dutch label field records is back with another special album project, this time from japanese producer ena aka yu asaeda. bridge is an introspective soundtrack for a documentary also called bridge - out this spring - which is about the dejima bridge, a reconstructed symbol of the dutch-japanese trading history in nagasaki, japan. the album finds the producer stepping outside of his usual remit of dark ambient and experimental music, and instead comprises ten shorter tracks that touch on abstract and rhythmic sounds that define the essence of japanese culture. although he has worked with the director before, this is ena s first original sound track and finds him freely inspired by the movie and heading in exciting and unknown directions. hugely atmospheric throughout, there is hypnotic repetition of sounds, strange audio design and a mixture of melancholic moods with more dreamy synths. sometimes gloopy rhythms gently ripple beneath soothing harmonies and at others times a micro-rhythm appears through the constantly shifting and evolving found sound loops. it s a compelling and unusual album that seamlessly mixes human emotions with a mechanical sense of industry.

veryone loves -why can t we live together- by timmy thomas: how could one resist such a strong music vibe coming with a message more relevant today than ever! it has been covered by the most creative artists more than a few times… recorded in paris and kingston, the soul sugar crew & leonardo carmichael make it their own with a sultry reggae groove. jahno on drums and syndrums, thomas naim on guitar, and guillaume -gee- metenier on keyboards and production duties, are delivering the classic hit in all its majesty, in the superior categories of both extended discomix, and dub version under the spell of dubmaster extraordinaire dennis bovell! what to say about the breathtaking interpretation of leonardo carmichael? growing up in jamaica, leonardo learnt many a song from his father glendon joseph mcfarlane, who would sing to his mother geraldine, who sang in a choir. leonardo grew up as a drummer and a singer in churches. through a mutual friend, he met nastassja hammond, daughter of beres hammond, with whom he started writing and releasing music for various artists including courtney john and kreesha turner. leonardo has a wide appreciation for diverse genres but keep an international reggae and dancehall feel at the core of his music. it can be said leonardo has faith & soul to the bone

with flaneurecordings no. 5 comes a new -robin masters orchestra- ep. after the last remixes on fm music, sonar collective or society 3. 0 recordings, now follows the sixth ep of the -robin masters orchestra- and is also the first release from the upcoming album.

i was gone for a while. but now i am back. times have changed but the focus is the same. primal, stripped down cuts. jeremy p caulfield

contort yourself continue to widen their scope of operations with this, their first dedicated reissue, and they ve come in strong. eschewing the grotty industrial tones of many earlier releases, the label have turned their attention to dutch curio muziekkamer, who self-released a small clutch of cassettes at some undisclosed point in the past. the unthinking experimentation contained within these tape jams is shockingly prescient - jagged rhythms, surreal sampling, techno atmospheres and more from a period well before such tropes became common tools for electronic expression. take a trip into the vivid, imaginative and utterly unpredictable world of muziekkamer.

emmanuel top has been releasing belter records ever since he first emerged in the early 90s. in recent times the paris based artist has done several heavy hitting singles with a number of respected labels. m10 is a special 2 track record that has two version of the sought after “festival suicide” record that popped up in many dj sets over the last year. while the closing night mix (a-side) is a gloomy, yet staggering work of low-down techno, the opening night mix (b-side) is a based on a soaring lead sound that serves as the back bone of this anticipated 12”.

in ancient lddlm times, blddlm even, belgium could well have been the freaky house and ecstasy center of the world. if only we could remember all the lost hours. but after all, as the brussel saying goes: its friday, tomorrow is tuesday. at lddlm, we try not to reminisce, that was just setting the mood.we are very happy to welcome arthur johnson in our non-fold, a young producer from liege via marseille and la dame noir. aj is amongst those ever mutating artists, his u-turns slowly composing a real personality, and one fitting our contrarian attitude. in a way perfect stranger reminds us of a good 90’s farley/heller remix, not so much camp fire island than almost sweaty late night trancer. we love those tracks that do not fit our ethos a priori but that we can’t stop playing. cosmo vitelli is a long time family friend and he beams up this stranger through the axis into some kind of romantic italo-german anthem. ballada and secretary discordia show a different side of aj, a dub march echoing dif juz and a percussive machine funk number. we sincerely hope aj keeps on straying for the best, his way being our way.

