not many words are needed to describe the roll fritz kalkbrenner is on right now, his vocal performance and songwriting skills are out in the open.. simply amazing!!! that s why we are very happy to present his debut single facing the sun of his very first artist album here today gone tomorrow , which will come out on october 15th. we are also very happy to have his brother paul kalkbrenner and his long time friend sascha funke on board for remixes!! exspect nothing less than phat dope shit! facing the sun in fritz kalkbrenner s own words: one more time, here is track that a few of you guys might be familar with. facing the sun was released as a non-vocal version on my first suol ep last year named wingman . i just couldn t resist recording some vocals on top. if you liked wingman , you will love facing the sun

next up on nang we get tooled up with our disco pick-axe to mine one of the most authentic italo vaults, that of once-forgotten-but-now-hero-again beppe loda. having begun djing in brescia aged 16, loda was resident at gambaras soon to be legendary typhoon club from 1980 until the club closed in the same year as the paradise garage, a year before acid house officially began in 1987.

the third release of the new label >lets get lost< which was started by mule musiq and force of natures kza. this third release is by uk producer extrodinaire leo zeros remix of the uks florence & the machine. this leo zero remix was released on only cd single and itunes in 2009. when i received this remix from the agent of leo zero i fell in love with it immediately. it was one of the biggest tracks for me in the last year but was never released on vinyl. leo zero reconstructed the aesthetic alternative rock (like a pumping cocteau twins!?) to very emotional house music. its simply good music and not only for the dance floor. greg wilson has edited it into a semi instrumental version which has never been released on any format. this release is official bootleg for limited press! dont miss it!!

so who is vakula? he is a ukrainian dj & producer born in konotop, ukraine. he became famous in moscow for holding a residency at moscows propaganda club - the success of fridays voices party at propaganda by the charismatic nina kraviz was in large part due to vakula. in 2007 vakula released hohol on uzuri and since has gone on to release music for underground labels like

rusty egan and steve strange brought you the blitz club in 1980, the cradle that not only spawned the musical soundtrack to a generation but also the styles, fashions and very fabric of the 80s. thirty years may seem a long time to wait before launching a record label of the same name but the sound of the blitz is as fresh today as it was all those years ago on a side street off covent garden.

coloured vinyl! i met dwight in the desert of nowhere. we somehow knew we would be there at the moment where it took place. no surprise, i mean the crash. 3 times for them to finally got out of nowhere back into nowhere. while i was playing the flute dwight held a ritual, spreading energy through his voice. after the reboot, they took off immediately (i can swear something happened to the power plant controlà). for us it was like a b-movie, like all never happenedàbut the communication, talking to the spirits from language to language planet to planetàand the wind dont forget the wind. after we came home we wrote this oneà. rjc philpot presents this debut 12inch of the reboot joy confession - our brothers from nowhere! the title track is a mindbending spiritual journey hosting the fabulous dwight trible on some next level beatdown xtravaganca while the flip features the massive disconodisco 1999 and the equally heavy <funkin facets<. àmore than a proper statement and the beginning of the rjc aera!! >thanks for listening and purchasing a real copy!<

its been 18 months since our first nang release, d-pulses >more<. nestled on that release was an extra ep track called >highway to saturn<. much to our delight it turned out to be a bit of a gem. when it featured on the tirk 02 and kitsune ponystep / jerry bouthier compilations we knew we were all onto something. (cue the overdrive and the interstellar vocal.) slovenian-based, us singer, hannah mancini, provides those cosmic vocals, ably recorded by sare havlicek in sunny ljubljan. after a sly re-titling of the track (to avoid confusion with the original the name has been extended to >on a highway to saturn<) its on to the obligatory over-the-top nang remix package...first up is a new version from d-pulse for those long summer nights. their >australian shore reversion< mix slows down the groove to a balmy evening by noosa shores pace. space-rock, guitar solos, smouldering synths and lazy rhythms all combine to make this one for the beach house. sare havlicek adds a couple of mixes of his own. keeping things hi-energy he goes for the disco jugular with his trademark stabby synths and tight production. nang newcomers, proper heat, strip things back and go for a slow-grooving baltic-disco chugger. rounding off the remix package is japanese based jan ken po (aka max essa). he delivers a dance floor friendly version with a big and bold walking bass riff and tasteful synths

four more explosive disco funk action gems to fill your dancefloor from a collaboration between texas finest exponents of funk and in flagranti with volume 4 of the series. >the insatiable tiger woods ep< as a nod to the sex addicted us golfer who allegedly likes a spot of disco dancing at the weekends. a brag mount is an infectious disco gem of such magnitude that girls will rush onto the dance floor with wild abandon. mishaps with chocolate is a cheeky and hooky bullet and theres no let up on the flipside as this value for money 4 tracker aims to prove with brass n bass led disco boogie. another essential vinyl item for your record box and another summer scorcher from the killer funk label stable !

