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decks tipp / digipack
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gradients zeigt wie das genre dub techno so funktionieren kann und wie gut es mit den wurzeln der house musik zusammen passt. er hat dieses album mit luftigen und sŸchtig machenden hooks gefŸllt, um sich in harmonie und melodik zu verirren wŠhrend der rhythmus fŸr jede hypnotische tanzflŠche gleich gut funktioniert.
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afterlife and tale of us are proud to announce realm of consciousness-, a 10-piece compilation expanding the afterlife totality into a label. the label and events will complement each other with one aim, to bring the crowd into another dimension of music perception with enthralling production to that ignite the senses.
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good price for good music! excellent marek hemmann album!!
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13.44 EUR
30% Discount
like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia Ð there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock Ð but though it may sound familiar, it never does what your brain thinks it s going to do.
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played by nick curly, reboot, mathias kaden, monika kruse, karotte, sis, shlomi aber, dj t., gorge, brothers vibe... debut album of helmut dubnitzky (brise records / 8bit) at his own imprint. massive support from the scene, perfect for the summer!
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the rhythms have a house/techno/breakbeat influenced feel but with less heft, with a bleepy downtempo character and movement without boominess, like four people clapping in their living room before heading out for the evening. through this, he creates a sense of minor drama, the kind that doesnt call attention to itself, but sneaks up on you with its haunting, focused sense of melodic timing.
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next hot dj food on finger tracks! this time by rising artists schaeufler & zovsky. funky, groovy and strinking are the main facts for this two tracks, and vinyl only, of course:)
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exclusive at decks.de! after the success of bang! (finger 001), comes here the follow up on finger tracks. perfect minimalism dj food to fit up your set..
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A1: Herbert Got To Be Movin (On The Dancefloor)
A2: Sven Tasnadi - Train
A3: Swirl People - We Used To Party (Lawnchair Generals Dub)
A4: Juliche Hernandez - 124g
A5: Gabriele Strada - Lost Drummer
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always keep moving, never stand still, a motto that dapayk & padberg have been following consistently for more than ten years in every respect. for nearly three decades sought-after musician, producer and machine enthusiast niklas worgt has researched diverse club sound effects with countless projects, while singer eva padberg is an internationally renowned high fashion model. since 2003 they have been traveling and performing together as dapayk & padberg. they are passionate sound nomads who capture acoustic impressions of their exciting journey. each album is a sound logbook, which captures memories in the form of beats, tunes and skits. on sink this ship, released a few months ago, the berlin-based duo provided a first glimpse of what you can expect from dapayk & padberg in 2017, with their new album harbour.
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deluxe 2 cd digipack , inside out paper and embossed typo finish within electronic music sven vŠth represents more than a single style. sven embodies the music as a whole, he cherishes every facet of techno and house. vŠth has experienced the music as it emerged in the mid-eighties. from this moment on, he has helped to shape it year after year. vŠth produced seminal music, his labels created and create its very own unmistakable brand of music, he ran a club and several booking agencies. cocoon is a global identification mark for high quality parties and festivals. those are major achievements, but they are overshadowed by vŠth djing abilities. like no one else, vŠth manages to capture the current figuration of our beloved electronic dance music in its entirety and melds it into a single, stirring story
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ibiza is known for that very special and unique vibe. this atmosphere full of deep emotions mixed with wild energy, salty air and hot summer nights. this is what we want to give to you and what we tried to present right from the start of our great ibiza adventure more than 15 years ago! all led by the big mastermind mister sven vŠth who started back then on the white island with his vision and made it come true more and more year by year. looking back at 15 editions of his mix-cd-series the sound of the season we have to state that these mixes are acoustic documents for contemporary witnesses, the recored soundtracks of our lifes on the island for all these great and unforgettable summer seasons!
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ein jahr ist vergangen, seit dj koze sein weltweit mit awards und preisen ausgezeichnetes meisterwerk amygdala veršffentlichte: bestes album in der groove, de:bug, bei byte fm und zŸndfunk, best album 2 bei resident advisor, dazu gab es den hans musikpreis, den vut indie-award best album und schlie§lich den echo kritikerpreis. nun erscheint mit reincarnations pt 2, nach reincarnations -the remix chapter 2001-2009 und music is okay (2000), die dritte gro§e werkschau des remix-virtuosen dj koze
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m=minimal continues its series of ernstalbrecht stiebler releases with ton in ton (tone on tone) feat. ensemble modern and hans-peter schulz.
