eine 7inch-single mit zwei tanzflächenfüllern aus dem detroit mitte der 60er jahre. lester tiptons this wont change (1966) auf dem schwarzmarkt werden für originalexemplare preise von bis zu $5.000 aufgerufen - sowie baby dont you weep von edward hamilton and the arabians (1967), ein stück das das ehemalige the falcons mitglied ursprünglich für lou beattys mary jane label aufgenommen hatte.

habt spass mit toller musik! one per customer!!!

after nearly 20 years, the 2nd part of the musical session by jimi tenor and friends gets finally released.

all profits are donated

underwater jams from edward for dfa. for fans of ricardo villalobos, carl craig, terekke, klaus schulze, tangerine dream ...

5 strong edward tracks, fühlt sich überall wohl! one per customer

incl edward remix (giegling)

were back with the second jack cassettes series!

were back with the second jack cassettes series! following the success of the first jack series, weve decided to pull heavyweights out of the treasure trove of chicago reel to reels acquired by still music last year. this second series is another incredible glance into our beloved house music through some lost radio mixes salvaged from reel to reels by jerome derradji. we start with a superb one hour mix from frankie knuckles circa 1986 and dive straight to the hot mix 5 with edward get down crosby and his insane mixes, full of edits and original beat traxx. a small detour to miami is made with a killer electro mix by wgci guest joe magic. pull out the tape deck, move the furniture away and jack!

were back with the second jack cassettes series! following the success of the first jack series, weve decided to pull heavyweights out of the treasure trove of chicago reel to reels acquired by still music last year. this second series is another incredible glance into our beloved house music through some lost radio mixes salvaged from reel to reels by jerome derradji. we start with a superb one hour mix from frankie knuckles circa 1986 and dive straight to the hot mix 5 with edward get down crosby and his insane mixes, full of edits and original beat traxx. a small detour to miami is made with a killer electro mix by wgci guest joe magic. pull out the tape deck, move the furniture away and jack!

were back with the second jack cassettes series! following the success of the first jack series, w’ve decided to pull heavyweights out of the treasure trove of chicago reel to reels acquired by still music last year. this second series is another incredible glance into our beloved house music through some lost radio mixes salvaged from reel to reels by jerome derradji. we start with a superb one hour mix from frankie knuckles circa 1986 and dive straight to the hot mix 5 with edward get down crosby and his insane mixes, full of edits and original beat traxx. a small detour to miami is made with a killer electro mix by wgci guest joe magic. pull out the tape deck, move the furniture away and jack!

die orakel presents two edward reinterpretations of new age-ambient excursions by german composer rolf trostel, originally recorded in 1982.

futre house classic auf 3x12inch .. danke edward ...
* set u free- embodying a vocal sample from the master recording -set you free- by planet soul , courtesy of bmg rights managament (uk) ltd

one per customer! edwards 2nd album -into a better future- accompanies you for hours, makes you forget that daily grind. it is serious encouragement of movement, telling you to get away from the thick mess and find your way onto a proper highway. you will pass machines along the side of the road, engaged in a process of construction while your hands feel clean. and once in a while you ll hear the sound of sunrise and sunset racing each other in a tight rhythm.

edwards graceful take on modern house and techno is a perfect fit for trelik, and the german producer sounds comfortable as he unfurls swooning threads of otherworldly music for the tripped out dancefloor. the ogermania mx of mikko is a hazy, string soaked affair pitched somewhere warm and dreamlike, but there s plenty of energy churning away in the lower register. lottery is a more twitchy affair for darker times, all moody bass bounce and looming drones around a shuffling set of percussion. groaning ghosts is the techiest of the bunch, and theres a whole lot of freaked out sound design swirling around in the mix as well. this is simply stunning, highly advanced dance music from a modern day maestro.

three releases deep now, shadow play transports us back to the nineties with this extra special collection of music from uk wizard scott edward. the bristolian producer dropped a killer series of tracks from 1993 onwards, using a variety of aliases to explore the realms of the techno universe. it’s an honour for shadow play to be able to rerelease one of scott’s classics, access activist, alongside three previously unreleased cuts from the same era. we hope you enjoy these classic examples of british underground techno.