inspired by the stripped back technical set-ups of yesteryear, mike monday and will saul present the sequence 1 ep, the product of the two artists limiting themselves to a roland 909, a korg kaos pad, a dave smith polyevolver and recording their jamming on the fly. >we wanted to inject some excitement, energy and randomness into this release, so decided to play the tracks live with mike on the 909 and keys and will on filters and effects. we had a broad idea of where we were going before we pressed record, and recorded a few takes of each track, then took the best moments from each. the big challenge was reining in the slightly chaotic recordings, but after some tweaking we found a balance between old school rawness and modern production values.<

groovig , deep , funky und vollständig disco.... incl pete herbert remix! was will man mehr ?

everything from a small room. a few friends joke and start to record something.. something strange, indecipherable, or maybe just their souls. a voice begins to sound diffuse, catchy, distorted, hot. what happened to them on in that room don t know, but it was enough to convince us that this was a true story, unique ,inimitable. hooved was amused to construct a simple, yet many artists have come out of my mind, since the scsi-9: anton e maxim have made a pop song like this phoebe, that seems to be everywhere, but didn t think hitherto.. barrytone, new project of korablove, we delight rolled, cuts batteries and more pressing reason, unlikely to fade in your shelves. echonomist in greece seems to fall after many years in his bedroom, and start playing with the same old things, but with the eyes of this. finally tuccillo helps us find a very specific connotation, destination, disco. vinyl seems to sail on his last tour, but in the digital ve rsion will still expect the memories: l original track of hooved, version reinterpreted version of the cool voice hvoya, and the last train, the remix of dualism. a man and a woman summed up in just under 13 minutes all monsters and insecurities, words and glances, the soul of a gesture that turns into projects, loop, hours, bpm, second. apparel is pleased to present phoebe ep.

darek presents its ninth release and 2nd vinyl edition named >maremoto ep<. it includes three original tracks of dich also known as diego cheloni or katama and three remixes delivered by signal deluxe (trenton, eintakt, fade, blaq) from mexico df as well as demir & seymen (highgrade, pentagonik) from berlin and jimmi hendrik (deep vein audio, dirty monkey, tanztone) from plauen / jena. dich was born in fray bentos in uruguay, and nowadays, he is living in montevideo. he s very active as a dj, producer and remixer. his career began as a self-taught musician approaching to percussive instruments, guitar and piano. dichs productions go from minimal to conceptual and techno dub sounds. his music development embraces different styles and he is always ready to discover new horizons. his current work is definitely influenced by minimal and techno and it offers amazing variations of both styles. this new ep clearly shows that his production skills are very effective and he is definitely one to keep an eye on.

there was no doubt that label boss fred everything wanted to get his hands on the remix, taking a similar approach to his recent juno-chart-topping disco remixes of hot toddys down to love for oms sub-label smoke & mirrors. fred ups the tempo a little but instead of going the 4/4 route,he uses a laidback,almost freestyle beat over a crisp production. this is house-not-house at its best!also included is the bonus track from blacklodge called >broken promises< which shapes up as another late night monster.early support from danny krivit, mark farina, tortured soul, nacho marco, franck roger, lovebirds..