repress in black sleeve.
scalameriya returns to perc trax after the success of 2016’s kepslok. since then he has continued to break new ground both as a solo artist and via his ongoing collaboration with italian producer vsk, playing across europe and releasing on a number of key labels whilst growing his own genesa imprint. now for his first release of 2018 he takes a giant leap forward both musically and technically with the three track statement of intent that is his hellzone megapunk ep. each track demonstrates new techniques and approaches not heard in his music before, from the 4/4 versus broken beat cage fight of the title track to crucible s rolling polyrhythms and the otherworldly processed vocals of the closing track. as the first perc trax release of the year this ep sets out everything the label seeks to achieve, a combination of sonic innovation that manages to keep attention fully focussed on the dance floor at all times.

nero recordings releases nero020, nero029 and nero036 all bundled up for one special price!

the best of stereophonics on heavyweight black double vinyl. housed in a gatefold .

powerpill promises nothing but good times from an unknown source, from the day glo label art to the playful, upfront techno cut into the wax. this is no nonsense club stuff, leading in with the chirpy acid strut of -track 1- before getting tangled up in the modulating electro lines of -track 2-. -track 3- has a more overtly 90s vibe to it, calling to mind the early uk techno scene in its bleeping leads and dubby undercurrents. -track 4- finishes the record off with the toughest jam of the lot, but it s still a nimble affair that shuns the trend towards pitch-black techno and instead embraces a spread of melodic threads throughout the track.

dawit follows up his recent future times dawit & dolo single with a stunner of an ep on his own label. stretched out soul, dizzy hand drums, and silky vocals abound on corona. gravity flexes, new life bops, sufferation dub glides on a deep bassline, and dawit shows off his cords in lunas medley. certified fresh.

de:tuned proudly presents the return of one of the uk’s pioneering drum & bass producers, peshay. “reflections” is peshay’s first new drum & bass album in more than 10 years that looks back while pressing forward. jazzy and acoustic flavours combined with deep bass and rolling drums will have you grooving from the get go. it’s that classic fusion sound that peshay does so well, fully updated for present times and 100% future proof. the accompanying cover and label art was designed by openmind (aka strictly kev, dj food, ninja tune) and captures the warm and funky vibes perfectly. the tracks have been mastered by matt colton at alchemy mastering to ensure the highest playback quality. this album will be available as a triple 12” pressed on 180 gr vinyl. paul, it’s been an honour and a real pleasure working with you. stay tuned!

all that was fire and only ashes were left.
no matter how many times we burn, as the scum, we’ll grow again.
“proudly introducing the last maxi-single i’ll be releasing this year. (no don’t worry, oaks is fully scheduled so you will hear from us). for the first time, i’m releasing a 4-tracker with highly emotive p(f)unktional music, for the warehouse or the club. these songs are written in a certain mood and i suppose that they accomplish their purpose. the willing to get lost, avoid reality and at least for some time forget this mad world that surrounds us. please do not stop the rave.”

mamas gun are masters of modern soul music. their blend of classic and contemporary influences have sparked millions of streams worldwide and garnered praise from the sunday times, billboard, the guardian, and uncut magazine. collectively, the london-based group’s first three albums, routes to riches (2009), the life and soul (2011), and cheap hotel (2014), spawned top 10 hits on four continents, including #1 singles in japan and hong kong, propelled by the band’s sold-out tours and funky, full-tilt performances at the billboard music awards (tokyo), plus global music festivals like womad, greenroom, java jazz, and pentaport. with the release of golden days (2018), mamas gun have delivered their defining masterpiece.

erotek is back with his first ep since 2004 with a hybrid ghetto electro ep. “double time”, co produced with the anxious beat director, and “this i know” have been produced in recent times whereas the other 2 tracks “4mo” and “twisted truths” are archival projects from the end of the 90s. varying from 4/4 beats to broken patterns and electroid rhythms, this ep presents different facets of one of the classic detroit ghettotek producers.

comeme writes a new chapter of its own history, introducing a new artwork, a new logotype and new music starting with these three various artists eps. we have decided to call it solidarity forever as a motivator for our everyday actions, and as a reminder of why we are doing what we do. these 12inches will introduce artists new to the label, new collaborations and new approaches from co&#769,,,meme members already familiar to you. volume one will feature tracks by matias aguayo, katerina, daniel maloso x red axes and gladkazuka, you will be able to hear heavy modern latin riddims, technotic melancholia, lysergic disco fantasy and post internet underground funk - utopian music against dystopian times. and this is only the beginning.

