the 6-track *swim mountain ep* was self-recorded and produced by multi-instrumentalist tom skyrme half in los angeles, half in london and features the widely-blogged *dream it real*. the ep is a psych-pop collage of sounds fusing 60s studio ethics and modern production techniques. drawing influences from the harmony-heavy songwriters of the 60s and 70s (argent & blunsonte, rundgren, nillson and the wilson brothers) and the bossa nova chord progressions of brazilians tom jobim and joao gilberto. having been composed and recorded between the juxtaposing environments of rainy london streets and the sunny beaches of la, this accomplished debut has a a genuinely unique sound that is truly striking for a debut record.

walking through the sky, five years ago christian naujoks, peter m. kersten and richard von der schulenburg started a series of spontaneous recording sessions without any intention or idea. the only thing what held the group together were the immediate results hitting the three musicians straight inside their hearts. jazz as a metaphor of instrumental conversation, improvisation in the most dillettant way, science as a matter of exploring the opposite sound of what instruments were built to, these might be parts of a concept where there was none.

sebastian groth gets more and more popular in the recent years. with releases on labels such as italo business, naked lunch, tk-records or masters of disaster he gets so famous that he was nominated even in the german magazines partysan as newcomer 2013

at the moment ahu sohrab presented his first release on the beautiful shahr farang label, i was bewitched by the incredible intensity of his sound.. very sophisticated and subtle..one of the few occasions >deep< seems to match to describe. for the second release, it s lenta who continues this path of scapes and ambiance...

italian band n.o.i.a. was amongst the first electronic music groups to emerge in the late seventies and early eighties alongside peers like kraftwerk and depeche mode. nowadays they are re-releasing their back catalogue alongside a carefully curated selection of contemporary remixes and this latest package features rule to survive with a remix from prins thomas.

ltd repress, whoever knows of toi toi musik will know they have become synonymous with underground quality and for keeping things close and personal for their events and agency. well, with their new label its no different they stay very true to their identity (a good mix of english and german) and their quality. the 1st ep is produced by the legendary mr g. inspired after playing live at one of their events he wrote the track toi toi, which was later released on djulzs bassculture label. as a consequence, his relationship with the couple is so personal he nurtured them to open their own label and offered them 3 tracks for tt01 called much love ep. the 4th track is a remix by hello? repeat co-owner daze maxim, who has been a guest resident for the party for nearly its entire existence.

we are happy to announce that we are back with our 4th sol asylum instalment >let it go< this time from label founder julie marghilano. the creation process was an inner journey to find once again her creative spirit and just let it go. the final result is a three-track ep created with live-recorded instrumentation and features vocals by the talented jazz singer ilhem khodja.

4 unreleased cuts by nail, echoing perhaps the more jacked-up moments of his --big d s lounge-- lp that was released on diy that same year. speaking from his tent pitched outside the oswestry service station goods entrance, he recalled, --i have no memory of making these tracks--. 300 on clear vinyl, no repress.

according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

limited edition of 150 copies on white vinyl.
according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

crooked man is richard barratt from sheffield, better known as parrot. he was first off the blocks playing house music in sheffield back in the 80s, had a top 10 hit in 88 as part of funky worm, collaborated with richard h kirk on the seminal sweet exorcist releases on warp and had another top 10 hit in the 90s as part of the all seeing i.

real name kornél kovács - returns to his and hnnys puss label with stupid fresh edits of three songs from the year he was born. as always with puss, each record arrives with a real human kiss mark.

fernandos debut for leng was the universally well received mid-tempo monster *blue impala*. now he is back with yet another hypnotic bass heavy workout. *giant desert* takes the same low slung approach with some heavy guitar work from fiorucci. this is really is chugging music at its best, with flashes of vocal, analog synths and a dirty rock guitar combining to keep that head nodding. the extended dub allows fiorucci more space to hit the groove and the guitar work becomes epic.

