this release features the last of the original hologram die-cut center stock from the 1990s.

five track pure techno

with their early sound of english psychedelic punk, fusing syd barrett freakouts and gang of four spikiness neils children is causing waves among the uk underground...

wage slave boss and founder attentat takes the company to the bank on this pummelling three tracker. techno built for cashing cheques and breaking necks with an extra added banker-bonus - one sick and twisted re-make of title track reflective surface by la based artist israel vines. big room techno that subverts the board room. you’re hired.

excellent trippin melancholic breaks...incl floorfriedly remixes

this double lp is cut in reverse, plays inside out

fazack, not even noticed, nairless and henrik villard battle it out on the 4th terrazzo disc, unleashing a contagious arsenal of acid and proggy tech house in the process.

yeule is the manifested reflection of nat cmiel. an ongoing project since 2012, yeule s music is as ethereal as it dynamic, reflective of her nomadic upbringing.

remain records returns on vinyl with an unparalleled release! in remain 016 axel karakasis, presents - a powerful release that is crafted with his characteristic sound and once more unleashes his skills in the centrepoint ep.

soundtrack for the dystopian scifi-odyssee “divinity” by dj muggs and dean hurley on silver coloured vinyl.

released in 1992, automatic for the people is the eighth studio album from r.e.m. the reflective album, featuring the singles drive , everybody hurts and man on the moon , reflects a soothing melancholy through the acoustic arrangement. selling over 18 million copies worldwide, this release comes as a limited edition 140-gram solid yellow vinyl.

transparent blue vinyl 12inch limited to 300 copies

outer zone, the in-house label from glasgow s la cheetah club is back. the new one is by burroughs (seventh sign recordings) and dives into the deep end of detroits second wave. big tip for fans of mid 90s carl craig and anthony shakir s more reflective moments.

great minimal and mind trippin 4 tracker.

since releasing bury me at makeout creek in november 2014, mitski has received international acclaim for her distinct, arresting sound and profoundly reflective lyrics.

icelandic dub techno & ambient icon yagya starts the year with a new studio album on his own label small plastic animals. it marks an exceptionally confident return to the art of song-writing, where earlier works leaned more towards upbeat dub techno-pop fields, faded photographs is nostalgic, wistful, reflective and steeped in poetic romanticism.

second album from london odense ensemble.

succeeding his profound and forward-thinking album >depth charged< which was revealed last february, terence fixmer returns with >depth charged remixed< featuring ostgut tons answer code request and uk’s underground techno hero steve bicknell. >elevation<, originally the final track of the album, emotional and reflective, is kicked up a notch by acrs patrick gräser by adding ponderous drum patterns making it perfect for the floor. conversely, steve bicknell takes on >unforeseen<. with its fast paced rolling bass it is now put into top gear shivering with feverish reverberations. to compliment each variation, included on the ep are fixmers own live versions that have energetically filled dance floors throughout his tour.

a diverse collection of tracks that range from euphoric to deep and reflective.

eight dreamy ambient drifters by the vision reels on 180 gram vinyl, download code included.

please note: the corners of the record cover are slightly damaged.

mr. g lands on david muallems blitz club label childhood. tip!

mr. g lands on david muallems blitz club label childhood. tip!

3 x 12inch lp gold(ie) coloured vinyl triple gatefold sleeve with deluxe reflective silver board with new liner notes by tim barr, 1 per customer

revelation ep is the debut release of australian record label denude, showcasing the latest work of melbourne based artist eddie hale. the title track revelation is both driving and warm - layered percussion lines rise and fall amongst detroit inspired stabs and subtly textured elements creating an infectious and uplifting groove. a2’s surging is both tunnelling and driving - straight into late night / early hours territory - with swirling sounds forming a hypnotizing sonic bath for the body and mind. rounding up the a side with a change of pace, aperture’s syncopated percussion leads us on a peaceful detour through ethereal synthscapes as we follow the round journey of an evolving sound that travels full circle. on the flip, joel mull’s hypno mix of revelations propels the listener with mechanical precision through dizzyingly expansive atmospheres of truly mind melting proportions. closing out the ep is terrace of an elephant, tranquil and reflective synth-work juxtaposed with coloured stabs striking through like comets across the night sky - brings us back down to earth in a contemplative mood.

