the second chapter of this young danish talent s spectrums, with more post-bass techno hybrids, and inspired by the early 90s sounds of belgian labels like r&s and buzz.

debut release on the new kaleidoscope jazz chair reissues label. first release contains some beautiful and well crafted dubbed out techno by kit clayton with his 1998 deadlock tune originally released as the b2 on the 4-track unreliable networks ep (on silent servant s label cytrax ), it slipped under many a record buyer s radar. nearly 20 years later, now that electronic musical tastes have matured and expanded, the time seemed right to re-present, this lush, atmospheric, percussive work out to the heads, deservedly pressed on a full side of 12- vinyl. pussy clap was originally released on the remote label, set up by charles webster, and featured house music predominantly written by charles and neil tolliday, better known as nail. jorge felucca was the alias that neil used when creating the more dubbed out, techy tracks for the label. sounding somewhat like a deep house take on maurizio, pussy clap was also released in 98, but had since fallen into obscurity, and the time had come for it to be rejuvenated and polished with an amazing remaster by pole for the modern ear that is a dramatic improvement on the original

this is the first volume in a series of release showcasing the analog hardware experiments of michigan-raised, new jersey raised michael alan rogers aka personator. running the gamut from raw, springy machine rhythms propelling the snarls of modular synths to softly pulsating white noise adorned with lullaby-like melodies, two of the tracks were recordded straight to dat in the artists studio, while a third was recorded live at a late night loft party in chinatown. perfect for fans of hieroglyphic being, jahiliyya fields, nation, trilogy tapes, etc

soul jazz records’ new nigeria soul fever is their first release to explore the vast wealth of nigerian music recorded in the 1970s. the new album comes with introductory sleevenotes by bill brewster (author of last night a dj saved my life).
packed-full with afro-funk, disco and boogie all from nigeria, this triple album set brings together a stunning collection of diverse west african sounds. whilst a small handful of the artists featured (joni haastrup, tee mac, christy essien) have seen the light of day outside africa, this is essentially a collection of killer tracks by an array of artists completely unknown outside of nigeria.

continuing his recent techno run on the dancefloor, deetrons rhythmic prowess and analogue textures are formed perfectly on this endless ep.

tor goffer is a young and promising producer from tel aviv, dropping his debut ep in the 2nd release by no waves. included are two big-room dub techno tracks, a driving deep house tool, and a raw remix by tv.out.

&apos’s music veers between abstract, experimental compositions and more beat driven tracks, all held together by a defined aesthetic of sonic impurities and random patterns thrown up by algorithmic computations. in &apos’s music compositional decisions are not merely reliant on himself but also on a range of processes from constrained randomness to full fledged neural networks. that is to say, the ‘instruments’ he creates have -to a certain extent- a mind of their own. there will always be a dynamic between the musician and something else that triggers, proposes or decides what will happen to the music.it is exactly from this human-machine interaction that &apos extrapolates his musical ideas that are both intricate and detailed while never losing an overall sense of emotional value. his first solo project ‘lichtdrank’ is a selection of four tracks made during his time studying sonology at the hague’s royal conservatory and the time following. it is the third and final installment of bepotel s startuplabel trilogy. previously, he has released music together with walrus and sagat under several musical projects like smaakwaterval and bepotel. the artwork of the lichtdrank ep is based on screenshots from an interactive multiplayer video game where the musical universe of &apos can be explored.

schmissig und gewitzt: kaleidoskopisches sound-inferno mit groove und attitüde. die lp erscheint auf blauem vinyl inklusive downloadcode.

im rahmen des 25ten label-jubiläums veröffentlicht fat possum erstmals das album just do me right von asie payton als lp. asie payton stammt aus holly ridge, mississippi, lebte und arbeitete dort sein leben lang als farmer. dieses album enthält die einzigen studio aufnahmen, die während seiner lebenszeit entstanden. asie payton verstarb 1997. das werk erschien erstmals posthum im jahr 2006. asie payton ist hier als hochtalentierter blues-musiker zu hören, dessen stimme oft auch die kraft des soul mit einschließt. wenig ist über das leben von asie payton dokumentiert, jedoch ist er teil der berühmten film-dokumentation you see me laughin the last of the hill country bluesmen (2003). die vinyl-lp erscheint inklusive downloadcode.

