about love and relationships. whax, the high school boys who were a bit strangr the silly side of aset. all backed by the aset players. release comes housed in a newly designed jacket with inner sleeve containing info on the label/artists and an interview with the label director, mba mbulu.

limitiertes lila vinyl im klappcover, downloadcode inklusive.
jetzt kündigt die band ihr debütalbum “lost friends”, das in den usa bei domino records erscheint, während in europa das umtriebige londoner indie-label lucky number den zuschlag bekam, wo die middle kids mit labelmates wie hinds, dream wife, sunflower bean oder sleigh bells in hervorragender gesellschaft sind. “lost friends” ist die art von album, das einen anfangs direkt in der magengrube erwischt und seine nuancen erst nach mehrmaligem hören offenbart. trotz sauberer produktion behalten die songs ihre ecken und kanten und versprühen durch die unauffällig eingestreuten momenten der unvollkommenheit wärme und menschlichkeit. middle kids basteln klassische hooklines und riffs, die sich wie lakritze im gehirn festklebt und schaffen refrains, die lange noch umherschwirren, nachdem der song verklungen ist.

schwarzes vinyl im klappcover, downloadcode inklusive.
jetzt kündigt die band ihr debütalbum “lost friends”, das in den usa bei domino records erscheint, während in europa das umtriebige londoner indie-label lucky number den zuschlag bekam, wo die middle kids mit labelmates wie hinds, dream wife, sunflower bean oder sleigh bells in hervorragender gesellschaft sind. “lost friends” ist die art von album, das einen anfangs direkt in der magengrube erwischt und seine nuancen erst nach mehrmaligem hören offenbart. trotz sauberer produktion behalten die songs ihre ecken und kanten und versprühen durch die unauffällig eingestreuten momenten der unvollkommenheit wärme und menschlichkeit. middle kids basteln klassische hooklines und riffs, die sich wie lakritze im gehirn festklebt und schaffen refrains, die lange noch umherschwirren, nachdem der song verklungen ist.

one of the biggest sampling innovators and the pioneer of electronic music in eastern europe max vincent initially played in belgrade s max & intro band whose first single: -we design the future- from 1985 remained one of the most wanted electronic records from this part of europe . . in 2015, discom has released -the future has designed us- a lifework compilation of previously unreleased songs from 1984 to 2002. the new archival release max vincent- beograd is a lost lp album which consists of 8 previously unreleased tracks made in period 1986-1999 which max wanted to use in a single concept album.

2018 repress! this 2x12inch ep is leon vynehall s second release on 3024. a very personal statement, this record shows vynehall s dedication and versatility in seven moving songs. uk garage meets big room house

the debut offering from singer mark wystrach, lead guitarist jess carson and bass player cameron duddy, collectively known as midland. midland is the embodiment of seventies california country, all smooth eagles harmonies and heart-on-your-sleeve lyrics. their songs are intoxicating country sung with the twang of george strait. and it s impossible to resist. their no. 1 hit single “drinkin’ problem” earned best country song and best country duo/group performance nominations for the grammys 2018. if there was a perfect country album which combined those traditional sounds with modern hooks for me then this is it! (six shootercountry). this vinyl is only available in the uk as part of record store day.

“i’ve been writing music and playing shows since i was 12 but had never actually released anything prior to bruises, despite the fact that all 4 songs on the ep were all written in the space of 6 months, in a way the story of the ep has been 9 years in the making. the title bloom for me captures perfectly the 6 month chapter in my life between having the idea for bruises whilst writing in the shed at the end of my parents garden back in scotland to seemingly barely a moment later waking up finding myself half way across the world in the chaos of los angeles working on fade with a producer i’ve looked up to for as long as i can remember. the making of beginnings, the start of new chapters and also the emergence from everything that has gone before.” this is bloom - lewis first ever physical release of the critically acclaimed bloom ep. clear vinyl & rose-scented inner sleeve. lewis has decided to release a physical version due to popular fan demand and to support independent record shops.

good morning to the night is a remix album by elton john and australian dance duo pnau, originally released in july 2012. the albums tracks are created from samples of various early elton songs combined together to form new tracks. songs sampled include philadelphia freedom, goodbye yellow brick road sorry seems to be the hardest word, someone saved my life tonight, bennie and the jets and are you ready for love? the album debuted at no. 1 on the uk albums chart and was described by the uks guardian newspaper as a blueprint for what remix albums should aspire to. pressing on translucent vinyl, housed in a gatefold sleeve with download code included.

