the return of the best-selling super funk series from bgp. 20 tracks of super-rare funk, 13 previously unreleased.

supported by tornado wallace (delusions of grandeur), pete herbert (reverso 68/dance disorder)... when jay shepheard launched retrofit in early 2010, deep house with a splash of disco was on the menu. six releases later and the quality of music hasnt faltered once. jays own work has always been the main focus on all five releases but for retrofit 6, rudys midnight machine, (who is in fact robin lee of faze action) takes to the stage alongside an appearance from shepheard (as ee_ef_ex) on remixing duties. >ecstatic love glow< kicks off the ep, diving head first into the disco and synth heavy realm that we expect from retrofit (and, for that matter, from mr lee), whose house outputs with faze action as far back as 97 speak for themselves. the intro of tip tapping hats and congas leads into a penetrating bass guitar, a riff that goes on to be cleverly mirrored by keyboards and later, by what sounds like a scratchy lakland guitar. wooden hats, sirens and a plethora of cosmic elements boogie their way around until the tracks dominant synth parades in and takes over the arrangement, striking a dramatic and smug pose at the close of each stab. the second track of >east side good living< sticks with its predecessors groove, cosmic sirens, electronic whistles and metallic drum taps yet again highlighting rudys modern disco sound

perfect for fans of ricardo villalobos / perlon !!! just when we thought that thomas melchior and peter frank adshead had hung up their soul capsule boots and settled on sporadic solo work, they come belting back with two releases in a matter of months on peter fords trelik label. >deep dawn<, up first, is typically soul capsule. dark, twisted techno thats made for dark spaces and dark minds. sporting low, reverbed basslines that throb along to breathy and indecipherable vocals, >deep dawn< and <new day dawn< project the same eyes closed, foot stomping attack on their listeners as each other

manila fine vinyls is the label project created by edo arengi (shadow sync) back in 2010 to bring out that soulful side of techno we all love. unlike some freaks you can hear around nowadays, the manila fine vinyls productions have their roots in the original detroit sound: no frills, no virtual mockeries, just the full and deep analog sound that goes straight to your heart. music is a matter of substance, not of decorations! this second release includes two brand new tunes produced at the barricade, edos studio located in the heart of berlin. more feelings, with its electric piano chords and the moog bass line, is a well balanced blend of a fat groove and sweet azmospheres. techno with a little touch romanticism! i want to believe, a deeper tune built around a powerful, hypnotising sh-101 line with a delightful slide, is opened by touching string chords and grows as the various percussive elements are added creating a thicker rhythmic texture. its unsophisticated music, its the original spirit of techno.

our japanese dear friend hidenobu ito is definitely overwhelming and it seems almost comically out of place. from alien hydraulics to percussive steel fractals he allows to take shape within the realm of impossibility. so, what follows next on numbolic records is a stunning lesson in subtle buildup of sound design. theres a feeling of constant movement and shaky energy that means his music never quite stands still. highly resonant and rapidly-panning drum hits act like flickering fluorescent lights. the result is a heavily abstracted layering and perhaps our most sonically release to date. every sound, no matter how tiny, is endlessly tweaked and picked apart. the 12 inch ep is rounded off with 2 prickly re-interpretations. dualism turns up the fog with a super-deep captivating and yet lovingly version. while ditch comes up with a characteristic throbbing dirty techno rework. another 4 smashing tracks by hidenobu ito are added digitally as well as two bonus remixes. kai provides a dance floor-approved version and the hungarian newcomer as we said made a cartoon spaceship to the moon. big pulsating bass kicks will drive you in that particular head-space, but before accidentally killing someone in love, we suggest go get this record instead and start dance! be numbolic!