repress black vinyl! 5 year anniversary of william devaughn s smooth soul classic remastered and reissued for 2018. diamond in the back / sunroof top / digging the scene with the gangster lean. does it get any smoother than that? stick this record on and get lost in that effortless bassline, sensual guitar licks, coupled with devaughn s silky vocals and you ll be right there kicking back in the cadillac. oft sampled by the likes of nwa and de la soul and covered multiple times, most notably on massive attacks debut album. on the b side you re treated to blood is thicker than water, devaughn s first single giving a taste of the masterfully stylish soul he was to carry throughout his career. repress on black vinyl 140g

it s been around three years since jpattersson opened up a whole new horizon of formerly unheard possibilities between the worlds of dub and techno. a lot has been happening ever since, and that’s very noticeable on his second album. it still has all the signature elements of jpattersson: there s his dreamy, virtuous trumpet play and his witty vocals, there s his dubby delays and heavyweight beats which often line up in a downbeat rhythm. however, besides his fanfares there s now also many folks, many musical friends who contribute to the vibe of this album. there s a track with berlin mc longfingah, latin-flavoured rhythms from polish reggae and dancehall producer dreadsquad as well as a stylistically wide range of remixes that reflect the symbiotic cooperation and mutual inspiration of these last years.

after an excellent 12inch on rosten label sstrom drops his first full length otider, which is by far the most diverse offering of the project encompassing elements of different genres and putting them in woolen and dense sonic textures. otider could be loosely translated as un-times or non-times. it positions the tracks out of specific context and rather represents them as some rediscovered artifacts relating to personal experiences of the artist. otider slightly distances sstrom from techno label as the compositions elegantly drift between lush transparency and thick grooves of outsider/lo-fi house as in kronofobi or svvaren or sensitive, yet subtly monolith and mellow techno on damm and i huvudet. in modernisten we can even trace echoes of coldwave/synth aesthetics with melancholic guitars sweeping over hypnotic rhythmic patterns, while closer sov nu introduces something which reminds a darker form of garage music with light synthpads constantly surfacing among raw mechanical beats. all the tracks were created over a relatively long period between 2010 and 2017 by employing the process where he let his hands work automatically without interference from his head. this freedom could be felt across the release, which juggles with different musical forms so lightly and organically, but at the same time maintains a coherent vision, which illustrates the vast scope and diversity of the artist.

orient meets occident. collector edition of jaime zenamon’s debut album from 1984 available now! zenamon studied guitar and composition in israel, spain, portugal and in various south american countries. he a was student of abel carlevaro and worked as teacher at the berlin music university (hdk) from 1980 until 1992. the album was recorded at christopher franke’s (tangerine dream) studio and features udo hanten from the cult krautrock project you. similar sound compared to cluster, neu!, kraftwerk but with stronger esoteric world music influences. nandu muley playing the santoor, a 100 string music instrument which was already used by assyrian musicians for the production of their hits some thousand years ago :) originally released on polydor in 1984 the album get’s re-released for the first time by private records in 2015. remastered from the original master tapes at 24 bit. really rare recordings, especially the 12“ is one of the most valuable and sought after german electronic records of the 1980’s.

we proceed with ‘selectors assemble volume three’. the latest release from the coop presents label headed by ig culture and alex phountzi, and the latest instalment of eps featuring an array of artists, focusing on the wealth of talent that exists within the london bruk scene and beyond, a continuation of the sonic spirit brought to life by the legendary west london movement. selectors assemble is an ever-growing family - this six-track selection seeks to introduce more of the collective to the masses, and bring further heat from some of the squad already established. call it what you will genre-wise, this ep sweeps styles, and shamelessly laces up another assortment of certified dancefloor fire. the previous two volumes were supported by a wide-ranging squad of djs in recent times, including toddla t, mr. scruff, benji b, josey rebelle, alex nut, shy one, marc mac, lefto, kev beadle, nick luscombe, simbad, thristian, stuart patterson, bradley zero & mr thing, to name a few

wieder lieferbar! “mister yellowman” aus dem jahre 1982 hat den superb zeitlosen sound, den die wahren klassiker ausmachen. mit den musikern der hi-times band und den roots radics im channel one studio mit produzent henry junjo lawes aufgenommen, am mischpult saß soldgie hamilton. das album zeigt den superstar des dancehall-reggae der 80er jahre zum höhepunkt seiner karriere! (soundsystem info: benutzte riddims u.a.. vanity, pressure and slide, i can t hide, dirty harry, gunman, bobby babylon aus dem hause studio one und volcano)