nick curly and gorge are welcoming tania vulcano, jose de divinia & audiohell to their debut on 8bit with a massive 4 track ep! the indisputable first lady of circo loco, tania vulcano was there when it all began on those monday mornings back in 1999 and continues to be a beacon for quality underground dance music until today. for her upcoming release she joined forces with jose de divina and audiohell to create yet another timeless piece.

techno was always meant to invoke images of the future. whether dystopian or utopic, you want your music to inspire otherworldly images and ideas. enter american producer allen as the newest addition to the m_rec ltd roster…his 4-tracks ep embraces the set of values and intentions that were dear to the pioneers of the genre, while still delivering some incredibly exciting dance floor oriented material.

very limited 2014 repress. incl s100, pfirter & grindvik, skudge, the rumours aka s. linzatti & p.grindvik, oliver kapp and tom diciccio !! to clarify the meaning of sthlm ltd 022. on sthlm ltd 022 i would like to shed light upon a few artists who, in recent times, inspired me, in one way or another. older ones and new ones. we embark with s100, a cluster of machines and people from stockholm, who share the love of playing live. in addition to the stockholm ensemble we have juan pablo pfirter, a man who brings mad joy to any dancefloor but also constantly seizes the attention of the blog generation. there is also skudge, the swedish duo who with their simple patterns and oldschool vibes made people worship true techno again. as well as staffan linzatti, who is the best studio mate in the world, and oliver kapp, the founder of the labels indulge and raygun. oliver s music has always been a huge source of inspiration for me, so i was proud to invite him to do a remix for stockholm ltd. last but not least tom dicicco, a bass and dub loving youngster from the midlands currently based in manchester, who after a few releases on various labels co founded the great label inner surface. pär grindvik, 2011

neueheimat is joinig the cirque du minimaliste family on its sublabel manege with his debut release *quartier3*. neueheimat was founded near hamburg in 2012 by dennis grell. after working for many years as a commissioned producer and remixer for publishers and labels, dennis wished to start his own, new project and truly realise his creativity. conceptually, the aim is for the music to blend seamlessly with his photographs of urban architecture and to document the anonymity of life within city walls. influenced by artists such as anders trentemøller, jon hopkins, trent reznor and the earlier einstürzende neubauten, dennis began creating his own definition of electronic music. neueheimat and subsequently *quartier3 ep* are characterised by dennis clear style of production: a few lighter passages, but primarily creating a deep and murky impression. large spaces leave room for interpretation and present the listener with images that either they have never seen or have been missing for a long time. created on old analogue equipment, mixed on a 30-year-old tape recorder and mastered by mastering engineer stefan betke (tresor, cabaret voltaire, lucy, laibach), *quartier3* is a significant milestone in dennis production history.

in the late 60s early 70s many american soldiers where stationed all over germany. among those where musicians who played in several army bands like the east of underground who recorded a now sought after album after they had won the special services entertainment showband contest held in frankfurt in 1971. nobody knows which other bands participated in this contest, maybe also the soul explosion which were stationed in augsburg, upper bavaria. around the same time, a man named charles held opened a club in augsburg town called tarantel. furthermore he was running a record label of the same name on which he released a handful of 7inch singles from different, local bands, mainly not funky at all though. the soul explosions release remains the only one in the field of american soul & funk music. the band recorded a fantabulous double sider, one deep funk side with a soulful ballad on the flip which makes both hardcore funk and soul collectors happy. unfortunately there is no more information available about the band, only that they even performed live at the tarantel club.

in 2013 bootshonk was the white label release spurred by the calls from dc10s dance floor. this time around bootshonk steps ahead of the game and pre-empts two of this summers sure-fire underground dj weapons. troubled times brings high energy tribal drumming, simple and stripped back to ultimate rhythmic effect. patiently building up with claps before sliding into a moment of surrealist vocal samples, for a woozy, trippy vibe. with stamper square the mood shifts deeper, delving into the late night mystery and a new level of dance floor entrancement.

