derek carr returns with stylish electro tracks.

thick 350 g picture sleeve, includes 30x30 cm insert (250 g), previously unissued full length album, fully licenced, recorded in 1985-1988

limited pressing on red coloured vinyl, a3 theatrical poster, booklet and download code included.

ltd to 350 copies, thick high quality sleeve

the debut album from boxplot on limited snowy white double vinyl, housed in an extra thick gatefold sleeve.

hip hop / rap

private selection records founder and curator dreams comes crashing in with a 6-tracker falling between thick body music and gnarly, frenzied electro. with ragged rhythms, reverberating synths and heart-wrenching vocal elements these tracks tie together a dystopian journey beginning with sheer rampage, leading to devastation and ending in hopeless ruin

incl feat. rory fresco

30th anniversary limited deluxe 4x12 inch vinyl box, featuring the remastered original album, unreleased songs and b-sides and the homecoming concert: atlanta, ga december 1990. also includes patch, flyer and tour pass.

at least one good thing to come out of the shitshow that was (is) 2020 - it gave sleaford mods enough material and motivation for a new album. what better way to start a new year than hearing jason williamson bark into the face of establishment. this is the regular album pressing on black vinyl.

20th anniversary deluxe edition of nelly’s diamond certified debut album, including 4 bonus tracks. pressed on transparent blue double vinyl, housed in gatefold hardcover.

minneapolis deep house label open sound makes its debut vinyl release featuring french producer jr from dallas. jr, owner of gourmand records, is known for his funky and thick deep house style. remix by acg, the owner of open sound, which has been releasing digitally since 2017.

colourful recordings welcome a new addition to the family with amsterdam crew dilated pupils dropping quantum space ep. a record setting a mark both sonically and musically with its warm thick sound signature and diverse track selection. if the a side is dreamy with floating textures and minimal grooves, b side is more earthy and straight up housy, yet still with a strong musical identity.

basaec is the label founded by cadenza chief luciano as an output for the music of its roots, coming from the chilean prosperous archives or from brand new productions. the fourth episode of the series features two extended fleshy cuts of thick dance floor nourishment. -nature reverance- is a grandiloquent obscure hypnotic journey to the center of the earth, permeated of bass frequencies and jazzy drums, exalted by a slithering capturing leslied organ. less inward-looking but still thousands leagues under the sea, -trance ilvana- has a shuffled prancing rhythm over an ultra funky stripped down bass line, its swooshes and its drops of juicy synthetic quirks sticks smoothly with its driving bass drum. a generous condensation of timeless electronic funk, and a kaleidoscope of lucien nicolet early allure, hard coded in his dna.

repress - stalwart of the scene, craig bratley, serves up big italo flavours all over the 99.9% ep, ably backed with a remix from mr. andrew weatherall. with previous releases on neil diablos to rack & ruin, tsuba, is it balearic? and robsoul recordings, bratleys futureboogie debut opens with the searing synths and chugging arped bass of 99.9%. wide-eyed melodies and punchy drums demand a mirror ball moment to this fabulous cut. family favourite, andrew weatherall, takes the chugging tempo to new depths, remolding 99.9% into a tense, reverb soaked, dubbed out sci-fi encounter. further explorations into space disco are to be found on italo love with luscious waves of thick analogue sound and planetary fx, whilst on take me to bedford or lose me forever, distinct asian influences are at play, as bratley channels his inner vangelis for a mesmerizing and cinematic piece.

trackmaster dre ode to the traditional squelching acid melting listful old school beats with grandmaster acid. the record contains decelerated beats married with laidback, thick and bubbly bass. the title track starts off as a raw and elastic dance floor mover, with a chamfer like 303 bassline that smooths out rougher edges. blockhead deuce is a simplistic track with shuffling drums that play with an impish bassline that squawks and squelches. old school viscid synths and bass keep an aloof feel with the progression in 4th.

incl worldwide 2000 hits ride wit me & country grammar ! 20th anniversary reissue on double vinyl, housed in a gatefold sleeve.

cover is made out of thick old-fashioned cardboard / genre-clash of disco, new wave, electro, dub, balearic, cosmic, loft classics to the early years of house productions

the soundtrack from “birds of prey: the emancipation of harley quinn” on picture vinyl.

minnesota’s black market brass are back with their 2nd album. the vinyl release includes a download code.