eric duncan (of rub n tug fame) drops release number four in his keep it cheap series - this time inviting the ever on-point justin vandervolgen (tbd) to take care of b side duties head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers. as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

how many people would have believed such a thing could work? would diva-like vocal grace and cool, calculated club sound efficiency not react like matter and anti-matter upon contact with one another? yet perhaps this is where the secret of her distant charm lies, the glamorously crafted cool, the vague elusiveness of aérea negrot. last year the venezuelan vocal wonder silenced any doubters with her first single >all i wanna do<, creating a new platform for her boundless range of musical expression alongside her career singing with hercules & love affair. now her second 12 inch is coming out on bpitch - just in time to set the tone for her coming solo album. the berlin sound wizard tobias freund is on hand once more to produce and mix ìright body, wrong timeî. he has commanded the mixing desk for a whole host of artists and labels from minus to warner over the last twenty years or so and made himself a regular fixture in the bpitch sound cosmos with his production work for ellen allien, dance disorder, heartthrob and indeed aérea negrot

here comes that long awaited remixes from the morphology - album >uranias mirror< by hardfloor, headnoaks, legowelt and arne weinberg. no words are necessary – watch out for the limited vinyl edition in white vinyl!

in just a matter of months, life and death has swiftly established itself as purveyors of quality contemporary dance music, made by artists who would undoubtedly make anyone s short list of who i d like to invite to my afterparty . it seems only fitting then that with their newest release they ve recruited the undisputed kings of late night mayhem and madness for a paen tribute to that beautiful party after the party, the continuation of all things good and twisted.. the afterparty itself. not to take the issue of such a joyful celebration lightly, dop has gone on secret missions over the last 6 months, quietly (and often not so quietly) infiltrating afterparties worldwide and secretly extracting pituitary secretions from the rowdiest party goers at each of them. they then took these secretions, burned them in a special voodoo ceremony and immediately went into the studio to create a fitting tribute to the after-hours festivities we all hold so dear. once that was complete, friends were invited and even more deviants came to the party for some dirty late night remix action. clockwork (who s recently released it s you again on hot creations has already been the soundtrack to many an after party) are here, french wolf+lamb collaborator le loup is here, mas collective (who recorded on seminal nyc label strictly rhythm) is here and marius & david are here too.. everybody giving it their own special flavor. what an afterparty indeed.

with >dimensions part1< the analog roland orchestra delivers four crispy dub techno spring rolls – each filled with a surprise ear charmer. from silent hip mover to brute dancefloor breaker no matter how you like it – these releases have it all. out as numbered of 333 limited 10 inch hardcopies on translucent marbled vinyl at selected stores. pastalavista!

for its eighth release theres no other responsible than oliver schories, who did several releases on labels like ostwind records, parquet recordings or musik gewinnt freunde (just to name a few), which attracted a lot of attention! on his organ freeway ep oliver delivers a summer track which immeadiately puts you into good humor, no matter if heard in the morning to get up, in the clubs or especially on every upcoming open air party! just get on his >organ freeway<, theres no speed limit! the b-side is somehow darker and moody, like the title >treibsand< promises youll sink in layers of sounds, directed by the low-tuned piano, perfect addition to >organ freeway<! all together a huge summertune which is going to be released on lovely 10 inch-vinyl!

marcus gehring fits in with upon you like vodka shots at an after hour. his funky and trippy sound grooves until sunrise and thats the way we like it. it doesnt matter whether its the title track >on a trip< on a1 or >in between< on the flipside with its bouncy bass line.

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul. this powerful building begins to rise, makes its foundations and basic structure in these architectural series, that present us the impacts, snaps and warping that a real construction team realise with their hard work, exploiting a dark desolate waste ground, following the architects indications, who generate, in his mind, the entire project that will rise in our ears.this interesting project will be launched in classic vinyl, as well as in digital format. do not lose the opportunity to give yourself the first creation, of the new referent of mental techno of spain, it is going to set a lot to talk about..and to think

last year put leeds-based producer midlands (aka harry agius) name on the map with his successful collaboration with hessle audios ramadanman, >your words matter< on aus music. this year, aus label chief will saul has invited midland back to take a solo swing. its an excursion that explores the boundaries of 2-step, uk garage and techno and consists of two original tracks. on the a side >through motion< shows midlands ability to seamlessly take the spirit of uk garage and fuse it with techno. the tracks moody piano melody is punctured by a dark, pitch-shifted vocal and encircled by the warm atmospherics that have become his trademark. on the flip side is >shelter<, a brooding and cavernous affair whose vocals and whispery atmospherics make this the perfect late night tool.

