variable is the first compilation on pi electronics, which also kicks off the new catalogue peva. this various artists release includes the works of several artists involved in the label till now, along with some very familiar faces to pi that have been supporting the parties in the past years. the aim was to bring the main label roster - artists with original music on pi, such as jk flesh, ontal and damcase - under the same roof as artists that have been with the pi electronics project since its early days: the label s party residents, 3.14, nemmett and das along with other fellow athenians, unhuman, bmsk and the project Òi am legion, for we are manyÓ. the outcome will be available in cd, vinyl and digital format, while the vinyl sampler will feature jk flesh, ontal, nemmett and bmsk.
regardless of the different variables, equation drops back to the same constant result.
divide and rule. sticks over carrots. repent or collapse.

a true japanese jazz holy grail album, this 1975 album was made solely as a business card for an influential businessman and only a few hundred were known to be pressed. the quartet comprises a group of students who never shared a stage with each other and only formed for this one album yet the album sounds as if they ve been playing together for decades. deep modal jazz, frenetic, fizzy and energetic, these five tracks are some of the most coveted and sought after songs from the japanese jazz golden age

one for the connoisseurs... live recording from theos last night at plastic people. the 4 hour set has been divided in a 3-disc set in shrink wrap packaging.

over the years, berlin has been cited as oliver koletzkis main point of reference and, more importantly, his endless source of inspiration. his albums gro§stadtm�rchen and gro§stadtm�rchen 2 are wholehearted tributes of the german capital, as its importance is continuously hinted and charted. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heart. this is where he started out when he first moved to the city, and this is where he lives now. kreuzbergs wall paintings adorn stil vor talents cover sleeves and host their headquarters. there are little to no corners in the city that havent brought a spark of inspiration into the mix. the schneeweiss compilation series, now at its eigth installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times

hed kandi ibiza! incl. sonny fodera, danny howard, gorgon city, franky rizaro and more

to commemorate our 10 year anniversary celebration, this new release comes in the form of our beloved deepchord presents echospace project. the set was recorded live at ghost in the sound on 05/26/2013 a few miles away from hart plaza. an official movement after party curated by the detroit paranormal society in association with echospace, and now re-mastered by rod modell. from the second the bass dropped, it stole the breath from the room! this duo started off as barely more than a rumor supported mostly by the continous scarcity of their records. the duo comprised of detroits rod modell and steven hitchell have spent nearly two decades producing low-key electronic music both bordering on the verge of myth. theyre considered by many the most noted producers operating in the dub-infused aftermath of the basic channel axis and all its myriad offshoots. once their critically-acclaimed the coldest season emerged on one the uk based modern love imprint, the curtain was unveiled and the sound of echospace was born. they ve often been coined the true heirs to the basic channel legacy but their work finds a home somewhere on the outskirts of the galaxy, where detroit soul ties to jamaican roots played through a tunnel in deep space. this evocative, immersive sound that is echospace was born out of a love and passion for analog circuitry, sound design, field recordings and non-conventional methods of recording. but its also work thats quintessentially building upon the detroit electronic scene where it was born, and that divine marriage of roots and vision make the work at once so highly considered, so pertinent and so timeless. this is the first new album from the echospace duo since the critically-acclaimed silent world (ost) 3lp/cd set dropped 5 years ago, it features live renditions of some of their classics as well as unreleased material. expect gorgeous plumes of sound deeper than the ocean floor, a rich analog tapestry made and performed in the heart of detroit, techno city!

jazzanova are proud to announce their next full length, the pool, is due for release via their own sonar kollektiv. it is their most mature and musical album yet and welcomes a host of talented collaborators including jamie cullum, ben westbeech, pete josef, rachel sermanni, olivier st louis, paul randolph and many more.
they might not have put out an album in the last decade, but by no means have jazzanova been out of the picture

z records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years with the much-anticipated follow up to backstreet brit funk. volume 2 has been eight years in the making and continues to showcase the best of the genre from the late 70s to early 80s, compiled once again by joey negro.

it s been around three years since jpattersson opened up a whole new horizon of formerly unheard possibilities between the worlds of dub and techno. a lot has been happening ever since, and thatÕs very noticeable on his second album. it still has all the signature elements of jpattersson: there s his dreamy, virtuous trumpet play and his witty vocals, there s his dubby delays and heavyweight beats which often line up in a downbeat rhythm. however, besides his fanfares there s now also many folks, many musical friends who contribute to the vibe of this album. there s a track with berlin mc longfingah, latin-flavoured rhythms from polish reggae and dancehall producer dreadsquad as well as a stylistically wide range of remixes that reflect the symbiotic cooperation and mutual inspiration of these last years.