2020 repress incoming! poland’s finest reggae dubstep export is back to guide us through the long dark winter with his highly anticipated second studio album, subconcious. mat miller solidified his position as one of the most exciting global ambassadors for the sound with his 2011 debut album and he returns to the mighty moonshine recordings with another killer full length selection of thick dread bassweight and proper roots vibes.

stone cold killers from rx-101! the album contains 13 songs, available on 2lp vinyl in a thick-spine jacket + insert

2019 reissue of the 1983 the jam compilation. the double vinyl lp comes with bonus 7 inch live ep, all housed in a gatefold sleeve

hand numbered edition of 200 vinyl copies only, housed in a matt finish sleeve, including a download code.

umwelt allies with midnight shift for the release of the mini-lp superior life forms, featuring six devastating tracks on the vinyl release. limited edition marbled vinyl with full printed pencil-drawn artwork on thick cover. artwork by aeropalmics

repress - without fullcover - none other than tensnake is the host of phillip lauers album debuts (aptly titled phillips and soon available in all formats including gatefold double vinyl) inauguration party. delivering not one but two remixes and a barrel of laughs, hamburgs happy man smears thick red lipstick on lauers bittersweet trainmann symphony. his franceman mix does exactly what it says on the tin. a long intro gets rouled up into a fierce dancing school contest. speaking of nomen that are omen, youll find the tranceman mix on the flip side going the whole nine yards: marimba magic, hard trance breaks, deked drum rolls and early morning glory moments. its impossible to defang that snake.

justin berkovi presents the storm. his classic release from 2000 is back on black solid vinyl - do not sleep on this!

navy cut welcome surreal to the label for his inaugural release! hailing from yorkshire, the no-nonsense producer and dj caught our attention with his production skill and attention to detail. somnipath driven by a dark 808 bass that progresses into an eastern melodic atmosphere. on the flip side dont fall asleep is intense bass pressure with thick drums and even thicker vibes.

with previous releases from some of the top heads of the electronic spectrum, including leif, steevio, arnaldo and more, the imprint untilmyheartstops returns with its latest release, this time for mysterious producer ekeko. rich analog tape waves sit nicely beside thick 909 rhythmic elements throughout this killer three tracker. the title track -beyond good & evil- starts things of with strong spirit, taking pulsations of warping synths and balancing them with hazy club driven patterns. this theme continues through fm joy and eye ache but with a wider focus on the dubbier elements of the electro and house spectrum.

onysia launches with the thick, deeply funky sundrop ep from j gabriel, featuring a pumping b-side remix from io (mulen).

steven tang s emphasis returns with the reclusive intrinsic on firewalls. -firewalls- builds soulfully techno syncopated synths & rhythms while the deeply modulated -falling- is thick & smoky filled with delayed synth madness that coalesces with a brooding bass line. includes -bonus beats-! house techno

our 8th va compilation, spinning a web around fresh and old bloods alike. a1 introduces arp220, with the tripping meur maei. disembodied vocals bouncing over acid drips, scorching. a2 sees obergman stop the clock with trademark tight productions on the tuff n sucking chronostasis. on the flip, the long-elusive collaboration between xy0815 and int main rigid body sees a proper release after an ultra limited run at last year’s rye wax’s run out. the jaffa kid re-emerges after his beauté du négatif ep with intergalactic war trials, weaving thick but never cloying synth work over a stepping wicked rhythm, making it all happen & dripping for the floor’. finally, newcomer oskar telemann sees off the ep with a crafty marriage of idm and synthwave on anruf aus dem westen. chilling. 5 cuts, 5 styles, everything you need to slick the floors with out of date smoke fluid.

theo parrish serving up the latest goodies from the sound signature imprint with some great analog keys laid over jazzy drums, a wandering funky bassline, and sweeping textured synth lines on a gritty downtempo houser.

infuence and impression of thick mist and salty air. hamburg‘s bl brixton presents three tracks that unfold to unforeseen depth and structure. »closed eyes tourist« is uniform and contrast alike with soft drums on concrete walls and comforting keys between sharp hats. a recollection of steady grooves and hypnotizing patterns like ancient impacts on modern reflections.