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london based techno & minimal label murmur records, are pleased to unveil their story so far compilation, stretching back to their inception in 2004. a seminal label with a distinct talent for pushing home grown talent alongside some of the world s elite artist, murmur has an incredibly strong following through both their record label & club nights, something which this limited compilation displays perfectly. label honcho geddes pulls together the compilation, which features artists including toby tobias, will saul, maya jane coles & ethyl & huxley to name a few.
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>o f f love ist ein trŠumerischer romantiker. ein digital native zwar, doch keiner, der sich Ÿber das digitale netzwerk selbst darstellt oder den spielregeln der inszenierung beugt. informationen Ÿber ihn sind rar und werden es erstmal auch bleiben. im dunklen dickicht leuchtet das licht manchmal doch am hellsten.< sebastian wei§
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hochinteressante doppel-cd-compilation auf c.sides, dem label des koelner produzenten glitterbug und der israelischen kuenstlerin ronni shendar. 10 neue und exklusive tracks von gold panda, khan, brandt brauer frick, glitterbug, mads brauer & casper clause von efterklang etc. waehrend mehr als zwei stunden spielzeit loten die beteiligten kuenstler die moeglichkeiten elektronischer musik jenseits der clubkonventionen aus - mit dem ziel, einen bescheidenen beitrag zu leisten, um aus der welt einen besseren ort zu machen.
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this new reference on dilek records is something very particular and out of the ordinary. it was achieved after a long period of work in the studio, which lasted three years and was done with a lot of heart and passion. its the 10th vinyl release of this surprising swiss/argentinean label who is now presenting an extremely multicultural project. this release will be available on vinyl as well as in digital format including bonus tracks and later on also in cd, with even more unedited material! listen to these tracks and have the opportunity to discover something totally different with some of jorge drexlers uncut material. this new album was supported by amazing artists as well as magazines and radios stations that you can check bellow.
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tunisia has never been a referent place in the electronic music world. it was better known for its beaches and sunny weather, hardly for its political regime but the events of 2011 brought quite some changes about that. these changes have been nurturing in the underground of the country until exploding to the face of the world, with fantastic momentums of rebellion, courage and union. shinigami sans album is a signal that emanates from the underground of tunisia: a hybrid of dubstep, techno and noise, very dark, but most importantly, very true. this is neither the sound of london or berlin, and if a couple of ingredients from here and there are recognizable in -toys-, it is most definitely the electronic sound of tunisia we bring to you here. from the dusty, 8-bit dubstep of -lofi- and -toys- to the dark techno rollers -post trauma- and -migra-, you will go by tribal beats, eerie atmospheres and heavily distorted sound textures. shinigami san draws a panorama that shows both impressive skills and style. -toys- is not only about excellent and true music, but also about original product design and diy manufacturing. this 450 digipack limited edition was hand-printed and crafted using silk screen printing, rulers and cutters. the graphic design is based on drawings from sabrina ben hadj ali, and each cd comes with 3 original prints on the theme of the album. today, we are up to put tunisia under the radar of electronic beat diggers, today, we bring you the first album of tunisian-born shinigami san: nothing cheesy here, just a raw, brutally honest vibe.
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in june 2011 dj phono will release his first album on hamburgÕs record label diynamic. Òwelcome to wherever youÕre notÓ is a work of heart, of emotions of awakened, flourishing, and unrequited feelings. itÕs something of a kind that could neither be accomplished within a nights work nor even in a cycle of nights, but only in good time. dj phono and his producer jimi siebels (a different jimi / egoexpress / its records) allowed themselves to take this time, two years, to be precise
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the first studio barnhus compilation, studio barnhus volym 1, is coming out at the end of august.
the 19-track release will feature music from the stockholm label s three foundersÑaxel boman, kornŽl kov‡cs, petter nordkvistÑplus various associates, ranging from local newcomers to superstar friends of the label like dj koze, john talabot and superpitcher.
the 19-track release will feature music from the stockholm label s three foundersÑaxel boman, kornŽl kov‡cs, petter nordkvistÑplus various associates, ranging from local newcomers to superstar friends of the label like dj koze, john talabot and superpitcher.