its a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dogs two new albums, post -truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel.

all tracks are from tanakas archive (2010-2015), which were produced since he had moved his base in berlin. the idea of the dj mixing with only his own tracks has been gestating for sometime and with his trials during his dj dates in europe, south america and japan the selection of the tracks and combination has been made. the thought process of mixing his own materials could be similar to preparing for his own live set. this recording was done at this home in berlin. all tracks has been released on 12inch vinyl (snd 06.07.08 on 2017) except track 6.

itÕs a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dogÕs two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel.

with ÈredsuperstructureÇ, robert lippok created a new foundation for his musical endeavors. now Ð 7 years later Ð this system properly comes to life on Èapplied autonomyÇ. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. Èapplied autonomyÇ orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding Èapplied autonomyÇ. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is ÈsamtalÇ, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as Èapplied autonomyÇ. the artwork for Èapplied autonomyÇ has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

liquicityÕs continued success in the world of drum & bass hinges on their dedication to only the highest quality music, made and played by some of the best talent from around the world. the labels long awaited third installment of their flagship album galaxy of dreams is proof of this. this compilation series serves as the main showcase for the labels uplifting sound. with new and original tracks from both well know liquicity names (maduk, fox, veela, flite, rameses b) but also brand new talent (andromedik, polygon, itro, lexurus) and more all round drum & bass names such as ekko & sidetrack and dossa & locuzzed, this collection of tracks brings to you a uniquely uplifting, catchy & energetic listening experience. liquicity continues to release amazing music & throw amazing parties and festivals (liquicity festival 2018 has already been announced for this july, with an immense line-up).

hunee presents a collection of his favorite dance floor cuts from the 70ties till modern times. biggest tip! going from afro to disco to techno, hunchin all night holds a wide spectrum of songs, tracks by the wonderful boncana ma�ga, pat thomas, black beat niks, kenny larkin, larry heard, mappa mundi and many more. hunee, aka hun choi, is a korean berliner who has been drawn in music since a very young age. after working in record stores and studying musicology he resided in amsterdam, where he released his debut album hunch music. as a dj he has always followed a hunch, which gave him wings to communicate the music he loves with crowds all over the world. with hunchin all night, hunee expresses his relationship with the dance floor.

just a few months after the release of her highly acclaimed album, only silence remains, christine ott proposed a new album to gizeh records for its dark peak series of releases. tabu is an original, live soundtrack, composed in 2012 for the movie of the same name by f.w. murnau and robert flaherty and a performance that she s playing regularly as a cine&#769,,,,-concert throughout france and europe. the magic, the beauty and the incredible light of the movie associated to its astonishing modernity have contributed to the choice of the composer. christine has been shattered and very moved by the movie, the story of an impossible love on bora-bora island, between matahi, a young pearl diver, and reri, a young woman promised to the gods. the circumstances of the death of murnau, prematurely died in a car accident before the film premiere, emphasizes the mystery around this movie. more than a cine&#769,,,,-concert, ott s creation is a black pearl, as is murnau s ultimate movie.

a decade has passed since tobias freund and max loderbauer aka non standard institute (nsi) released their enigmatic collection of non-standards. playing with mystery is the name of the game here as well. the new cd, entitled with the code 5863, is the result of collecting creative moments over years and stringing together twenty short pieces that jointly amount to almost an hour of playtime.

moby has released a new single and video for Òlike a motherless child,Ó from his forthcoming album everything was beautiful, and nothing hurt. featuring la-based soulstress raquel rodriguez, Òlike a motherless childÓ is a re-work of the well-known spiritual, with its origins in the slavery of the american south. the track describes the void left when one feels separated from a parent, higher power or similar guiding force. over the years this powerful song has been reinterpreted by the likes of odetta, lena horne, mahalia jackson and van morrison. the album is a glowing tapestry exploring spirituality, individuality and the brokenness of humanity and finds him returning to his orchestral, soul, trip-hop and gospel roots.