a collection of barry white’s greatest hits for 20th century records. pressing on 180 gram double vinyl

i am very honored to be able to present to you my life story in these 8 songs !!! this is my debut album and i am thankful for the gifts that god gives me to be able to express my thoughts and actions to you !!! i love you

red hot drum lead track backed by boiling point late night to early morning long haul truck driving or dancing music. shazam! vital sales points: drum track playing loudly the saws and sines have aligned! its how007 time. the release in front of your face is called the 417. it is three songs by daniel savio released on 12? vinyl strictly limited to 200 copies + an everlasting (well see how that works out) digital version of those same songs. this recording was conjured up on machinery people are known to touch and sell. mk1 menu diving desktop stuff. stuff that is ten years old, stuff that may be older. stuff that purrs, rocks, bounces and skates. machine prototypes on trade show floors will not be able to make songs like these. unless you would hand them to daniel which would lead to all sorts of inconsistencies in time. last year daniel savios race to the bottom and his plejjern från plejaderna album took swedish house music by storm. it is now with great delight that we hand you this 12?, acclaimed by well-informed djs. music centred around feelings for what is in front of our faces at the moment. how007, get in while you can.

back in 1962 when this, their third album was released, the group consisted of smokey, ronnie white, pete moore and brother and sister bobby and claudette rogers. while he had yet to be featured in the billing by name that came in 1965 robinson’s photo was top and centre of the lp cover. the ten songs featured barely amounted to 27 minutes of music, but what i ll try something new may have lacked in quantity it more than made up for in quality. and the reason was clear. six of the ten songs stem from robinson s pen five solo efforts and the sixth, closing track this i swear, i promise , a co-write with janie bradford. let s savour an album that, as one perceptive critic put it, features the miracles at their early best... as young, eager kids just starting out, filled with optimism, youthful exuberance and enthusiasm, long before record-company politics, favouritism and restrictions changed the group forever.

ab syndrom, the berlin duo, is coming with their third album. plastik is a bit like the coming of age album of the band. it tells stories of growing up emotionally and being played into a hard and post capitalistic environment. nevertheless you will find some quite romantic lyrics and songs between lyrical metaphors and a rough and urban reality in berlin neukölln, their neighborhood. the music on plastik is mainly a percussion driven and electronic laden journey. not your average pop arrangements but subtle compositions and laid back vocals with a certain chopped and screw twist. the bands musical projection is a most consequent advancement of their three albums and their body of work so far. bennet seuss, singer and composer is defining his own style in writing autobiographic lyrics with a certain twist to the obscure and umtransparent. a great album for sure.

cordial recordings are proud to be partnering mel canady with the release of two previously unreleased songs from his 1970s group ruby & the mudflaps. ‘is that enough?’ came from the same recording session as ‘breezy,’ which was released in 1977 on jupiter records and has recently been re-released in 2017 by our friends at cree records. on the flip of our cordial recordings 7&#8243,, is a live take of a song written by mel called ‘country girl,’ which was a popular song for the group at the time of their existence.

the next release on shaddock records is more than just dance tracks, 2 songs that come with full-blown vocals, a re-edition of classic latin freestyle by jorge ojeda ft. hilda mariee with an up-to-date cover version by mr. & mrs. jonson. the original version is a slammer coming straight from miami the capital of freestyle music. driven by hard electro beats and ojeda s signature, miami bass with latin hip hop/ freestyle dance grooves, -betrayal- when initially released on ojeda s destune records became a club and street phenomenon in miami. it would be one of the first of many productions between jorge ojeda and hilda mariee and their project teaz ii pleaz.

a chance encounter in barcelona, spain brought us together to make this record happen. it’s a precious little marvel of love from kou keri kou and electric cowbell. based in barcelona, spain, the group began with the aim of making music to dance to, taking inspiration from all over the world with no fear: the music from cuba, perú, jamaica, congo and nigeria is as important for kou keri kou as the music played in europe or in the united states. los zafiros, gary numan, los destellos, radio futura, sunny ade and kiko veneno share place in their imagination and help them create open-minded pop that always looks to the future. their lyrics are sometimes open, sometimes a bit more cryptic, sometimes political and sometimes biting, but always try to communicate with the listeners while trying to make them dance. they’ve been playing together for two years, creating songs that didn’t exist before, urging the people to dance and singing about their issues, which may also be yours.

repress! sfire is a duo consisting of jeffrey sfire and his friend from london. jeffrey, one of detroits favorite djs, known for his 80s dance, italo and chicago house sets alongside ultramajic friends mike servito and carlos souffront. sfire is the latest record with two burning hot songs manicured with a drexciya meets pet shop boys tip. one of our most id d tracks of 2015.

