produced by elektro guzzi and patrick pulsinger recorded directly to analog tape. no edits. no overdubs.
elektro guzzi redefined the meaning of performing techno live. with just guitar, bass and drums, they take the most unusual playing techniques and put them together into a rigid mechanical form where everything makes instant, evident sense. if they had not performed live extensively, becoming audience favourites from mutek to sónar and from berghain to fabric, it would have been hard to believe this is really how the music is created. that said, it seemed impossible they could go even further in this direction. yet thats exactly what they did. parquet, their second studio album sees them in monomaniacal, claustrophobic techno mode. throughout the nine tracks the distinctions between instruments and roles are totally vaporized.

the wave of love & applause surrounding art of tones this year has been phenomenal & well deserved. long running stalwart of the global house scene for nearly 20 years, ludovic llorca has brought his work at the forefront with labels such as f communications & 2020 vision.
already supported & played by steve bug, jimpster, shur-i-kan, axel boman, andre lodemann, the revenge, charles webster, dj deep ...

anders trentemoller has become one of the most respected names in cutting edge electronic music in the last few years. his rise to notoriety was sparked by his early, techy releases for poker flat and audiomatique and has since gone on to stellar highs with his own personal take on the genre, spanning, pop, rock, indie and classical. his debut album >the last resort< was released in 2006 to much international acclaim, and the producer also began to become an in-demand remixer in the house and techno world. as the decade wore on his sound continued to progress, opening up his studio to more live instrumentation, and a looser, rock-meets electronic vibe with his stunning >into the great wide yonder< lp. now this special double cd and double vinyl release celebrates some of the producer s favourite remixes he completed for other artists, and also some of his personal picks where other musicians have reworked his music.

stephin merritt (born february 9, 1966 is an american singer-songwriter based in los angeles (formerly in new york city), best known as the principal singer and songwriter in the band the magnetic fields. he is known for his distinctive and untrained bass voice.

eddie van halen, well-known for his guitar prowess but also a classically-trained pianist, used 1984 as an opportunity to take the band into different territory. additionally, 1984 was the first van halen album to be recorded at eddie van halen s home studio.

from the depths of the mississippi now transmitting from brooklyn, aow are making their presence felt. featuring remixes by kevin reynolds, scott ferguson and josh dahlberg.

one of the most promising artists that has come out of amsterdam over the years, david labeij, has recently had more time to focus on his solo career now that polder, his live act with lauhaus, is an established and high quality techno outfit, with an album on shinedoes intacto imprint and many singles to their and his name. where the infamous polder groove is aimed at blowing up dancefloors, labeijs solo tracks are more on the hypnotic side of techno and house, as each track on this release demonstrates, as well as plenty of bouncing and playful basslines. labeijs sets - live and dj - are notorious for their mesmerizing qualities, and he is rapidly gaining international grounds with his distinct and captivating take on dance music, so we hope you enjoy this release

the arresting voices of black, young proteges of the wolf + lamb family, come of age as both producers and lyricists with their zenith her flower ep. introducing new vocal crush rap lisa - whose colloquial melodic verse is a perfect match to the brooklyn boys refreshing take on warm, soulful space funk & house. also featuring a searing greg paulus cover, this release is poised to set vob on fire

lcd soundsystem bring >drunk girls< to a rock party, holy ghost! take them to the electro floor.

following their remix of ludwig coenen for tlm022 and a string of celebrated releases for nachtstrom schallplatten and perc trax, toronto s frederik hatsav and jamie kidd rejoin the thoughtless fold under their metalogic guise. enlisting new york techno veteran dietrich schoenemann on the title track, the trio delivers a sleek combo of pure analog bass and metallic percussion, resulting in an unrelenting yet stripped-down futuristic club workout. overseeing remix duties is techno legend bryan zentz. his first of two solutions, the empty vessel dub dives deep into late-night territory, employing the irresistible bass line of the original and embellishing it with sparse synth work and echoing atmospheres to stunning effect. as a digital bonus, zentz offers up the kenosis shuffle mix, providing added bounce with a boosted low-end while taking a house-leaning approach in the drum department and adding detroit-style stabs for good measure. on the flip, dark shines is a heady ride, intoxicant atmospheres and dynamic yet subtle arrangements solving as a mystical techno prime. whether exploring the outer reaches of modern techno or twisting up their uniquely abstract take on tech-house, the result is pure quality..