having co-compiled two albums, the real sound of chicago and the real sound of chicago and beyond for bbe, dj and producer mark grusane steps out of the shadows to present the real sound of mark grusane.
a highly personal selection of modern soul, disco and a little touch of boogie, these rare tracks have all been respectfully edited, chopped up or extended by mark himself. apart from the odd private vinyl pressing, or occasionally handing an edit over to close friends and djs such as fellow bbe artist sadar bahar, mark has never before made these tracks available (despite the throng of people waiting around to ask each time he finishes a set).

for the past two years, nils frahm has been building a brand new studio in berlin to make his 7th studio album titled all melody, which will be released on january 26th, 2018 via erased tapes, before nils embarks on his first world tour since 2015.
since the day nils first encountered the impressive studio of a family friend, he had envisioned to create one of his own at such a large scale. fast forward to the present day and nils is now the proud host of saal 3, part of the historical 1950s east german funkhaus building beside the river spree. it is here where he has spent most of his time deconstructing and reconstructing the entire space from the cabling and electricity to the woodwork, before moving on to the finer elements, building a pipe organ and creating a mixing desk all from scratch with the help of his friends. this is somewhere music can be nurtured and not neglected, and where he can somewhat fulfil his pursuit of presenting music to the world as close to his imagination as possible.

migration cinema is a new moniker of the sonic practitioner and composer el�as merino. grisaille, his release for e/c, adopts a varied approach to the pattern of emergence within merinoÕs work. these seven recordings present not only electronic, but mostly instrumental trajectories, whose densities are unfolded through a huge collection of music performers. migration cinema creates a situation for the musicians in which they navigate a resonant and responsive compositional space, while the space itself is treated as a plastic medium. * grisaille suggests an unconventional view of chamber and instrumental contemporary music from a culture alien in both space and time, heard through the filter or sieve of iannis xenakisÕ architectural and physical approach to sound. alternating between opacity and translucency, monochrome and colour, grisaille conjures a spectral palette reminiscent of fredrich cerha, but with an approach to instrumental hybridisation more reminiscent of the electroacoustic worlds of ana maria avram and iancu dumitrescu. * grisaille was written, recorded, and produced by el�as merino between 2013 and 2016 in spain and england, and includes across its seven tracks more than 24 performers and a student choir. all the instrumentation has been written, scored and orchestrated through computer music methodologies such as algorithmic and generative systems. grisaille swims into hybrid spaces from acoustic reverberations captured by the artist itself at notre dame (paris, france), basilica di sant eustachio, (rome, italy), and eglise st. laurent, (marseilles, france).

without new jersey native kerri kaoz chandler, house specifically deep house would sound very different. ever since his teens he has been making and playing music with a unique sense of soul, jazz and deepness. from majors like atlantic, king street sounds and nervous via his own madhouse, his releases are never short of genre-defining classics that have spawned a thousand copycats. affectionately referred to as the stevie wonder of house, kerriÕs dj sets take him all over the world and often find him playing live keys next to his informed selections. heÕs meticulous about sound, too, which means that no-ones kicks hit quite like kerris. his instantly classic and timeless dj-kicks mix, though, takes him out of the club and through a world of influences and inspiration

hot off the heels of the beautiful obsolete machines lp released this month, radiuss cassette demo restoration project returns to form with the interpolation tapes series. the original source tapes had aged, warped and degraded and as a result we ve preserved the best segments, sampled and reprocessed with a vintage prophet 2000 sampler, studio 440 and various linn samplers to add depth and range to the original source material. we ve spent nearly an entire year restoring and interpolating over 100 hours of music, processing sound and redesigning the blueprints of this long forgotten project. every track was originally recorded down to an old tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life. it s been a truly nostalgic experience re-visiting and re-arranging these masters, regardless of the time passed, there s so much depth in sound design, raw emotions and when considering the limitations of hardware in the era these were recorded, they ve truly aged like a fine wine. we hope you enjoy this magical time in music, as we are very inspired by all that was happening in those years, theres undeniably something in the air, a mystifying energy, long may it live on.

