fantastic remastered reissue of the highly collectable 1977 original uk ice records release >nobody s got time / timewarp<. produced by eddy grant and performed by the in-house band of his coach house recording studio, side bs groundbreaking instrumental >time warp< is the absolute must-have here. this deep and minimal track takes you on weird reggae-tinged psychedelic disco journey and is hailed as a seminal early proto-house classic popular in chicago as well as being huge in ny at mancusos loft, paradise garage etc. with its unmistakable falsetto riff, tweaky synths and a walloping bassline, this truly is a timeless electronic weapon! side as >nobodys got time< is more of the same but layered with eddys great gravelly soulful caribbean vocals - super funky. do not miss this!

here comes the follow up of michael knops successful vinyl on meleon with twomonster techno tunes including a huge d.diggler remix!

special tracks have a special story behind them.and this one certainly does. after mario & vidis recorded a couple of tracks with ernesto for their debut album changed they invited him to perform in their home country. during his short stay in lithuania ernesto performed two times and both times closed his set with a track called care. it was kind of a mash-up - swedish singer & songwriter was using lyrics of his old song to sing over metro areas classic caught up to a big effect - leaving the packed dance floors to a sing along to lyrical hook of sisters and brothers, smokers and lovers, care for me every time. big fan of metro areas sound vidis offered him to do a reversion of this mash-up using caught up as a reference and inspiration. the vocals were re-recorded, new arrangement was done, and the song was tested in the clubs as well as live on stage. so here it is - another big tune from the three to sing and dance along

this third outing expands further the mosso musical range, presenting alejandro mosso in some of his most rhythmic and yet, dreamiest atmospheres. unlike mosso002, which got the producer to hunt in his forgotten documents, both airs present on this record have been impetuously developed over the last few months. on the a-side, pleamar is a driving number which boots with a hypnotic metallophone pattern, slowly giving way into a electro (rga)nic piano fest, which in turn twists itself into bent, crushed and perverted synth whistles. this a-side has been designed keeping the lower half of the body in mind, offering full waves of joy and jubilation! now that you are grounded enough, how about flipping that record and meeting us on bajamar - low tide, litterally. on the shores of this b-side is where a wonderful landscape of shimmering spray and glistening stars await you. here again alejandros ability to bring together biotic and mechanic in a homogeneous unity is best revealed. in a magical tour de force, bajamar sends tingles from the base of your heels, up and all along your spine, into your crown, triggering instant wonder, reveries and realisations.

a time machine appeared to us recently in a cloud of smoke and a giant portal of light. out of the portal a smoking piece of futuristic metal emerged and fell onto our floor. closer examination revealed it to be a time capsule sent from the future. a message from the year 2043, it contained diagrams of futuristic machines from what looks to have been the studio sessions of the recordings presented here. here is what we found, a 2 track ep (plus remixes) from artists from the future. recordings made 21 years from now but from artists who you may have already heard of today.

the title track has kenny larkin vibes, with the max d style cosmic twists we love down here. slick is sick too! features a remix from another certified hemp eater, terekke, who amazed us with awesome white label on l.i.e.s. last year ... killer package on this excellent label.

bop & diagram touch down on auxiliary under their abstract elements guise. super bass heavy minimal science is the name of the game here. delivered on beautiful purple marbled vinyl.

this new ep on vinyl dogboy kiosk eclectic records, shows two facets of this parisian producer. it transports us into his personal electronic music and festive first dogfunk, a punchy front, dance floor and groovy, this piece makes us dance on the funky bass music. on the other side bad dog, dogboy delivers here a deep bass music, relentless volatile and planing. yoshh! for its 22nd output, kiosk eclectic is glad to welcome a new comer on its wax series, the so called dogboy. the parisian based producer unleashed there 2 angles of his work. 4x4 bassline to start with a side, and its excellent efficient bassline groovy attitude. featuring the flip, were on a more glitchy & atmospheric level with a nice upfront dubstep tune

