hi limonada friends! here is limonada 06, after big supports on our last releases by villalobos, luciano, salvatore freda, steve lawler, jimpster, loco dice, tiefschwarz, nick curly. thanx again for helping us growing our label! for this release, we are proud to introduce a very talented guy from spain, sergio parrado, also owner of my little dog records. after his massive tune el abuelito, sergio returns with las hualtatas, a very nice groovy and sexy house track, with some glitch sample in a kind of björk voice. for the remixes: malik by oscar barila, a very efficient deep house track with some us oldschool voice, scan mode with a killer break snare roll from the past and a big chicago techno remix from our buddy arnaud le texier from safari electronique!

raw house vibes on clone royal oak by rio padice and massimo di lena. absolute belter!! after six month its back in stock

last years universally acclaimed full-length the predicting machine found musical mastermind and producing demigod john tejada in full gearhead mode. hunched over a plethora of synth modules, the la-based sound wizard dug deep into the circuits and put together an expertly crafted album driving both lab rats and floor lizards in a glorious frenzy. now, the puppet master returns with somewhere, a double headliner 12 inch relighting the fire and putting the beats where the mouth is.

new ep by zadig on children of tomorow! proper techno.

vinyl only! forgotten planets is an adventurous voyage with heavy bass and storytelling synths, combined with hammering rimshots, snares and drums. after that we are surrounded by fog, experimental soundscapes generates a uncanny atmosphere.
on the b side we have escape mode, a massive stomper with an industrial feeling and droning alarm signals. and last but not least ancient spaceships, a little time journey into the sound of the 90ies, no barriers between detroit techno, rave, breakbeat or whatever music was called in the past or will be called in the future. 365 copies black vinyl and 165 copies red marbled vinyl. no repress!

vinyl only! forgotten planets is an adventurous voyage with heavy bass and storytelling synths, combined with hammering rimshots, snares and drums. after that we are surrounded by fog, experimental soundscapes generates a uncanny atmosphere.
on the b side we have escape mode, a massive stomper with an industrial feeling and droning alarm signals. and last but not least ancient spaceships, a little time journey into the sound of the 90ies, no barriers between detroit techno, rave, breakbeat or whatever music was called in the past or will be called in the future. 365 copies black vinyl and 165 copies red marbled vinyl. no repress!

house is at home with bobby browser, who may be “still browsing” after 2012’s “just browsing” ep, but these four tracks feel like he’s finally splurged on the pleasure-purchase. never afraid to fuse sad soul ii soulisms with flute-floozy milan model-walk wonders, or blue lipstick, platform dance with classic groove-back ogle-voguing, bobby browser remains a san fran late-night-on-haight-night latin legend. browser’s known for djing gel-gems like “bad bad boys” and other, mostly forgotten, romantic thrift store singles and as producer he’s got the same no-boundaries deep-‘preciation for all that can be stirred in his stoopid stew. howard jones meets earth, wind, and fire meets n’dea davenport meets sade meets frankie knuckles but not at all straightforward, and nothing short of silky slip-peeling. always lovely and light, sleek and chic, bobby browser’s bought a spot on your yacht. it’s going to be a smooth cruise.

deep, deep inside the hard drive otherwise known as the non-local universe light sounds dark are in thinker mode trying to make sense of it a

apartment starts off 2013 in party mode with our in-house disco mechanics bande apartment (tr one & new jackson) going to work on some super-rare and super-bad disco workouts, over extended and under cut for maximum dancefloor carnage.

three highly in demand edits getting released on vinyl at last! they are highly coveted and very limited get them whilst you can…

the every make ep is a double-sided record, featuring 3 tracks crafted structurally for djs and emotionally for dancers. dont bother with em at home or in the car. and, if you are actually able to explode someones head on the dance floor with them, thatd be just fine. morgan alexander began building a sonic home in house music in the early nineties. having relocated in 2005 from seasonal boston to straight-sun los angeles, 2013 finds him with his fingers in as many musical pies as possible. topping them is his respected series of underground events, bottom floor, where he is featured as resident dj. the recent string of guest artists joining morgan in the booth include the likes of john tejada (palette recordings), kai alce (ndatl muzik), chris brann (wamdue project), brett dancer (track mode recordings), jordan fields (mowax), jus-ed (underground quality), boo williams (strictly jaz unit), daniel bell (7th city), recloose (planet e), mike huckaby (s y n t h), and dj sprinkles (mule musiq).

