marcel vogel has decided to celebrate the first five years of his edit-heavy lumberjacks in hell imprint in the only way he knows how: by putting together a sumptuous double pack stuffed with fresh new material. in keeping with the way the label has developed in recent times, the eight tracks blend the boundaries between original productions, illicit remixes and straight re edits. there s a celebratory, life affirming feel throughout, from the rubbery bass, d-train synths and rolling house grooves of giovanni damicos the break down, to the bluesy deep house brilliance of borrowed identitys queens bridge. highlights are plentiful elsewhere, too, from the hustlin electrofunk meets disco of vogel s own come on, to the killer synth solos and fuzzy bits of tim jules thrilling slap beat.

with 8 sell out releases under the contrast wax belt so far, the boutique label invites, ben boe -boe recordings/for those that knoe- label head to the family & he joins the likes of blm, ethyl & flori, gauss & laak, with a killer 3 track ep, hand-stamped & hand numbered in true contrast wax style. the lead of the 3 cuts, steel city fly by is built around a lo slung bassline & subtle atmospheric pads that swell & drift in and out throughout, the b-side: what starts off with soft subtle pads & skipping hats soon rises into a bubbling acid line to compliment the latter in hope for enceladus that leave s the final cut of the ep byzantine times a laidback, groover, layered with delayed snares & synth lines make this emotive piece the perfect end to a solid 3 tracker.

the second 7inch of käften is dark energic synth tones from claus fovea that will make you dance your socks off.

kindred phenomena marks mattheis debut album. after two cosmic eps on nous klaer and a mini-album on tape for ecstatic recordings, he now returns to nous klaer for his first full story. an album shaped for every occasion: driving from the city to the island, dancing in the living room, or raving at sunset. on kindred phenomena mattheis picks up where he left off: swell serves as another episode of the prisms, the modular synth excursion of bit fragments pushes his arpeggiator solos a step further, and album standout ben_m provides his most beautiful dance of melodies yet. the album consists of eight tracks and comes as a double 12 inch for deejay convenience, and for the ultimate experience: go see mattheis perform his album live on the road.

croatian ice queen and style icon popsimonova hits hard and relentlessly with brokedown palace, her first solo album and her first release on electronic emergencies. its sound is deep and dark, ebm with a touch of synth wave. the 11 tracks on brokedown palace will lead you through popsimonova s state of mind: fighting, dancing, loving, destroying and rebuilding a strong self. this album is not for the faint at heart!

hector merges soulful house grooves with techno atmospheres, driving wobbly bass-lines with rolling 4/4 percussion patterns and hypnotic industrial melodies with distorted sampled vocals. mycloud showcases the producer s aesthetic taste for powerful analogue sub lines and never-tiring loops, like being lost in a mystical fractal. phil s theme merges tech house relentless grooves with a dark / late night vibe, driven by a owwling synth and subtle pad sounds. the ep is backed up with romania s prodigy hansel: his broken techno version of mycloud sends the dance floor into a futuristic dimension.

mysterious scottish producer otherlover is out for revenge with this tasty 10inch slice of deepness on razor-n-tape reserve! the a side works an obscure steve winwood sample into looped perfection, building slowly to a synth boogie climax, with the b side dubbing things out a bit more. you need this one - no backchat

following the release of the ‘extraction’ and ‘hydraulic pressure’ 12”s earlier this year, adventice – the incendiary collaboration between dj deep and roman poncet, returns to tresor. while taking the groove up quite a few notches, and as per its two predecessors, ‘exsurgence’ unfolds in three different versions around a common theme.
the ‘main mix’ opens into hammering chords yet taking a delicate turn into an synth-heavy refrain. on the flip, the ‘reduced mix’ follows the same composition while playful and cinematic as the use of hihats add a skip to your step and pick up the pace. the ‘percussive mix’ and its rapid drum patterns, exude a fragrance of vocals triggering endless soundscapes.
with this new three track single, dj deep and roman poncet deliver a fierce package, another warning for what is still to come for the duo.

exploration is back with 3 techno bangers!
* planetary mosaic* comes with slow building synths and a majestic piano, constructed around a heavy stomping bassdrum.
* simplexity* is a stripped down track with spaced out bleeps and a subtle snare staccato attack.
* light module* projects a dystopian environment with jacking synth structures, robot voices and a dramatic atmosphere.