3xlp

the reflective and immersive extraterrestrial synth explorations of surgeons girl s a violet sleep ep mark a stunning, dream-like debut for the bristol based artist to close a tumultuous year. specialising in live audio-visual performance, combined with a love of analogue synths, surgeons girl weaves emotive and enveloping sounds from her instruments, drawing on influences from the likes of suzanne ciani, laurel halo and kaitlyn aurelia smith. livity sound is a label set up by peverelist in 2011 as a vehicle for a raw and exploratory strain of uk techno, rooted in the heritage of uk dance music and sound system culture. it has since become one of the uk s foremost protagonists for cutting edge underground electronic music.

being first in topping off reflective techno with a new artwork-format by showcasing photo-sequences of aesthetics inspired by hustlin ,urban culture and street wear, danny isola releases his 15th studio endeavour for isolatracks, revealing grindmode. released in ep-format grindmode is a four-track techno-workout with isolas unique sample chops letting each track reach its climax.

great deep house ep by norachi

being first in topping off reflective techno with a new artwork-format by showcasing photo-sequences of aesthetics inspired by hustlin ,urban culture and street wear, danny isola releases the 12th endeavour for isolatracks, revealing his massive vinyl debut. nothing given . all grind is a four-track techno-workout with isolas unique sample chops letting each track reach its climax. played out to dancefloors around the globe and supported by heavyweights such as dvs1, dustin zahn and gabriella vergilov, nothing given . all grind is set to be the labels next well excecuted shot.

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000< the rationale behind the series is based on each piece of music representing emotional response to the processes feelings and self- awareness of studying psychology and counselling and becoming more aware of the multiple defences behaviours and personality traits i have. each release will be themed around a particular part of my academic journey and include media to accompany the music.

part 3 of the spectrum va series from on the 5th day.

a four-track acid ep by veteran producer warlock, out on kalbata s brush & broom label. ex-amount of jaw-grind action from the london underground legend. violent rays and swearings are both straight-up warehouse workouts, comfortably placed next to reflective after-hour gushers run dc and cave tone. once again, warlock demonstrates stunning crisp production, touched by old-school heritage, dating back to pre-94 legislation times. essential.

repress !!! reissue of ex-terrestrials debut ep lands comfortably on temple. resting somewhere between the inner and outer, paraworld is the space for thoughtful and reflective explorations. recommended for lovers of that chillbient tm sound.

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000< the rationale behind the series is based on each piece of music representing emotional response to the processes feelings and self- awareness of studying psychology and counselling and becoming more aware of the multiple defences behaviours and personality traits i have. each release will be themed around a particular part of my academic journey and include media to accompany the music.

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000<

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

in 2011, when singer/rapper/songwriter phonte of the foreign exchange (+fe) fame released the critically-acclaimed, top 10 rap/hip hop album, charity starts at home,it was an impactful reminder that phonte was more than just the occasionally comical, often reflective crooner of +fe, much more. as a rapper, phonte had been the lynchpin of north carolina’s globally respected four album, six mixtapes run of the now defunct little brother trio, whose “lovin’ it” single from the 9th wonder produced the minstrel show is a bonafide cult classic.

when it comes to gritty sample-based house the guy white label series has really been going from strength to strength. for the third in their unrelenting streak dj counselling steps up to offer up a therapy session like no other. sit back, relax and put your mind at ease and you ll soon be taken on a reflective journey for the soul. on one side you have curt s jam an introspective and emotive piano laden, lo-fi house track complete with choice vocal snippets set to sooth those pains. flip it and theres a more bumping groove to the therapy session, qualified by a pensive dialogue that makes way for an oscillating synth jam backed with a killer tom pattern.

building on the mission statement that was ferdinger’s debut album “gelände”, comes “abbild”, a 4 track ep and the second release on his life in patterns label. the tempos are tweaked up and the sounds are honed and angled for maximum effect. “gegendämmerung” is straightforward but manages a lyrical tilt, while “spiegelreflex” oscillates between moments of dry precision and epic dreaminess. with “abglanz” the newly paris based producer brings things back to the geological strata that characterized “gelände” - but now with a rawer edge and more reflective surface. glos’ remix of “gegendämmerung” provides ambient and analogue textures, finishing the ep on a more introverted and melancholic note whilst maintaining the mechanistic drive of the other pieces.