daphni is the alias of dan snaith, aka caribou, a man who needs no introduction, having conquered the hearts of music lovers around the world with his latest album >swim<. we at amazing sounds are very proud and excited to present a dancefloor centric release from dan following his seismic reworkings of radiohead and virgo four, - >ahora< is a slinky, trippy, eastern tinged piece, with a stunning, tweaked out synth riff that blows apart the uneasy equilibrium. on the remix tip are margot, border community s super gifted italian duo, who deliver an even more wonky take on the original, with pinwheeling oscillations, burbling flutes and subdued piano notes.

danilo schneider publishes on his label enough! the ep - short image in my brain-.
two esthetical and expressive sounding tracks, which are clear and expressing on the same time and always up for surprise.
with -short image in my brain - danilo is wraping us in percussive sounds which are rounded up by a tribal beat that doesnt let you stand still. the second track - edit suite - is so deep and flashy, almost mystical arranged where the sounds gear into each other and give the whole track a clear signature.
the two artists jakob seidensticker and bardia salour take care of a wonderful and fabulous background of this ep. they give the original track - short image in my brain - a new sound. with dedication and passion this remix is a treat for your ears just from the beginning. bounded on the track you will absorb every sound and let yourself drift. another wonderful vinyl extraction presented by enough!

nice price deal !!! steindor kristinsson, well know for his work in einoma, comes with his first solo ep. dark scapes, advanced beat programming (e.o.g. style!) and oriental tantraistic moods take you straight into unknown territories. limited to 300 copies including code for free download, handnumbered and with beautiful artwork. another highly recommended shipwrec release, who keep on delivering the goods for both the mind and the feet!

special double 12 inch gatefold edition of ella fitzgerald and louis armstrongs finest recordings. over 75 minutes of music on heavyweight 180 gram vinyl.

the black dog are a legendary live act whose ability to destroy venues and wreck soundsystems is undeniable. they blur the boundaries between djing and performance while possessing an excellent sense of where to take the crowd. live, they represent purist techno, which is also utterly crowd pleasing. on record, tbd are famous for delivering subtlety, emotion, and intellectual richness, as well as great tunes, but never in their career have they managed to convey the sheer visceral impact of their performances as on liber dogma. this album contrasts with last years extremely well-received ambient outings on music for real airports and the dadavistic orkestra collaboration with members of the psychick warriors of gaia. while none of the bands artistry and care has been lost, there is now a greater focus on a pure, and utterly exhilarating, vision of how techno can transform the dancefloor into a realm of complete pleasure.

sophomore ep by brooklyns new house prodigy willie burns, who has been honing his craft under various guises for the better part of a decade. expanding on the foundation laid on his l.i.e.s. ep earlier this year, here we see willy take a more aggressive approach towards more commercial territory... errrm as if... in any case, classic house tunes with a ny twist.

after the highly acclaimed debut album >we cant fly<, aeroplane now presents a mixcd including exclusive tracks by promising artists & friends.
this sampler (the second of two) includes exclusive tracks by poolside, moonlight matters, oliver & martin dubka.

carefully caressing your back whilst whispering sweet nothings into your ear, pillowtalk join the life and death family with their modern dance soul hybrid, >the come back ep<. despite the name, its actually a debut ep -- and one that quickly establishes pillowtalks unique sound as an important voice in the new generation of contemporary dance music. already getting serious play (and props) from a wide range of djs, from the deep & soulful wolf + lamb and soul clap crews all the way to the banging bass centric justin martin, >the come back< finds life and death once again crossing the conventional genre descriptions with a true dancefloor bomb that everyone can get behind. imagine motown and classic doo-wop blended with a modern dance sensibility and you may start to get an idea of the pillowtalk sound. but its better to stop imagining and just have a listen because what these guys are doing is so genuinely unique, its not an easy one to pigeonhole with words and genre titles alone. the ep includes >the come back<, >soft< and >long lost friends< as well as a life and death remix of >soft<. put together in the life and death laboratories it brings a darker, deeper take on this beautiful and already incredibly sentimental dancefloor serenade.