phonica white returns with two extended cuts from their mainstay artist iori. monsoon & rainfall mark ioris 5th contribution to the label and it may be his best yet. monsoon on the a-side is a deeply hypnotizing piece of dub techno thats destined to cause dance floor destruction. steady kicks & toms open the track up before a relentless downpour of intricate percussion and low-end stabs lock you in for the track’s 10 minute duration definitely one for the long nights in dark rooms. the b-side is a calming contrast to the a side storm. deep and meditative, rainfall comprises sparse modulating synth keys coupled with a bouncy rhythm section and airy spaced-out sound effects that create a dreamy atmosphere. this is iori on top form.

damage packs the power with its chunky drums and huge synth stabs that power through the mix to knock over crowds. veins encapsulates the chuggy truesoul sound that hot since 82 is notorious for. hot since 82 has engrained rolling beats and shimmering highs throughout each track to propel the ep to climax into a remarkable piece of work.

first up we have the talented: kryss hypnowave (att series / planet rhythm / par recordings) including a sublime remix from one of the uk s finest artists edit select endosphora: complexity and power in a frantic, polyrhythmic acid bass line, insistent tribal percussion and a thin layer of atmospheric menace with a foundation of wide earth-shaking beats. eksosporium: epic in every sense, a floating, evolving synth leads the way through an immersive higher dimension, where time is measured in a steady, powerful rhythm, yet never passes. endosphora (edit select remix): a balanced composite of power and restraint, threat and beauty, this rework weaves a hypnotised path through layers of dense atmosphere via the bubbling, deadly bass line.

marvis dee opens the newly varnished in the my dreams imprint with a boogie-led 5-track ep of late-night 80s house and slow groove-soaked beats. drawing from the magical influence of the conga-a-plenty tr-727 drum machine along with stomach rumbling basses and glistening synth romanticism conjured from the same machine. sailing over alpha moon is the first in a 3 ep series exploring these ideas, machines and the nostalgic attachment to things we have once experienced but may not remember. trapped solely in the memories of others, but returning in our dreams.

one of the most respected producers in the underground, anaxander, contributes two beautiful pieces of original music, and has one of them reworked by deep house heavy hitter, the mighty amir alexander. lost my soul (in yours) is twisted little number, with dual synth riffs echoing off each other for maximum effect. a question about you uses jazzy chords and flutes over its undeniable bassline to retain some soulful flavoring, but amir strips all of that away on his interpretation, preffering instead to let the acid and the warehouse vibes have their way, taking things right into a 6am rave nightmare. this is absolute must-have piece of wax!

after a blazing start, low budget family return ! the celebrated independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev deliver another stunner from simple symmetry mimino is another tropical house delight, all burly rhythms, punchy marimba, synth rises & anthemic chants before crescendoing into a whirling dervish of a top line the instrumental loses the synth-out and follows an altogether more atmospheric, but no less tremendous path simsim wraps things up in fine middle eastern fusion style, traditional instrumentation and melody underpinned by a snapping 808 drummachine jam zouk it and see !

sean hernandez, a.k.a. chicago skyway presents * empty patterns* on emphasis recordings. in the past, chicago skyway has recorded for labels such as eargasmic recordings, m>o>s deep, uzuri, altered moods recordings, and machining dreams, to name a few. empty patterns is a collection of tracks named after empty, programmable user patterns founds in most modern sequencers, synthesizers, and drum machines. we can only speculate which instrument was used for these tracks. all tracks are dj tools and is geared towards djs and dance floors. lots of chicago jacking house style drum patterns and bass synth stabs, with added reverb and distortion for grit and color.

das französische duo the silent ones alias aalik und fred traverso hat sich auf eine eigene variante von indie-geprägtem, elektronischem pop spezialisiert, eine zeitgemäße Übersetzung von klassischen cold-wave- und minimal-synth-einflüssen

italian producer from napoli, diego amura, delivers here a diligent techno along beautiful layer synth, create intrigue and suspense, surprise us, then finally bring us back to something more mental with scintillating melody.