over the years, berlin has been cited as oliver koletzkis main point of reference and, more importantly, his endless source of inspiration. his albums gro§stadtm�rchen and gro§stadtm�rchen 2 are wholehearted tributes of the german capital, as its importance is continuously hinted and charted. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heart. this is where he started out when he first moved to the city, and this is where he lives now. kreuzbergs wall paintings adorn stil vor talent s cover sleeves and host their headquarters. there are little to no corners in the city that havent brought a spark of inspiration into the mix. the schneeweiss compilation series, now at its eigth installment, is built as a form of tribute to all these particles, tied in together into a series of care

recording and touring together on and off for several years now, sonic journeyman dj vadim and californian songwriter katrina blackstone unveil their long awaited full-length album Ôdouble sidedÕ, released on bbe music. after providing a pair of stellar guest appearances on vadim s 2014 dubcatcher album, katrina blackstone joined vad on tour and the duo have been steadily laying down tracks ever since. eschewing samples in favour of drum machines, guitars and a dizzying array of synths, vadim s compositions on Ôdouble sidedÕ range from dubby downtempo grooves to upbeat afroboogie business. katrina s crystal clear vocals, catchy melodies and highly relatable lyrics provide the perfect foil for vadim s raw productions.

semiomime is the more spherical alter ego of dj hidden/the outside agency. 6 years after his previous album Òfrom memoryÓ and his Òsix stepsÓ ep . it was time to return to mindtrick records with a new album. Òclose onesÓ is an absolute musical milestone for semiomime showing his more sensitive side.
all songs have been written over an extended course of time. they needed to grow and transform to become impressions of memories and the emotions attached to them. he wanted to capture their essence, translate the way they are stored in his head. by doing this, this album became a very personal album.
it will make you think of some of those things that can make life special... remind you of your close ones.

itÕs already been 5 years since the last zombie zombie album rituels dÕun nouveau monde, after which the group explored other territories by signing 2 film scores, namely loubia hamra by narimane mari and irr�prochable by s�bastien marnier, as well as creating the music accompanying a contemporary circus show called slow futur created by martin palisse and elsa gu�rin. wouldnÕt these beautiful parentheses make you want to return to the sources? after 10 years at versatile records, 2017 also marks the decade anniversary of the release of their first album a land for renegades in 2007, at the time considered to be one of the 10 best albums of the year according to rough trade. livity - zombie zombieÕs latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist philippe druillet, who is also the founder of the cult m�tal hurlant comic series. the title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at the famous island records compass point studio in the bahamas.

extrawelt are back! although in fairness, they were never gone. on the contrary, since their first release on james holdens border community label dropped in 2005, arne schaffhausen and wayan raabe have been responsible for a plethora of classics including sch�ne neue extrawelt and in aufruhr, their two seminal albums on cocoon recordings. the duo are one of the most booked live acts worldwide, commanding a huge fan base. their performances are the stuff of legend, making them the absolute highlight at every club and festival they play

zed bias is an electronic music pioneer, throughout his career he has traversed genres with ease whilst all the while retaining his signature sound. it was in 2016 that he debuted on exit records with a three tracker featuring zoe violet, the release was a sign of things to come. modern u.k. soul delivered in the 160bpm format, this aesthetic has now been developed with the different response album. it s the sound of zed bias in 2017, undeniable soul with one eye on the dancefloor. hes gathered a formidable feature list to voice the album artists from his native manchester and beyond all lend their talents to the album. label owner dbridge says of the release: an lp that fits perfectly in what i believe exit is about. artists creating music with soul and a sound uniquely their own. zed has shown again whats possible when you listen to your own voice

fee fire ist der neue film von ben wheatley (high rise, sightseers,kill list, down terrrace) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausf�hrendem produzenten. der titel bezieht sich auf den epischen shoot-out in diesem coolen 70er jahre gangster-movie. der score stammt von geoff barrow (portishead, beak) und ben salisbury. das album enth�lt zudem dialoge aus dem film und lizensierte st�cke von k�nstlern wie the real kids, creedence clearwater revival und john denver. cd wie doppel-lp enthalten eine zus�tzliche download card, die nicht nur die st�cke des albums sondern auch zus�tzliches material enthalten. die doppel-lp (140g) erscheint in einem gatefold-sleeve, das vinyl ist silberfarben

there is a long-standing love affair between dj harvey and pikes, ibiza. as well as coming back for his third consecutive Ômercury risingÕ residency, the legendary ÔdjsÕ dj has been appointed Ôcultural attach�Õ for pikes, meaning his magic touch and feel-good presence will create even more special moments at pikes this summer, including the launch of new label, pikes records.
in 2015 dj harvey made his hugely anticipated return to ibiza and made pikes his home for his mercury rising debut, a concept inspired by the beauty of the real ibiza, the incredible history of pikes and a genuine love for music. the love, the dancing, the music and the balearic spirit perfectly and poetically encapsulated by dj harvey has seen mercury rising widely recognised as the most special night to embrace the island in over a decade.
the next step in the harvey and pikes story sees him launch pikes records Ð the first record label founded by pikes owners and ibiza rocks co-founders andy mckay and dawn hindle. on the label, harvey explains: i see so many avenues to work together to release music, everything from live recordings from ibiza rocks and pikes, mix tapes, original productions, showcasing new artists, theres all sorts of avenues to open up. with the finer details still under wraps, its safe to say fans can look forward to the first release being harveys very own mercury rising compilation. but what can we expect from the third instalment of mercury rising? putting it quite simply, just a serious good time really says harvey.