sasha zählt neben paul oakenfold oder carl cox zu den weltweit bekanntesten britischen djs und produzenten. er startete seine karriere in manchesters legendärem club hacienda, und er remixte u.a. madonna, pet shop boys, depeche mode oder die chemical brothers. 2002 arbeitete sasha mit junkie xl zusammen und diese unterstützten ihn auch bei seinem debütalbum, airdrawndagger . im jahre 2000 wurde er vom britischen dj mag zum dj des jahres gekürt, und für seinen remix für felix da housecats watching cars go by erhielt er eine grammy-nominierung.

scan mode and alvaro sanchez, two well-known and talented spanish djs, come together to run the so-called raw rootz alliance, which is also a new record label.under this name, they produce house music on the basis of sounds from the legendary roland tr-808 and tr-909 drum machines

inspired in the past but rearranged in the future.this reference on drivecom is a tribute for all those sequential electronic music and synth pioneers mainly coming from the 70s. most of the tracks were recorded on the fly playing synths and keyboards in live mode specially for this production... and here we present aeon.

inspired in the past but rearranged in the future. this reference on drivecom is a tribute for all those sequential electronic music and synth pioneers mainly coming from the 70s. most of the tracks were recorded on the fly playing synths and keyboards in live mode specially for this production... and here we present aeon.

supported by: richie hawtin, seth troxler, joris voorn, m.a.n.d.y, rampa, jeremy p.caulfield, kabale und liebe, arado, someone else, ramon tapia, anthony collins, angel molina, dudley strangeways , betoko, guy j, hugo, nicolas duvoisin, bushwacka!, mikael stavoestrand, magit cacoon, nikola gala, noah pred, luca doobie , dj aroma, slam mode and many more

limited 2013 repress !! a stunning house track with warm chords and a bad ass deep bass line and hypnotic and soul full vocals on top in the typical style of track mode producers (larry heard, rick wade, alton miller, brett dancer). this is the club banger for all house djs for the coming period!

after his excellent and well-received coded emotion ep on the mos label in late 2011, analogue fetishist perseus traxx returns for another mos outing. it finds the producer in similarly classic mode, exploring the deep down depths of house and techno in his own fuzzy and hugely atmospheric way.

supported by: richie hawtin, seth troxler, joris voorn, m.a.n.d.y, rampa, jeremy p.caulfield, kabale und liebe, arado, someone else, ramon tapia, anthony collins, angel molina, dudley strangeways , betoko, guy j, hugo, nicolas duvoisin, bushwacka!, mikael stavoestrand, magit cacoon, nikola gala, noah pred, luca doobie , dj aroma, slam mode and many more

debbies groove sees carl taylor in full on jacking mode, with tinges of disco and a stomping beat that will see you heading straight for the nearest dancefloor.

new austrian based record label __ pusic records __ starts up with a very strong limited, hand stamped ep including tracks by label owners mono.mode / mazzomba, inverse cinematics, blunted monkz & fleur and remixes by duff disco (join the dots) and greymatter (wolf music records)

total control dislocate expectations with this inaugural home loan records 12 inch. not the charged up paranoid vox/guitar/drums combo that we have become accustomed to through their visceral live shows - instead men with machines producing pensive proto-tech experiments and tense industrial wave. includes the original version of carpet rash which was re-recorded in full band mode for henge beat, and two previously unreleased immersive rhythm tracks formed through collaboration between guitarist mikey young and drummer james vinciguerra. vinciguerra would fire deranged beats down the hole while young would jam over them, watching waves in a trance from his perch at phillip island. on the flip we find two reconstructions from home loan manager michael ozone. carpet rash receives the club re-contextualisation with ozone fully utilising its penetrating synth hook, while new age hop climbs the arabic scale.

chiwax classic edition welcomes another legend to the family! mr. andrew t. cole aka drew sky, drewsky, phase ii, duece mode, skyman or sneaky tim. togethr with paul johnson co-owner of chicagos pioneer house label called chicago underground and artist on legendary dance mania!

miguel campbell is a burgeoning young star that shot to notoriety in 2011 after something special, his debut release on hot creations became one of the biggest tracks of the year.

the anticipated fourth installment of proper trax. featuring two raw-as-fuck cuts each from vanguard sound homeboy chris mitchell and our very own grey people. on the a-side, chris slams it out of the gate with the straight-up, no-bullshit jack of >drum trax<, followed by the searing frequencies of >fury<. flip it over to continue fanning the flames with grey people and the relentless industrial funk of >panik mode<, while reminiscing of times gone by when sporting a dog collar and black-dyed hair was a legit way to get some sleazy indiscriminate sex. as if you werent feeling strange enough, dial it down with >abrahadabra< and make those ripped fishnets drop with a quickness! go hard, get raw, keep it proper.

