4 detroit techno electro! tip!

scottish native bud burroughs debut release is also the latest of scotlands finest underground label. end to end quality.

classic looptech back in stock..

mixtapes these days come a fraction of a penny a dozen and amid the inundation, a tiny ratio of these mixes truly deserves your precious time. the elusive british dj nommo hunzuu has pieced together one such essential collage for your ears with drinnen traum (translation: indoors dream). over an hour of painstaking aural weaving, nommo hunzuu lures you into his own distinctive aural universe that favors odd juxtapositions and immersive atmospheres laced with complementary film dialogue and gnomic declarations from culture icons like william s. burroughs and timothy leary.

reissue from 1999 / ltd green vinyl

reissue from 1999

part 2 of 2, incl mp3 download code

international anthem presents the debut album from chicago based jazz musician and singer angel bat dawid.

carousel records makes it’s debut alongside toronto’s benjamin wood, delivering 4 illusory cuts inspired by tarkovsky’s “stalker” and the paranoid fiction of w.s. burroughs. queen street noise, industrial ventilation and partially functioning gear meet in a rusty parkdale apartment to realize wood’s sui generis sound.

catalognumber 23 – what else is to say? while we are feeling the spirit of william s. burroughs blessing this very vinyl-enigma, &me went particularly mysterious ways to transcend the category - dance track - for this one. the meditation through bass had been the major discipline of some of his latest cuts, but what you will find on this a-side, one could certainly call the perfection of somnambulistic peaktime-fever. the way he is kneading the lower frequencies, how he is channeling the expansion and decay of bass must inevitably lead to some aroused moaning. good vocal-selection, for that matter! then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season. * locust* on b comes in with some smoothly looped e-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. but then again: rolling bass barrels like a signature and a defence breaking build up thats ensued by liberating pressure compensation in mighty breaks. two demonstrations of understated and sophisticated peaktime-emphasis, so to say. or differently put: a flawless double-a-side.

in spring of 2006, jackpot began to fester in a stockholm apartment. without fresh air or natural light, the group developed its uniquely mutant strain of italo disco mixed with early 80s body music aided only by the sickly blue rays of late night tv. while the jackhammer rhythms of their music were proliferating in stockholm, jackpot dove into the deepest recesses of the electronic dance music psyche for the most primal of all rhythmic impulses - their own unmistakable sound - the sound of western culture falling apart in a blaze of shudders and hiccups. as late night sci fi reruns colored the room, jackpot also picked and chose amongst the psychotic debris of previous eras - the movies of kenneth anger, the music of suicide, velvet underground and bruce haack, the words of william s burroughs. and then they added the junkiest element of all - themselves. after two critically acclaimed records, the third chapter of the jackpot saga is about to be told. its called greased lightning (also features remix work from such talents as in flagranti and rory phillips). you hear that beat? thats them knocking on your door.

christmas number one by the black arts is a collaborative single by britains finest art noir group: black box recorder, and britains finest punk art group: art brut. a genuine celebration of christmas with a song written by john moore and luke haines, clearly influenced by slade, wizzard, ernie the fastest milkman in the west, william burroughs and war of the worlds. there was only one person who could convey this message of good cheer, their dear pal eddie argos (art brut). the limited edition 7inch (limited to 1000 copies) comes on festive green vinyl and features the b side glam casual

a pinnacle of achievement within electronica. taken from the forthcoming album 'silenced' 'remote viewing'. it delivers northern electronic soul climax. remote viewing demonstrates that 'the black dog' genius for combining great artistry with listen-ability that remains intact