estudando o samba is a concept album by brazilian singer tom zé, recorded in 1976. it was listed by rolling stone brazil as one of the 100 best brazilian albums in history. - released for the first time in nearly 40 years on 180 gram vinyl.

limited first pressing of 500 numbered copies on yellow 180 gram vinyl, including 4 page booklet and housed in a pvc protective sleeve.
pelé: birth of a legend tells the miraculous story of the legendary soccer player’s rise to glory from a young boy, to the 17 year old who scored the winning goal in brazil’s first ever world cup victory in 1958. from a life full of disadvantages and an impoverished youth in brazil, pelé used his unorthodox yet authentic style of play and his unbeatable spirit to overcome all odds, find greatness and inspire a country that he changed forever.
the original motion picture soundtrack, comprised of several styles of latin music, is composed by the indian composer, singer-songwriter, music producer, musician, multi-instrumentalist and philanthropist a.r. rahman (slumdog millionaire). described as the world s most prominent and prolific film composer by time, his works are notable for integrating eastern classical music with electronic music sounds, world music genres and traditional orchestral arrangements. rahman won many awards including two academy awards, two grammy awards, a bafta award, a golden globe and four national film awards.

pau encinas also known as cauto returns after several years of apparent inactivity. his previous ep, 35/8, was published in 2011 via disboot. since then until now, he has worked on several collaborations and remixes. one of the reasons for disboots existence is to promote and release young and local talent. cauto, without exception, is an essential one of these.
from his first release on dj rupture’s dutty artz in 2008, pau has been developing his skills as a producer and talented musician rooted in his background in catalan folk music. the culmination of his musical evolution is the crystallisation of his new lp.

munich based pair jorkes are something of an enigma, having appeared on the scene recently with a fully formed sound and a desire to let their music do the speaking for them. musically the duo seem to be operating with few boundaries, looking to express their emotional states through their music with scant consideration for styles or genres. this latest release sees jorkes team up with fellow munich resident and vocalist karol schmejchel to deliver a slice of evocative, slo-mo nu-disco. the release kicks of with the original mix of thank you, marrying chugging drums and warm bass with stirring pads and the emotionally charged vocals of schmejchel. its a perfect track for dark backrooms and home lounging alike. the remix comes from manchester trio menage a trois who deliver a sonical beautiful reworking built around heartwrenching keys and heavily reverbed guitar parts. simple understated drums carrying the record along as their vocal treatment soars towards the heavens, this is sublime stuff. the vinyl release will also feature an exclusive instrumental of the menage a trois mix for those who like things a little more stripped back. in keeping with jorkes creative outlook, and following on from their previous release, there will be an exclusive music video of thank you forthcoming which is likely to set pulses racing once again! thanks for purchasing a real copy!

staccato computer melodies, elongated elation and frenzied rhythms make up ftds latest offering. from the collaborative minds of justin tripp and brian close, known to many as the georgia creative outlet. the ny based duo set out to free up your mind and take it on a journey.

ethimms second ep when in dark delivers the groups signature tension music with moods oscillating between suicidal heartbreak and conciliatory optimism. in the opening track why (a cover of the rhythm and sound classic), producer elisabeth thimm sets the stage for guest singer veronique to mourn love s loss, while brian gimmel s improvised piano licks hold strong agains the songs relentless bassline. the follow-up track late features lexx s dreamy lyrics gracing a subtle dance foor tune for spaced-out souls. the b side opens with ethimms love for dub. next is a freaked-out meditation on what has been and will be, while the fnal track done slowly creeps towards its peak, refecting on dark days where light may have not been much in sight, but going forward sees optimism, increased resolution, and drive.