mammoth remix package from marcel dettmann (in low key but high impact mode!) + bubbling talent, answer code request... they just keep coming with it! tip!

michel amato aka the hacker is without a doubt one of the most successful and accomplished french djs and producers. since 1992 he is part of the international techno szene, widely acclaimed as a solo artist as well as persuing thriving projects with miss kittin. he is a rare gem ... an artists who always stayed true to his style and his early musical influences of bands such as cabaret voltaire, throbbing gristle, einstürzende neubauten, depeche mode or joy division. for his new satori ep on correspondant he makes no exception! originally hailing from mexico, daniel proclaimed disco caveman and rising comeme (matias aguayos label), transforms michels white funk into a psychedelic disco track. the remix unmistakably bears his signature: it is a maloso. offsets remix is a crawling monster. he digged deep and the result is a dark and hypnotic remix of white funk.

we are proud to release the third and last ep from the new fluxion album on echocord incl. a convextion mix.

the perfect union between passion for detail and endless inspiration characterize the music of the versatile french dj/producer, darlyn vlys.
drawing his inspiration from gainsbourg, giorgio moroder, lindstrom, trentemoller, the chemical brothers, depeche mode, daft punk, cliff martinez, morricone, badalamenti, darlyns core is rooted as much in music as it is in film.

gerd janson (head of running back) and phillip lauer (dj, producer and 50% arto mwambe) step out of remix mode and release their first 12 inch of original tracks as tuff city kids. the ep is released as a hand stamped yellow label in a green generic paper sleeve and is the second release on ostgut tons new sublabel unterton.

nice price deal !!! being in the same gene pool as pat sharpes hair is enough of a stigma to steer any young djs career off course - deep in the discos of pop trash. fortunately for metaphi / metske, although still benefitting from the same glossy 90s locks as the radio-jock/distant uncle, musical inspiration came from more complex climates. wigflex006 acts as a fine electronic switchboard to metaphis archive of talents, a complicated circuit board of the experimental ranging from hip hop, idm, and garage to blues harmonicas and classical rifts, seamlessly melted into one gloop of green circuitry where each musical discipline must co-exist with another. as metske the bpms hover around 95, the framework is hip-hop, the sound often skwee but the influences thereafter are endless, slow train blues clicks its way through a steam train intro before marring the lines between electronic music and the blues with a self-composed harmonica rift worthy of howlin wolf. at the same tempo spin states delves into the cosmic with pipey neon chords and bit-crunched bass: sega mega drive boss level business. metaphis taste for big room techno is blatant and genetically wigflex over sharpflex, and in terms of nationality its mongrel, half notts, half eastern europe. with concious mentis hes keeping things minimal but charged from lower frequencies and messmode progresses with some serious dancefloor swagger.

in the 18 months since his brilliant debut release for we play house, luv jam has been steadily building his profile with a number of releases, and now he returns on vibrations with his first full ep of material since that auspicious first record. the eps a-side is a typically lush foray into stripped back, slo-mo house, with opener tough future utilizing little more than a 303 bassline and 909 kick to slowly build up to its raindrop crescendo, and >rubber band< employing a number a dreamy synths atop its tense, gurgling bass. the pace picks up on the b-side with >last floor hotel (mega mix)< upping the tempo and going into full on acid mode, with its furious pace accented with frenetic cowbell hits and industrial textures. the ep closes with >elastic band< a deeper excursion into jacking house, characterized by its flurry of handclaps, weighed up by its rubbery bassline.

after a superb 2011 for crosstown rebels, they are now proud to present their next album, amirali >in time<. tipped as a one to watch for 2012 (mixmag), iranian/canadian producer amiralis debut album is truly exceptional, a subtle combination of house, techno, funk, electronica and downbeat with indie sensibilities. the album is reminiscent of depeche mode, radiohead, underworld and art department all through a modern electronic paradigm. amirali features on vocals on the album and is already being widely, regarded as one of the most accomplished debut albums of recent years. his recent single beautiful world (featuring remixes from deniz kurtel, daniel bortz & hrdvsion) was met with rapturous appeal gaining an ever-increasing legion of fans. in time is a fantastic body of work, from the hit singles my way, beautiful world and just an illusion to the down tempo painting on a canvas and last words, the album is full of beautiful sonic vignettes. other highlights include the broken beat whisper, the infectious hear me and the mammoth sounds of my life. just an illusion will be released shortly after the album featuring mk, franck roger and appleblim remixes. amirali has succeeding in producing a mesmeric and consummate body of work. the album has already been playlisted on npr and looking like another big album release for crosstown rebels.