constructed of water-resistant 1680d polyester 1 thick cm eva padding and integrated pvc walls for ultimate protection strong zipper internal mesh pocket for 45 adapter storage convenient carrying-handle and ergonomic shoulder-strap fits inside most backpacks strictly limited edition of only 150 pieces worldwide outer measures: 21 x 21 x 12.5 cm inner measures: 18.5 x 18.5 x 11 cm weight: 0.7 kg

“the final sickness”, originally released in 1993, is another the mover masterpiece and its ten tracks transmit a crunchy thick and cold tone. edging to a rather industrial side of the techno spectrum, the pcp-spirit is carried throughout the release. every piece plunges to the bottom of darkest depths without remorse, leaving no space for the mild-mannered music lover. an eerie blend of hefty, yet intellectual 909 beats and chewy analog synths unite this collection of gems. haunting sequences, spooky effects and tough drums create an extraordinary venture for your deepest senses! if you’ve been into productions by the mover and planet core productions, you may just experience the pinnacle of his intensity with the final sickness. it can’t get more pcp than that!

die geilste minimaltechno platte von allen ist wieder da !! yo
2019 reedition based on the 2013 re-master by stefan betke (pole) using tube-tech compressors and weiss eq’s. which was an improvement from the 2003 original! carefully re-cut 1:1 and edited in 140g vinyl housed in thick brown carton bags.

ferocactus pilosus is a common species native to the mexican states of coahuila, durango, nuevo león, san luis potosí, tamaulipas, and zacatecas. colloquially known as the mexican fire barrel cactus, it can be found primarily on rocky limestone hills in semi-desert conditions in a variety of soil types. ferocactus pilosus is a clumping barrel/column cactus with distinct, thick red spines. it produces yellow and red flowers when in bloom and is regarded as a slow-growing yet hardy specimen for home cultivation. our botanists strive to source and produce high-quality specimens to enrich your mind as well as your ears. after many months in the field our team has returned with a diverse selection of sonic seedlings. following a series of meticulous experiments in our research facility each seedling has been deemed safe for general propagation and cleared for release.

celebreting 15 years of armada music with 4x 180 gram vinyl in a classy collectors slipcase.

the mysterious barnes & wobble comes back for the first silver fox production 12” limited to 300 copies.

its time to deliver the second ep from adana twins latest mix compilation and with this one we set the focus to the more organic and off kilter leanings from lehar, sbth, acid pauli, musumeci and stereocalypse. kicking things off is italys lehar with his super slick ‘blue wolf where robust percussions culminate in a potent groove laying the foundation for lush sonic melodies that transport you into uniquely sublime spaces. sbth follows with the exceptionally unique ‘4w1r6 where they forgo the standard four-to-the-floor approach and employ a distinguished and uncommonly unique 3/4 time signature to full effect creating a swelling and brooding number assuring a definite, clear memory long after it ends. flipping to the b-side we see the renowned acid pauli in top form as he relies heavily on thick organic percussion and plush musicality with his ‘greetings from orgonon before switching gears as musumeci delivers a stunner with ‘invaders where past meets present as disco, techno and house all meet in one harmonious culmination. to round out the ep, stereocalypses ‘jubeelee! is an expertly crafted venture into the modern techniques of infectious afro-house concluding an extremely well rounded ep showcasing the diversity of adana twins selection and diversity.

(3lp embossed gatefold cover with printed inner sleeves) ravaged and warped breakbeats haunted by wailing euphoric noise, vivid and graphic reflections of fractured post-industrial hardcore, moments of poetry flashing within a thick impending fog. this is our soundtrack. a unique and visionary achievement, a wholly origina future of beauty and despair: brutal, gritty, alive and urgent, blooming in the ruins, spiralling and raw, howling with life.

opia002 coming in thick and fast. four tracks. two artists. leading the way is steve marie, coming through with a refined combination of euphoria with a definite rave tinge. opiace is a pacey number from the off, with a bassline that creeps in and just keeps on coming back to get you. a dark and mysterious affair in yvar , driven and punchy, laced with peculiar voices.