primal scream vs society !!

urgent’s main man deego fresh delivers the third release on odd music sub-label with a bunch of excellent dj tools with a soul, taking us on a deep and introspective journey while maintaining the drums as sharp and as tight as in the previous outings, characteristic of his inimitable production style. hot material right there.

spirit reflection is the third full-length release of original material by gaby hernandez. it’s lovers rock and tropical soul featuring dexter story, kamasi washington, miguel atwood-ferguson, gb, benjamin tierney, ammoncontact, carlos niño, and more! songs for you to groove to, love to, dance to, and go deep with. now, analog burners expand the project by releasing gaby hernandez spirit reflection as a 2xlp set, with sides a & b – the vocal album, and sides c & d – the instrumentals. a must have for all record collectors interested in the diverse los angeles music community!

relaxer returns with the second installment on their eponymous label. heavy, virulent and filled with longing, relaxer draws us further into the artist’s fascinating & unique world. side a’s “hissing flora” unspools organically over ten minutes, its melodic tendrils wrapping around a corroded vocal atop a heaving low end. on side b, “weekend” drifts through a beatless mist, with flickers of venomous voices and crumpling synths that shine through drawn shades. “climate of fear” snaps the listener out their uneasy rest with stomping percussion, overflowing arpeggiations and keening harmonies.

for their 2nd release, the parisian label have decided to play -rawze- & clubby. then they called around7 for that. the french producer has digged his best rythm voices, bumpin bass lines, heavy beats & some crazy samples to give us his version of funk. and for sure, funk is in da house & that s pure joy to play this record live, for make the dancefloor wet!! anyway, rawze ep is guaranteed fun, approved by ondulé recordings & served only on limited wax… once again all the ingredients for an unlimited pleasure!!!

charlie & jad said the main thing they were trying to create was music that was unpredictable, had twists, and turns. we think they succeeded. music is made for ears. we could describe it all we like. tell you its good, tell you its amazing. but you have ears, so decide for yourself.

keeping up their regular and on point release schedule, french outlet d3 elements now looks to a dj and producer from the southside of chicago. ellery cowles has been making unique house sounds since the mid 1990s as well as being a respected dj who is revered across the states. his music has come solo as well as in collaboration with the legendary likes of ron maney, roy davis jr and brian harden and cowles has released on labels like dafunk, hybrid and hizou deep rooted music.

final ep of trevor jacksons nine volume series, title track little things features a young (pre four tet) kieran hebden on guitar, an extended blissed out ambient cosmic jam flipped with slo mo tribal percussive work out + life and 4 u a minneapolis style electro funk ode to the island life. 250 copies, dont sleep!

ltd 1 copy per customer, brill four track vinyl from taraval

following two radical reinterpretations earlier this summer from truncate and yaleesa hall, which earned plays from roman flügel, laurent garnier and ben sims to dusky and huxley, kameras ventoux ep is further expanded with two remixes that tastefully expand the producers original vision of uncompromising body music. festival and club favourite george fitzgerald is on hand first, delivering a blistering remix of cosignia, one of his personal favourite club records in recent times. here, fitzgerald continues his masterful streak of production, knowingly blending the somewhat menacing machine throb of the original with a suspenseful bassline, eventually culminating in a heavenly, ethereal breakdown, one thats certain to leave bigger rooms in throes. meanwhile, throwing snows remix of title track ventoux deconstructs the bright, idm inspired anthem into something equally frenetic yet utterly different. punchy live drums begin to escalate over a deeply satisfying electronic snarl, recalling throwing snows noted fascination with post-rock, while maintaining the tempo with naturally evolving elements of industrial and ebm

electric pressure is an athen s(greece) based label founded in 2015. the debut vinyl release features 3 hardware centered, acidic techno oriented tracks from worker/ parasite and a remix from clouds. worker/ parasite is an oakland, ca based artist, much known for his stomping acidic hardware productions. clouds tip in with a heavily sampled remix, balancing perfectly between techno and noise.