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

big with: adam beyer: >..summer anthem!< , joseph capriati, samuel l session, davide squillace, danny howells, sian, karotte, laurent garnier, joel mull, marco bailey, sebrok, gregor tresher, diesel, alan fitzpatrick, ... with barely a breath after dmb004 comes another exclusive release from alexander kowalskis new label damage music berlin. the 1 inch >random pleasure< is the work of swiss electronic music dj, composer and producer david durango. in his numerous releases (pokerflat & mescene records) durango balances between deep and dark grooves to melodious and quirky dub vibes: here he oscillates between both levels. starting with the title track, the structure reveals consciously tight and multi-layered percussive hooks under the blanket of a substantial, dreamy bassline. the addition of a subtle, melancholic vocal sample ensures hypnotic effect. >ambivalus< walks right into a rather old school vibe, gathering strength with ever-increasing, spiraling keyboard stabs reminiscent of earlier rave eloquence that compels certain dancefloor revelry. the flip side sees the title track remixed by kowalski who treats the matter with his vivacious bite, stretching the voice, injecting a warbled fuzz bass and after a sublime break, enlarges the work to infectious dance dimensions. respected frankfurt artist patrick lindsey (terminal m & funkwelle) remixes the track additionally: he dissects the vocals, keeping the bass and keyboards minimally tight and sharply symmetric for a very mesmerizing treatment.

outstanding explorative techno for the fearless, comes in killer gatefold sleeve - absolutely & highly recommended!

black vinyl , versalifes n.t.a. part 2 is taking us further down deep into the night! this is some of the at widest, cleanest, most absorbing electro, techno tracks we have heard in a while! especially the b-side tracks oozes twilight suave and atmosphere with its precise electro pulse and caressing midnight sounds. versalife is creating a setting with sounds radiating the midnight atmosphere that reflects the twin peak-esque life on a almost deserted windy dutch coastal island where the clouds rush through the dark night time skies projecting all variations of grey and black on the mystifying dunes. futuristic electro techno tracks with emotive synth work created with exploratory imagination.

debütalbum des londoner experimentalmusikers alexander tucker auf thrill jockey. zuvor veröffentlichte er in kleinstauflagen auf atp recordings. zusammen mit dem neuseeländer daniel beban ist er auch unter dem bandnamen imbogodom aktiv. auf dieser platte betritt tucker neuland, indem er minimalistischen streicherarrangements mit elektronischen, drone-artigen sounds kombiniert, um doomige champer-pop und psychedelische music-concrete kollagen zu kreieren. die lp-version beinhaltet eine farbig bedruckte innenhülle und einen mp3-download coupon.

tsi returns with more dark, deep hypnotic hard techno goodness this latest installment of tsi. the >grinding machine< does just what the title intends. the same can be said for the adjective use in titling >dark, dirty & broken<. the people are asking who and where the secret initiative are from. tsi answers why does it matter? will knowing make the music sound better? the clues of whom it is be heard through the secret codeslocked in the grooves of the vinyl. listen closely and maybe you can piece it all together. if not listen closely and enjoy the music!

the aliens dropped their first tune >exterminate< and >their here< to critical acclaim setting the dub step forums and dance floors alight. the guys now come with their second release and drop two brutal dub step bass heavy steppers on us. there is a lot of chatter about who the aliens are with names of a number of top dubstep artists in the frame. however it doesnt really matter who is behind this release as the music clearly speaks for itself. these new tunes have been causing chaos on the dance floor with their destructive basslines and nasty switches and being supported by the cream of the dub step scene including kromestar, skream, n type, hatcha, walsh, f1 and the aliens.

played by dave clarke, the advent, chris liebing, gary beck, sasha carassi, mike humphries, space djz, chris hope & andre walter, thomas heckmann, alex bau and various others!

this album builds more than just one bridge between the best worlds of frivolousness and dependability – horizontally, vertically, all the directions in between, and in time. no matter what the current when you cross, the beginning and the end dissolve into an everlasting flow in true 25 character. the journey is fueled by its own limitlessness, all the while delivering crucial reference points for a purposeful riptide ride.
the experienced hedonist lets herself be driven through her beloved quarter-note spheres, relishing the moments when, in certain beats, twinkling details lead her towards a different route – one familiar but long forgotten. she strings this pearl on her chain of rhythm-driven moods, calling upon it at the right times to amplify her individual push. the allure of the impacts unfolding redeems each secret whispered by the spirit of the sound.