we are more than happy to present the second part of the remixes of kollektiv turmstrasses rebellion der träumer album. the first part with interpretations by jimpster and robag wruhme already created a big buzz and we hope to continue like this with the uneins remixes by our scandinavian connaisseur darlings of norway and living legend aril brikha. the a-side of part 2 features a version of uneins by our oslo based homies and connaisseur protégés of norway. they take the original parts and blend them according to their own voodoo-tech vision. the result is both catchy and extremely danceable. the b-side offers one of the rare remixes by swedish techno soul wizard aril brikha who delivers an epic monster. is is techno? is it house? is it deep house? it is everything and nothing. but one thing we know its simply timeless! expect more remixes in 2012

for renaissance mans first single off their turbo debut lp, we have assembled a team of remixers whom we felt could live up to the playful intelligence of the original. the result is a pack befitting one of the best electronic albums of the year, a mensa-level dissection of contemporary dance music that builds on the finnish duos previous releases on dubsided, sound pellegrino and made to play.
to begin with, we enlisted a personal hero of the renaissance man boys - legendary producer herbert - who offers up a subtle, atmospheric take, adding his own vocals and introducing an esoteric pop sensibility. scottish producer (and thom yorke name-checkee) sei a checks in with a hypnotic techno groove bomb. uk vet paul woolford strikes a balance between wobble acid and melodic piano hooks.

incl lucy remix ! pfirter has delivered more than one immortal record since his first release on stockholm ltd in 2008, mindtrip music. his talent for strong and captivating music is widely appreciated and it didnt take long before he got picked up by labels like clr and figure. with his monad release on lucys stroboscopic artefacts label in 2010, pfirter charmed the hardcore audience. with both the party crowd and the critics on his side, juan pablo pfirter enters 2011 with his audiometria.

introducing the jab jab of grenada. adrian lenz & sandman deliver exceptional hypnotic dancefloor inflictions. for j ouvert, the jab jab covered in oil take to the streets drinking rum from 2 in the morning. >cover me< is a call to arms. pulsating horns and rampant drums drive adrian lenz s ecstatic vocal cries, causing a riot of impassioned urgency. bells reverberate the dread march of >no prisoners<, sandmans stone-faced premonition commands the percussive undulations of this cavernous riddim.

daniel solar is one half of dikso, the excellent edits imprint responsible for many a disco-rinsed dancefloor burner over the last year. the hannover native is also one of berlins emergent talents, a dj, producer, label owner and a&r intent on bridging the gap between disco and dance music, while coaxing the techno-loving citys tastes a little further off the beaten track.
as a child of the early 80s, daniel was strongly influenced by synth pop and dance music, before rap and hip hop caught his imagination and inspired his first forays into production. once he had finished school, daniel became more and more and intrigued with house and techno, clubs and raves, and his studio style expanded to take in electro, techno, and deep house until we arrive at today and his latest release: too much light ep.

following on from last years dachshund skank ep by klic & article.01, we have asked some of our favourite producers of the moment to add their own slant to the originals which previously found their way into the dj sets of martyn and addison groove and gained support from bbc6 music. greymatter continues with his new love for chicago-styled synth and drum machine work-outs with his jacking take on forwards, while pixelord and the hotly tipped gerry read take the track mustard tiger in two very different directions on the flip. the digital release sees the talented new boy blacksmif and hit and hope regular naive machine add their respective twists to round off the release.

>they were from downtown, somewhere in soho and boy did they love that drum machine of theirs...< following the stellar trip down 80s lane with the bicep boys, mystery meat returns with two rip-roaring edits from soho808, another rising duo, but this time from across the pond in nyc. these fine gents have been causing an absolute ruckus over the past few months or so following appearances on soul claps social experiment 002 mix (not to mention doing an awesome podcast for soul claps acclaimed series) as well as jamie jones fabric 59 mix, berlins dikso imprint, and being featured on the wurst music ever compilation due out this fall. big tings a gwan to say the very least! here we see the chaps head into edits territory, well sorta. to call these edits is quite an understatement. soho808 give a serious overhaul to two songs of discos past, adding additional instrumentation and tweaking the arrangement big time. first up to bat is trouble and strife, an amazing, slow-burning take on one of the most famous of songs from the past couple of decades. trust us, you cant resist! flip it over for a loopy counterpart, low-slung, sultry female vox and all. mmmm, well bring our meat to suzys bbq any day!