praise poems vol.1: gilles peterson (worldwide / brownswood rec.): one of my fave comps of 2015. praise poems vol.2: oliver korthals (mojo / out of spectrum on byte fm): extremely well put together track listing of artists which i have never heard before. left me with my mouth open... - highly recommend! praise poems vol.3: dom servini (wah wah 45s): this is incredible.

oi... big house tunes alert!! 2 big tunes from the north that sounds like the hay days of club house in the mid and late 90 s! fresh house bangers from the karlovak label honchos them selfs!!

we are glad to introduce this first flex001 by relative & lazy snail on the dub: in this 12” only vinyl (very very limited) each track is an introspective search of the key sound and of course the right mood. don’t forget the deep inspirations, the rhythm together with the blablabla… and so on… essentially something that makes your body move. the proper vibe for a proper dance.

general ludd are back with sunset yellow, their third ep for us in as many years. this one picks up where “are you losing my hearing?” left off with three more doses of heady drum breaks and spacey synth lines that have been psyching out our dance floor in new york for quite some time now with no negative side effects.

zuhören, genießen, glücklich sein: die wiedervereinigung des jahres. die vinyl-lp erscheint inklusive album-cd.

eingängige weltuntergangsmaschine: zweites album der husumer indie-band.
die vinyl-lp erscheint im klappcover, cd & zeitung inklusive.

after his 2012 starpatch release on red rack em s bergerac imprint it seemed seetheroad has retired from music. now he is back - as the very first uk artist in the history of tape hiss - with four twisted pieces halfway between techno and electronica. it’s a kind gesture to the label he gave a hungarian title to the ep. cédrus Út means cedar road, what was his previous location and inspired his artist name at the same time.

joey anderson, markus suckut & wa wu we remixes!

fierce banging tracks on the a-side of this multivalence volume 1, and two winning acidic techno tunes with a bit of an early detroit, belgium rave vibe on the flip side. strong release on kevin mchugh (ambivalent/la-4a) new series of various artist ep s on his valence imprint.played by dvs1, josh wink, dj deep, ben klock, norman nodge, rolando, scuba aos

after about 30 years as techno/house/synth dj, borft now release joakims debut album. you can hear that he really knows what it takes to get your crowd crazy. this record is full off classic (yet bizzarre) house/acid/disco styled stuff and on the entrance track he got company by wonderful vocalist silvia on a classic trip chicago - helsingborg.... check this def. out!!!

jürgen karg’s career in music began in the 1960s as bass player for german jazz legend wolfgang dauner. it was not until the 1970’s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five year period. his efforts culminated in “elektronische mythen”, a mighty opus of experimental music which reveals new aspects every time it is played. jürgen karg’s music is deeply serious, as vexing as a jamais vu, yet absolutely beautiful. “elektronische mythen” is an album which fits like a puzzle piece between the first and second soundtracks for a clockwork orange. it’s worth to check it out!

rnt reinvents their ever-expanding catalog once again with this collection of remixes of mr. v s seminal early-aughts hip-house track somethin wit jazz. leading the charge is freerange/delusions of grandeur boss jimpster, with a duo of driving, percussion-laden deep house versions. session victim bring the signature quirky soul to their mix, while rnt regular planty herbs goes straight roller-disco!

vom house-talent zum songwriter-genie: emotionales indie-dance-album.

after completing his debut 12- for 100% silk (which saw a release in feb 2016) hubert clarke jr spent most of 2015 focused on pushing the music of others, through sydney s newest record store, outer time inner space. owning and being surrounded by a literal shop full of records provided motivation and inspiration but left little time for writing.

louis haiman returns to indigo aera with the cosmic memory ep, which features two originals as well as a remix by berghain heavyweight marcel dettmann.

impressive and versatile housemusic 4 tracker for every situation on the floor. the * to be overmodest ep* is an outstanding performance by jan ketel & siggatunez completed by a highly recommended remix from london-based harry wolfman.

adult contemporary have always focused on meticulous production and manufacturing throughout the catalog history. this time no different in that regard, but the approach seems to have crossed over to the visual aspect of their ninth release, a glorious offering introducing artist invisibleland, as well as, a dazzling cover illustration synchronizing the entire package. the headlining lead track is astonishing itself. -six months of no rain- is a way of life in l.a. come every september which is when this multi-dimensional masterpiece lands.