an all time classic originally released on the visions of the past album (apollo 1994). released on 12” single for the first time. re-mastered by matt colton. includes a superb new remix/edit from edward.

one per customer ... papersleeve edition (no artwork)
ltd remixes from melchior productions ltd , kreidler , kettenkarussell

happy spring deal ... cinematic feasts of dramatic strings and cascading pianos that will satisfy fans of nils frahm and Ólafur arnalds” the ransom note

one copy per customer

Æternum music head and co-owner celebrates the 10th release with his first solo release on the imprint. 2 tracker with a brilliant aditional remix from the giegling crew member edward..

zero hero / lies / jelousy / meritocracy?

phat deephouse sound
berlin-based skipson makes a stunning return from his hiatus with a 12” guaranteed to move any dance floor. ever the perfectionist, skipson dedicated significant effort to build on his already impressive discography which includes releases on raum…musik, rue de plaisance, and deep vibes. plastek ep features three originals and a spectacular remix by edward (giegling). describing the tracks would not do them justice so just have a listen for yourself…

die orakel presents three spaced out excursions by edward.

norse deity of the discotheque, prins thomas, and knight of the giegling realm, edward, are the first in line to remix sepalcures sophomore album folding time. prins charming applies his renowned diskomiks touch to lead single fight for us, rubbing the sun-kissed r&b of the original into an extended dance-floor affair, all strut, slap and tickle. edward, on the other hand, takes loosen up and screams rave! over ten minutes of blockrocking beats that evolve into a gilded climax of laser beams and melodic euphoria.

traffic007 kicks in with a warm welcome to edward. his debut is a crispy, genius breaktune, followed by the boys, characteristic flow, fits perfect for your night.

aus music ready the remix package from sei a’s forthcoming landmark space in your mind album which is due for release in march 2016. enlisted for the first remix from the lp is gilles aiken the giegling artist better known as edward.and life & death founder dj tennis has turned in two killer mixes his take on ancestors clocks in at 13 minutes and with a palette of tightly clipped drums, spectral vocals and chilly synth lines it steadily renders an unearthly landscape whilst dj tennis takes things much broodier with his two reworks

seems like somethings going on across the pond at the moment with seemingly blossoming, or at least rejuvenated scenes in the united states and canada. our last handful of releases on freerange have included artists from montreal, tujuana, pittsburgh and chicago and were about to add los angeles to the list with this new one from justin jay and ulf bonde. the young producers have been steadily building steam with a number of fine releases the last couple of years and we welcome them to freerange for their debut ep entitled indecision. the title track sets the mood with a low-slung, super-deep house groove complete with an intimate vocal and a charming simplicity which contributes to the powerful end result. elements come into focus then disappear in a fog of reverb whilst playful guitar picks add a live jammed feel to the loping groove giving things a bob moses/francis harris kind of vibe

a groove-led production, it relies on a hefty bassline together with crisp percussion and a heady set of pads that will transport you to a higher plain. new york legend jovonn, a previous contributor to the label and an inspiration to apollonia, also lends his talents to reconfiguring ‘sona’. his version works around that gritty, jazz-infused sound

2016 repress , with this ep reilg makes his debut on his own label, lofile. much more subdued than the first ep, lfr 002s a-side appears almost minimalistic, touched with melancholy - going into a deeper state of mind with its bright, clear and distinct accents - like the first rays of dawn, breaking through its background. its like a dark bokeh, rough and raw, clearly influenced by deep techno tracks.its sounds create a mood close to labels like dial and giegling, geared to the morning hours.the b-side remixes by edward and tilman tausendfreund become much more peak time fitting.edwards soulitude remix with a touch of electro strikes with deep and iridescent gravitational attraction.the derailed remix by tilman tausendfreund tops it off,with its acid bassline and house inspired sound. light and bright like a summer breeze, its impossible to not be touched and drawn towards its timbre.

die orakel presents two reinterpretations by edward of krautrock excursions - originally recorded by harmonia and brian eno in 1973 and 1976. harmonia is a krautrock/kosmische musik group from germany - formed as a collaboration of michael rother of neu!, hans-joachim roedelius and dieter möbius of cluster 1973.