50 is a nice number of releases to be celebrated in style, that’s why we have cooked up a very special menu for this milestone. as the spirit of the pole group team we have combined everyone’s character on this record. all tracks have been made in common, each of the label foundational members have worked on their own sound parts that in a second process have been assigned randomly to others to work on them, in a creation loop that somehow represented the true essence of the label. you’ll never now who is making what, it’s just oscar mulero, exium and reeko in essence and mixed up. you’ll find no ambient interludes, no anthems, no big breakdowns, every piece in this creation has been designed for the finest dancefloors, rough textures mixed with solid beats and continuous synth lines, techno in its essence made by those who never left the boat in ruff times, pioneers making the soundtrack of the future.

the first track on annas debut ep for novamute , razor was born while playing with her roland mks-80, a synth from 1985 and one of annas favourites. you can hear the fat, juicy sound on the breakdown and ever evolving throughout. the track has already been getting a great reaction when played out in her sets. escapism plays with trippy arpeggios that lay down the atmosphere for the whole track, it feels really dense and trippy but still powerful, making use of heavier drum sounds for the groove. the last track on the ep dreamweaver, is a simple track that always works well on the dance floor. anna reworked this track many times before deciding to strip down the beat and focus on the final sequence, sometimes the simple ideas are the ones that work the best.

ukraine’s living house legend se62 debuts on hot haus - having previously released one of the biggest house tracks of recent times - true force on my love is underground back in 2013 - he returns to the classic house ingredients for this incredible 4 track ep!

nero recordings releases nero019, nero027 and nero035 all bundled up for one special price!

it s the fourth go round for monsieur blue, who steps back up to the plate with another three surefire jams from the slinkier side of the minimal house spectrum. -track 1- is an exquisite trip through blue-hued keys and shuffling drums, striking a fine balance between the lounge and the dancefloor. -track 2- takes a moodier approach, eking out mysterious chords and injecting a little juice into the low end to suit a more rugged situation, and then -track 3- jettisons the ballast and pings off into a dubbed out sphere of house music perfectly crafted for the times you want to get lost at sea.

you re invited once again to the iav vaults, where the measured density of instant classics is getting higher and higher as we dig. this time around, you re up for three techno steamrollers, infused with both club and rave dna, from distant times ranging between 1989 and 2000. while those tracks will let you connect with your utmost dancefloor and rave self, one should keep in mind laurent prot is not your average club punter. set aside his more recent club live pas, laurent has hardly even been to clubs or raves altogether. funny enough, the dancefloor is not his favorite place to be, but hes been cultivating this special techno fantasy-land from his own studio in the lyon suburbs. his own little private funky town.

after releasing strong tracks on sonntag morgen, rapid eye movement and digitally on planet rhythm, phara now delivers us 4 stunning tracks on vinyl. his versatile production approach results in a mesmerizing, pulsating and at times raw sounding ep. this mind inside ep is definitely a release that’s going to make some waves for this young artist.

a wonderful companion piece to the totemic fed, we proudly announce the first ever vinyl edition of korp sole roller by plush. liam hayes magical fourth full-length lp was previously only available on a rare japanese import cd. produced and arranged in 2010 by pat sansone (wilco / the autumn defense), it finally arrives in a limited edition of 500 copies.

you re invited once again to the iav vaults, where the measured density of instant classics is getting higher and higher as we dig. this time around, you re up for three techno steamrollers, infused with both club and rave dna, from distant times ranging between 1989 and 2000. while those tracks will let you connect with your utmost dancefloor and rave self, one should keep in mind laurent prot is not your average club punter. set aside his more recent club live pas, laurent has hardly even been to clubs or raves altogether. funny enough, the dancefloor is not his favorite place to be, but hes been cultivating this special techno fantasy-land from his own studio in the lyon suburbs. his own little private funky town.