180 gram double vinyl with etching on side d. comes in gatefold sleeve with download code included.

two tracks, liscenced from smithsonian folkways recordings - now available on this 45 - pressing is only 500 copies!

this is the sampler of the affkt new album “son of a thousand sounds” to be released by sincopat. it includes collaborations with upercent, piek and sutja gutierrez.

morah comes from athens and his record on lux rec mirrors this magnificent, spendid, decadent, rotten and grimy metropolis. a long journey into the greek maze. unsettling at times, not without fear or dismay. and those noises coming from a great distance away, are of fools, demented, lunatics. we invite you to join the chant.

three freude am tanzen releases from douglas greed for one special price:
- fat051: hurt & love ep
- fat062: masked up and messed up
- fat069: spark / noisy ep ft. mooryc

few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. what is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. it was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as rare groove - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth. a quarter of a century on and a million funk, soul, jazz-funk and rare groove compilations, re-presses and re-releases later, you d think that cupboard was bare and yet, even now, there are gems to be found. pt is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation down & wired is just such a collection. always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when pt do rare, they don t mess around. in fact, if these tracks were steaks - they d still be walking around eating grass.

californiabased producer damon bell could not find a more suitable home for his new 12inch than croatian label burek. its his first one since blues for the libyan lp released in 2015. for deepblak, and it sounds as if the time off was well spent. two words that perfectly describe this record are rich and colourful, and the description is equally applicable to all three cuts. stand by me is a synthheavy piece built around the interplay between tracks rougher sounds and big lush pads. on the flipside, life is slightly faster and more direct, with a wonderful guitar part that circles around the main theme throughout the most of the track. similarly mannered, but slightly more intense transatlantic journey? we been here! is the last piece and features an infectious groove with lead synth piercing through layers of delicate arpeggios playing in the background. all in all, it feels good to have damon in the team. we hope youll enjoy this record

so kam die postmoderne über uns und machte aus vormals ehrbaren kulturschaffenden werksarbeiter, denen alle schrauben abhanden gekommen schienen, im besten fall. mit minimaler eigenleistung (nimmt man die unbeabsichtigten fehler in der produktion mal aus), aber bei maximaler entgleisung entstand ein gänzlich neuer berufszweig. der grundsolide werksarbeiter, mit gema anmeldung im griff und guten draht zu seinem steuerberater. um die quietschfidelen arpeggio terroristen soll es heute mal nicht gehen. unsere protagonisten dieser geschichte sind andere. wahnwitzige, soziophobiker, menschen mit gebrochenen lebensläufen statt joghurt im rucksack, emsig agierende mitstreiter mit tupperdose in der tasche für die frühstückspause, willens den kampf der letzten kulturoffensive zu ende zu bringen, samplen, pitchen, alles zerhacken und zu undefinierbaren fetzen von funk wieder zusammensetzen. ausgeglichen vom duft der natur ankommend den fortschritt definieren wollen und den strom in die maschinen juckeln. Ästheten der fehler waren geboren. losgelöst vom fließband. hart & tief wird geackert geschwitzt, gebimmelt, der filter aufgedreht, der schmutz schaufelweise rangekarrt, bis die stufe der erlösung erreicht wird oder eben halt auch nicht. das leben ist nun mal kein einziger orgasmus und der funk entsteht in den pausen wie die befriedigung der gier und der besitz des moments, weil das leben ist doch nur ein wimpernschlag und wir immer nur einen abgrund entfernt von weltekel oder erlösung.