kenny dope and louie vegas nu-yorican soul project was responsible for some of the biggest underground club hits to come out of nyc throughout the 1990s, their collective vast musical knowledge, impeccable taste and legendary status as djs in the city only helped elevate them to the highest level.
the nervous track is a fine example of the duos deep musical heritage, originally released on nervous records in 1993 its deep pads, bassline and solid as a rock breakbeats captured the ears and minds of any self respecting dj or dancer who came within a hundred miles of it, the very definition of a classic! fusing the worlds of jazz, latin, hiphop and house maw set the blueprint for generations of djs and producers to come with records like this.
here, re-mastered and re-issued from the original dats in conjunction with nervous records nyc is a piece of dance music history, the nervous track is available again and still sounding as vital and groundbreaking as it did on its original release.

hailing from chicagos south side, the duo dar embarks lives in a world of underground techno and machines. their debut album, fleer ep, was recorded live on hardwares, no keys were played, just the pressing of buttons and turning of knobs. gathering its inspiration from records on the shelf, sci fi and comics, dar embarks remains steadfast in technotic efforts to interpret the future - our future.

chmmr is the dance music making moniker of even brenden hailing from, oh yes, all the norway. having released on luna flicks, relish this time is the right time for his debut on full pupp. the unmistakably sparkling chmmr sound stands for long hypnotic, tracks, simple in a way, but oh so grooveleaden, sick bassed continuously panned patterned with a string theme makes sure you never forget which song it was that stuck in your ear last. it was either lyd & bilde or ... np hard - oh yes. last not least thomas adds an own remix version with an epic mythical persion twist. persion version is a full. inshallah!

hochimpressionistische electronica: reissue des albums von 1994. das wegweisende elektronikduo cluster (dieter moebius und hans-joachim roedelius) setzte im jahr 1994 das fort, was es vier jahre zuvor mit seinem comeback-album *apropos cluster* begonnen hatte. *one hour* verschmilzt über 60 minuten die besten passagen aus zwei mehrstündigen sessions.

next release on vinyl only label hands off, is four walls. we just love his deep sounds, and we cant wait to present this fantastic ep for all of you! four walls did successful releases on traxx underground and kolour ltd to name a few. the release he did with funky jaws on kolour ltd went to the top on the vinyl sales chart, and was supported by everyone. this is serious deep underground house music! as always, limited press worldwide.

a producer from maisons-alfort, france was too young to attend the nighttime parties but heard some msn releases, & made 3 jams that eamon & justin have been caning for months.

tudor gheorghe, also known as romansoff, is a dj, producer & vinyl collector form bucharest, romania. heavily influenced by the small local underground parties on the electronic music scene in buchares romansoff started collecting vinyl, djing and later on headed in to production. in 2013 he started releasing music on his own imprint, raw tools. a vinyl only series with a raw, analogue, sound which was charted by known artists such as ben sims, mark henning and serge. now picked up by machine musics diesel we bring you two great tracks from romansoffs dark vaults in romania rage machine and in my heart

last year moscow records set up sub-label moss co and each release so far has introduced a new set of artists. for this third release it is nu zau, aka stefan gabriel zamfir and loopdeville, aka d zlatinov. nu zau debuted on fear of flying in 2012 and his 2013 was prolific with seven releases added to his name. he provides an 11-minute drum track, *cumse cuvine*, that is filled with kooky and super minimal, squeaks, tweets and vocal samples, a fine production. loopdevilles kick drum on *piance* in comparison to zaus a-side is standout, and here he provides a cold and moody track designed for those deeper moments of the night. it is the london-based producers third release after debuting in 2013 with two 12 inches, one of which, phantasmagoria, inaugurated new label delooped.