limited 1st run on marbled grey vinyl !3rd in this superb deep techno series, support from: sandwell district, scratcha dva, sigha, james ruskin, mark broom, claude young, steven tang, billy nasty, delta funktionen, miles sagnia, morphosis, ben sims, commix, jerome sydenham, regis, shifted, function etc... surface return with the third in its beneath the surface series, following on from the extremely well received between worlds release. journeys to the deep volume 2. is an important and personal record to nick and the surface camp in general, paying tribute to family elder jessica dunton and her influence on nick and his families lives, and her long fight to continue living against the odds! facing the heavens- sees nick take on his much lauded ever vivid moniker delivering an extremely fitting tribute that somehow blurs the boundaries between the early classic emotive sounds of 90s uk techno, house and 70s funk.. cutting synth lines drenched in soul develop throughout the track taking us on a deep yet strangely uplifting journey, the chord sequence beautifully maintains the mood, but for us at the office its all about the detail, piercing moog leads, emotive strings and rhodes, all driving along at pace on top of a reese type melodic bassline and rolling 808 drums. this is as comfortable in a club as it is at home. timeless in its approach, with a purist touch. on the flip nick duntons >leaving the planet< is an altogether different beast.. beautifully produced and super deep, this is the classic dunton sound of late, harmonic drifts and carl craig 69 era strings morph between lush sustained textures, that somehow float above the powerful pulsing bass, that imitates a heartbeat and really gives this track a haunting feeling that when coupled with the hypnotic phasing drums, and fluttering reverberating stabs make it is as deep as the sea, yet beautifully bass heavy. this is nick taking his wide screen cinematic sound and stripping it bare whilst losing none of the evocative touches that have made his recent music so affecting

poisson chat musique (pcm) is a new berlin based record label which focuses on the deep sides of electronic music. the first release, une nuit américaine (pcm01), is a six-tracks ep (which includes two interludes and an ambient track) from label owner and newcomer poisson chat. in a mental theatre, you are invited to watch on the screen underwater love stories and woody nightshade memories, from nocturnal melancholy to desert landscapes. its up to you to take the road and feel these sensations during some special late-night reveries. mastered by lupo at dubplates & mastering

borrowed language returns with their third installment of genre agnostic electronics. following the explosive release of unltd & israel vines >distance no object< ep (featured in millie & andreas superb lwe podcast, and charted by the likes of dj pete & grovskopa) was no easy feat, but jeff pietro proves to be more than up to the task with this brilliant 2-track 10 inch. as with earlier releases on borrowed language, this effort exemplifies the continuing refinement of the labels aesthetic. while some influences are clearly detectable, this is not just cannon fodder, there is enough attention to detail and panache on display here to distinguish pietros take on techno/bass music from his peers. the results are polished, but not without sharp edges, brutal, but elegant, functional, but not faceless.

nice price deal !!! big with: julio bashmore, axel boman, ben westbeech, kiki, karotte, t. williams, silicone soul, seth troxler, hot chip, dop, terry francis, jimpster, anja schneider, agoria, catz n dogz, till von sein, rodriguez jr. ...
having lead the line so brilliantly for anja schneiders mobilee records for so long, the time has come for polands marcin czubala to take his first tentative yet equally confident steps into the world of label ownership with the launch of, your mamas friend. a label with such a fantastic name, needs to come out of the blocks with equally fantastic music and marcin is doing just that.

big with: laurent garnier, jennifer cardini, jimpster, robert owens, tristen,.. finally, its there! with two beautiful tracks by edward and a deep remix by one of the head of white music, oskar offermann, the first release of the multi-influenced house label blooming soul records is out. between house and dub, minimal and deepness, this inside out ep plunges you into the depths of the edward mind. are you ready for this hypnotic trip? dancefloor is already out of space and time, so...you must be in

release number 16 comes courtesy of new signing spike >magic table< is a blissed out & elegantly wasted balearic rock number, elsewhere welcome stranger take things down a rougher side street, amping up the atmospherics to create a cosmic chugger of typically epic proportions !

the first official release by the berlin duo, samanta fox aka daniel frank gizzie iii and jean-daniel tömör. they hold a residency in berlins famed salon - zur wilden renate where they do their bi-weekly whiskey tango foxtrott night. prior to being involved in samanta fox, jean-daniel was known as lazymouth with his partner thomas tietz. what a woman needs is the foxy duos first step into the production world together and encompasses what the boys to convey in their eclectic, yet forward thinking dj sets. a tr-808 tom driven bass-line and ghostly strings move the track along while a 909 high hat/kick drum combo keep the rhythm flowing.the b-side is a remix by the swift. the swift is also one of renates residents and his bi-monthly voyage voyage night brings a premium list of emerging artists to the berlin club scene. witness his swiftness take the foxs a-side to another level of house. a floor burner for sure.