30th anniversary edition - remastered audio on red coloured vinyl with download code included.

times of innocence etire en avant is a track by i:cube from 1996 recorded straight to tape, when he was still doing music in his bedroom at his parents house. this slow jam contains french hypnotizing aerobic lyrics combined with a funk filtered sample, perfect for a tantalising disco sleaze late night set. on the flip side, abel from the infamous red light records amsterdam offers us a surprising re-jam based on the original xxxx track released last year on the oeil cube ep speeding it up from 33 to 45 rpm, and then extending it for maximum effect. from cinematic slow boogie to proper boogie monster.

the palm tree needs no introduction to anyone who has visited this part of town. diamond boozer and blitz survivor, it stands solitary on the regents canal between mile end and the roman road, quietly resisting the urge to move with the times. on weekend evenings you can enjoy the jazz standards of the great american songbook played by the musicians who feature on the album, no ticket required. tom oldham (@tommyophoto) is a london-based portrait photographer, shooting portraits of musicians, sports stars and talented folk all round the world. his work has been widely recognised by the taylor wessing photographic portrait prize, the open series in the aop awards and most recently the sony world photography awards 2018. andy gangadeen is a drummer of international renown, playing with bands as prominent and diverse as duran duran, massive attack, spice girls and chase & status. he a true pioneer of live dance music drumming and has been known to pick up the sticks at the palm tree from time to time

limited edition black vinyl 300 copies...
ryuji takeuchi provides instruments of discipline with an ep of noisy, hypnotic tracks, ranging from giddy, stomping, left-field techno to melancholic ambience, the ep’s title ‘one’s sentiment’ provides a thoughtful angle to this at times cacophonous collection, for while they are bristling with noise there is something contemplative about the pieces, expressed in a way that suggests more than one thought trying to take life at the same moment, ryuji finds space for conflicting voices both spatially and in terms of mood, the first three tracks, ‘ambivalence’, ‘sadness’ & ‘sorrow’ crawl with competing elements, synth lines drool over and meld with throbbing kick patterns, anxiety & excitement are tightly wound in focus as tracks build and develop, leaving the listener to navigate these abstract planes, intoxicated, while the final track ‘regret’ is a compelling piece of noisy, ambient minimalism that allows for an austere pause after the eruption of the initial works. it becomes evident that ryuji’s journey as a producer, through periods of hard-techno, deep-minimalism and the more abrasive ventures on huehelix, has created a powerful and nuanced voice that is fully on display in ‘one’s sentiment’.

with the celebrated return of dr. octagon (dan the automator, kool keith and dj qbert) in 2017 including their first-ever live performances fans are sure to keep gobbling up the space weirdness that first surfaced more than 20 years ago. get on down presents a unique picture disc, featuring the original octagon album artwork by the legendary artist pushead. the infamous doctor’s head and lower torso reach above and below the actual 45 rpm playing surface, as if trying to escape their two-dimensional status. on the a-side is a brand-new dr. octagon song, “octagon octagon,” which picks up where the original energy left off. it’s a dark and grooving glimpse into keith’s rubberband mind, jumping abstractly from line to line, chock full of equal partscharisma and dementia. on the flip is the song for which the group is most well-known, “blue flowers.” the version presented here is the amazing “prince paul’s so beautiful” remix, which first appeared on a mo wax 12” in the uk in late 1996. it was the first meeting of the two great production minds from different eras – dan the automator and prince paul would go on to collaborate many more times over the next decade, most notably as the group handsome boy modeling school. this is another great trophy for any self-respecting kool keith and dan the automator fan, combining the old and the new in triumphant fashion.

a four track ep, by mysterious up & coming producers, which brings to you both the thrills of modern techno and the feel of a classic 90’s rave. this is the real deal. unknown artists hand stamped limited edition white label delivered with a well balanced mixture of banging techno/early rave tracks that will bring you back, to the lovely times and feelings of the 90’s.

unterton kicks off 2018 sideways with three tracks of high-octane electronics by mark. 0-160 bpm in 15 minutes. previous eps for a colourful storm had a conceptual focus: the destructive effects of tech start-ups on berlin’s cultural landscape. sound-wise, they paired frenetic, experimental d‘n’b with musique concrète. on his unterton debut, mark continues further down a path of dark and psychedelic beat science. at times tranquil and hypnotic, other times charging forward between cracked whips and whiplash left-turns. “comedy is the dog that walks out of the room when you call its name.”