the next full length from techno tastemakers delsin is co-released by the man who made it, morphosis aka ra.h aka rabih beaini, on his own morphine records, as well as by close associate m>o>s. entitled what have we learned

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

figure pushes forward with a stunning 4 track ep from aspiring new french artist leghau, aka cedric rebagliato. he gave the tracks to len faki after a memorable gig in france, and len was so impressed he decided to put the record into production with a matter of urgency! leghaus sound is heavy, rumbling, precise and directly designed for club systems.

hooba booba is not even a bubblegum. alex kork (relax 2000, plattenbau music) is presenting us a phenomenal boredom buster. funny and pumping tracks with fat beats and extraordinary vocals. and giovanni plays again the contrabass in his funky matter.

morphosis has been cooking. friends, nwaq & just for one day got on the re-whisk. these productions live up to all expectations from two of the most awe inspiring out there. turn them up. big tip! when this idea came about, there was some speculation here if it was a going to be plausible prospect. throughout all the deliberation one fact remained: re-workings from these artists would make the perfect precursor 12” to a full morphosis album, and it just had to happen. then it did. nwaq turns in one hell of a dub! an almost relentless 7.5 minute float, that’s underpinned with thriftily placed percussion, and a true beast of a kick drum. no build-ups. no break-downs. so, now… let’s all bow towards to the master. just for one day’s rudeboy drum palette is going to be familiar to more than a few people. let’s just say that this is the new guise of a veteran german producer who’s uncompromising music has graced some of the world’s most exciting record labels over the past 15 years. for this remix he hijacks the ‘android’s among us’ and throws them right into a sound system shootout somehow leaving the core elements from the original track in tact. seriously killer. for fans of 2 step, jungle & dr who(?). please note: this will be a vinyl only affair.

this debut release introduces everything deeper meaning stands for. full of trademark deep sounds from two of etokas finest artists, verano and paskal, who ramp up the atmosphere and slow down the tempo with two of the most unique tracks we have heard from either producer. both tracks explore that most difficult, beautiful and painful of emotions, love. add to this subject matter the warmth and feeling which can only be found on 12 inch slices of black wax, and you have something rather special indeed ...

no time to take a breather, no time for a contemplative chill session - the second edition of bpitch control s werkschau (showcase) cd is about to hit the shelves! in line with the overall bpitch showcase concept, the new release is in no way just another run-of-the-mill compilation of best-of tracks, but rather a selection of extraordinary and highly functional club gems that represent bpitch s harmonious concept as perfectly as they demonstrate its musical breadth. the most noticeable characteristics the three extended versions share are their vocal presence and the extremely distinctive way that the artists make use of language and voice. in contrast, the fact that the ep is perfectly arranged for the dance floor comes across as almost a matter of course, and every track exhibits this inherent feeling in equal parts - with it truly coming to life in cormacs >the present<, which opens the albums a-side.

>daemon< is the third ep from kenton slash demons >the schwarzschild solution< trilogy and features remixes from axel boman<. tartelet records are proud to present this last ep from the momentous trilogy and feel confident that it will bum rush discerning dance floors with its unrelenting, seductive beats and yearning, melancholic bent. as you may already know, the name >the schwarzschild solution< is taken from karl schwarzschilds complex theory about gravitational pull and celestial bodies. this is heavy, elevated subject matter, which goes extremely well with the lofty artistic ambition and nuanced emotional disposition of the trilogy. and as you would expect it from the boys, >daemon< is a grand journey of larger-than-life proportions.

after ellen alliens album >dust< kicked up a lot of the same in 2010, it was only a matter of time until the right remixers for the album were found. no less than the creme de la creme of today s house scene was allowed to have their way with these tracks. and the results are more than fitting. although we have already burned a full-length cd containing all of the remixes they created, we are not planning on leaving the vinyl-loving faction (or whats left of them) out in the cold either. this 12 inch features three powerful club tracks from three outstanding remixers. each unrivalled in their own space.