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the long established and critically acclaimed dj-kicks series kicks off 2017 with suitably accomplished dj, producer, vocalist and instrumentalist matthew dear at the helm. a man of many musical hats, texas born, detroit raised dear has a wide reaching discography that takes in face melting techno as jabberjaw, dark avant-pop under his own name and intricate minimal as audion. often with a gothic slant and full of curiousness, his pensive but playful music is an intoxicating distillation of many different influences, often with his own stylised vocals at the centre
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matt karmil is a british musician currently residing in sweden. ++++ is his third album, following 2014 s pnn debut - - - - and idle033, released on bristol label idle hands earlier this year. his output also includes a variety of singles for labels such as new york s beats in space recordings and stockholm s studio barnhus. on this new album, karmil can be heard exploring the concepts of impossible objects, reflection, symmetry, infinity perspective, truncated and stellated polyhedra - hyperbolic geometry, tessellations and lost love. while making the music that constitutes ++++ he interacted with mathematicians george p—lya, roger penrose and harold coxeter as well as the crystallographer friedrich haag, and also conducted his own research into tessellation. the result is ++++, karmil s most clever, strange, emotional and fun work yet, a testament to his breadth and depth as a musician. did we forget to mention that he s an awesome party dj?
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vin ploile is a gaseous kinetic atmosphere full of tangible rhythm patterns & modular synth pads.
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12.24 EUR *
grandioses album des italienischen techno-produzenten chevel (aka dario tronchin) auf dem berliner label stroboscopic artefacts. obwohl tronchin seinen klanglichen und atmosphŠrischen wergzeugkasten durchgehend konstant hŠlt, gelingt ihm auf -blurse- eine sensationelle vielfalt an emotionen, wie man sie auch von seinen dj-sets in top-clubs wie dem berghain (berlin), fuse (brŸssel) oder be cool (barcelona) kennt.
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13.92 EUR *
seit Ÿber zehn jahren steht der britische dj matt tolfrey, nebenbei betreiber des leftroom-labels, an den decks des londoner fabric-clubs und stellt nun erstmals seine definition eines sexy und schwei§treibenden dancefloorsets auch in der gleichnamigen cd-reihe vor. dabei mixt er sich eigenwillig durch styles und jahrgŠnge, nur auf die ultimative funkiness achtend, was ihm hervorragend gelingt.
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das zweite album des franzšsischen elektronikers arandel klingt wie ein tribut an den godfather des minimalismus, terry riley, und bewegt sich zwischen benebelter electronica, emotionalem techno und krautrock, wo unterschiedliche tempi, stimmungen und themen miteinander verflochten sind. siehe auch brian eno, siehe oneothrix point never, progressive 70er synth-epen, 8-bit-soundtracks und john cage.
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11.43 EUR *
american (but berlin based) stewart walker returns with his new album release -ivory tower broadcast-!
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11.05 EUR *
** limited nice price summer action **
dapayk s full-length album on 2xcd! confirming his way of production dapayk >... always manages to walk the line between really rough experimental sounds and nice quirky functional funk, and this album is no different.< (butane) the album cd is completed by the bonus disc >divine parts of a godless life< with 14 new tracks of cute minimal electronica, a musical expression of him that has not been released on cd up to now
dapayk s full-length album on 2xcd! confirming his way of production dapayk >... always manages to walk the line between really rough experimental sounds and nice quirky functional funk, and this album is no different.< (butane) the album cd is completed by the bonus disc >divine parts of a godless life< with 14 new tracks of cute minimal electronica, a musical expression of him that has not been released on cd up to now
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live at mutek 2013!
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while >sweet nothings< was a balancing act between clubsound and listening-electronica the duo is now turning its back on the dancefloor, to take the listener on an accustic tour through their personal amber room. with their chamber-electro mix, containing characteristics of dubstep, catchy pop-elements, classical string arrangements and and a singer/songwriter like intimacy, they achieve to create new sound-rooms
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fresh bosconi mix-cd!!! incl. rondinion, nicholas, altered natives, san proper & the clover..
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der klassiker ist zurŸck! kosi comes around, dj kozes erstes reines soloalbum, ist da, um der welt den kopf zu waschen. das klingt drastisch, entspricht aber durchaus den tatsachen. denn stefan kozalla ist ein revolutionŠr. niemand sonst lŠdt den wahnsinn mit soviel wŠrme auf. das lŠsst da weiter hoffen, wo vogelstrŠusse sonst hochkonjunktur haben. denn wo ein koze ist, da ist verhei§ung, da gibt es neue lŸgen en masse. da wird house music wieder zum utopischen ort. kozes house klingt genau wie brian wilson, nur dass die beats ein bisschen knackiger sind. er ist ein angstgejagter geisterjŠger, der selbst dem alten schreckensgespenst oldschool wieder farbe ins gesicht zaubert. †berhaupt, angst ist immer berechtigt. wer die angst nicht kennt, kann sie auch nicht bekŠmpfen. koze ist angst-experte. und das macht ihn zur schlagkrŠftigsten ein-mann-armee seit john rambo. * kosi comes around* ist sein manifest. angsthasen aller lŠnder vereinigt euch! on top zum wahnsinn gibt es die beiden bonus tracks * kuschelrock* und den klassiker *mariposa*!