unreleased egyptian jazz: 2x45s set in a unique hand-printed fold-open pyramid! four sides of previously-unreleased ethnic mythic mystic jazz from the legendary egyptian drummer! before the re-release of his album with the cairo jazz band recently, the name salah ragab was best known to jazz fans and record collectors by way of another lp that was recorded with sun ra in the early 70s. his album >prism music unit< with the cairo jazz band was released in egypt with another by the cairo free jazz ensemble, but perhaps only salah himself knew of the other songs he had recorded at the time, but didnt make it onto these lps. the tapes lurking for decades in an old trunk, its taken until now for them to see the light of day, and we present them here as four amazing pieces of egyptian jazz on 2 seven inch singles. entombed within a hand-printed, hand-made pyramid shaped box, this is the first time in 40 years that these recordings will have come to light. ladies and gentlemen, behold the splendor that is salah ragab and the cairo jazz band!

mit seinem longplay-debüt tritt der produzent und sänger aus sacramento endlich mal selbst ins licht der Öffentlichkeit. als mitmusiker von zach hill, techniker und co-produzent der dirty projectors und gitarrist für marnie stern stand raleigh moncrief stets in der zweiten reihe, auf >watered lawn< rückt er ganz nach vorn. selbst gemachter elektronik-soul, sich vortastende psychedelic, das ganze im steten wechselspiel aus hell und dunkel und folkig intim vorgetragen. dabei schmiegt sich moncriefs herzschmerziger falsett an westafrikanische gitarren, synthie-effekte und verhallte beats. aus melodien werden rhythmen, aus moll wird dur, aus r&b grunge. und manchmal klingt es wie ein in acetat getauchtes stück von panda bear.
limitiert auf 1000 kopien, inklusive mp3-downloadcode

already supported by andy cato (groove armada), anthony collins, dop, joris voorn, mark fanciulli, riva starr, gavin herlihy, ray okpara and many many more. jordan peak is already a well known name for those in the know, with a string of fantastic releases on tsuba, one, morris/audio, saved, robsoul and area remote (phew!) jordan has ticked the boxes of all of our favourite labels here at klasse and its a pleasure to welcome him to the family for his own release.

here it is, the follow up to pirahnheads nrtvnrg ep. the ngtvnrg ep (3eep-109) brilliantly channelled pent-up negitive energy into killer dance tracks, so the sxulnrg ep brilliantly channels sexual energy into killer grooves and words. over two pirahnahead grooves, first goddesstephanie and then mona bode deliver meditations on sex, music and dancing.

hauschkas first releases of 2012 come in the form of two stunning remix 12 inches that are pitched at the dancefloor and kick off a wider project of reinterpretations of his last full-length. here, ep1 sees two serious heavyweights of minimal techno delivering very different, yet complentary versions. this 12 inch is the first of two vinyl-only eps, running in advance of a full album of electronically-angled remixes of >salon des amateurs<.

2012 repress !! here comes the second long awaited album of dials main act efdemin! its the main release for dial records in 2010 celebrating 10 years of dial records!

mladen solomun, diynamic label head and man of the moment is presenting his kackvogel (shit bird) as the teaser for his forthcoming watergate11 mix compilation, which will be released late june. this bird with the exclusive naming is a slow-mo funk monster in fine solomun style and right here for the start of the summer season 2012. the first 500 copies are coming with a full size etching of his watergate compilation artwork on the b-side!

following on from the massively popular philadelphia international: the re-edits package, here is the 2nd release in our special philly 40 campaign which is celebrating the 40th anniversary of philadelphia international records. welcome to the hugely anticipated philadelphia international classics: the tom moulton remixes.

mercury are on fire. already they are called the new swiss house mafia, with their brothers from round table knights (on made to play) they are working on a new, funky, heavy energetic kind of house music. here is mercurys third single on gomma. three deep jams. deeper then the last single. paris house 1998, and gospel percussion from the 20th century, if you know what we mean

little is known about the norwegian bunny & bear duo known simply as the glue. their last appearance with us came courtesy of kolour ltd and we knew right then that these boys were in-store for their own ep with us and we are pleased to announce that it has finally come to fruition.
remix duties see the return of the incomparable dead rose music company to the kolour fray. he takes the title track and rubs it into a chunky piece of dancefloor business that has without a doubt turned into one of our favorite remixes to date.
we here at the kolour recordings family of labels cannot express just how much we appreciate your continued support. for all the gig spins, various chart support, podcast plays, and reviews .. from the bottom of our hearts .. we thank you very much.