lp, 180 g, beautiful embossed chess board artwork print, inner sleeve with artist picture and text by david elliott, sounds june 16, 1984 in anticipation of the 35th anniversary next year one of electronic musics most influential recordings, the legendary e2-e4, from 12.12.1981 does get an official rerelease by manuel goettsching on his own label mg.art. carefully overseen by the master himself

tom hang is the solo electronic work of lobster theremin label owner jimmy asquith. despite being ridiculously busy either quaking dancefloors across the globe and flowing into the world a continuous catalogue of acclaimed electronic heat, jimmy has found time to follow up his ‘tidy bedroom versions’ release with more original tracks from the heavily dusted harddrive. ‘the new world’ is a sphere where pummelling techno burners teeter on the edge of freedom before winding and convulsing themselves into varying mutant zones that straddle the lines between experimental statement and tightly locked grooves to create a record of pure dystopian dancefloor heat. there is an odd and refreshing unity here within the strict, bare, functional, consuming percussion and the heady, playful, and freeform nature of hang’s melodic grip.

if you love contemporary minimal music, then you are certainly familiar with the greek artist stathis leontiadis. with his bands human puppets, exetix and plexiglas this musician became one of the stars of the genre. now he is back with doric. with this solo project he already released a single and an album on fabrika and a 10- on domestica. the new release is once again a 10-, this time on peripheral minimal. doric uses a special concept. the a-side is the so-called asleep side and is about loneliness: music that sounds paranoid. sleep of reason is almost unbearable, it s madness driven by minimal electronics. everything is very danceable, but this is the dance of madness. the minimal sound comes straight from the 80s. over my dreamssounds a bit like the early parade ground. simply great! head against the wall (a title that needs little explanation) is slow and compelling.

the fifth installment of cosmin trgs fizic comes in the shape of two lethal remixes from some of the most innovative artists in the field, lucy and minor science. lucy takes serpentis mystical energies and blends them into a digital ritual of tectonic plate-shifting drums, sizzling textures and hypnotic patterns. highly seductive and authoritative transmission from the stroboscopic artefacts school of thought. oblic sees its exuberant shimmer and ricochet rhythms reinterpreted with scientific precision by minor science (trilogy tapes, whities). the result is a hyper-modern, high-octane excursion with deep fluid bass drums, expert percussion and soaring synths. oblic/ serpenti remixes arrive on fizic in september 2016 in digital and vinyl formats. lucys remix mastered by giovanni conti at artefacts mastering minor sciences remix mastered by. matt colton at alchemy mastering, original cover artwork by cosmin nicolae.

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe.

ltd ed vinyl

the frightnrs escort daptone into the world of long-playing reggae with both the sweetest and the roughest record of the decade. crafted under the meticulous eye of black-belt reggae mastermind/producer victor axelrod (aka ticklah), nothing more to say is a rocksteady masterpiece the likes of which has not reared it s head since the golden era of studio one. however, you ll find no imitation here - none of the faux-jamaican cliches of lesser reggae bands. like all things daptone, this record is above all soulful and honest.

release no 31 finds kat records on a european tour with 3 reworks based on 80s belgium, italy & germany disco & new wave with man of the moment moscow producer phil gerus (futureboogie, sonar kollektiv) taking centre stage.

the chordz ep brings it with 3 hot new modern boogie tracks. label hero newman opens the release with the title track chordz, a synth-fuelled dancefloor banger, reminiscent of harvey sutherland s recent work. flip it over and ourra (aka simon tappenden aka pop out n play) brings us a truly tropical treat reminiscent of palm trees, pina coladas and 80s miami sunsets. last but not least, keyboardist for brian ellis, adam chini plays horizons of funk, a lush down tempo synth funk number bringing the ep to the perfect clo

spirits is an ode to classic house music as smooth as silk, the beautiful vocal echoes its way through this deep cut and into your collection. alexander o neal edit of the classic fake is a perfect example of a soul classic getting a fresh makeover which works and will blow up any and every dancefloor. distorted vision inspired from dark comers of underground warehouse parties, hard hitting drums and a soaring synth and bassllne that builds and hits like a classic 4/4 techno/early 90 s track.