>burnt chrome< is edwin james aka currogated tunnels first release on district of corruption that he held until the right label came along. edwin was determined to get this 10 minutes techno track onto vinyl without making any exceptions. soon after doc decided to sign track, richie hawtin added it to his favorites and hundreds of plays + comment.
the burnt chrome ep also features a more forward new school rave remix from doc head, aaron hedges, and simon beeston (doc / highgrade). this mix is a redux of the melodic beauty of the original with a more raw and percussive drive.

cessas third release on their missing link sounds imprint is another typical blend of styles that evades characterization. having recieved massivee support from the likes of mary anne hobbs, laurent garnier, sbtrkt, geiom, mr scruff, and top a & r man ross allen amongst others, cessa return with their strongest release to date. >recon< sounds like a blend of the best of good looking/ promised land-era d & b with more immediate 2 step/dubstep sensibilities that produces a great mix of rolling beats and a melodic soundscape. recon was given the sbtrkt treatment on an earlier mls release and returns here in its fine original form. >down & out< opens with an eerie acoustic double bass intro that descends into an upright synth-led floor filler, while still maintaining cessas love of restless arrangements and beat programming that strays away from the usual.

anmade 009 is about to hit ya ll, expect one of the best manmade releases so far! 5 banging tracks with different styles and tempo, but they all have some things in common: they are big, fat, funky and a guarantee to move the party peoples butts.

until now duffstep has hidden in the seedy undergrowth of london always in disguise, clandestine and covert, ever plotting his imminent escape. this bid for freedom then, is called >getting to sirius<. sirius is the brightest star in the night sky, in ancient greek times sirius was said to mark the beginning of summer, where women became aroused and men became weak. duffsteps debut album >getting to sirius< is a blend of dub influenced, down tempo beats winding through layers of melody, synths and vocals softening the blow and giving a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you dont have to wait long before a nice big bass-line knocks you down on your arse again.

originally recorded between 1974 and 1978 at industrial records studio in london >the space between< album was first released as a 90 minute cassette in 1980 on throbbing gristles industrial records label. it wasnt until 1991 that it was again released by mute records on cd. although tracks from >the space between< have appeared on numerous compilations since its release, the album has never been available on vinyl until now.

a twinkle, a spark, and there you have it. many will say they saw it coming. at some point you could no longer ignore the signs, and actually youd suspected it all along: glamour is back in the club. berlin has become what new york was in 1981 and aÚrea negrot is the eartha kitt of the post-techno age. as part of hercules & love affair, perhaps the most enigmatic disco-ball band of the present day, the venezuelan disco diva has tackled issues of gender code through a four-four discourse and convinced the world that a slick performance under a strobe light can outdo than anything that has appeared in the light of day. now - as a taste of whats to come on her album next year - she is releasing her first ep on bpitch...

>listenin to the records on my wall<, the first single from skreams second album on tempa - the much anticipated and highly acclaimed >outside the box< - has long been in demand and is now finally being released on vinyl. >listenin to the records on my wall< is the perfect introduction to why skreams current level of success is just the beginning. its a joyful, ragingly energetic celebration of the last quarter decade of british street music, inspired by the hardcore and jungle records used by his older brother hijak who was part of grooverider<s internatty crew. its also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s ? and to those who didnt.

bad chemistry is already on its 3rd release and none other then spktrm is on the case to break a new kind of branch to the bad chemistry sound. anomalous singularity is deep, broken and darker then the cave it was made in, rattling drumfunk esque patterns immerse out of the dark pits sucking you into brand new territories, f.w.c. is totally different, staying true to his roots spktrm goes in with guns blazing. hyped up kick & snare switches make sure this one will go down with the core posse with ease!

his release on jeff mills axis sublabel 6277 was the first in a series of amazing records, which made johannes volk become a very well known and highly acclaimed producer, liveact and dj. his initial appearance on heliocentric music features a stunning dancefloor bomb, which will spark large-scale-fires in clubs around the world.
the second track on this record comes from label-owner myon, who again delivers an epic journey through the periodic table of techno. for those, who listen closer!

after burning jupiter- his debut release for eskimo earlier this year, that was supported by everyone from agoria over kenny hawkes to the usual suspects such as justus köhncke, rub n tug and pete herbert - were proud to announce the follow-up!