full pupp helps another new outfit into the saddle. even though esteemed norwegian dj ole martin vilberg aka omar v and robin craaford, one half of dance disorder with baby g (bpitch, eskimo) are hardly young guns, they gang up together for the first time on complete: a blinding cut that harks back to the time with good ol jack was still the young buck and closely associated with uncle electro funk: tough beats, hyperactive claps, a jittering bass and a catchy, squeaking melody are still rattling bones if masterfully pieced together as it is done here. the guy most closely related to the italo sound out of the whole norwegian disco bunch chucks the more intricate original rhythm but goes hypertechnicolor and widescreen on the synth parts boosting up the originals melody, throwing in a nod to happy station and a hi-energy bassline.

we are proud to welcome simple & thigpen (aka helix) from detroit & a small town in southeast georgia on ilian tape for their first collaboration eva. as peanut butter is a national dish in the usa since ages, every real american knows how to lick and swallow it the perfect way. so here we go with a 134 bpm swangler that funks from your backyard trying to get your arm hard while you are playing a bit of dart! freak seven from manchester is transforming the original from ying to yang through adding his personal slang while designing men strings with jewelry for alexander wang. and last but not least the zenker brothers adding their incomparable dust in which you all hopefully trust. hugs & slugs from the bavarian headquarters of love.

just be, formerly known as bushwacka! drops second base on get physical this month. a collection of percussion heavy soundscapes to entertain your thoughts as the night turns to day. hold on, wait a minute is a heavy track for heavy dance sessions in the late night dark places we love to frequent. just be provides the perfect sound to company us on our journey into the vibe as it opens itself and displays its mechanical insides. an edgy percussive rhythm dominates second base, the second track of the ep, in its opening moments leading us deep into a forest of sound. theyre not playing games here, this is the deep night. touch me is a percussive wonder from rainsticks to bongos an organic feeling floats throughout. the bassline pushes on unwaivering and determined to move you to your feet in any situation.

detroit house at its best. amazing high tech jazz influenced 4 tracker by orlando b. after hearing orlando bs 2 full eps on germanys yore records, ric mcclelland & sean grieve head hunted the scottish producer for their seven music label. orlandos first outting on the belfast imprint was at the start of 2012 with a remix of giorgio luceris >one more time<. not content with just a remix, seven music asked orlando for some original works and here we have the >city life ep<. 4 tracks of chicago and detroit inspired goodness! the scottish producer and dj started making music at the age of 15 using an atari and notator sl. inspired by artists such as jeff mills, the advent, dave clarke and ian pooley, orlando began his career making techno. fast forward to 2012, orlandos studio is predominantly analogue based and his sounds have progressed to a deeper and more retrospective house sound. with 4 original tracks (1 of which is exclusive to the 12inch vinyl) the >city life ep< is arguably orlandos finest work to date. timeless yet forward thinking electronic music with soul and a record that deserves a place in any discerning djs collection!

transatlantik-koop zwischen den aus chicago stammenden mcs just jay & widom o.n.e. und produzent trishes (beattown, tlm records, melting pot) aus wien! the luv bug will bite you if you dont watch out ... watch out!
inklusive code für mp3-download des albums.

ok, to call this album long awaited or highly anticipated would be a non sequitur. what lies here before you is sculpted out of the blood and tears of 5 years of life, and all the dreams, imagination, tristesse and longing that goes along with it. the name orgue electronique shouldnt be new to you, cause it isnt. for over a decade it has been lurking in the periphery of house music - forever too early or too late for the trend, be it as a solo artist or working alongside legowelt. but it seems the apotheosis is finally here, in the form of this mesmerizing double album: wholly matured and further enhanced by collaborations with luminaries like robert owens, alden tyrell and cult hero fre2k. but to just dismiss this as a retro house record would be to sell it short in a big way. sure it was influenced by the usual bunch of pioneers and icons, but this is not an epigone, this is music that is. its warm and generous, made up of real emotions, of moments frozen in time and of the impassioned cries of a soul on the run. thats right, this aint no hipster shit dime-a-dozen facebook house gonzales! to finally let it go after so many years is - for all the parties involved - a strange yet exciting moment, not unlike the birth of an elephant baby. out of a human female

place 2b & paimon go on the melodic tip on this blistering new fokuz limited. beautifull intro turns into a huge bassmonster right here, nice one! for the flip the guys did a collab with a vocalist to make their already epic soundscapes even bigger, nice rolling beats fitting in perfectly well and than there is the bass howling sounds. the new twist for 2012, play it loud!