one per customer and shop ... just another big gieging release, für kenner. every cover is unique

one per customer and shop

limited edition of 300 numbered copies including download code.

one per customer! edwards 2nd album -into a better future- accompanies you for hours, makes you forget that daily grind. it is serious encouragement of movement, telling you to get away from the thick mess and find your way onto a proper highway. you will pass machines along the side of the road, engaged in a process of construction while your hands feel clean. and once in a while you ll hear the sound of sunrise and sunset racing each other in a tight rhythm.

brand new 7 track vinyl ep from edward scissortongue entitled *the theremin ep*. production by lamplighter, dirty dike, sumgii, miles courtney, eon ra & konchis with cuts by dj sammy b-side. featuring toyface and johannes schaff.

edward prophesizes unborn futures and fates.

special artwork edition
time to get loose. g*g is a new format for songs that make you giggle.

time to get loose. g*g is a new format for songs that make you giggle.

music from the motion picture *solaris* by andrey tarkovsky. originally released in 1972.

remastered 2013 re-release on 180 gram vinyl with music from andrey tarkovskys motion pictures *stalker* and *the mirror*, produced by edward artemiev in 1990.

original soundtrack, remastered in 2013.

the 1972 masterpiece for the first time ever on vinyl lp, remastered in 2013 and fully licensed by edward artemiev. comes in gatefold sleeve with unreleased photos from the tarkovsky archives.

oskar offermann and his frequent collaborator and label mate edward are two of the brightest rising stars in contemporary deep house music. as head of the esteemed white imprint, offermann has an envious catalog spread across his own label, aim, and japans storied mule musiq, edward has mostly confined his releases to white apart from a single drop on the mysterious giegling, and some outstanding remixes on other powerhouse labels. since their appearance in 2007, the pair of berliners has only one collaboration record between them in spite of a close association, large individual discographies, and frequent pairings behind the decks. it is thus with great ceremony that thema announces their north american vinyl debut with the four-track ep, verses.

played by ricardo villalobos, vinyl only

ganz nach dem motto des zürcher labels enthält die fünfte veröffentlichung von miteinander musik produktionen mehrerer künstler. >sugar hill ep< heisst die platte. die a-seite liefert der berliner exponent des zürcher labels - edward ean. >laboe< ist ein deeper und verträumter track mit dem hang zum dunkeln, der den zuhörer gedankenverloren zur mitreissenden melodie wippen lässt. der remix stammt von dj le roi aus dem hause >get physical<, der aus edward eans original einen neuen stil kreierte und so entstand ein track, der jede tanzfläche zum glühen bringt. für die b-seite der ep ist der zürcher abdel hady verantwortlich. mit >purple valley> komponierte er einen technoiden, aber auch sehr melodiösen track mit einer melancholischen gesamtnote. reartes sphärischer remix ist von der disco-musik inspiriert und bringt auch die verkrampftesten tänzer dazu, ihre glieder ungehemmt über die tanzfläche zu schleudern.

support from: luciano, ame, mano le tough, damian lazarus, charles webster, oliver hafenbauer, einzelkind, laurent garnier, lil tony

eine klampfe, ein paar hände zum mitklatschen und eine tiefenentspannte grundeinstellung: mehr braucht es nicht für erfolgsalbum. okay: und natürlich einen tross von zehn leuten, fürs richtige hippiefeeling. denn trotz seiner bandstärke sorgt alex ebert alias edward sharpe (eine messianische, aber verspulte fantasiefigur eberts) immer für einen ruhigen grundton. selbst ausflüge vom folk ins psychedelische sind keine ausflipper, sondern schwebende trips, die aus einer anderen welt, mindestens aber aus einer anderen zeit herüberwabern. und das macht die kalifornische band nicht schwer einzuordnen, aber schwer greifbar. was macht das kollektiv, das mit leicht veränderter besetzung sein zweites album vorlegt, eigentlich so gut? die songs strotzen nicht vor innovativen ideen, werfen nicht mit feisten hooks oder ausgefeilten soli um sich. alles harmoniert, alles fließt, und kein instrument drängt sich in den vordergrund. wahrscheinlich ist es genau das. (kab)