>in alto mare< was on of the biggest italian hits of the 80s performed by loredana berte - member of the biggest artists of all time - made in italy know this song. in 2004 >in alto mare< gets revisted and retwisted in a new millennium version produced by 2black feat. wendy lewis, who transformed the song in a bilingual song with funky lyrics and original italian chorus. and once again it was one of the biggest hits in summer 2004 and licensed worldwide in almost all countries. now its time again to revamp the song but this time in a pure jamie lewis & purple music style in collaboration with the visualboys & stefano mattara. the song has just been tested, and believe us its still amazing when you hear the whole club singing the song. italian does it better? yesssss!!!

when was the last time you were properly surprised by a record? we think parisian duo remote pulled out that kind of trick here. a tiny dot in an ocean of bongo-tech-house, an outcry of disapproval of the far-too-widespread uniformity of todays club music, this is what this ep is.

support: sven väth, ricardo, raresh, l.garnier... annie and kroknes became romantically involved, and began to collaborate musically. annies talent for writing melodies and vocals worked well with krokness production skills. annie launched her solo singing career in 1999 with the single >greatest hit<. the song was recorded after annie played madonnas song >everybody< for kroknes, who was experiencing a creative block at the time. kroknes sampled the song, and annie started to sing a melody to it. they recorded and released the song under the telle label. the song saw a limited release of 500 7-inch singles, which sold out in two days.
2010 we are proud to present an new remix by tres (cocoon recordings, nummer).

at the young age of just 20 years old, ardalan from the tch dolphin crew in san jose is quickly proving himself to be a leader in the next generation of bay area house music. justin martin quickly recognized his talent when ardalan sent him a 10 minute demo.
after one listen justin thought the track was genius but needed some additional editing and arrangement work. he took on the project and the outcome was >mr. spock<. this dancefloor monster was instantly charted #1 by myself and jesse rose as soon as we heard it. it works. for real.

fourth single cut from the latest kuniyuki album >walking in the naked city<. a side,>set me free< was a most clubby tune on the album.kuniyuki edited to bit dirty and more funky. this track is all around for the fan of francois kevorkian to villalobos. b side,original version of >strom< was a classical ambient house track with female vocal. kuniyuki edited to instrumental and added stronger beats.this new version remind early production of blaze or danny tenaglia. both tracks are deep and emotional and lovely dj tool. its real deep house.

for deep house lovers and beyond laid presents the first release by lawrence on dials sublabel. the 12inch features tracks inspired by the magic experiences in two of lawrences favorite venues. precious hall probably is the best club in the world- a wooden shelter in sapporo on japans hokkaido island. a gorgeous deep sound, the sweetest crowd and a lot of ulong high at the bar are the namegiven substances of the a-side. >dwelling on the dunes< was firstly tested at uri lahavs cheap friday club tel aviv in 2009. when laid co-founder dor levi mentioned that night it was the track who could play forever laid number 09 was born

schütze dein vinyl zzeitlos für alles was mit musik zu tun hat. alle girl-shirts sind von american apparell, aus 100% baumwolle und schmal und leicht tailliert geschnitten. inklusive rhythmus-statement als minitext auf dem rücken.

this sampler, first of two, holds three tracks from the classic >spelunking< ep, which was originally released on planet e and with which he solidified his name in the scene. track a2, land of the lost dance, is an unreleased track from that era. another fine example which shows that recloose is the don of mixing funk and techno. with this compilation we celebrate reclooses early works from the late 90s, early 00s. this material is often regarded as his best. the compilation includes his best music from that period, both released and unreleased.

final release !!! rush hour presents a new series of releases entitled -voyage direct-. this series is about all about feel good club music and is curated by tom trago. hence the name voyage direct, which was also the title of his debut double ep. dexter kicks off this series in a classy style with his junofest ep. this is easily his best work since his genre breaking electrofunk hit -i dont care- from 2000. and now its time for -junofest ep-. the title track is a steady, yet smooth club groove with enough wsing to make anyone dance to the music. a true party starter. on the aa side we find -not the only one-, an infectious vocoder vocal track that makes you smile. this is one of those rare tracks that has a poppy, commercial feel without losing its underground raw appeal. it could just be his biggest track since -i dont care-

there was a time when house music was soundsystem music, free parties under the stars and break of dawn. andy catos worldwide packupanddance parties return to these roots, the rolling groove, the house sound - deep, phunky & melancholic house.

freska belongs to the new generation of artist not bound to follow one genre. his releases therefore differ enormously. he states in his biography that he was influenced by music from black sabbath to kraftwerk, but this just implies the range of music and is not really to be grasped.

after 3 years of long and painfull waiting our firiend jichael mackson is now back on musique risquee with 2 new great songs that we are happy to present here with this new release entitled just in time . on the a side locus pocus is what you can call a hard edged hypnotic techno track: loopy, bleepy, trippy and squiddly diddly. the b side, entitled sugar hill mountain, is what you can call a deep, warm and moody ambiant song: shiny, airy, velvety and mushy gushy. check it yourselves. its really worth the listening as it was worth the waiting.