nils penner liefert wiedermal eine wunderbar soulful ep ab, mit hypnotisierenden vocals von emilie nana. das volle spektrum wunderschöner erfischender vibes, einfach eine solide house-platte gefüllt mit emotionen, die gerade recht zum spätsommer kommt! es hat uns umgehauen, als wir nils penner’s jüngstes material für compost black zu ohren bekommen haben. der folge-release nach seiner „master petz“ – 12“ (black label #121 in 2014) ist schlicht ein brilliantes stück musik! vielseitig, soulful und deep auf ganzer linie, so wie wir es lieben!

lp vinyl special remarks: many of you will remember manuel göttsching by his masterpiece e2-e4 and know the fact it got sampled by far more than once

abrao will debut his first solo ep produced by red axes, and released on their own imprint, garzen records. abraos songs talk about his past, his future, love and hate, dirt and clean, they are sometimes happy and sometimes sad, but they are always different.

2lp+download ! in my room proudly presents fixion, the fourth full-length offering from anders trentemoller. with fixion, anders has crafted a logical successor to 2013s lost - a record that in many ways managed to truly capture the visceral live experience of trentemoeller as a full-band. in much the same manner that lost built on from the somber cinematic classic that was into the great wide yonder, fixion has embraced the danish artists trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.

mysterious brooklyn label and production crew getting in the game with some techno and ebm bangers. all are re-workings of recognizable or obscure classics. “looping blood” the clubbiest of the ep builds around a controlled bleeding loop and blossoms into a spiraling unstoppable groove accented by crashing reverbs and jackin drums. “alaaarmed” is a pounding re-edit of tommi stumpff, early german minimal punk not unlike nitzer ebb. “take two” is a great remix of front 242’s epic industrial classic “take one” dubbing out the lyrics for an instrumental approach. “open bar” puts the scissors to skinny puppy’s early 80s classic “last call” looks like the aptly named effective weapns label certainly providing some hot jams for this fall. fans of dark entires, minimal wave take notice

-psi-, geschrieben als griechischer grossbuchstabe, ist das dritte album des enigmatischen und zukunftsgewandten duos patten, und ihr zweites auf warp. auf -psi- dekonstruieren patten moderne clubmusik, indem sie verschiedenste strukturen des pop mit indu

electri city was created in 1980 in bundt’s own studio. using a ppg synthesizer and a teac four-track tape recorder, he anticipated the home recording trend. he worked on the mixes with a revox tape machine, cutting and splicing by hand. whereas he had enlisted guest musicians on the predecessor neon, this time around he did everything himself, except for two tracks which featured keyboarder steve robison (reiner geyer) who had played with bundt in the krautrock band nine days’ wonder.

neues album des charlatans-frontmanns tim burgess mit dem renommierten new yorker musiker peter gordon, der in den späten 1970 ern zusammen mit arthur russell und dem love of life orchestra futuristische musik aufnahm, die tim burgess bis heute begeistert. -same language, different worlds- wurde von gordon in new york produziert, an den aufnahmen nahmen weitere kultmusiker wie ernie brooks (neben arthur russell frühes mitglied der modern lovers), peter zummo (posaune), mustafa ahmed (conga) und nik void (von factory floor) teil.

the greek label analogue returns, this time with the french producer octave aka vlaysin. heavy, raw and acidic techno. the perfect weapon in your vinyl bag.

lowercase life is a new record label releasing limited vinyl editions with hand made artwork covers. label owner colophon kicks off with the 1st ep trying to catch the spirit that once started in detroit. three tracks created on old analogue synths and drum machines combined with new software technologies. in addition to the original tracks florian kupfer (l.i.e.s.) delivers a remix with a raw, uncompromising one-take hardware recording like only he can.