back in stock on 25.02.2016 , arapu has maintained a steady flow of releases over the past few years and hes one of the usual suspects in the underground scene. his elegant mixture of housy elements on a techno backbone gained him early support from his peers. successful stints on labels like memoria, crazy jack, motif and mrr led him to confidently start his own outlet. liniar debuts with a three tracker from the man himself.
broken grooves are almost always present in arapus productions and pitfall is no different. with a trippy synth that goes all the way and effected voices to go along, this track rules the night and the whole a side.
two tracks found their way on the b side and their flavour is quite different. escape is a pure deep house gem, and a clear indication of arapus soulful influence. extremely danceable and super uplifting, this track brings the summer back. wasting on the other hand is dark and has a dirty broken tech groove. this track may seem toolish but it s a monster when it hits.
vinyl only release

kyle geiger returns on his home label with a set of tracks designed to recapture the basic function of techno. it s music to sweat to at a party. additionally, this package aims to capture a sense of timelessness through melody interwoven with a pumping breed of techno rhythms. the title track, homecoming, starts with a bottom-heavy percussive workout, then presses forward with an array of slowly filtering brighter synth stabs. the breakdown sees an arpeggiated synth slowly overtake the rhythm of the track just long enough to build tension and bring things back to full speed. the verge is a very stripped back, drum track style cruiser, which builds tension with a rising distorted pulse sound filtering in and out. just as it seems that the back half of the track will carry on as planned, a running melody comes in and changes the direction of the entire track. the verge (beat tool) is identical to the original, but build for those a little shy about slightly more upfront melodies.

craig peyton was a mainstay in nyc jazz and dance music beginning in the 70s. from playing on dan hartmans -vertigo/relight my fire- to his work on boogie funk productions with daryl payne, he is one of the unsung heroes of the era where disco transitioned into house music. his drum machine and synth based cover of william devaughans -just be thankful- came out on profile records in 1983, a daring move for a white man trained on the vibes. he gives the jam a haunting and funky rework that has only escalated in popularity over the years. it has been bootlegged extensively while original copies remain quite elusive.

nordic ice meets spanish fire in the latest offering from fine grains records collaboration series. blais is a split ep featuring norwegian skweee boss beatbully and barcelona-based machine funk don fitzroy north. the release is complete with three distinct remixes by young scottish grime producer inkke, synthetic funk master joe howe (fka ben butler & mousepad) and one of the finest contemporary beats producers this side of the atlantic, mwëslee. the artwork comes from norwegian graphic artist halvor bodin. blåis , one of over 100 nordic words for snow and ice, occurs when snow falls on a glacier, is compressed, and becomes part of the glacier. over the course of 8 tracks, beatbully & fitzroy north squeeze the maximum from their respective mpc & synth setups to deliver an unpretentious and fun mix of synthetic funk with a punch. moments of minimality, sweet harmonies, bleeps, squeaks and bass are compressed into a gleaming crystallised form

three tracker of primers. top tune mixmag germany. on my own - a heaving banger with filled with gloomy stabs and strobe-filled crescendos, slapped with heavyweight claps in all the right places. cut and thrust - frenetic synths spin in a shower of sparks around razor sharp hi-hat barrages. duck and cover! relax - a deeper, organic feeling permeates this lights-out groove filled with wooden hits, simmering shakers, and warm synth washes.

sean pierce debuts on mannequin records with an intense dark / techno modular synth 6 tracks ep. currently operating out of portland, oregon, sean is one half of asss, who put out two acclaimed singles on mannequin records parent label haunted air records. check the monster dance floor slasher ‘immodest force. tip!

as one half of simian mobile disco, jas shaw has been co-creator of a remarkable string of varied albums, from their debut, attack decay sustain release, through their vocal lead more pop leanings on temporary pleasure, uncompromising techno on delicacies, and prog synth wig outs on whorl. now, given a bit of free time while his musical other half, james ford, has been off producing for other bands, jas has been busy crafting a whole slew of new material, the first fruits of which see the light of day on this brand new release on the duo’s own delicacies label.

gdm (glaswegian dance music) pioneer - sparky (aka dave clark) is back on numbers. having spent the last year on lockdown in his luxurious garden studio we have finally managed to wrestle two tracks out of his ageing hands. signals is an all-new track, first heard on dave’s essential mix for bbc radio 1 (aired as part of jackmaster s made in glasgow), and now in the sets of ben ufo and jd twitch. signals is classic sparky, nailing that sweet spot between the proto-techno sounds of british synth pop and the dancefloor nous of the motor city. the flip is a snarling metal-bashing beast called tigress which comes direct from his archives. we ve been on at him to release this one for almost a decade and after playing a 192 mp3 at a pretty boisterous numbers x optimo party last summer, sparky finally relented. one day we ll convince sparky to let us release all the music sitting in his vaults but for now here are two gems from a man whose music has played a pivotal role in the history of numbers.

