ultra limited 7 inch release

2019 reissue of the 1983 the jam compilation. the double vinyl lp comes with bonus 7 inch live ep, all housed in a gatefold sleeve

repress! uk garage may have originated in the united kingdom but its influence continues to extend throughout the underground music scene as new generations discover the work of the genres pioneers and their rule-book tearing approach to productions which established entirely new rhythms and grooves outside the standard 4x4 house music template. obstacle records is a new label that provides a home for established international artists adopting new aliases in order to release productions drawing on speed garage, 2-step and broken beats collective heritage.

deep88 on 4 tracks jammed live, direct recording, no editing, what you hear is what he plays. that border between techno and house.

straight ahead music presenting their ninth vinyl & digital release from jacky & atove with remixes by jey kurmis and apollo 84. thanks to jacky & atove for keeping their tracks to sascha sonido´s label straight ahead music.

local talk is proud to present a release featuring clemens kahlcke aka clé, also known as 1/2 of märtini brös. a true veteran in the electronic dance music scene with several releases on established labels, including poker flat, dessous and liebe*detail. the title track the jam is a classic deep house track, cleverly layered with elements that builds the track gradually, giving it real drive and purpose. dirtytwo is on a roll and after remixing hnny last month the dynamic duo continues to make house magic, their take on the original is another winner. the sharp beats, shuffly hihats, short staccato strings rips the track to dramatic effect and a guaranteed weapon in any djs set. local talk is talking to you!

chicago influenced tech house 4 tracker by stella soul. incl monkey safari remix. lets mambo!!

the very popular shh! label return with 2 very familiar sounding tracks twisted into something fresh and current. pressing on green, transparent 10 inch vinyl.

the jam is the band of the modfather paul weller. although the jam emerged at the same time as punk rock, the jam better fitted the mould of the new wave bands who came later.
180 grams audiophile vinyl release, includes full colour insert.

one year after their >serenity< 12 inch including a soundstream remix, it is high time for some new material by cologne-berlin based duo prosumer & murat tepeli. >u & i< is the result of an extensive jam at prosumers studio. this is a trend resistent deephouse song it brimming with their unmistakable signature sound. it has sounds of dancing horses, an adorable old school and a bassline lary heard would be proud of. once again, prosumer shares vocal duties with elif biçer both telling touching stories about night clubbing and human relations. >the jam< on the flip side is - quite apparently - exactly that - a jam. it is based on the recordings for >u & i<, but also caterss for a more upbeat dancefloor. it is the more techno oriented, instrumental side of the same coin and prosumer & murat tepelis most energetic effort to date

... and one more time! put your hands up in the air and scream like you just dont care: pump up the jam!

features nrk favourite miguel migs on the a side, with his super smooth disco funk licked house favourite >the jam< from 2001 (originally featured on the long out of print >soul selcta ep<) whilst another san francisco house specialist joshua gets to grips with his bottom end on >watch da bass<, a dub infused, skanking tech house

in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.

big technotronic classic lp !!

mega minimal old skool infected techhouse vs neo acid. for fans of get physical... already played by: jesse rose, rob mello, tim sheridan and smokin jo, nic fanciulli, pete tong, ralph lawson, mr c, justin long, dave philips and layo & bushwaka

2005 remixes by dj flex and kurd maverick for this huge classic club banger

big room house bomb ...remake of technotronic's megahit

fresh 2005 mixes of this big tune >> played by erick morillo / subliminal

urban/soul/blues/r&b/gospel

ltd silver vinyl

froid dub: an iceberg crusing the jamaican coastline. swaying & icy electronic dub compilation straight from delodio studio sessions. programmed and produced by f.m. cut and compiled by fa fane transparent splattered record in a plastic bag with info sheet.

4th album from uk soul/rnb outfit the james hunter six. the vinyl release includes a download code.

future classics from the james hunter six.

jerome derradji and past due records are proud to present the jammers

official disco music!

reggae sounds, 2018 reissue

here come the james hunter six! ser ving yet another delicious dish of what you wish with the premier single off their upcoming lp, whatever it takes (dap-051). and ill be a monkeys uncle ifjames hasn’t delivered two of his most compelling sides to date on this one. i dont wanna be without you is a graduate level course in the three rs of r&b: rhythm, rhyme, and romance. a sultr y rumba sets the mood, as hunter swaggers in donning his finest voice like a crisp tuxedo, complete with ruffled vibrato and rhyming cuff-links and proceeds to lay on an absolute hear t-stealin, deal-sealin, panty-peelin gem. on the flip, i got eyes loosens the collar and brings the metronome mark up a few clicks for a punchy tightened-up workout, edged-up with vibes and street corner backgrounds. bring your talcum powder and a change of clothes cause its another jaw-droppin showstopper by that finger poppin pond-hopper, james hunter