cyan coloured vinyl + 7inch +7 page insert in strictly limited edition.

limonada 05 is an amazing ep by mindreaders, aka fred.h and william wild. they deliver their first ep on limonada, after their much noticed remix from francisco allendes & aldo cadizs >ya tu sabes<. with >marimba<, the two french producers take us on a long hypnotic, deep and percusive journey which intoxicating texture perfectly blends their musical influences. its the perfect track for after parties on the beach when the sun is rising. as for remixes, a very funky one by our freak n chics friend djebali, a nice deep house mix from aldo cadiz. supported by : loco dice, jimpster, karotte, silicon soul, shonky, matthias tanzmann, davide squilace, djulz, arnaud le texier, richie hawtin, luciano, nic fanciulli, tim green, psycatron, xpress2, mirko loko, natalie coleman, yaya, alejandro vivanco, oxia, toni rios, franck roger, claude monnet, plain pits, roy brizman, dj linus, mirco violi, jerome pacman, po missive, miguel lobo, andré butano, dj maiki , sergio parrado, miguel lobo, psykoloco, jesus gonsev, miguel garji, scan mode, sami wentz

finally the remixes of the celebrated jonsson/alter mod album is here – featuring no less than minilogue, donato dozzy and dorisburg (half of swedish duo genius of time). my god, that took some time. but no harm is done. all remixes has some kind uplifting and sunny trance mode to them, so as it turns out, this is actually the prefect spring release.minilogue starts out with the track kyrka 2.0 and ads both speed and length. donato takes on the track acapellan and does everything right. keeping the beautiful vocals of the original, donato adds bass line and new drums. the ep closes with another swedish contribution. alexander berg aka dorisburg from duo genius of time reworks djup house, and does it well. a solid bass line keeps us grounded to the dance floor while dreamy melodies and harmonies gently lift our serotonin levels. enjoy! before leaving you to the music we would like to thank minilogue, donato dozzy, dorisburg and last but not least, henrik jonsson and joel alter

limited 2012 repress - vinyl only release.
adrian niculae aka priku spins the deck since 2004 and since 07 he has been a full time member in the sunrise booking agency family. a constant figure at sunwaves festival at the black sea coast - romania, priku had gigs in ibiza, italy, ukraine, croatia, belgium and russia, currently focusing his creativity mostly on production. as his latest tunes are ready to take the call, at all inn black, priku uplifts the down tempo of the cold season, with these smooth and delirious beats. though it might trick you with its name, >monday swing< is a perfect match for a saturday night on the dance floor and, at the same time, could be one sharp play on a lazy mode afternoon..

two american heroes team up to deliver the straight prison-funk, and they ve got the tattoos to prove it. somebody call the department of homeland security. its no secret that kris wadsworth and butane have both done hard time. in this case, a simple mutual respect lead to the decision that this record must be made. and so here it is. three tracks of uncompromising raw attitude. nothing premeditated here. just honest,warehouse-style jack-mode techno, done by two of the midwests finest. some djs over-sell themselves with contrived media stunts, fancy pr schemes, and little substance. youll find none of that here. we are just a couple of convicts who rip raw techno tracks. we speak through our music.

it marks the long awaited reunion of electronic pioneers vince clarke (erasure/ yazoo/ depeche mode) and martin l. gore (depeche mode), who have joined forces for the first time in over thirty years to craft an album which, demonstrating their mutual love of electronic music. after initial tentative discussions, and a meeting at short circuit presents mute festival in london, where they both performed, these two influential musicians and songwriters, began work on the 10-track album, working in a typically unique way with the pair working alone in their respective studios, communication only via email, exchanging files until the albums was ready. the album includes the recent 12inch ep1 / spock, described by the quietus as one of the best tracks of 2011, plus the forthcoming ep 2 / single blip. the album was produced by vince clarke and martin l. gore and mixed by the influential californian electronic artist Überzone / q.
comes as double 12 inch in full artwork gatefold cover, including cd-version of this album.

kris menace is one of the most respected producers in electronic music and maybe one of the busiest remixers alive, working for depeche mode, lcd soundsystem, air, booka shade, kylie minogue just to name a few. kriss releases like discopolis or side projects like black van,became industry highlights and have been signed to some of the most influencial labels like dfa, permanent vacation, vulture, size and others. compuphonic is an electronic music record label owned and founded by kris menace in 2005. releases including the 3 cd idiosyncrasies album, voyager, streamroller, stereophonic or jupiter bought the label support by some of the world best djs like annie mac, pete tong, soulwax, boys noize, david guetta, aeroplane and others

for the first time on vinyl incl. deep house gem so long by larse released on noir music digital, the instant-favorite remix for the biggest club anthem of 2011 by avicii, benny benassi takes us back with a 2012 version of marshall jeffersons 86 classic & bob sinclar rock the boat (martin solveig remix).