dissonant is proud to welcome daniel stefanik who had delivered a string of modern, refined production with essential albums and singles, throughout his career. on this release, aftermath ep, he offers up two tracks that strike a perfect note between cerebral intrigue and instinctive deep house groove, channeled into an unforgettable and timeless quality. it might drizzle until september, is a truly heartfelt piece throughout its keynotes and dubby gestures. the combination of subtle rhythmic elements and strong, ever-developing melodies is the perfect example of the passion and power that can be worked into house and techno. a stronger beat punches through on jolly green giant but the soothing, sensual synth lines remain giving space for dubby effects and delicate details to feed into the mix.

after debuting on rebirth with their new alias easy to remember (inspired by the famous song from st germain of the same name) niro and elia perrone release now on their own unclear label. the ep contains two originals backed by three remixes.royal rumbles obscure synth melody and obsessive pitch changes pave the way to sinister background noises and beats, whereas jazz cowboys free style drumming, syncopated rhythm and xylophones blur the line between house music and free improvisation. minimonos remix of royal rumble brings the kick drum to the fore and adds a staccato bass line coupled with some stop & gos that spice up the vibe of the track. giulio etiopes rendition of jazz cowboys adds some deep pads, flute sounds and a trumpet sample leading into a dreamy break, with def safaris dark rework turning it instead into a galloping percussive tool.

lisbon based techno producer re:axis returns to planet rhythm with his new solo ep *light & shadows*. after the success of his previous effort through the imprint, this time, re:axis comes up with an ep filled with swelling synth sounds and thoroughly produced drums. from the swell bass sounds in *light & shadows* to the rough mechanical sounding notes in *galactica*, re:axis stands his ground and delivers a percussive laden ep for peak-time club action.

third release from diffuse arc on caustica waveform, excellent synth-heavy electro, real singular sound from the madrid-based label and superb artwork as always!

hailing from brussels, maoupa mazzocchetti debuts on mannequin records with a killer 3 tracks proto electro / industrial single, anticipating his debut full length planned for the beginning of 2016. deep, dark, stripped-down, mazzocchettis tracks regurgitate the lesson of the 80s belgian ebm/minimal synth legends in a new and fresh nervous musical urgency. tip!

roots for bloom hit release number eleven with another newcomer to the label. mara lakour deliver straight up house grooves from france to the uk based label. clark st is the big hotter here with powerful stabs and synth lines and that ever present prominent low end that roots for bloom is becoming known for. the whole ep carries a 90 s twang but brought very much up to date in great style.

money $ex continue to mine a rich seam of new wave sample house talent from germany s creative heart beating things down on this outing is alex seidel rubbing shoulders with luminaries like max graef & glenn astro seems to have brought out the best in this new producer as he skilfully lays out a familiar collection of roughed up sample jams and synth interludes, as always, hip hop provides a sturdy foundation for this house, but make no mistake, we re living very much in the future.

opener equilibrium two from buitendijk is a perfectly streamlined and serene bit of spaced out, hypnotic techno. gentle synth pulses roam about the airwaves, left and right, up and down, as ethereal pads glow behind. it s heady dancing music, whilst liem s contact is also perfectly aimed at both head and heel. it is full of lick synth pulses that bubble and boil as watery droplets and ticking hits also colour the most subliminal groove. closer this is all you need is a more textured, frazzled cut with frosty lines and rickety pads working you into a trance. rich drums and clever bass filtration add dynamics and tension and so like everything else here the end result is hugely captivating.

vinyl only. after releasing his music on the labels like mathematics, macadam mambo, hotmix and snuff trax, takeshi kouzuki, japanese producer currently based in kobe, starts his own label man made mechanical culture. the first ep is delivered with his own 3 raw house tracks mainly made of analogue synth and rhythm machine sounds.

up and coming producer, odd/even label boss and close stockholm ltd affiliate andre kronert arrives on figure with an astounding 3 track ep, completed by a deadly len faki dub. kronert has risen through the ranks yet stayed true to his reduced, warm and powerful sound strategy. the opening track g.i.a.n.t makes for a wonderfully tense opener, with its expansive dark sound design and deep dub kick arriving around the half-way point. this is countersigned then by two more energetic tracks in the shape of the throne room and fallen space, both pivoting over a fulcrum of classic synth hooks and carefully honed percussion. len faki takes the throne room into a different mental zone, with his almost tropical dub version, ensnaring a freaky pitched motif to accent and build upon andre s powerful original elements. classic reduction, and an ep of classic figure contemporary techno.