groovin hypnotic electronic deep house action. sounds fresh

limited to 250 numbered copies, vinyl only - no digital release!
the first rose records release presents tracks by luvless, m.ono and martin hayes. while luvless >surrender< is playing shiny chords, adding vocals promising love and a restless groove, m.onos >love pass u by< combines a modern beat structure with some oldschool funk flavor. martin hayes rearranged and slowed down some 80s cheese and added chunky drums and filtered vocals.

as the instruments of rapture series draws to a close, the penultimate release comes courtesy of one of our favourite producers, tornado wallace. >rainbow road< sees captain wallace take us on a star-bound, jazz-funk journey where time stands still and emotions run high. with the equally positive >dont hold back< and a revenge remix on the flip, this is a fitting build-up for the final instalment on the label.

der dritte raum is a super project at constant altitude flight. releasing music on labels such as harthouse and cocoon since the early ninetees der dritte raum has established a name for high quality electronic music and a live show you will never forget. with their Überhit >swing bop< 3 years ago der dritte raum has kicked off a still going roaring-20s-hype in the electronic music scene in berlin and anywhere else. now here we go with the remixes of this epic piece. the question was: who could remix this unique track withut making it just a worse copy of the original? the answer: t.raumschmiere might turn this track into a dirty wrecking rave monster and as a complementary addition, acid pauli might be a good choice to take the track in a totally different direction. well, t.raumschmiere did what we expected, just in an even better way than we hoped, and acid pauli did as well. he gave swing bop an outfit that makes it sound even more dreamy and out of time and space. enjoy!

daniel dexter is the latest new talent to emerge as part of the poker flat crew. after some success with his strong, futuristic productions on exploited records, the berlin based producer has found a new home in steve bugs modern house magnate. the moody, storming >no house for old men< is a superb example of daniels talents. synth-heavy, dramatic and restrained, this slow burning houser lifts and climbs into spacey, ecstatic moments as its detroit influenced keys and carl craig-esque peaks bring it home. the groovy >who knows motorcity< works a simple yet addictive theme in a powerful pop-house moment, especially designed for summertime evening action. clean, bright percussion and rubbery synths flavour this delightful second course! the deeper, hypnotic tones of >the other day< have an almost soundtrack quality as subtle key changes and detailed sound design take this track into more subterranean realms. melancholic yet positive in its resolution, this is future house music in its prime!

hotflush recordings presents the first new scuba single since 2010s landmark album, triangulation. since that release scuba has concentrated more squarely on deep, epic house and techno via the scb project, most notably with loss released earlier this year on aus music. that focus extends itself to the lead track of this release, adrenalin, which must be the most unashamedly dancefloor scuba track to date, while b-sides never and everywhere take the well-documented fascination with melody that pervaded previous scuba material to a new level.

moving through the worm hole, a track materializes at each stop offering emotive tunes that pull at your senses. alexander shows off his skills as you travel into four different universes encompassed within four house yet techno musical adventures. white rhino (deep down beat down) - begins the journey with an up tempo banger in which the bass syncopates ever so nicely. a message about the white rhino insues quickly and more synths come to take you on a space age trip. transcend - smooth synth line with a deep kick, leads us to gritty yet soft pads that build and build as vision of stars are created by waveforms. deep within - bassline and melodies blare out as the beat pulsates, and out of no where a voice comes up from deep within the darkness. the abyss - ending the journey is a super deep tunes that relaxes your mind, as you go deeper and deeper with the bassline, chords, and vocals…

spätestens seit toddla ts letztjähriger single >take it back< feat. shola ama zählt der aus sheffield kommende künstler zu den spannendsten acts aus england. seine fusion aus pop, soul, house, dubstep und elektronik klingt erfrischend und sorgt für mächtig gute laune. mit >watch me dance< gelingt dem britischend tausendsassa ein ganz hervorragendes, sommerliches album, gleichzeitig sein erstes für das renommierte label ninja tune. vom schuhverkäufer aus sheffield startete tom bell aka toddla t eine beachtliche karriere, er produzierte bereits tracks von roots manuva, ms dynamite, tinchy oder jammer, fertigte gefragte remixe für u.a. gorillaz oder hot chip an, hat seine eigene radio show auf bbc 1 und zeigte sich bereits für einen genialen fabric mix verantwortlich. >watch me dance< erinnert streckenweise an die genialität des soul ii soul >club classics vol. 1< album - street soul, house, dancehall, dubstep, pop sind nur einige facetten, die toddla t spektakulär kombiniert und dadurch etwas eigenständiges kreiert!
inklusive code für digitalen download des albums.