beginning from the abstractions of their self-titled debut release in 2004, the group embarked on a trajectory that saw them move toward near-song structures, tricoli’s voice becoming a dominant element amid an increasingly dense and layered production style. on speak to me, however, the listener feels confronted by the ghost of music, sonic memories echoing across a psychedelic expanse. evacuated of any clear structure, the music becomes a reverb-saturated morass, from which crystalline details momentarily emerge: shimmering echoed guitar, bowed double bass, tactile hand percussion, skittering electronics. suffused with a darkly pensive atmosphere, speak to me is an elegant summation of the distinctive blend of electroacoustic techniques, instrumental improvisation and contemporary psychedelia pioneered by 3/4hadbeeneliminated over the last decade

debut release for ra journalist dan petry using the moniker ged. the dry river ep is an accomplished first outing that fans of drexciya, dave clarke and objekt should investigate. ged s sound is rooted in detroit electro, early rave, 90s warp sensibilities and the gorgeous electronica palettes of manchester s skam label, most notable on early boards of canada and bola s work. that is to say kicking drums, dark brooding undercurrents and delicious soundscapes. definitely worth checking.

from a live broadcast recorded at rock in rio 2, maracana stadium, rio de janeiro, brazil, 18th january 1991

parade ist das achte studioalbum des us-amerikanischen musikers prince. als gastmusiker wirken clare fischer, gene cipriano, jonathan melvoin, susannah melvoin und sheila e. mit.

limited edition of 250

early september will see the release of paulo olartes el escandalo de tus ojos lp via barcelonas galaktika records. columbian producer paulo olarte has been a long time friend and affiliate of the galaktika imprint having been releasing with the label since its early years a decade ago amongst further output for the likes of liebe detail and diynamic. here we see him back on galaktika with his new long player, set for release in september via a special vinyl edition with a digital release to follow.

coloured vinyl + cd) hydrogen seas debut album in dreams is the next chapter in this young bands intriguing story. on their first full length, they reconcile the electronic with the acoustic in eleven stunning pop songs.

makes a nice overview of these times, incl. download code

nice price deal !!! third release of the label what.if. debut of the barcelona based producer carlo santi with an original track called “tambor” on the a side. on the b side the release includes a fresh remix from birdsmakingmachine.

everyones looking for inner peace of some kind—even warmongers. as most intelligent people know, music is one of the most effective ways to achieve that blessed, blissed state. the debut album by seattle producer monadh (jake muir) offers yet more crucial aid in the war on stress. muara is an ambient album in the purest, chillest meaning of the term. its seven tracks are awash in aquatic signifiers and textures each one is a rejuvenating dip in healing, icy waters.

at 21 years old, mathis ruffing has already managed to craft a signature sound, elegant and mature with a focus on melody and texture. rewardingly diverse, the ep touches on several genres and influences, ranging from cosmic to earthy dancefloor cuts, acid, grime, proper electro, idm and ambient. the common thread on this record is the search for balance between heartfelt melodies on one hand and on the other a form of immediacy, raw and almost industrial. ruffing has no trouble finding this balance and adding five terrific tracks to the banlieue catalogue.

rsd (raw sounds district) is a brand new record label founded by slo cee in paris which aims to collaborate with unknown producers around the world.
rsd001 features four new producers - ockham from lausanne, switzerland pete martell from leeds, england social service from los angeles, usa sofia from paris, france all of which have clearly marked their own vivid imprints on the sound.

der braddock ist tot, lang lebe der baby craddock ! ( braddock is dead, long live the baby craddock !)el braddock ha muerto, viva el baby craddock ! vive pépé ! - this will be released in a limited serialised ( number stamped 1/3500, 2/3500, etc) edition of 3500, with full beautifil cover art made by pepe and will be sealed / shrinkwrapped.