though the origin of trance music lies back in the late eighties, there are still tons of trance fans out there whoÕve been enchanted by the early days of the genre. they are the same people whod lose themselves completely in their all-time favorite trance tune and would give anything to hear an all-classics live set. today, their hearts may have skipped a beat or two as armin van buuren released the twelfth installment of his Ôa state of trance classicsÕ series. stacked full of seminal records from the likes of above & beyond, armin van buuren, atb, chicane, cosmic gate, gareth emery, markus schulz, paul van dyk, signum, super8 & tab and more, Ôa state of trance classics, vol 12Õ turns any moment into a trip down memory lane. featuring a grand total of 36 classics in their extended, unmixed forms as well as an opening track that pays tribute to the pioneering efforts of the late robert miles, it stirs the embers of the near-ancient crowd favorites and allows them to entrance the world in the same manner they did years back. for anyone who looks back on the early years of trance with a smile brighter than the sun, a state of trance classics, vol.12 is a must-have.

spearhead records label boss steve bcee returns with his 4th studio album, and itÕs safe to say that itÕs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÕs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÕs safe to say that even though bcee has been in the game for 16 years, heÕs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

conceptual drum n bass album by kos.mos.music, which has been prepared for several years and consists of tracks united in their unordinary commonness. in a word, the general genre of the album is drum n bass, but all the tracks and each in particular are a mixture of different electronic genres based on drum n bass and jungle rhythm. one can hear sounding of idm, ethnic patterns, feel a strong influence of psychedelic electronics and in patches even some techno.
the album is opened by the harsh reality by loucura & dailiv - a powerful halfstep based on kick and bass, hypnotizing pads and drones with putting in trance melody. further dynamics of the album varies from dancefloor rolling tracks by electrosoul system, liquitek, vortex involute to avant-garde dissident & marginal, deep liquid tracks by nclear, triple sky, nummix, basic maneuver, bop & electrosoul system collab and breakbeat/jungle track by pryzma. the album is closed by shamanic bass track by light monday. vinyl version contains exclusive track by m25 & first function with more predominant idm texture.

it has been eleven long years since urbs dropped his last album which was called Òtoujours le meme filmÓ. back then, the musician, dj and producer created the soundtrack to a fictitious film noir, which was released on kruder & dorfmeisterÔs g-stone label, but after touring europe he almost completely retreated from public life. he does not consider his creativity as being his career, but rather as a part of his life which rarely is subject to concrete planning, and that is why urbs quite consciously took his time to create his latest Ðuntitledalbum.

an unreleased classic from the vaults emerges with beautiful reshapes by cv313 (recorded and reshaped from 2007-2016) this is where the sound of cv313 was realized, culled from cassette tapes recorded live (1995-2000) with nothing but analog/digital hardware, no computer in sight (excluding our commodore 64 midi sequencer, which is still alive and well today). the radius project has been absent since the final release in 2001, the first 12- appearing in 1996 (limited white label run of 100 copies pressed at acme pressing in canada) after revisiting these works we realized there was truly some magic here. this project was initially sent to rod modell & mike schommer shortly after they launched their brilliant deepchord label in 2001. they were incredibly kind in saying it was the best demo they had ever heard and passed it on to octal records for release, sadly, that didn t materialize and since then these masters have been collecting dust in our cassette rack for nearly 20 years now. we ve spent months doing our best to restore the old tapes from our tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. (that is of course, if you can get past the tape hiss) we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life, it s been a truly nostalgic experience re-visiting these masters.