jazzanova lands on wurst! early dj support comes from soul clap, radio slave, dimitri from paris, ewan pearson, sebo k, rob mello and slow hands. weve done the unthinkable, scored the unimaginable, and wrangled none other than jazzanova (!) for an über-limited one-sided vinyl-only release. while >i can see< feat ben westbeech came out a few years back, filippo moscatellos most excellent disco version never saw the light of day - until now, of course. doesnt much more sunshine-filled and soul-drenched than this stellar take on the esteemed berlin collectives original, and we are both honored and humbled to get to work with both jazzanova and their label sonar kollektiv, and of course filippo himself, on this very special release. filippo moscatello started to produce music in 1994 under the dj naughty moniker, and has since gone on to work with labels like gigolo, eskimo, and moodmusic to name but a few, releasing the artist albums disco volante (gigolo) and pagliaccio (moodmusic), as well as the acclaimed compilation, one naughty night in berlin (eskimo). in addition to his production work, filippo maintains a club residency at cookies in berlin called luv dancin where hes played along special guests like moodymann, jerome sydenham, ata, bottin and loud e.

skylevel whut up, lets take off for number three. the a - side sees sq101 providing pure, undiluted ecstasy for every prime time disco house floor. yes, its that good and skylevel pilots cant wait to launch their planes and drop this beauty in your area. b1 is skylevel – homemade and you already know the talk so lets come together and walk the walk. damn. sampling skills of the highest order show us how to reduce things to the max. never too much nor too little. hot blooded soul meets hippie feelings and theres magic in the air. on b2, fried tofus anson steps in and stokes your favorite dj with his no-strings-attached way of transforming a goodie into a real gem. this one unlocks hearts while nailing funk–aficionados to the floor. priceless

so we went predominanlty stateside for our last outing, and decided to bring things back home this time. hoya003 is a strictly uk affair. opening up on the a-side is one of rudest producers and djs the uk has going for it. this aint a comment on her manners though, they are as impeccable as her production. after ikonika sent us a zip of some hoya potentials, we just knew >fleas< had to be the one featured on this 12 inch. a more sinister, rolling, emotional jam, it still packs as much as punch as ikonikas dj sets. kicking off the b-side is the homie om unit. now, this guy … this guy. are there any superlatives left to desribe his sonic masterpieces that have rocked too many dancefloors and had as many producers scratching their heads and re-assessing their mix-downs? an instant favourite, >fibonnaci 10< was one of the earliest cuts lined up for a release and when you listen you will see why. this guy. seriously. bringing things to a close, we hand over to one of our favourites from the flourishing cardiff scene. why doesnt monky have more music out? is one of those questions that has been asked too many times for our liking. so much so, we may have to take it upon ourselves to change that. but, for now, just enjoy >hipster<. a killer synth-laden nod to early ukg, but looking forward as opposed to sideways. enjoy.

new year deal - purveyors of maximal minimalism in bass music, crushington explore the mid-tempo soundworld of dubstep. inspired to step outside of their box by a face-melting new years eve performance from skream and benga, for the last two years, crushington have sonically sculpted their own, well-received take on dubstep. lacking a developed knowledge of the genre, their unaffected explorations into different tempos and grooves have caught ears everywhere, leading to dj support from n-type, jakes, emalkay, distance, seven, truth, bulletproof, datsick, excision, hatcha and headhunter. along the way, they have collaborated with, or remixed for black sun empire, spl, truth, optimus gryme and bulletproof. with high profile support and collaborations boiling over left right and centre and several boutique vinyl releases to their credit, dj bookings across new zealand and australia have come quickly and to lauded receptions. old school producers and djs from the era of vinyl and by ear engineering, their sonic fidelity has seen their crushington tunes described by the likes of antiserum as the perfect studio mixdown reference. to put it in simpler terms, crushingtons subwoofer rupturing arrangements are fast becoming a standard setter with in the international dubstep community, where things go next from here though, only time will tell.