sie haben den fans fünf alben in kürzester zeit versprochen und so ist gumboot soup das letzte album aus dieser reihe. es handelt sich bei den 11 neuen songs jedoch keinesfalls um ausschuss, sondern um abermals gelungene, individuell herausragende songs, mit denen die australier düsteren prog-rock genauso bedienen wie psych- und doom-pop. ltd. lp, farbiges vinyl (orange) + dl

rather than rely on their usual full band, live performance, one-room live single recording session, the making of ‘dragonz’ was a departure for the apples. a multi-studio project spanning three continents, they assembled new instrumental tracks based on loops created in the studio and presented them to a wide-ranging selection of vocal collaborators to complete the picture with, and applied this method to the capturing of longstanding live favourites as well. the concept of a “vocal album” was implemented on non-vocalist songs as well, treating the omnipresent turntables’ sample work not as the central element to the band, but rather its frontman. though containing disparate influences, guests and production methods, ‘dragonz’ is undeniably apples, might be their most focused lp to date, and it is certainly their most middle-eastern. elements of the region’s indigenous genres have always been present in the band’s work, but never has their influence been as pronounced.

“courtrai moderne: definite definitivos” is the very first full vinyl release of kortrijk’s own punk heroes: an anthology of their best songs. it was sheer enthousiasm when punk-craze hit kortrijk in the late seventies. frank holvoet didn’t really know how to handle a guitar but that didn’t really matter: he gathered drummer rik masselis (see also the p.i.g.z.), peter coppens and local wild boy lucien callewaert: definitivos were portuguese cigarettes and also the name of the band.

double vinyl edition of 300 copies w/ download code and etched d-side.
breaching is the debut album from leeds-based, 6-piece, post-metallers hundred year old man. hot on the heels of recent ep rei, breaching emitsthe same heaving intensity and unforgiving, wall of sound approach. dense and billowing riffs are intertwined with field recordings and spoken word passages to form an unyielding, sprawling piece of work that delivers the bands artistic vision perfectly. the more ambient, drone sections of the record compliment and allow the real songs to take flight. debut single black fire is reworked to give the track a new lease of life, whilst the other heavy hitters here, the forest, long wall, disconnect and ascension are a continuation of the excellent work found on the rei ep. breaching contains masses of atmosphere and is a ferocious and immersive listening experience. an epic, monolithic voyage full of texture, depth, aggression and emotion. this is an album that should be approached as a whole, with patience and attention. the rewards will deliver a unique, crushing and quite simply superb record.

ltd edition!!
the first of a series of limited edition eps containing rare and unreleased afro soul cosmic disco songs selected from the archives of a collective of disco deejays from nyc.

best record italy came out with another obscure italian disco production from 1977 containing the fully extended disco versions of vibrations and baobab previosly available on the billy woost album like -one continuous edit-, but this time we have these two strong disco songs fully extended and in the right form!

i wonder is the first vinyl release on sean mccabes excellent good vibrations music label. originally featured on nathan adams audio therapy lp (2013) on tribe records, i wonder demonstrates nathan s ability to write real heartfelt songs spectacularly delivered & oozing soul. the original, which saw early support from louie vega, dj spinna, mood ii swing, joey negro and kevin hedge, is now released as a single for the first time on sean mccabe s good vibrations music label. complete with brand new remixes from the one & only louie vega, and a killer late night dub from sean - this is the real deal

pura vida has been releasing some heavyweight roots albums with reggae legends lee -scratch- perry, the congos, congo ashanti roy... during these years pura vida’s composer and producer bregt -puraman- de boever has made a lot of dubversions, only a few have been released. this album has the vintage lost ark sound and presents 9 new songs + a dubversion from treat me right. it was created using a combination of old analog gear and modern day recording methods. all the dubs are live mixes using the mixer as an instrument. the magic of the moment is in every mix... lost ark studio vibrationz...

on the back of their acclaimed debut album which was shortlisted for bbc 6 music ‘album of the year’, the hempolics release their latest offering for a record store day 2018 exclusive on limited edition 12” vinyl. on the a-side john holt’s version of ‘riding for a fall’, a song originally released by the tams, is given the full hempolics treatment featuring a powerful vocal from nubiya brandon. on the flip-side is a reinterpretation of nirvana classic ‘come as you are’ but with an original hempolics riddim drenched in atmospheric dub. both songs come with an instrumental so the soundsystems can get their own players involved.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.