some time last year we had this unknown techno record from these chaps and it sold out within a matter of hours. now we have a new one sounding something like a collaboration between burial and deepchord! same deal as before, strictly limited and only 200 copies.

limited run of 300 copies with din-a3 artwork included clear your throat. understand. sometimes. only sometimes. there is this feeling that there are people out there, illuminated people with a plan. where the music, the approach, the images, the design, the artwork, everything is flowing together and leading into a common transcendent theme. meet ctf 2 by bruno gauthier. a (can we say this, bruno?) veteran updating the epic gospel which was started by the mysterious one with a boom - the boom which broke the nothingness. the spark of inspiration has arrived in this universe. >existing reality< is a teslaesque algorithm for the universal prescription of all antidotes. it is basic and complex. it offers a minimal lushness, a universe within a universe. flip this galaxy. >music takes control< is a maelstrom that sucks all gravity away into the anti matter zone. its razor sharp vortex cutting away the peels of space and time, a radical march of nouveau deepness. or is it steepness? ctf is on base 2, the next beachhead for world domination.

excellent chord-ish / detroit techno , incl szare remix

back in stock ... superb old skool house music, this record was originally released in 1990 on muzique records (chicago). all tracks produced and mixed by terry hunter. b1 remixed by armando. ltd restock

eric duncan (of rub n tug fame) drops number three in his keep it cheap series - this time inviting underground uk disco hero foolish felix dickinson to take care of b side duties. head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers.
as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

with surely one of the most exciting releases ever dial presents the heavenly dreamteam dj koze, portable and efdemin himself remixing chicago. and when three brightest shining stars collide- the explosion is louder and more colourful than the most magnificent fireworks. stefan kozalla aka dj koze has always been a part of the dial family somehow so it was just a matter of time to ask the pampa label owner for a remix. the beloved chicago album was the right work to involve the most incredible soldier against boredom. knowing alan abrahams aka portable from his first süd electronic parties from london, phillip sollmann (efdemin) and alan always kept exhanging music and friendship

2011 has arrived in a flurry of light and shadows,and with it,this release on desolat x,the special edition series that features music for dance floors.this time on blue vinyl and artwork by florian pohl. a natural at manipulating the soundwaves and musical algorithms,dragosh has been infiltrating music software since the age of 15, based on a healthy obsession with the foundation of snare and bass. raised in bucharest his roots run to house,jazz,hip hop and before that, romanian folk and the stories intricately interwoven therein.as a budding physicist,who currently resides in italy,were sure youll agree dragoshs work embodies the elusive hunt for dark matter within the curvature of spacetime:disembodied and floating. afterdark antigravity vibes never felt so good.

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin. re-edited with the dancefloor in mind and your boogie in its sights, ps 1002 is another double portion of sonic goodness with a side of alright! after the >sisters are doin it< first time round its now time for the >brothers stay doin it!< now what say you good people?

the two hamburg based acts me succeeds and arp aubert are responsible for the first part of a ki records split series. on the ep named after the city in the north of germany the two acts combine their friendship and musical preferences to remix each other and contribute one very own track on each side. me succeeds, with their members mona steinwidder, sebastian kokus and lorin strohm, is a part of hamburgs labelcollective i saw music and their songs combine indie pop with electronic beats and chords. arp aubert consists of the two founding members of mirau records: stephan lorenz and marco niemerski. niemerski is better known for his productions as tensnake, but keeps arp aubert running as a matter of heart. the ki-split 1/3 (hamburg) is truly a family matter. because of their close friendship, me succeeds and arp aubert have created a very intense and emotional record. by remixing each other and combining their musical background this release turns out to be a very special one for ki and the acts themselves. the cover was created by me succeeds in well known ki tradition to make this piece of music something special and memorable.

it is about time for a record from label founder dario zenker. dont ask why it took so long, but be sure it wasnt the last one. and what a record this is, after several great releases on labels like vakant, harry klein records or time to express, dario’s debut on his own imprint is another example for his unique and mature sound. his studio just as his music has grown over the years. 10 am sounds like an earthquake, raw and dirty, it builds up so much energy that even babensham starts to shake. farrel on the other side is best described as deep break beat techno. it shows the diversity of darios productions and diversity combined with a certain signature is a great mix in our opinion. so enjoy it or not, dance or put your hands in your pockets, share some love or be a hater, no matter what we like u.