r&s welcome back highly-revered techno artist benjamin damage with his new double headed single ‘malfunction / binary . ‘montreal’ from his debut r&s ep proved to be one of the label s biggest techno releases of the last few years - the pummelling drums, intense atmosphere and beatuiful melodies are synonymous with the music that has made the label timeless. road tested in benjamin’s heavy artillery live shows across the globe, malfunction / binary pick up where the last ep left off - pistoning rhythms, breakneck beats and monolithic bass, but this time the mood is more reflective and optimistic - skying cloud-like pads offer a dreamy counterpoint. made between london and berlin, following recent live shows at berghain and oval space, benjamin’s wanderlust and restless studio dynamic sees him continually breaking down his gear to travel, “being on tour with all my gear i find it quite easy to work in new places,” he explains. “i like the energy of different cities and it s good to keep moving.” this new ep is announced ahead of a huge, all hardware live show at sonar by night in barcelona. with ‘malfunction/binary’ sure to do the business and an album in progress for r&s scheduled for 2019 it’s going to be an exciting year ahead!

jaars other people is pleased to present a new solo record of guitar and live custom electronics artist patrick higgins, an american avant-garde composer and producer from new york city. higgins is known for his work in experimental and contemporary classical music, playing guitar and composing in the mythical avant-noise-jazz ensemble zs. his solo work as a composer unites european avant-garde forms with the post-minimalist howl of new york. his upcoming release on other people, dossier, is a four-movement piece performed live without overdubs or edits. all of the samples and synthetic patches were custom built and specifically engaged to become elements of live guitar manipulation. the sound world is post-apocalyptic in spirit but builds to an intimate and reflective end. the material was developed over a two-year period and finalized at the end of 2016. cover art is by alfredo jaar.

following a string of releases on jungle gym records and u.t.t.u. related mini-label vector works, intimacy returns to his hq of dm hardware for the “welcome to my life” ep. across three reflective and cosmic originals, producer parks perdue unleashes an array of extra-lush pads, and deeply melancholic acid bass. sci-fi atmospheres and nods to classic rave and electro squeeze their way into bricked waveforms… rough but not too rough distortion… and a hard hitting but bubbly remix by belgian producer innershades rounds out the 12”, solidifying it’s direct and inspirational intent. with “welcome to my life”, intimacy adds another gem to his astral catalog.

roy davis, jr. s undaground therapy muzik label relaunches after almost 20 years with al zanders guidance ep. al zanders approach to his first ep of 2018 is as precise as it is whimsical. featuring 4 tracks showing zanders sheer versatile when it comes to making music. opened by piano-percussion track martha s revenge which is made so clearly for dance floors, followed by television, a chance for a closed- eyes boogie be it on a dance floor in the middle of a set, or on the sofa at home. on the b-side, likes for cash s comedic title is met in contrast with a piercing synth top-line and stripped back drums, with just enough of a bassline to sit in-between the drums and synths. closing the ep is guidance, a reflective and a chance for the ep to close as well as it would close a dance floor when the lights come on at the end of the night.

it’s a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dog’s two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel. limited to 500 copies on 180 gram double vinyl.

it’s a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dog’s two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel. limited to 500 copies on 180 gram double vinyl.

recorded in an ageing holiday park during off-season, center parcs is the debut lp by dutch artists betonkust & palmbomen ii a conceptual, musical-tristesse full of lo-fi harmony, and fanciful, psychedelic-coloured modulations, with an undercurrent of saturated, outsider-house beats, all recorded to tape. with a shared passion for experimental music, and gnarled dutch electro, the duo have crafted an lp of esoteric-electronic-pop, reflective of the time the two spent holed-up in isolation, in the out-of-time center parcs setting

discobar re-launches in search of other galaxies with its second outing from toulouse-based duo zendid. they take us on three voyages through the electro-infused house grooves they made their name with, while still finding time to bring in mayaan nidaam for a remix. space has us seeing stars right from the start, with an alien menagerie conversing over a strict-form beat. the bassline on virgin virgin is big enough to give you butterflies, tempered by stellar synths and wordless vocal clips. berlin 6 takes the bass for a lighter walk and finally, mayaan nidam remixes space into a nebulous and reflective place, pads breaking through the thick atmosphere mid-track for a moment of zero gravity meditation.