ellum audio gets set to unleash the >ellum sleazy riders collection< - a funk fuelled drive along a deep and dirty underground house highway featuring balearic bikers maceo plex, jacek janicki, sync mode (nitin) and luke solomon blazing a sonic trail across the dusty savannah of the musical badlands

known primarily in the drum & bass world as mode and having released on esteemed labels like exit ingredients. mode aka until silence is no newcomer to the scene. under this alias we see him take a slower approach with styles taken from house with steady 4/4 patterns and dancefloor styles as seen on jackin.triangle sets a more idm feel with its warped spoken word and quircky, boards of canada-esque atmosphere.

>univrs< follows on from and develops the concept of the album unitxt (raster-noton, 2008). whereas the focus of unitxt was on the processing of rhythmic patterns (unit = unit of measurement, element) and information (txt = data, language), with univrs the focus is on the conceptual differentiation of a universal language (universum/universal = unity, entirety). the 14 tracks of univrs have evolved from a live context, hence the approach is more continuous and dense.

synewave adds the youngblood of delko. hailing from portugal this ep is 4 solid tracks of thumping techno with moods and proper bass movements. limited vinyl release

boys noize – the remixes 2004-2011’ shows ridha’s electro stylings applied to the best and brightest in the industry. spanning over 6 years of work, this album showcases boys noize’s ability to rework source material into his own unique and inspiring compositions. from the stunning beauty of his remix of feist’s ‘my moon my man’ to the emotive synth work on daft punk’s recent ‘end of line’, alex’s touch never fails to impress. when we say ‘the best and the brightest’, we truly mean it, from critically acclaimed legends like david lynch to the cooler than cool n*e*r*d, this release truly has ‘a lot’ for everyone. be curious on the remixes boys noize did for depeche mode, snoop dogg and justice.

30 jahre nachdem sie ihre eigenen musikalischen wege eingeschlagen hatten, tun sich die beiden elektronischen musikpioniere vince clarke (erasure, yazoo, depeche mode) und martin l.gore (depeche mode) zum ersten mal seit 1981 wieder zusammen und veröffentlichen unter dem namen vcmg ein album und eine reihe von eps. vcmg ist das resultat einer halbjährigen auseinandersetzung mit ihrer gemeinsamen leidenschaft für techno und eine äußerst enthusiastische zusammenarbeit. das bisher noch unbetitelte album wurde von vince clarke und martin l.gore produziert und von dem kalifornischen produzenten Überzone/q abgemischt. es erscheint am frühjahr 2012 bei mute. die erste auskopplung ist die ep spock, die neben dem albumtrack auch remixe folgender künstler enthält: edit-select, aka tony scott. englischer dj und gründer von edit select records, der schon remixe für speedy j., death in vegas und gary beck gemacht hat. regis aka karl o connor. mitglied des sandwell district-kollektivs und mitbegründer von downwards records. xoq ist das alter ego von Überzone / q, der das vcmg album abgemischt hat.

emergent behaviour is what one might determine the calm before the storm, as we dive into the second instalment of the jupiter cycle, as the drifting ambience and somewhat ominous synths proceed abstract thought, itself a stubborn barrage of hardened electro beats, rigid stabs, crystalizing and melding into an explosive mayhem and of course, the ghost in the machine, if anything a more traditional styled, yet irresistible electro hit. the deep showcases hadamard in a distinctly experimental mode, where all the fine details are tuned to perfection for maximum atmosphere. finally, drifting into the collective and satellite swarm, both gliding onwards and ever deeper into pure ambience, the latter closing piece eloquently preparing the audio stratosphere for the next chapter in the jupiter cycle. special limited edition pack includes the second in a series of collectable posters.

full support by dorian chavez, kabuto & koji, psykoloco, wally stryk, arno gonzalez, von georgi, ricardo da costa, da gil (astropolis), loco dice, nic fanciulli, tim green, karotte, nicolas masseyeff, ivan serra, chaim, nick hollyster, matthias tanzmann, shaun ingham, luca bacchetti, toni moreno (ibiza global radio), emil de moreu, miss chrysalide, gabriel ananda, shlomi aber, justin harris, luciano, roy brizman, sergio parrado, cyril k, alejandro vivanco, psycatron, scan mode...