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>square<, is the follow up to redshapes album debut ,the dance paradox, (delsin, 2009)
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xhins debut album on stroboscopic artefacts,sword,showcases the breath of his vision. as the second full-length release on stroboscopic artefacts, sword stretches the remit of the label s identity ever further. produced and recorded in singapore, xhin plucks sounds from the outer edges of electronic music and fuses them together. xhins approach revels not only in a hybrid sound palette but its also an album desi- gned for multiple contexts. its a record typified by duality. sword harbours electronic music ranges from brutal club sounds to deep and delicate murmurs.
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the sender-owner christopher bleckmann and hannes werner are still rockin with their new album >nd4<. the tracks are simply named by different places in their hometown, cologne. but everything but simply is the contents: very special minimalistic sound paired with rocking beats and basslines! masterpiece!
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mix cd by one of ostwind label heads marlose with his favorite tracks from the ostwind family.. incl tracks from ow020, ow025, owltd018, sub005, sub003, owltd013, owltd013, sub002 and ow027
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das zweite album der schweizer produzentin kate wax - nach ihrem 2006er debuet -reflections of a dark heat- auf mental groove - wurde von james holden co-produziert und erscheint auf dessen label border community. kate bietet auf -dust collision- eine unkonventionelle, vocal-gelockerte, darke version von post-electro-pop, unterlegt von einer minimalen synth-aesthetik.
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byetone s new record symeta opens with a combined track - a transit - since topas and telegramm could be seen as one single piece. both tracks convey the atmosphere of a live session rather than the character of a studio production. the tracks are quite long and deal with repetition, layers of sounds, density and energy, more than melodic and engineering finesse. the whole album follows this approach, as it was fashioned within the context of live performances during the last two years. neuschnee Ð the third track Ð has an obviously reduced tempo, creating a wide landscape of sound with an intimate aura, which works as a counter draft to the other tracks of the record. with opal, the tempo speeds up again, a polyrhythmic phrase whirls around a straight beat, filters are turned, all that evokes the impression of early-90s minimal techno. byetone is basically interested in remembering, in a way to preserve, in citing rock/pop styles, without getting stuck in the past, whereas non of the tracks really fit into a specific genre. seen from this perspective, helix opens the final, more rocky block of the album. here, the tracks are offensive and rude and sound like a band in a rehearsal room. this part peaks with black peace in a high speed heavy metal session. finally, golden elegy closes symeta and a band-like situation occurs. the track ends with a wired lament, presented by jan kummer in the tenor of chemnitz, hometown of both artists. in former gdr-times, they started their musical activity with the brilliant-dilettantish ag geige, together with frank bretschneider (komet). symeta , the title of the album, appears mysterious. this synthetic word arouses associations with symmetry, synthesis or (meta-)structures. it doesn t stand for a definite object, there isn t any solution, and that is the reason why the title has been chosen. byetone s music tries to create such associations without really fulfilling these expectations. in this sense, symeta consequently follows death of a typographer (r-n92), the well received predecessor.
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zusammen mit francesco tristano und danton eeprom gehoerte cubenx zu den erste signings von agorias infine-label. cubenx hat nun sein album-debut am start, und das hat es fuer wahr in sich, denn es besinnt sich auf den guten alten post-punk, auf shoegaze und - in diesem zusammenhang ungewoehnlich - auch auf die gerade bassdrum und minimale elektronika. cubenx wird sein album live als support von apparat im dezember 2011 vorstellen.
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berlin-based djs and composers ricardo villalobos and max loderbauer - two of the best-known names in contemporary electronica - share their admiration for music on ecm in a unique double-album of specially-created >sound-structures<. their project >re: ecm< will bring the labels music to a new listenership. it is certain to be one of the most talked-about albums of the season. using original ecm recordings as a starting point, villalobos and loderbauer create new music that bridges several worlds, including ecms world of space-conscious improvisation and composition and the worlds of ambient electronics and minimal techno. source materials on >re: ecmÓ include recordings of christian wallumr¿d, alexander knaifel, louis sclavis, john abercrombie, bennie maupin, arvo pŠrt, wolfert brederode, paul giger and more - looped, sampled, remixed and reworked in evocative new treatments. pleased with the duos creative response to his productions manfred eicher gave them carte blanche to carry on experimenting with the ecm titles of their choice. eicher subsequently supervised the mastering of >re: ecm< in munich, completing a unique sonic experience.