polar is a similarly physical track with massive, monstrous kicks, reverberating synth lines and a barreling sense of groove that washes over you like a braking wave. finally, warrior charge is another physical and functional cut with robust drums, oversized hi hats and woodpecker like hook that demands you stomp and head bang from start to finish.

wrapping up a short summer break, speicher returns with a powerful double bill from rising duo hunter/game. its the italian producers second contribution to the series, after having amassed quite a few nods with sneaky club anthems hexagon and bermuda (kompakt extra 83). this was followed by their strong rework of wevals gimme some a much acclaimed highlight of our total 15 compilation (kompakt 340 cd 125). the new material sees them digging even deeper into the hardware circuits while cranking up the momentum a notch or two: opening banger adaptation doesnt feel the need to ease you into the experience, dropping you right in the middle of its frenzied staccato synth throb instead. meanwhile, the path opts for rich, saturated colors and epic melodies, slowly building its case until its ready to blow its lid. these are two extraordinary techno tunes that will command your attention and leave no floor unturned an essential release for both the label and the artists.

it is already release number 24 for luca agnellis etruria beat what a long and exciting journey thru sounds. along the way the label had the chance to discover a few new talents and help develop them.amongst them venezia resident bastinov. for his second release with etb the young italian producer offers 4 amazing tracks: the ep starts with prisma a strong tune with a huge analogue synth repeating itself over a swing 909 beat until a dreamy pad hits the break to release some more action

red laser conductor general il bosco once again turns his beam on 8 tracks of mind melding italo. providing a another superb double vinyl release of tracks that have been inspirational to red laser records and the labels releases. this isn t by any means your run of the mill italo selection. il bosco knowingly selects a set that shows the true girth of style and fashion in the genre. face grillers are ramped up next to sleazy pop sensibilities. goth-synth disco frottages with 8-bit machine gun bass lines. chugger masterpieces salivate on crystalline new romantics. as the compiler says truth is, loads of italo is shite but when its good it s up there with the best electronic disco music you will ever hear check this album and you ll agree. for maximum disco potential several red laser protagonists have suitably revamped and edited some of the selections with kid machine & il bosco uniting in the cut, flemming dalum sprinkling his magic dust over a bonafide classic & parisian romain bezzina repairing an old banger. as always red laser pay close attention to detail with all tracks carefully restored & remastered whilst the vinyl comes in full colour heavy card inners with two riso print poster sleeves & a gatefold pvc cover. limited to 500 & no repress !

ultra limited, one copy per customer! in an absurd world, full of unwanted auditory sensations, sometimes we have to escape back to the basement - back to the beats. that feeling, that need, paved the way for blint to release his very first solo ep – blint001. the record is a two-tracker: on side a you’ll find „silent movements“, a bassline-driven broken beat with a dark twist in the end. on the flipside there is „road to ioannina“ which is based on an 808 drum pattern, accompanied by a smooth synth-odyssee. the record comes along with a fine art print of the cover, drawn by graffitiartist rookie the weird, handsigned and numbred on 300gr. paper. a special gadget, that is connecting blint s musical output to his roots in graffiti and hip-hop culture. a true underground-package from germanys ruhr-area!

spherical collections of stars form around black holes in situ, that is, locally to their cosmic neighbourhoods. it is said that future space colonization will rely on sourcing supplies in situ. construction in situ uses raw materials at the site: colossal sculptures such as naqsh-e rustam, the leshan giant buddha and mount rushmore were built in this fashion. wild, organic machine grooves, with a mind’s eye on naked treetops and an early sunset. melody breathes out from dubwise fx, percussion by turns sinewy and floating, sub blasts and stripped synth arrangements. keys on air. spacious, witty, melancholic, deadly.

the mysterious troy returns on dr with his second ep ever released. it seems like the perfect time for troys northbound ep, 4 very distinctive, cold, yet beautifully designed pieces, which perfectly underline the atmosphere this time of year.
on the a side, detail and evolution are the foundation of the lengthy *bh3*, which also futures a hard hitting remix by takaaki itoh from japan.
the b side features two more melodic cuts. *archer* stresses the journey into the cold, with its synth work nearing dissonance, while remaining in complex and admirable harmony. the title track *northbound* is a more straight forward loop, which builds up to something rather chilly and unheard before.

