bron, a mysterious giant from the plains of canadas sub arctic region, comes out of nowhere with danksouls second release great white north. brons debut record is a truly northern take on the infectious grooves of micro house. the title track, great white north, is a jacked-up home grown classic that has been garnering a cult-like following in canada since its inception a couple years back. french avant-garde house producer le k provides a heavy handed remix, which will surely occupy a permanent space in record boxes and play lists across the globe. bron polishes off this ep with the bouncy beats and bass of splash back, followed by the soulful space hop of postcards from the prairies

dclassics strikes back again with great hard to find disco nuggets, re-edited by french wonder blackjoy… killer hypnotic disco that are working pure wonders in clubs as well as at home. usual quality selection from the dclassics crew.

secouer is a record label with an international distributor, and born like the home of the orchestral with old groove and house secouer records born in 2009 behind the research work of the most diverse currents of music. the need to explore this genre arises from the idea to give a dress at the electronic scene. jazz becomes the means for a reconfirmation of the world of house most virtuous, not forgetting to accommodate the new sounds of the international scene. so the founders decide to explore this genre that combines dance with a fine ear for good sound not generalizable. only the bpm jazz or funky or orchestral can make the difference, which can give to house a dynamic and more human

from jason reitman, the grammy-winning director of juno, comes the soundtrack to his latest film, up in the air. features sharon jones & the dap kings, csny, elliott smith and dan auerbach plus unknown artists sad brad smith and kevin rennick, and score. reitman personally selected all the music for the soundtrack and as a director he sees music as a character in each of his films.

sometimes things get complicated and a groove becomes a symphony. but sometimes, all we need is the groove. venturing back to how it all started, octave one begins a new chapter, 20 years after their introduction to the electronic music world. connecting to their origins on derrick mays legendary label, octave one pay homage to their transmat catalog number with the launch of a new limited series and label, ms10. returning to basics, ms10 brings the burden brothers home to how they started it all, minus the hype and >back to the essence of the groove<. this special series begins march 2010...

after five weeks of performing and traveling around brazil, long-term dfa stalwart gavin russom returned home with not only a love for the music he’d discovered there - carioca funk, atabaque drumming, tropicalia, south american-style rave.

after part 3 of cocoons 10inch series, which was focussing on the british techno scene, we now return to germany with the fourth ep. the frankfurt-born markus fix grew up at the decks of helium bar, is now at home behind the decks of cocoonclub frankfurt and has been providing us with his innovative reinterpretation of house on labels such as cecille and oslo for the last three years.

after his latest releases on drumcode, itamar sagi comes back home with another package of solid techno on shlomi abers be as one imprint. as excpected from itamar, hi soriginal versions a summerish techno groove with funky bassline and quality techno drums for the big rooms. on the remixes, be as one is proud to welcome two of the most rated djs and producers of the recent years. on the b1, the man himself, steve lawler delivers a dancefloor treat, housier rework of the original, a typical lawler tribal anthem. on the b2, to complete the package, there luca bacchetti, whos coming back after his latest great ovum release, with an old school approach to itamars original, 909 hi-hats and rolling drums, cant ask for more… check this out

blimey! we thought we had fallen into a wormhole and woken up in 92! 2020 soundsystems enduring lp favourite and one of the live shows highlights gets put through the downtown ny meat-grinder by tbd. brought on board as prospective remixers after last years immense all ears distributed >what is this< the tbd duo have taken this one on a three-day bender across the big apple! sleep deprived and pounded into submission by unrelenting kick drums and dustbin lid percussion, not to mention enough growling synth action to satisfy the hungriest of addled brains, the two mixes barely made it back home to leeds alive! you have been warned!

sweet 4 track ep by this newcomer... 3ear has a great ear for new artist! sarrass is hailing from the south-west of germany. he began his musical career by studying trumpet and piano and performing in small classical and jazz groups. later, after learning about klaus schulze he got in touch with techno which has (as we all know) a huge impact! he debuted release on compost black with the >home at the sea< ep. third ear discovered him and signed this sweet 4 track ep! a nice blend of detroit techno with abstract electronical sounds as being used by klaus schulze and the early german pioneers and contemorary house. great modern club tools with a nice personal twist! check!

nice price deal !!! this is the 002 in typical ecce style but now he is telling an unbelievable story underscored by rollin and heavy basslines and futuristic sounds which reminds me of spaceships in epic battles. light years away from home...

how is it that every time we come across a band from paris it makes us want to be right there, in their beautiful, hipster culture? its probably the same factor that made us want to live in brooklyn when we discovered sleigh bells, or los angeles when we first came across heartsrevolution, or berlin when, or manchester when, or, or, etc. ok, to be fair, our home town of brighton is plenty cool enough thanks, but this three piece from the gallic capital are definitely made from that most attractive of purest hip. we are suckers for the sexy vocalist, complete with every word seemingly breathed out, rather than sung. its all so effortless and...

san proper stlyin like only he can... tip! good starts deserve likewise follow-ups. after a daring, but nonetheless vigorous start from the freshly formed dekmantel label thanks to israeli duo juju & jordash and their stunning and much praised self titled album, next up is amsterdams very own musical wolverine: mister san proper. you might have come across sans name recently. after coming, seeing and concurring the dutch lowlands san is on the eve of a definitive international breakthrough. with releases on world-wide acclaimed labels like rush hour and perlon his dazzling hand-jammed percussion, vintage synths and instruments- one - only - stubbles - upon - when - discovering - deserted - jungles now found their way to the dekmantel label – sans home bass.