alden tyrell hooked up with mike dunn for some new work!. a golden combination which already worked out great as we learned from the heavy remix tyrell did for the murphy jax & mike dunn collaboration (its the music - cat# cjfd06). tyrell always jamming and playing around with his synths had some tracks inspired by early mike dunn songs. so the obvious happened ... the hooked up for some appropiate vocals and here it is ... touch the sky! a peak time acid monster with mikes vocal chant in the style of his classic md3 projects. gerd is on remix duty here and delivers a killer remix with a more traditional chicago groove and build up. clone head honcho serge had some studio time with tyrell for a dub mix. the serge & tyrell dub mix turned out a bit wild and became a classic piece of piano and dx bass driven chicago house music with stuttering vocal samples and a acidic synth line. another strong clone jack for daze!

played and supported by kenny larkin, laurent garnier, adam x, speedy j, norman nodge, dvs1, pig & dan, perc, max_m, jonas kopp, freddy k, kirk degiorgio and more. cannibald ? do you remember something about an lp of the 90s signed by leo anibaldi ? yes! its the label of leo anibaldi. until three years ago his releases were on vinyl. then he continued in digital format until now. now its time to release again a special vinyl!luigi acidmachine is an artist who has been behind for years very underground projects, as part of the crew also historical (see virus-rome in the 90s). here comes with three tracks, powerful, intelligent, and demonstrating the evolution of his mind and his ability

uh oh! here we have last years ridiculously massive backwoods tracks remixed by esp institutes bad boys. the stallions (lovefingers and lee douglas) take dj kents hit cloud nine to the church of rave to meet a dirty belfast gospel that will turn your trout-pout upside down and leave your feet bleeding. just try to find a room big enough to hold this 12 minute monster! on the flip, cos/mes tropify the backwoods album opener awakening in a stylee that has become their signature, lush and loopy. this is a special collaboration between tokyos ene records and esp... dont slee

bodi bill - what remixes (apparat & thomalla) in 2011, there was no way to get around bodi bill - and it will continue in 2012. right on time for summer, the band releases two exciting remixes of their hit-single what on their own label krakatau. luminary apparat and young talent thomalla have chosen the smoothest and breeziest track of the album to rework it with verve and experimentiveness. the tracks differ considerably, and yet there are parallels between both artists: they share a vision, an affinity for progressiveness and audible enthusiasm in each track. apparat - who released his very successful album the devils walk in 2011 - breathes autumnal coolness and depth into this summery number.the result is thrilling, unexpected and spine-tingling. thomalla also rejects construction kit primetime-techno and shows his remarkable talent in two very unlike versions of what. with his overwhelming desire to experiment and discover, he created tracks to dance to, that move beyond the typical minimum radius. this record gathers pop and electronic avant-garde: the record-label and artists wanted to fathom the boundaries of rhythmics and harmony - and they clearly succeeded. here, two exceptional musicians show their vision of electronic dance music, enthralling, fascinating and exciting!

red earth records presents a new six-track ep. responding to popular demand, the title track >we re not leaving< is here presented in a radio-edit version (side 1, track 1), after having been released in an extended version last year on 7 inch vinyl. this will be plugged on uk radio this summer combined with a uk and european tour, preceding the release of the new soothsayers album in september.