here come the james hunter six! serving yet another delicious dish of what you wish with the premier single off their upcoming lp, whatever it takes (dap-051). and i’ll be a monkey’s uncle if james hasn’t delivered two of his most compelling sides to date on this one. “i don’t wanna be without you” is a graduate level course in the three r’s of r&b: rhythm, rhyme, and romance. a sultry rumba sets the mood, as hunter swaggers in – donning his finest voice like a crisp tuxedo, complete with ruffled vibrato and rhyming cuff-links – and proceeds to lay on an absolute heart-stealin‘, deal-sealin’, panty-peelin‘ gem. on the flip, “i got eyes” loosens the collar and brings the metro- nome mark up a few clicks for a punchy tightened-up workout, edged-up with vibes and street corner backgrounds.

50s jamaican mento at its best, reissue of a double 10 inch album into one solid disc. happy and delightful jamaican mento played by local jazz musicians, recorded in the golden age of 78rpm sp singles.

an enticing taste of the upcoming debut album ‘eventual reality’ by the james l’estraunge orchestra. brainchild of scottish producer ricky reid, pianist on both 6th borough project albums and one half of the soul renegades alongside craig smith, the james l’estraunge orchestra is “the band that never was”, lovingly pieced together from a series of late-night studio sessions with some incredibly talented jazz and classical players. best described as jazz arranged with dance music sensibilities, the james l’estraunge orchestra sound is warm and organic, atmospheric and at times somewhat bleak, a perfect reflection of the remote log cabin in which it was created. immediately iconic both musically and lyrically, ‘closer’ is a powerful commentary on today’s self-regarding, materialistic world with a strong message of hope for a better tomorrow. combining lush, live instrumentation and climactic, cinematic composition, closer’s emotive, almost springsteen-like vocals are performed by ricky reid himself. ‘groovin’ you’ covers a classic from harvey mason: a bass led, heavyweight instrumental jazz-dance workout featuring some impressive brass and woodwind solos bolstered by spine- tingling string swells and tight, rolling drums.

a permanent fixture in the world of rhythm and soul, james hunter follows up five critically acclaimed albums with his latest recording, whatever it takes, for new york city’s renowned label, daptone records. at the height of his famed recording career, hunter and daptone co-founder and producer bosco mann recorded an elegantly crafted collection of 10 originals that are evermore poignant and compelling than the singers previous works. the james hunter six and mann recorded whatever it takes straight to tape at daptone’s penrose studios in riverside, california.

born in a remote log cabin deep in the scottish highlands, eventual reality, the debut album from the james l’estraunge orchestra melds jazz and electronic music sensibilities with a huge helping of heart and soul. in 2014 seasoned producer and musician ricky reid and his partner retreated from the city to embark upon a new life, in his own words “away from the constant, incoherent noise of the world”. as he set up his studio, the clean air and spectacular surroundings began to provoke musical inspiration like never before. then, like a scene from ‘field of dreams’, a series of talented musicians from his former life visited the cabin for a series of late night jamming and recording sessions, leaving behind them hidden treasures to be discovered and lovingly pieced together by ricky over the following months. with nostalgia so much a part of the album’s creation, the james l’estraunge orchestra can’t help but appear somewhat spectral, after all they are truly the band that never was.

for a quarter of a century, the james taylor quartet have set the standard for the coolest sounds in funky acid jazz. on dozens of mighty albums and at their legendary gigs at home and around the world, they ve quietly becomea byword for distinguished british creativity. live show at ronnie scott s week after release

this may be james hunters fourth album, but it is his first on daptone. produced by daptones own bosco mann (gabriel roth) at penrose recorders (daptone west) near his home in riverside, ca, hold on! is a perfect por trait of an ar tist at the top of his game. james hunter has been on the scene for enough years to acquire plenty of feathers in his cap. billboard charts, grammy nominations, and van morrison collaborations aside, he has earned an international reputation as a rhythm and blues troubadour for his command of the microphone both on stage and in studio. this album, however, is something far deeper than just another notch in his belt. it is truly an ar tists vision come to fruition. the vinyl lp includes a download code.

james hunters *minute by minute*, das auf vinyl bei daptone records erscheint, markiert einen wichtigen schritt in der karriere dieses einzigartigen sängers, gitarristen und songwriters. *minute by minute* wurde von gabriel roth aka bosco mann productions produziert.
inklusive donload-code.

amazing techhouse tune with mixes by wally lopez and style of eye.

breaks 2 tracker - based on well known reggae tracks!! special limited repress!!!