this marks the third single from intrusion s forthcoming album: -a gentle embrace- the second official album since 2009 s critically acclaimed, -the seduction of silence-. what has not been heard before comes into glimpse via analog circuitry, obsolete synthesis & sonic exploration beyond dreams. gorgeous plumes of sound evaporate into the ether, shifting and undulating to the unseen electro-magnetic pulse of the universe. this double cd set features the original mix as well as three beautifully hypnotic dub reductions from cv313 and an epic 70+ minute entrancing ambient rework from variant, which might be one of our personal favorites to date. a passionate, galactic, deep voyage to the other side of the galaxy, we ll meet you in the stars. for those who loved deepchord presents echospace s classic, -the coldest season- on modern love you will find plenty to appreciate here, a beautiful analog tapestry made in the heart of detroit, techno city.

playdead s third release is a full length studio album made by this two very unique characters - shuzin & rejoicer.
the duo has been putting out music and playing live shows since 2013 and were celebrated by crowds in the biggest festivals in israel, big clubs in tel aviv and all over germany.

last volume of this compilation series, again a great one.., holding amazing tunes from across the globe that you probably already have been looking for.... tip!! . over the last five years and as many volumes of their beach digginÕ compilations, guts and mambo have explored the reefs of five continents, dredged the sea beds of countless seas and oceans, examined every single seashell with the aim of making sure that no vinyl pearl should escape their notice.

huge compilation incl tracks by dj koze and matthew dear and all the beloved ones <3 a key fixture of !k7s identity since itÕs debut in 1995, dj-kicks is arguably the worldÕs best and most respected mix series. spanning a broad range of djs, producers and visionary musicians, dj-kicks has offered illuminating trip after trip, seamlessly tracing more than two decades of alternative, electronic culture. this latest compilation brings together the last few years of stellar exclusive tracks from some of our favourite recent kicks mixes, including material from dj koze, dam-funk, actress, john talabot and marcel dettmann.

building on the success of sell out shows at shoreditchÕs village underground and the mighty egg:ldn, spearhead records bring you spearhead presents: the soundtrack. * 15 brand new and exclusive cuts from some of their favourite producers, alongside another 13 tracks that have been the soundtrack to your clubbing experience their nights. if you have been to any of their nights in the last few months then you may well have heard these being road tested. * highlights include the spectrasoul remix of lsbÕs Ôrollings sidewaysÕ and the sublime vanguard project rework of bceeÕs Ôlost & foundÕ. * support from high

-everything we touch turns to dust- is the 4th full length album from denver based idm producer and ought era electronica aficionado (ghost).
-everything we touch turns to dust- is the continuing soundtrack to a narrative that has been passed on from

claude debussy (+1918) was one of the most popular and forward thinking composer associated with impressionist music. his innovative and at this time new way to compose music with non traditional scales and chromaticism inspired countless artists from the likes of steve reich, philip glass, miles davis and herbie hancock. remarkable attributes of his music were i.e. the usage of parallel chords, bitonality and many compositions of whole-tone and pentatonic scales and all this surely reminds us on contemporary electronic music where you hardly find limits or boundaries when it comes to traditional, harmonic sounding scale tone music. after studying countless composers of the last centuries marc romboy decided to accept the challenge to edit, remix and reconstruct several works of his favorite french composer, ranging from ãla merÒ to -pr�lude � l apr�s-midi d un fauneÒ. romboy: ãone sentence of debussy impressed me a lot when he said that he simply intents to write new sounding music. this is and has been exactly my goal, to create kind of unheard soundsÒ. on the album romboy performs together with the dortmund philharmonic orchestra, the renowned conductor ingo-martin stadtm�ller, the well respected d�sseldorf based concert master miki kekenj and sound programmer ali khalaj. the recordings was directed december 12th 2016. its the first live recording ever released on an album where electronic sounds and classical components were merged in such manner.