>african tango< ep is deep pleasure for your soul. dan casters vorgaenger ep >birdy< auf supdub records bekam weltweiten zuspruch aus der gesamten szenerie. seine qualität, sowie sein talent stehen außer frage, soundauswahl und rhythmuswechsel beweisen dies. was nun folgt auf dem hauseigenen sublabel moonplay records übertrifft alles. wir erleben hier einen hohen qualitätsstandard, ein präzises arrangement mit viel ideenreichtum. kunst kommt auch hier nicht von ungefähr und sein können beweist dan caster mit zwei tracks, gewollt tanzbar, ein hauch von pop. mit purer energie und ausreichend rückenwind sind diese produktionen von der ersten bis zur letzten minute ein genuss für die seele.

l kubic is the berlin based producer lars niekisch. already in the 90s he was playing keyboards and writing songs in various bands. he also did his first producingsteps working as a programmer and co-producer at a music studio. later he and his good friend alec trick founded their project trick & kubic. on his journeys around the globe, inspired by all the impressions, he collected lots of musical ideas. based on these fragments l kubics first solotracks were produced back home in the studio. his first solo project was signed to buzzinfly, berlin label blackfoxmusic followed straight away ...
big with: nic fianciulli, matthew hoag, andrew grant, david west, jay lumen, einmusik, jaxson, pierre deutschmann, cashmere ...

hey today! are the phenomenal groundbreaking production, dj and live duo raik krause and robert nickel who share studio rooms with digitalism in a hamburg based world war ii bunker.
hey today! have tweaked various legendary tunes on hipster labels such as kitsune (paris), bang gang (sydney) and on tigas canadian label turbo, followed by strong remixes for people like boys noize, zombie nation, tiga, empire of the sun, digitalism, shazam, moonbootica and others.
the current single >strange< is continuing the story of the previous success with the - as edbanger busy p described it - lfo meets herbie hancock sounding single >talk to me< which was released on turbo and became one of the biggest tunes of 2010.
>strange< has now been signed to dr. lektroluvs label and will definitely become a very big tune too. the single will be released with strong remixes by boris dlugosch (who recently released the amazing >bangkok< on erol alkans label phantasy music), polymorphic (from proxys label mako) and gomma records labelhead munk (remember >la musica<!). for sure an amazing package!!

fresh color edition: mit der rhp-serie bringt reloop eine neue generation von premium-kopfhörern auf den markt, die qualitätsverwöhnte discjockeys ansprechen und begeistern werden. der rhp-10 vereint dabei eine modernste leichtbauweise mit stabiler konstruktion, edlen materialien und opulenter ausstattung. die ohrmuscheln sind trotz der enorm kraftvollen treiberunits besonders flach und kompakt konstruiert - das spart platz und gewicht. auch der kopfbügel ist in vielerlei hinsicht extraklasse: die aluminiumschiene verleiht ihm stabilität und leichtigkeit, die präzise arretieruung ermöglicht genaue anpassung und die doppelte verschalung mit der oberseite aus kunstleder und der unterseite aus flüssigkeitsabsorbierendem climabsorb-netznylon garantiert tragekomfort und robustheit. zwei beiliegende kabel (glatt und spiralförmig) sind reloop-standard. dem rhp-10 liegen zudem zwei verschieden große ohrpolster bei. durch die große aussparung schließt das polster über den ohren ab und bietet größtmögliche abschottung. die kleine aussparung lässt die muschel auf den ohren aufliegen, was besonders komfortabel ist. natürlich sind alle anschlüsse vergoldet und abgewinkelt. rhp-10: reloop headphones premium-qualität

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.

it was just a matter of time for marco zenkers first vinyl on ilian tape. after 3 digital eps, a handfull of rmxes and one side on the harry klein 001, he strikes back with his probably most impressive cuts to date. marco experienced many mysterious moments on munichÆs dancefloors so far. munichs dancefloors are mysterious for those who know. the time will bring changes. force back lay down and wait. jump on, turn around and move. open up and sing. prepare your body for her and come back. more or less thats marcos intention on his first own 12 inch. its deep and smooth, at the same time energetic like a bavarian thunder.