nile delta is dancefloor wizard joel dickson, former member of riot in belgium and current member of cutters dynamic-duo, voltage. having spent the past year neck-deep in other peoples music – it was only a matter of time before this, nile deltas debut ep emerged, shimmering, from the water. channel sounds like a late 70s house party. except the house is actually a warehouse and the late 70s are actually the early 90s. an almost paradoxical blend of filtered piano stabs, party whistles, endless delays, a squelching acid lead, horns, bendy-breakdowns, you name it. channel sounds like moodymann at his rawkus best. no party will be complete without this house gem. all this on the flip, sees cut copy bassist ben browning provide an otherworldly vocal hook over nile deltas inescapable rhythm. and the crawling baseline will have your hips doing obscene things. guaranteed. remixes include longtime favourites chicken lips, who take their invincible track record on an italian holiday – and tornado wallace who takes us deep, deep into the night.

hailing from the free swinging hills of san francisco, established dj and producer alland byallo has created his own unique sound out of a love for deep, soulful house combined with more edgy techno moments. from his own successful nightlight label he has released a quality catalogue including his debut artist album last year. of course it was only a matter of time until his talents were noticed by poker flat boss steve bug, and the results are this briliant 2 tracker, which also marks alland‘s arrival in his new home of berlin. welcome to town mr byallo! ‚discovaries‘ has a healthy amount of berlin‘s reduced techno affinity rooted within its phasing, growing p-funk waves. tense, moody and of course drenched with attention to detail, this is a grower in the true poker flat style. the sunken, murkier undertones of ‚shipwrecked‘ begin as a darker moment in techno, however gradually unfold and surface into a shining, tripped out afterhours anthem.

big with: sven väth, mandy, joel alter, laurent garnier, timo maas, deetron, dustin zahn, matt john, joris voorn, claude vonstroke, ramon tapia, shinedoe, martin eyerer, danny tenaglia, speedy j, dubfire, paco osuna, osunlade, ... no matter where you spent your last summer holidays , davide squillace or luca bacchetti were there to rock a club or a festival near you , spreading the hideout sound and life style around europe and beyond . but dont think the two accomplices only spent the last months hanging out on sunny beaches when they were not behind decks or waiting for their next flights. they were plotting for something big : deconstructed revisited. deconstructed revisited is a brand new series of releases , bringing friends and artists davide and luca like and respect into the family.

fifth release on the acclaimed imprint from those lovely people over at the acclaimed sleazybeats blog. the dust just doesnt seem to settle at team sleazy who are set to unleash their fifth dish of mid-tempo filth. sbr005 should likely round out what has undoubtedly been more than a successful year for the sleazy beats crew. as hard as it might seem to upstage their recent sampler, this release by berliner daniel solar (of no more hits and dikso fame) is another trio of totally on point sleazy business which showcases daniels stellar skills. things start off with midfidelity funk, a snappy romp through steady synth and disco string territory. this little number delivers a perfectly spell-binding groove with nicely placed rhodes stabs, crisp tambourines and haunting vocal at the breaks. on the flip, twinkle love snaps out a sweet melange of piano, guitar/bass riff and morphing vocals that combine to give a lively mood and open atmospherics. finally, rounding up the ep is la fleur, a wonky yet punchy cut thats ripe with staunch drum sounds and strings amidst loopy vocal snippets for good measure. all three tracks ride a 110ish bpm groove that is likely to ring bells for those who have been following and digging the sleazy sound so far. the last few releases all sold out in a matter of weeks, so dont sleep on this. you know the drill by now: limited release, no repress.

morphology, a new collaboration from finland consisting of michael diekmann who records under the alias crc and matti turunen otherwise known as näköradiomies. morphology fuses early electro sounds with haunting melodies to create a deep blend of atmospheric future funk.
comes as clear vinyl double 12 inch, limited pressing of 200 copies.