amidst destruction on the mainland, the two locomotives minør and pionér transported wagons full of rock and gravel to the icelandic seaside during the construction of the reykjavík harbour in 1913-1917. the two metallic giants ushered in a new age in iceland. however, soon after construction ceased the two trains were parked and have never driven&#8232,,,,,,since. minør is on display near the waterfront and pionér stands lifeless in an outdoor museum on a hill. they are the only trains ever to have graced the icelandic landscape. now they only serve to remind us of the grandeur of a bygone future. at the dawn of the 21st century – again, tumultuous times – we allow ourselves to dream of new minørs and pionérs capable of pulling the tremendous weight of the past strewn all around us and putting it towards constructing an ambitious future.
limited edition of 300 umbered copies.

a collection of 29 aretha franklin classics on 180 gram double vinyl. housed in a gatefold sleeve.

deep, soulful and techy treats by maestro eric ericksson. eric has been releasing his music since the early nineties on labels like fragile and planet e. in resent times eric’s music can also be found on papa records, local talk and freerange, to name a few. an elegant four tracker that starts out with the uncompromising and crude track ”greed”, followed by ”acquiescence” with its sharp and classy shuffles, lush strings and big sounding pads. the flip side starts of with ”totality”. complete, raw sounding with morphing dubby stabs, combined with rough grooves and punching beats. the ep ends off with the pulsating, dreamy and sensitive track ”closure”. nothing is left by chance when eric shows his vision and approach for modern electronic music.

ltd full cover edition! professor inc on night drive music. amazing 4 tracker with the spirit of the good old times. 4 classic tunes with raw and authentic analog vibes of professor inc. there is nothing more to say about this record. its a masterpiece! 180 gramm vinyl.

one of the most exciting artists to emerge in techno circles in recent times, drumcode is excited to present the labels first ep from boxia. over the last 12 months the uk artist has impressed with his classy take on techno that mines two decades of rave.

detroit producers omar s & brian kage team up to bring you thru the madness ep. thru the madness has all the elements of a classic dance music collaboration. the tune showcases omar s raw and funky analog bass playing and drum programming combined with brian kage signature warm melodic synth lines and chord structures. the clever use of a catchy 90’s vocal sample helps solidify and unify the composition. thru the madness (honk & nik mix) takes a deeper approach by adding a deep detroit-style dx pad, nile rodger-esque funk guitars parts, and vintage drum breaks that will keep the party moving into the late night hours. like dutch & dillon from predator, some times you gotta get thru the madness!

transcendent records is proud to present a new immersive cinematic techno release by a french producer who goes under the name of ersatz olfolks. some might already know him from previous releases on singular records and cheap. for a producer with only two records behind him we think he already has a bright voice within the overcrowded musical techno landscape. heliopolis is the city of the sun and was the theological center of the greatest sun temple of pharaonic times. the sunrays bring brightness but we also find ourselves in the darkest ominous shades of an eclipse. we were instantly captivated by his contra dictionary sound that is filled with subtle harmonic distortions and sophisticated melodic and evolving modular patterns. heliopolis ep is a careful selection of works recorded during live sessions. this is our definition of techno! pressing of 300 copies in special silver sleeve.

das langerwartete debüt-album der amerikanischen soul und r&b sängerin deva mahal erscheint am 23.03. und wurde von sir elton john bereits als fabelhaft bezeichnet. das verwundert auch nicht so wurde deva ihr enormes talent bereits in die waage gelegt ist doch niemand geringeres als taj mahal ihr vater. deva mahal hat in der vergangenheit bereits mit illustren künstlern wie tv on the radio, sharon jones & the dap kings als auch fat freddy’s drop gearbeitet und ist bei zahlreichen jazz festivals aufgetreten. als erste eigene vÖ erschien ende 2017 die ep “run deep”, die sich ad hoc in der renomierten new york times playlist wiederfand und den startschuss für ihre solo karriere bildete. das album wurde produziert von scott jacoby (vampire weekend, coldplay) und jarett wetherell (beyonce, fka twigs) und bietet einen einzigartigen sound der modernen r&b, pop, soul und gospel verbindet und dabei immer von der überragenden stimme deva mahals getragen wird. der ein oder andere song auf dem album würde auch einer adele gut zu gesicht stehen. die single snakes ist aktuell in der top 100 der deutschen airplay charts mit steigender tendenz!

in recent times alex pletnev has been making his mark on the musical stratosphere with an array of works from from cold wave edits, through gorgeous adaptations of african and world music to tribal techno originals. he joins us as pletnev for aztec code / daywalker, a 12inch combining his abundant influences to take us to bizarre, far-off places.