somehow effortless minilogues tracks hover and make contact ... a special aura has been there from the beginning ... with these remixes we felt there was a lot of musical ground to be conquered. so we asked dominik eulberg, max cooper and the new artist freska to interpret&#8232,,,,, this true traum classic.

michigan central station built in 1913 for the michigan central railroad, was detroit, michigans passenger rail depot from its opening in 1913 until the discontinuance of amtrak service on january 6, 1988. at the time of its construction, it was the tallest rail station in the world. the building, located in the corktown district of detroit still stands today, though it remains unoccupied. restoration projects and plans have gone as far as the negotiation process, but none have come to fruition. spread throughout the city of detroit and its surrounding metropolitan area, the decay of once magnificent buildings during the industrial revolution and automobile era now cast a shadow of despair on a once flourishing city. these monuments of achievement now lay barren and forsaken by city government. infrastructural restoration and city development are fundamental elements in detroits recovery, and the recovery of cities worldwide. it is time for revival in our cities, but first, in our souls. the michigan central station ep is a platform for this change.

the producer team solan yields an ideal division into compartments. when studio producer stefan klauck and dj denis reinhardt met in front of a mixing desk in 2007, it was an ideal combination of different experiences: the one who has produced various music styles from downbeat to electro, the other a dedicated follower of house who never wanted to hide his knack for soul and disco. the two of them soon found a common denominator.the project solan has by now crafted tracks which embrace the qualities of newer deep house productions and classical house music, that is reminiscent of a traditional u.s. sound.

big with: camea, inxec, matt tolfrey, dyed soundorom, lee curtiss, marco resmann, mark henning, ahmet sisman, anthony collins, marcel janovsky, someone else, varoslav, jorge savoretti, pherox, troy pierce,.... rune and jerome are back for the fifth installment on the luscious avocado records the purpose of avocado records was never to create filler tracks for the masses. five releases in three years could be a side effect of the responsibilities of jerome and rune

good guy mikesh is well known for his track -milk & honey- which was on the fabric 51 by dj t. and formerly released by liebe*detail spezial. with the single spare, good guy mikesh proves his talent for contemporary club- and popmusic. a rough and sometimes dark baseline layer underlines the magnificent detuned vocals. spare is a song that can enchant us listeners either in the club context or at home. remixes come in courtesy of christian löffler, axel boman, marbert rocel and mano le tough. christian löffler gives the original his trademark sound and makes it a melancholic piece of deep techno. axel boman is going straight to the floor with his remix of spare. adding clubsuited sounds and clicks this makes it a deep house version of the original for the djs to play out loud. marbert rocels version of >spare< is a playful one, the disco elements and the added sax line gives the track its distinctive sound of marbert rocel . mano le tough adds a few synth-lines to the original and makes it good for both: homelistening and club. supported by: marquese, tristen, john roberts, soul clap, dj sneak, lexy, tobias thomas, paul loraine, m.a.n.d.y., anthony collins, paulo olarte, alex tepper, butane, ripperton, nuno dos santos, milly de mori, sven tasnadi, eddy richards, nooncat, guy j, david keno, murat kilic, jesse rose, simon beeston, someone else, patrick zigon, chris lattner and elektrosalz

what an absolute stormer, for those of you who have never heard this record, get ready to be blown away. initially out in 1992 inner citys pennies from heaven was just the most perfect house anthem, i think it was kevins tunnel mix which was the killer mix, here it has been strung out just a little by the slow to speak people. all the crucial elements are still there, amazing vocal, the most uplifting of pianos, ridiculously simple yet deadly bassline and fantastic crisp garage beats. really they dont get much better than this, watch em go on nye when you drop this. awesome!

with >fric frac< robot ranch proudly to present our first international artist lado, wich to the surprise of us was elected for the best dj and producer of georgia 2009. both tracks atomize a tricky, organic and fresh placidness, that search the likes of her. the remix from eltron (festplatten, lebensfreude rec.) conserve this elements at the core and enriched with his deeply rooted feeling for the exact groove and will make shure for comprehensive smile not only in a morning hour