langeweile. faulheit. totale teilnahmslosigkeit. ist es nun schon eine so genannte quarter life crisis oder einfach nur eine ausrede, um blo§ nie erwachsen werden zu m�ssen? fragen wie diese, sind die eckpunkte jener welt, in die washed out mit seinem ambitionierten neuen visual-album mister mellow aufbricht. f�r viele, viele vertreter der generation y ist das leben derma§en dramatisch und problematisch, dass es mithin schon absurde z�ge annimmt. und die methoden, mit denen sie sich von den ganzen unsicherheiten und unw�gbarkeiten abzulenken versuchen, die zu ihrem alltag geh�ren, sind dabei nicht weniger absurd - da ist alles von social media bis hin zu fantasywelten dabei, von drogenexzessen bis zu musik-eskapismus. mister mellow, das erste komplett als multimedia-werk angelegte album von washed out, f�hrt durch all die h�hen und tiefen dieser oftmals l�cherlichen alltagsk�mpfe und beleuchtet dabei augenzwinkernd auch das gro§e paradox, dem man immer wieder begegnet: wie kann es sein, dass wir derma§en unzufrieden und gelangweilt sind, wo wir doch eigentlich alle erdenklichen privilegien genie§en und somit mehr als zufrieden sein k�nnten? auf -mister mellow- dominieren eher experimentelle collage-techniken � la musique concr�te. free jazz, house, hip-hop und psychedelic haben allesamt ihren platz in dieser welt, in der auch interlude-artige voiceover-samples aufblitzen, woraus sich insgesamt ein hektisch-chaotischer und karikaturistischer mix ergibt, in dem sich die reiz�berflutete psyche dieser generation widerspiegelt.

our first go ibiza compilation has been compiled by bobby & steve and michael hughes and mixed by our very own bobby & steve. it features 28 amazing tracks and is modelled around the launch of our groove odyssey presents go ibiza four day weekender, which took place from the 19th-22nd of may 2017 at the beach star hotel, san antonio bay, ibiza. with over 40 artists from around the globe coming together on the magical island of ibiza, it was a memorable affair and many of the guests now feature on the album.

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featuring a host of luminaries from the world of soul & r&b, chart-topping songwriter and award winning producer mike city presents new album Ôthe feel good agenda vol.1Õ. earning his big break back in the year 2000 as writer and producer of a #1 hit in the form of Ôi wishÕ performed by carl thomas, mike went on to work with brandy, rihanna, angie stone and jamie foxx as well as penning sunshine andersonÕs smash hit Ôheard it all beforeÕ. renowned for his deeply rooted, melodic production style and distinctive vocal arrangements, mike city consistently finds himself in-demand from a-list hip hop, r&b and pop artists, as well as finding favor in dance music circles during recent years. placing him inside their Ôtop 100 soulful house artists of 2016Õ, traxsource declared mike Òone of the soulful sceneÕs most in-demand producers, singers and songwritersÓ and Òa name synonymous with quality music, no matter the genreÓ. a highly accomplished vocalist in his own right, Ôthe feel good agenda vol.1Õ sees mike take centre stage, showcasing a selection of previously unreleased songs with a little help from his friends. best described as r&binfused dance music, the album boasts cameo vocal appearances from leading lights of the urban music scene including: faith evans, lalah hathaway, dwele, teedra moses and the man whose voice kick-started mikeÕs stellar career, carl thomas.

love and money front man james grant has collaborated with producer gordy goudie to form the korvids, releasing a dance album. for the older generation who might want to bust a move once more in honour of their younger selves. james says, i wanted to be someone else for a while. sound different. write different. it can be dreary being me all the time..i sing most of my vocals on the record in falsetto, which, as we know, is the international language of disco. the korvids marry their love of disco and 70 s funk with influences such as deodato, massive attack, miles and anything else that takes their fancy. after the success of their debut release beach coma, which was picked up by sirius us radio and remixed by balaeric legend jose padilla, the duo released bad faith, a beauteous cut of late 70 s disco remixed by love & money and steely dan s producer gary katz. james was the front man for love and money, everyone s favourite band from the 1980 s who should have been massive but somehow werent. the other half of the korvids, gordy goudie, is also no stranger to the business having produced simple minds and playing bass and guitar for the primevals and echo and the bunnymen.

dj koze introduces sophia kennedy - stunning debut album by 26 years old wonderwoman sophia kennedy!
elegant, melancholic, sometimes menacing, with smoldering piano melodies, desolately whistling organs, and a jaunty jaw s harp loop, kissed by the golden californian sun, or shrouded in gloomy, dreary fog: sophia kennedy is currently the most versatile composer in german pop music Ð not to mention the greatest singer. her debut album -sophia kennedy- reveals her as a dramatic romanti-cist and distanced diseuse, as a deft lyricist and master of melody. in her eleven songs, she travels from doo-wop to dubstep, from classic crooning to breathless r n b, from frank sinatra to beyonc�. her talent for songwriting is deeply rooted in history, yet it seeks nothing but the present: both historically versed and timelessly beautiful at the same time. all tracks have been produced by sophia kennedy and mense reents (who is known as being a member of die v�gel, egoexpress, die goldenen zitronen).