limited edition vinyl reissue of the deeply balearic and impossible-to-find extended version of the magnificent tranquillo (melt my heart) from the one and only carly simon. produced by the acclaimed arif mardin, who also worked with such luminaries as aretha franklin, esther philips and donny hathway, this 1978 classic rides soulful disco-tinged waves of blissful strings, heady horns and cosmic guitars with a rich orchestral feel - no wonder this is a such a firm favourite on the balearic scene with djs in the know from harvey to phil mison. originally released on a promo-only 12 inch single with the same version on both sides, tranquillo is here backed by another essential sun-drenched gem from ms. simon - >you belong to me<. a jazzy, breezy summer groover laced with gentle piano, soothing vocals and some amazing saxophone from virtuoso david sanborn. welcome chance to grab an affordable copy of this highly desirable 12 inch.

repressed due to popular demand and ridiculous discogs deals – here are kornwl kovacs underground hits >baby step< and >down since 92< (both previous studio barnhus vinyl only releases) + brand new instrumental versions of said tracks. dreamy, bumpin house music – played and supported by a made up sound, axel boman, catz n dogz, cosmin trg, deetron, erol alkan, ewan pearson, jimpster, john talabot, marco passarani, matt john, maya jane coles, michael mayer, ripperton, ryan elliot, serge, tiefschwarz, tim sweeney, and a few others. limited repress – no digital – be quick!

we are proud to present the first release of goldmin music. our friend ken hayakawa based in vienna delivers here a brillant package of soulful & anachronistic tracks.

new release by datassette! proper contemporary electro tracks with a bit of that early nineties emotional yet funky rephlex/electronica feel. one of the hottest releases of the already hot shipwrec catalogue so far... with free download including a bonus track and a remix by ilkae which are only included here.

this is part two of senseless records synesthesia series, celebrating their 5th birthday. limited edition vinyl with a hand printed sleeve and art poster insert.
mak & pastemans contribution is a high tech bass bomb built around a carefully chosen sample that devastates right from the start.
elsewhere you will find nkc, who matches up ballroom house attitude with a huge siren-like bassline and a stuttering 4×4 beat and jtrp, who build rattling percussion around their signature tech-atmosphere into a deadly drop that comes out of nowhere. artwork comes from brighton based katie scott.
artwork comes from brighton based katie scott who is arresting and varied work is intricate and detailed, balancing technical ability with a wild creative streak.

>twistin the night away< was one of cookes more successful lps, only his second ever to chart, and from here on, all of his albums would sell in serious numbers.
this is the remastered version of a record that has been out of print for a (too) long time! pressing on 180 grams audiophile vinyl.

what we have here is an album which is, if i may say, relatively positive and generally good for home listening. this album was recorded in about 10 weeks in a living room (the sofa being my bed), with restless swollen eyes at dusk and a love/hate relation with my machines, microphone and electric guitar.3 machines gave up on me during the making of this lp.i hope you will like it. tolga.

martin books & alfred heinrichs own a lot more than be partners in producing electronic music, they have also been best friends, as some would say: mates. and on this way, their album get his name: >hey mate<

our first release of 2012 has seattle veteran 214 merging his classic electro style with current uk bass flavours to create a tantalising 4 track ep to wreck dancefloors and is already receiving support from boddika,girl unit,addison groove,bok bok,braiden,dexter,patrick pulsinger,speedy j and appleblim.

ultraltd nice price action >>> here an unexpected bonus 12 inch to the clone 56. with an exciting remix by man of the moment 2562! he delivers a mix full of heavy sub basslines that make the house shiver and completes it with fine detroit melodies. 2562 manages to craftly dart between a concentrated detroit-techno drive and a sensuous dubstep swing which is slightly going towards a 4/4 beat.... but then falls back into that seductive two-step pace. bernardi gives us another take on the original version which is on a melodic, moody and even melancholic tip... so sweet! to top things of mark august delivers his bonus beats extracted from his glossy house-flavoured techno track. as usual with the clone x series: limited supplies!

nice price deal !!! hallucinating, mechanical, and dark, spatial techno from three legged race. the wrong element ep solidifies robert beattys recent mind bending live performances into proper physical form: a 12 inch extended play record. the high voltage lines of slum moog and brick 808 define the all saturating sound seeping from the black lead earth of lexington, kentucky. the mastery of tension and release found throughout beattys work with hair police and burning star core is here crystalized into a rich and daunting psycho-physical techno fit for the club and the basement. listen with the lights off.