early support: hell, josh wink, ame, laurent garnier, raresh, dixon, jimpster, terry francis, ... ribn return to the mild pitch camp with two fresh tracks and a stunning remix by the revenge. >no place< is a deep diving funky house jam, that combines fragile soul samples and buzzing electronics, reminiscent of old playhouse or matthew herbert records. on remix duties here is no other than graeme clark aka the revenge. the scottish man-of-the-moment transforms the original into a straight and sizzling club roller that makes great use of the original samples and strips them down for maximum dancefloor impact. turn over to the flip side and ribn take it back to their dubbed-out deep techno trademark sound on the epic >save me<. punchy beats, driving chords and bright synth carpets make this track a prime example of what youve missed if you havent had a chance to check out the duo live yet

the finest moustache bearer since selleck rocked the tv as magnum pi returns. thats correct, sccucci manucci drop a long awaited second release on the fledgling imprint, enlisting a premier cast of continental friends to lay down some class a discoteria! securing the talents of runaways jacques renault is no mean feat for the self styled purveyors of fine music, and the on the prowl boss serves up a beefy disco funk edit in the vein of his killer public release twelve from last year. in support, a cast of rising uk talent serve note of their budding prowess, with tenth circles zoo look indulging in some monstrously expansive beatdown a la the revenge on the aptly titled >early doors<. casino times provide the why didnt i think of that moment with >thats the truth<, a bashmore style take on the de la soul & chaka khan collab which has been burning up sound systems from london to petrcane this summer. young one picture house ends proceedings with aplomb on >blaxploitation< a gritty shaker reminiscent of eddie c in his pomp.

deep space orchestra having been forging a nice niche in a modern take on house music, blending, disco, detroit and chicago influences , and here at tracky bottoms, we cottoned on to one of there deepest tracks to date mass illusion about a year ago now ! its taken a while to come to fruition , but the stolen future ep is here . mass illusion it self is probably the track gaining most interest , probably because it has achieved the difficult task of being very deep but also quite anthemic , also featuring on the ep - stolen future harks back to early carl craig vibes , with a ruff ass beat driving the synthy techno , theres a remix of this from label boss toby tobias who takes it in a more loopy chicago vibe and last track witch doctor has ethnic hypnotic quality about it , but with some added dynamics by toby who edits it for maximum dancefloor reaction

decas are the artists. neaples is the place. you can have an instant breeze of his seafunk thru the carefully layered harmonics of dramas, a saxophone is hosting the grooves of this heavy blended and heavy rolled drum story. the suspance gets heavier and heavier while the drums and percussions starts movin into a total robotic-jam-style groove, chugging over a straight drum machine beat. the remaining of the neaples-funk-band is joining now, bassguitar and some guitar tappin.. but the whole thing get seriously stripped down while some deep-as-fuck chords drops in. pure 8am party drama. on the flip our berlin based italian talents analogue cops deliver some more dj friendly version of the original take, the first one see all the harmonics carefully re-layered over an overdrivin tape-house beat, lucretio and marieu full on machines for a proper panorama bar anthem. ua! on the second take our analog heroes are goin heavy on dubs, a sweepy synth and a chugging groove drive the track into a more steppy direction, the voice and the chords are now used to hypnotize the dancefloor. zombie breakdance. 350 copies limited edition only vinyl

mr raoul k and baobab secret take the next step and put out new remixes of >le karantkatrieme peul<. prisme are a belgian duo (nicolas pepinster and yves theys) who started to produce their own material in 2010. they liked the title track so much that they remixed it and sent the result to mr raoul k who instantly fell in love with the melodic and laid back approach they took on it. this lush piece makes a perfect entry into a long night out, promising that every piece will fall into place. the other production crew featured on this release are the iklawa brothers (mzwandile nxasana and sandile magwaza) who run their own label in durban, south africa. they are big fans of mr raoul ks work and have been dropping his tunes in their sets on a regular basis. their remix is a dark, afrobeat driven tune that takes the listener on a long trip into a gloomy world full of surprising musical twists, dramatic changes of mood and impressing string sounds. the last remix is done by mr raoul k himself. he shows a new side of his musical skills. resulting in an epic track that seems to dance on tiptoes around a giant beast. one small step. hesitate. check carefully what happens. do not disturb. just watch in astonishment how it slowly awakes and stretches out to its full glory. a track that is full of hope, but reminds us to keep our feet to the ground to provide a solid stand.