moscow label grow continues in fine creative form, seemingly not sticking to a motive or trend but rather concentrating on the strength of character within the music it releases. for the labels eighth release the artist is berlin based the marx trukker, who over the last 10 years has been developing his very distinct sound and recent output on labels like pluie/noir, the untold stories, and most recently noorden, have all been especially impressive. now on grow comes the 4 track vinyl * heavens crackling*, from the title one is expecting something awesome, and the album does not disappoint, right from the off, the first track: * a time well spent*, begins with celestial tones ringing out and the performance develops with great synth work, enlightened and very enlivening, spring is in step and something is beginning. the record continues at such a level throughout, overflowing with rich tones, warmth, and raw sounding percussion. in the second track, * all the boating still a tide to go*, deep warm bass and strings reverberate, as if amidst a hot harbours summer, then the ethereal synths return as magical breezes of cooling wind on a june day. on the bside comes the title track * heavens crackling*, the tone has cooled, there is an autumnal vibe, extended tones of an eerie but reassuring nature provide the ground, from under which a molten bass flows playfully. the final track, * i do anything but its so cold*, as the title would suggest, again time has passed, gone are the warm relaxed echoes of the the opening tracks, winter has come, and a strong percussive energy becomes the driving force of an especially deep and more introverted last track. in heavens crackling there is an uncanny understanding of time passing and representation of being, its present in the patience and performance within every track, and the effect of the album, which seems, like the seasons, to naturally come full circle, is for the listener indeed to experience a time well spent. top marks for the marx trukker!

phil hinter ensemble is a joint project by phil s main pillars philogresz and simon hinter as they present their longawaited debut solo ep with 4 intimate pieces. simon hinter s smart grooves and sample based fill-ins blends with the wombastic bass and shivering synth lines of philogresz. u will love this!

music is love s sister label mil returns quickly returns after the dark and edgy warning ep by kastil and the tougher sound seems to have stuck around in this their 7th release. muscle house sees young irishman chris hanna step to the plate with his very own brand of tough synth driven electronic music. having just released on ejeca s own imprint this is a name you ll be hearing more of. opening the ep is drone, a rough distorted track that is narrated by the constant synth buzzing above the heavy groove laid down by hanna, peak time madness. a2. finds chris track the colonel, another furiously paced peak time track laced with a seriously evy sequenced based line straight outta detroit.

one-take ambient instrumental travels, composed in strict committee by the trio of kevin blagg, william suran, and dante carfagna. recorded spontaneously in rural arkansas, bulging sub-woofers lope through fissures of skeletal banjo and pitched down pedal steel, while delicately arranged basins of synth and guitar reverberate, providing a steady stream of granular epiphanies. utterly faded, yet still possessing crystalline clarity, these twelve songs continually attain summits rarely reached within the span of four-minute transmissions.

pentagram is going straight forward. with the drums kicking in, it gets his tribal atmosphere, supporter by a jumping synth.
the deep mood is rolling with it all the way.
and the track cold is inspired by the district in berlin braunbeck is living in,
called wedding. a rough, loud and simple area but also with a lot of character and and multi cultural influences.

drumma records presents its second collaboration with romanian duo vinyl speed adjust (vsa). the ep titled the awakening shows us vsas intelligent approach to music, an ideal fit at drumma records where creatively effervescent music is embraced with open arms. the record has 4 tracks. the eponymous the awakening is a special trip between break rhythms, modern jazz and a dreamy perpetual arpeggio. it creates a great mood for artists who want to present something special during their set. a2 is the grind, a very strong and acid track with a powerful evolving bassline that creates perfect suspense. inspired by the 90s, its raw and its analogue, definitely a hot track. monoxide comes with a linear rhythmic pattern and a very deep sub-bass sound fused with trippy synth soundscapes, ideal to put in a mental note during a session. the release is topped off with an amazing remix by the great valentino kanzyani. hes brought his own approach to the grind. the remix is a track with very strong groove and an intelligent evolution that creates small sonic worlds at every turn. valentino knows how to masterfully work a constant crescendo where tension and rest is perfectly resolved and we can feel his approach to techno at its best.