may 2012 sees the 8th release on krd, picking right up where the label was at with its last release a year ago. >bilal / spider< introduces the new project on land, a solo vehicle for label head edoardo arengi, who previously was in charge of production duties of the shadow sync releases. the title cut >bilal< again attests to edoardos technicall skills - almost twenty years of production experience do indeed show here. a strong minimalistic groove unerringly aims at the heart of the dance floor, and once the classic ride cymbal comes in, >bilal” is sure to have the people moving. for the flip, label owner and producer edoardo arengi teams up with a young gun of berlins techno scene. >spider<, produced together with rudmatis, to his dj-peers known as rødhåd of the dytopian music collective, goes for the darker end of the floor with a hypnotic bassline and slowly modulated sequencer lines. once you are caught in the net, there is no way out!

yoruba records proudly present the return of afefe iku. returning after a four year hiatus with is his first release since his 2008 debut album and smash hit mirror dance, here we have a four song ep entitled the blues. with his eclectic force and sound, afefe brings us another chapter in his developing story. the blues gives us the dark edge of deeper techno, whereas the arsonist is an in your face mid tempo head banger featuring osunlade on vocals. dakountdown and jungle beats stand alone in style and approach as a throwback to the days when house was simply just house, without the multitude of todays dance genres. yoruba pray that you embrace the next wave of sound from the mind of the man who brought you the classic artifacts of pottery vessels

martin brodins second single from the forthcoming album which is due for june 2012. it follows the successful badabing which featured diskjokke as remixer. strings attack is all about the strings for disco. ok,now you may think he gone all cheesy here, but that’s totally wrong.it still have the funkyness and groove it needs to be a full-fledged disco anthem in our ears. and we invited two of the most prolific producers out there to make this a rock solid release. switzerlands finest, headman (robi insinna), who we all know from his own relish label and releases on gomma. he turn the original to an uber-cool bass-laden track and makes it a bit more in-your-face to speak, while the original is a bit more freestyle. second out is spanish born ilya santana with his funky mellow take. its a perfect remix for those beach parties we all love.

bristols october (who teamed up with applebim to tear out a truly cold remix of skudge last year) comes with his own 12inch on the skudge artist series... 2 excellent tracks here - 2 moods, both heavy! tip!octobers new ep for skudge is one for the warehouse: both in nostalgic and progressive terms, october seem to have recorded the timelessness and his soul into the forth installment of skudge presents.

what is techno is the first single to be taken from techlegend in the makin florian meindls long awaited debut album waves (1-12)inch, due for release soon on his very own flash recordings. what is it techno? what is house? good question and its the doubt that drives you on the dancefloor. florians original is perfectly crafted deep groovy tech. a delicate melody belies the raw power, generated here by the growling bass and drum line. ramping up the filth factor and still riding high from the release of their second city ep are boys noizes, shadow dancer. matching detroit synths with sinister bubbling acid the manchester duo create a beast of a mix that also displays an equal amount of beauty.

saulty and bradka, the two behind vilnius based downtown party network tag team, combine together more than 10 years of dj and production experience. their original productions have been signed by eskimo, loud east, bear funk. their remix work has been commissioned by pete herbert, kolombo, main stem, deadstock 33s, tj kong & nuno dos santos and even sander kleinenberg. their gig geography ranges from london to dubai. which doesnt give even a tiny shadow of doubt on their musical credibility and ability to rock the party. here they deliver the first single of another kind for best kept secret - killer bass line combined with irresistible jazz chords on a side and some metro areaish stripped down funkiness on b side. dance music machinery at its best. best kept secret - hidden sounds of vilnius house scene uncovered & presented by vidis.

ilario alicante might well be best known for his previous releases on big room labels cocoon and cecille but preconceptions can be misleading. here on sudden drop we plough a deeper furrow, not ones for hands up in the air shenanigans we prefer to get our heads down on the dancefloor for some serious introspection, which is why this 3 tracker from the italian born ilario finds its way onto our label. echotechno is indeed a main room slice of stomping techno but with that oh so important moody vibe that we crave here at sd,rouge dub on the flip delves deeper with an exceedingly trippy soundscape whilst untitled drop rounds things off with a spritely techno groove.

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.