skylax welcomes f.t.g., known to house music scholars as freddy the groove, and his many friends for our next release in 2014. last year, f.t.g. and his italian partner in crime, marco riff (who also appears on this very record), pressed a very limited run of a single-sided, special throwback tribute to late 80s chicago house music. the track was aptly named ‘tribute ’89’, and it put a more dancefloor oriented twist on a track by a certain originator with the initials r.h. needless to say, it became highly sought-after incredibly quickly and fuel was further added to the fire by the repeated club play by none other than the dj idol ricardo villalobos. luckily for our followers, that original mix appears on this ep with another unreleased mix of the track and 2 originals featuring belfie and alex tea alongside f.t.g.with enough said about ‘tribute ‘89’ itself, the unreleased mix maintains the warehouse vibe with a heavy kick and bouncing bass pattern but takes it to another level with the introduction of rolling vocal cuts and a rather ravey synth line. flipping over the to b-side, we are treated with two tracks by f.t.g. and alex tea, named ‘public enemy’ and ‘bango’, with the former also seeing belfie lend a helping hand in the production. both of these originals round out the record nicely and cement it as another skylax release that is definitely not to be missed

this october, the compilation disco sympathy will be released on versatile. it’s author is vidal benjamin, an outstanding dj / digger, considered by his pals as one of the most brilliant in his category. and that says a lot! here he makes us rediscover the sound that was so characteristic of a certain early eighties french scene: wacky, happy, dancing and at times even poetic. one begins to travel through an era during which the french producers were not afraid to tackle disco, american boogie, british and german synth wave, to present us their version: french, poppy and above all... fun!as a prelude, before releasing the compilation, versatile will come with limited 33 rpm and 45 rpm maxis, on which every track has undergone an editing treatment by mysterious french producers: jean-marc misère (last sighted somewhere near london), dj ringardos (who, since his last versatile release in 2008, chose roman exile), alt (already spotted on the edits du golem and on the us label black disco), and of course vidal benjamin himself, accompanied by gilbert cohen - the boss. on the 45 rpm you ll find no-one less than jeff lasson, of the get a room! duo, who came through with flying colors. and as a bonus beat: misère on the b-side.

summer is blooming and we have the first release on drumcode limited. drumcode limited was created to bring an offshoot of special tracks focusing on exceptional music. keeping tracks on a vinyl-only format also gives the music that special collectors quality and a sound synonymous with audiophiles. past releases come from adam beyer, alan fitzpatrick, tom demac & glimpse, ben sims, petter b and nihad tule & bauri.

after few nolder, italian fellow lehar aka lorenzo esposito is the second new signing for connaisseur this year. apart from his residency at the cirq club in venice and regular bookings at some of the best clubs and parties in italy and malta, lehar truly is a very talented producer as well. some of you might have heard the free download for lehars remix of kollektiv turmstrasses classic *tristesse* which has caused some attention on him the past weeks and was therefore the perfect precursor for this release. his demo impressed us very much and both titles really hit our taste. and as though this wasn t enough, together with his demo he delivered a remix by his friend and probably hottest producer of the moment: mario basanov, head of the label boso and mostly know under his moniker ten walls.

since the release of his previous album paradise for all, the profile of guts has grown a lot to become one of the main french producer and a recognized name on the european scene. his hit brand new revolution was played by many radios worldwide and even synchronized in grand theft auto v. his compilation series beach diggin is now a reference for summer and quality music.

modelmaker is a new london label from the collective minds of dan berkson and james what. the esteemed house duo has long been garnishing a range of international imprints with their inventive analogue house and techno sounds, but now they are focussing on their own outlet. initially launching with a couple of self penned eps, release number three will be the pair s long-time-in-the-making debut album, and after that a considered selection of other talents will join the ranks as the label pushes on. always primarily focussed on machine made, texturally rich house and techno, each release will come with unique artwork based on works from what s great grandfather, conrad felixmuller, who was a well known german expressionist.

up and coming portuguese producer lewis fautzi is quickly becoming a name to look out for in techno. championed by the likes of jeff mills and slam, fautzis hypnotic, tracky sound is much in demand. in may 2014 figure label founder len faki opened his boiler room berlin set with a new lewis fautzi production, the beatless intro vibes of >diagonal<, and thus a new ep was born on figure.