after releasing abe security systems on the previous release, luis malon returns, this time with two tracks which take up the whole of the b side. a constant progression of obscurity and curious sounds from the south american artist in maybe forever baby . rounding off the ep is astrosonik , broken drums lead you to a place of otherworldly atmospheres, absorbing you in the trip. acquired grooves intelligently arranged by the young talent.

based in brno, czech republic - nona records is a multi-faceted party collective who provide a safe space for sound artists, producers, promoters and anybody in between. with operations that include a synth company called bastl instruments and a party venue called herna - they re no strangers to uniting artists and curating rich, monochromatic music primed for clued-up dancefloors.
with previous releases from omsk information & dr. walker, patricia and abayomi amongst others, the 20th release in their catalogue comes from julia who makes his debut on the label. originally from the us, now based in prague, julia honed his flair for live-improvised, hardware techno in warehouse parties and after hour events. it is this approach he adopts across his 4-track ep for nona.
free-flowing and built from stoney drums, thick atmospherics and hallucinogenic fx - “remnants” renders 4 dystopian landscapes that carry sufficient power to sit them comfortably in cold, industrial spaces.

(12inch embossed cover with printed inner sleeves) ravaged and warped breakbeats haunted by wailing euphoric noise, vivid and graphic reflections of fractured post-industrial hardcore, moments of poetry flashing within a thick impending fog. this is our soundtrack. a unique and visionary achievement a wholly original future of beauty and despair: brutal, gritty, alive and urgent, blooming in the ruins, spiraling and raw, howling with life.

currently fizzing up summer crowds on his european tour, the argentinian renaissance man is testing his wares, as he prepares to unveil his third artist album at the turn of 2019. set for release on the martinez brothers perennial cuttin headz imprint, it will herald a fresh jacking chapter for the artist who famously refuses to sit still. an instant statement of intent, ‘so dope’, the first taster from the forthcoming long-player, lives up to its name with a thumping nyc swing, loose twanging slap-bass pops, trippy vox overlays, springy rhythmic elements and all essential conga rolls. with its concrete-thick groove, ‘so dope’ commands an equally robust remixer rollcall. which is exactly what the martinez brothers have recruited... the bossmen themselves get elbow deep with a warped and twisted bassline that snakes around the stately jacking beat, gradually becoming more warped and wonderful as the track progresses. djebali follows with a precision contrast as the vocal shots wrap themselves tightly around a timeless 909 beat and subtle tracks of venomous acid while heartthrob flips it into an all-out rolling techno experience. dope ain’t the word.

brand new detroit duo man vs indian man comprises ian finkelstein (of scott grooves’s overdubs fame) and even haywood. complementing each other’s strengths, the pair make the perfect match as they pour out thick viscously barbed future soul in thick gooey doses, both “ice accountant” and “cloud nine” are wrapped in foggy layers of sleepy textures as the falsetto vocals and lean instrumentation cut through with dreamy delight. remixes from the legendary egyptian lover (cosmic electro), fellow detroitian pontchartrain (filtered disco house) and brazilian table daddy (lolloping dream tech).

approaching complexity is tangent’s sophomore album release for n5md, a label that has seen accomplished releases from the likes of near the parenthesis, bvdub, and loess among others. throughout its nine offerings, the record features a gorgeous contemplative piano that hangs in the air amidst static clicks and dense atmospheres. its delicate touch feels both melancholic and stirring, as exemplified on tracks “equilibrium i (ii & ii)” and “awaken.” the latter cut is a fascinating work comprised of nearly inaudible whisper-song vocals and swelling ambience, its waves a thick froth of a toppled surf underneath tickled ivory. like the rise and fall of a heavy chest, this sound leads to the track’s conclusion, an elongated departure of breath.
a similar ending can be heard on the track “redundancy” which is complemented by the official video premiering at igloo magazine. jittering frames of concrete grass animations are edited to the rhythmic snippy percussion. this is juxtaposed by images of ice cascading off a rocket launch in slow motion and vapor in reverse. see below.
at almost an hour in length tangent’s new album is their most complete sonically, never straying from its core essence. a quality release that in its nature is both bound to existence and is otherworldly in its simplistic beauty.
the orange vinyl release features 6 tracks and includes a doanload code for the full 9-track album.