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maxicd edition - excellent open air summer killer!!! played and supported by nick curly, karotte, gorge, alex niggemann, dubnitzky, monoroom
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fumiya tanaka has been regarded as one of the legendary dj/artists in techno over 20 years. he has been doing numerous projects such as his private label torema records, op.disc (co-running with yoshihiro hanno aka radiq), he run his own label called sundance and his famous party chaos (in tokyo and osaka). and through his long running career, he has been successfully expressing the possibilities of music. the long awaited full length album by fumiya tanaka.
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it is a smart and airy groove of atoms in space that rules this mesmerizing album, leading off with an irresistibly deconstructed downbeat monstrosity deceptively tagged as the modern hit midget as opposed to actually being a giant. one giant of seven, to be precise: safe in harbour are the seven giants of free funk who proceed through a variety of way-out psychedelicacies. which increase in flavour under headphones. the wane of villalobos and loderbauers free-floating energy of their re:ecm work is more than offset here by the increase in rhythmic push through sensual syncopation and eruptive bass energy. the duo is the impetus in perlons great new swinging machine.
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bonus instrumentals of said vocal tracks what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last nightÕs unmade sheets. appropriately, tin mans melancholic dance music is more club-ready than ever.
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cocoon recordings very own best of series presents the next issue which is again simply called by the number of the release-order. so its number nine this time (neun).yep, you heard right, number nine it is and another proof how fast time is passing while we listen to house and techno
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lets start with the italian ilario alicante and his dj-mix to get the immediate scoop of what makes this guy so special: we cannot describe it other than saying this mix rules! strong but relaxed at the same time with a good variation and xxl deepness in the selection makes this mix a great house-excursion. this is the sound of hot summer nights and happy people dancing til the morning. you can imagine this very special summer party vibe while listening to ilarios mix which incorporates the right elements such as emotional piano-breaks, cool vocal-samples, kicking house-beats and hypnotic basslines.
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new album by portable. on the fifth longplayer, alan abrahams teams up with efdemin, johannes schšn and >sŸd electronic< labelmate lakuti, to lead us into infinity. during the last 15 years, alan lived & composed in south africa / england / portugal and germany. he released records on background / context / karat / musik krause / scape / spectral / sŸd electronics and yore.
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just a classic!
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the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings
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the cocoon label presents the cocoon morphs tokyo cd, previously released exclusively in japan. presenting exclusive work by artists of the highest cocoon-caliber, cocoon morphs tokyo also celebrates the aesthetic partnership between world-renowned german photographer and artist andreas gursky and cocoon-head sven vaeth. gursky has published a cycle of large-sized pictures with -cocoon- as the central theme: the -cocoon- pictures reference current club culture, with gursky using the big techno events cocoon stages as inspiration. the architectural frame of his work refers to the design of the cocoonclub in frankfurt. the spatial concept was developed by v„th, together with the design agency 3deluxe. in gurskys cover art, you can see the idealized approach to the original cocoon club in all its fervent glory. here, excellent electronic music meets the work of the most important contemporary german artist worldwide - again, cocoon explores new frontiers and combines art forms of the 21st century. artists include: gerber & kalbata, tiefschwarz, pig & dan, vaeth vs. rother, schneider & galluzzi, ricardo villalobos, david k, and patrick zigon.
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hectic times require adequate measures. shorten the text message, shorten any url, filter a newsfeed to make a broadband broader - in any way, take a shortcut wherever you intend to go. while the world is struggling for convenience, those who chose the road less travelled will soon become - or already are? - outsiders. in many ways this is the case of jacek sienkiewicz - with over 30 releases behind, and over a decade of running his own label, he persistently followed his very own path, creating music that very soon began to be impossible to define. friendly, but not fraternizing with everyone and his family, modest, but stubborn only in a positive way, jacek is an individual with clear, personal vision and an unorthodox approach to music - light years away from the hectic, utilitarian ethos of club-derived electronic beats. and this story finally took shape - at the same time rock solid and otherworldly ethereal - in the form of “on the road , without any doubt one of the few rare records, this complex and challenging, to be derived in recent years from the music formerly known as techno. this album successfully attempts to embrace virtually all aspects of modern electronic music - from rave-like club bangers, through detroitish passion and deep house-like style, towards ambient soundscapes that are mariana trench deep
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deep vibes recordings returns to the fore with none other than notorious frank heinrich aka reboot, purveyor of masterfully crafted rhythm etudes and a highly respected member of frankfurts vibrant house scene. with deep v, the offenbach-bred producer brings his seething second album to sascha dives imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer
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