der rotterdachs, der ist kein lachs und die ackerdub 27, die ist kein flachs! rotterdub gibts auf die ohren, vor kurzem von den noetics geboren. geremixt wird der dachs von mollono.bass, schäufler & zovsky, baumfreund und biodub – panna cotta - was für ein spaß!

beartone records. home of bearface. house music since 2000. sounds like: west london meets nyc artists. bearface, trash can disco, bana kuba. label owner bearface (a.k.a. panasa from afrobeat duo bana kuba) initially gained recognition via roger sanchezs stealth label. defected records and vendetta followed suit, and today he is sought after for his productions and remixes.

for this 14th release, we give you the opportunity to grab 6 fantastic trax done by one of today’s hotest producer from germany : andreas gehm aka elec pt1.after a bunch of releases on mathematics, bunker, chiwax, snuff trax, he sent us his brand new tracks & we felt it was so good that we decided to release them straight !his sound is firmly rooted in proto-house and acid. a whirlwind of crystalline electronics, playful synthesizer riffs (with a dash of original chi-town jack thrown in), it comes on like a particularly cosmic jam session between stevie poindexter & drexcya. jack attack ! on this evidence, andreas is clearly one to watch

sportfreunde stiller teilen heute gleich zwei wunderbar ironische songs mit uns. auf ihrer neuen ep *wieder kein hit* enthalten sind die beiden songs *wieder kein hit* und *es muss was wunderbares sein (von mir geliebt zu werden)* vom platin veredelten album *new york, rio, rosenheim*.

a sublime three tracker that continues endless short history of releasing music that encapsulates an otherworldly beauty. the title track is a smooth deep dancefloor cut driven by a catchy chord pattern and crisp beats, while >vabene< encapsulates a rare exquisiteness with its chugging bassline and evocative melodic keys and already has a special place in clubbers’ hearts and minds after it was the opening track of lucas lauded set at sunday debauchery in nyc in june – a set he rates at the finest of the year so far. the ep is rounded out with the outstanding >la valse de la pertinence< that’s led by a call-and-response dual bass and key melody that drives the cut, making it simultaneously groove-ridden and sublime and spacey.

mr assister - more commonly known as the drummer that james blake sings for - unleashes his debut double b-side release on 1-800-dinosaur, the london based label and club-night of which he is a founding member. the seismic lead track bala has received rapturous feedback from the likes of jamie xx, jd twitch, martyn, gilles peterson & pearson sound etc and was made on a laptop in mr as kitchen without much knowledge of the software he was using at the time. prior to bala he came up with the deeper, headier house workout reggae drums on the tour bus, using samples of drums from reggae songs.

this edit of malis amadou & mariam ce nest pas bon (originally created in 2008 for my dj sets) was supposed to be included on the recently released third autonomous africa 12inch. unfortunately i didnt get permission to use it in time for that release but permission has now been given, so rather than wait for aa 004 in 2015 it is going to come out as a limited edition hand stamped 10inch as soon as possible. all proceeds will once again go to the mtandika mission in tanzania -www.actioninafrica.org/about-mtandika.php a big thanks to ben ufo and midland for championing this edit. the interest they generated directly led to the motivation for this release.

pragmat is a label from leipzig/germany and was founded by markus masuhr in 2012. this label is a new interpedation of techno. the label is following his line of dark, dubby, pure and peak haunting techno. 4 tracks of deep and raw, yet intricately textured techno. elementary loop techno tracks with dark elements, showing consistently forward. in a mystery track construct with pushing apocalyptic sounds and vocals. he meet dark side of the night.

remixes from artoniks and von d plus bonus track. limited edition back cover reads: sai sai is a nickname given to me by von d. sai sai which is french slang derived from my home country senegal, is similar to the meaning of joker. after finishing a tune one day, i felt the name sai sai was a good fit for it. considering being my debut 12inch release, i feel it is a homage to my swag and home country. my debut ep was named tee hee and i find it fitting my debut 12 being named sai sai. i believe sound is a gateway for energy to transmutate. if sai sai is the ship, ouf is the weapon.

was für ein zirkus: be svendsen hat sich 4 titel von 4 virtuosen klangakrobaten geschnappt und jongliert sie im freien raum zwischen schnittigem house, klassischer rummelplatz-atmosphäre und stummfilmmusik der goldenen 20er. so beschwippst und überschwänglich dieses manöver klingen mag – wer sich rhythmisch dazu bewegt wird schnell merken, dass hier nach dem muster routinierter dancefloor-präzision gestrickt wurde. dafür bietet acid pauli natürlich eine echte steilvorlage: be svendsen schnallt die schunkelnden klavierakkorde von requiem for a loop auf eine swingende bassline, schlägt verwegene kapriolen und landet mit jazziger lässigkeit doch immer wieder auf der eins. die vielschichtige komposition, aus der sich der zauber des schlaraffenland vom electronic swing orchestra ergibt, untermalt er mit schlichten aber effizienten beat-texturen. zusammen mit monolink und inspiriert vom detailverliebten tiefgang des micronauten entsteht der wohl hypnotischste titel auf dieser ep, nämlich ein wunderbar verträumter remix zu modulation transfer function. und dann wäre da noch die zackige vertracktheit von the one, welche die hörerschaft wohl unwillkürlich in menschliche kanonenkugeln verwandeln dürfte.

number 3 on ruff draft comes from louis guilliaume. having met louis back in 2009 and followed his music since way before then, it was an exciting day when we received these tracks from him. known more for his harder edge techno productions on labels such as soundtravels, bio rhythm holland, teng, sd holland and a remix on skudge, here he edges slightly away from that harder sound. the tracks vary from deep, groovy and meandering house to a beatless soundscape reminiscent of early larkin and pullen to a powerful kick drum driven sermon.

rough house rosie dedicates the sixth release to its japanese listeners with a four track compilation from four different japanese producers. legendary takayuki shiraishi (aka planetoid) releases a track nightfall which was first out in 2002 on a cd slow shoutin . he is teamed up with mitsuaki komamura renowned for his unique sound on record label weedis. miruga (ethereal sound / badance) delivers a strong deep track on b1, while mahal has his debut with a catchy bass driven tune as a final track of the ep.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

last copies left !!
a bold move to cover a daft punk record? perhaps but off msg and vocalist hadi create a respectful update of the oft overlooked romanthony penned finale to daft punks second album. too long is one side of vinyl and 6 minutes of classic infectious house music as uncomplicated as it is effective. sounding not unlike an early marshall jefferson / jungle wonz record. hadis vocal leads the way, underpinned by loose house beats, live tambourine, a when house was discos little brother bass line and analogue disco stabs that punctuate the space. strictly limited to 500 hand stickered, stamped and numbered with no repress. these will not hang around mastered by original two lone swordsman mr keith tenniswood.

nrbq sind die mutter aller eklektizismus-bands. schon auf ihrem 1969er debüt-album coverten sie sun ra, spielten eddie cochran-rock & roll und komponierten die tollsten popsongs, was yo la tengo, bonnie raitt, paul mccartney, elvis costello oder den chefnörgler keith richards zu ihren größten fans gemacht hat. sie sind die ewige lieblingsband vom drehbuchautor marc scully, was sie zur wohl unbekanntesten band macht, die jemals bei den simpsons einen auftritt hatte. was aber auch dazu führte, das sponge bob schwammkopf immer wieder ihre lieder sang. aus der original-quartett ist leider nur noch keyboarder und sänger terry adams übrig, aber die aktuelle besetzung, die seit nunmehr 8 jahren zusammen spielt lässt für eingefleischte nrbq fans keinen wunsch offen. das neue album „brass tacks“ zeigt nrbq in ihrer ganzen prächtigen vielfalt. das berliner label staatsakt, das auch zum kreis der großen nrbq-fans gehört, ist sehr glücklich, sich in deutschland um die vermarktung und promotion für -brass tacks- zu kümmern.