bon & rau are rainy citys newcomer jacques bon and christopher rau. jacques is originally from paris and takes care of the smallville recordstore in la cité d amour. he fell in love with hamburg though when he first came there and calls st. pauli a home since a little while now. while hanging at smallville record store in hamburg, he met christopher rau, who blew away the whole smallville crew with his > ne travaillez jamais< on dérive records in 2008 and had his smallville debut with >childhood< on smallville 16. the youngsters teamed up as bon & rau and we are proud to present the 12inch debut of another smallville dreamteam. cloverleaf days was already presented on the smallvilles label compilation cd -and suddenly its morning-, that gained huge reputation last year- but it more than deserved an appearance on 12inch now. a reduced groove that takes you to somewhere unsearchable. the b-side presents two versions of brothers & sisters- a modern house-anthem that twists into your ears with a subtle melody. the poodle dub on b2 rounds up a perfect 12inch with a tribute to hamburgs finest golden pudel club. three tracks that can definitely make the moment on the dancefloor.

prepare to enter the sombrero galaxy. journey to the centre of the sun, the debut release from lovefingers highly anticipated imprint esp institute, is a collaborative effort from londoner jonny nash (discosession) and dutchman tako reyenga. the two met years ago whilst jonny was working and living in tokyo and tako made his way over to dj. around the same time, lovefingers linked up with these two and a musical family had formed. that being told, its only natural for sombrero galaxy to find its home and represent the face of the esp insitute. journey to the centre of the sun is a dive into a moody, visceral and ethereal headspace brought to life through shimmering synthesizers, swirling guitars and a chugging bassline coupled with live percussion, clearly setting the bar higher than the bulk of contemporary electronic music. on the b side, the stallions (lovefingers and lee douglas) reinterpret the track with optimism, nicely complimenting the original with a light and cloudy yet driving house version. this is the music of dreams, keep an eye on esp institute in this new decade.

get ready for an analog ride. these 80s multi tracks are all we have left from creative mind, crunch. hurricane katrina wiped out the home studio and master recordings. now back from the bayou, every struggling sound, tape flutter, and disco hiss are re released on vinyl, and sounding extra dirty.

the first release on mean for the year 2010 will see cesare vs disorder returning on his home imprint to collaborate with rainer in the battle for mouths ep, in what will be the ninth instalment of this underground label

after releasing milestone eps between 2007 and 2008 on pheeks archipel imprint, immigrant and their home label, cynosure, the uruguayan duo monoblock completed a great 2009. inaugurating the spanish une label during the summer with their introduktion ep, monoblock also released intensiones, their third record on mike shannons cynosure. recent berlin implants, by way of valencia, monoblock start off 2010 right with a superbly executed whole artist ep on airdrop records. bringing together three tracks of very different moods, the shouting nonsense ep reflects the richness and diversity of electronic concepts covered by monoblock. going from the most rousing and bouncey tech house in shouting nonsense to the more stripped environment of cienpies and passing through the use of live instruments in calid.

the spaniard manuel fernandez llorente had a classical musical upbringing, studying at the music conservatorium in madrid. he has been composing and producing electronic music since 1996, not only releasing on his own label >7noise< but more importantly also being licensed for various major compilations. now he is releasing his first tracks on highgrade records. at first, >addiction< unspectacularly plods on towards house heaven, but then the sparse vocals and timeless organ sounds give you a warm and soft electro shock. the first track on the b side >the gull< shows off prompts talents as a composer. a very discreet melody blankets the straight beat, taking away the coldness of the bass. a beautiful dream track that should never really end. >mechanic< brings it home and is right in your face, a journey into minimal techno country, where you meet the sound ghosts that prompt has summoned. a single drum beat here, a voice there and a now and again a sound shred that are all meticulously arranged to make the perfect atmosphere.

1994 classic!!

the official follow up to legowelts >vatos locos< lp, last years magnum opus/tour de force/piece de resistance etc (did we loose your attention yet?). ever since the inclusion of these tracks on the extremely limited (and partially withdrawn) >vatos locos< cd - we ve had many requests to put them on vinyl. who are we to fly in the face of popular demand? so here it is, on glorious virgin black vinyl in a gorgeous sweet n sober sleeve. inside you find four tracks of patented deep(house) jakking wolfers madness .. two bangers and two intropersective low-ridin rolers. not only great for ghetto gardening and home improvement, but also for workin up a sweat on the dancefloor.

these two tracks have proved to work wonders on dancefloors across the planet, support from all the usual players and a massive follow up to the previous two >club tracks< releases in the series, which have received plays and praise by djs from all various styles such as laurent garnier, d julz, heartthrob, luke slater and dj hell to name a few. a-side track >nobody home< grows into a huge build using an oldschool moog-bassline, whilst the b-side chops up and pitches around an edited voicerecording over straight forward beat, resulting in a very unusual, groovy and hypnotic jam for the late hours.

daniel stefaniks >in days of old< makes kann05 kind of a concept ep. his three intoxicating untitled tracks feel like a tribute to his own influences and inspirations. we are very pleased to give him a cherished home for that. heart-crafted, beloved dance music.

csm godfather john selway drops his first solo production on his home imprint since 2004. as his production schedule heats up, so does csm. ocean before me graces the a side with a deep ride through techno and house, complete with tribal rhythmic feel and uplifting strings. selways sound continues to evolve, but his central foundation of thick cadence and expansive melody always shines through.the b side features producer extraordinaire paul brtschitschs remix. paul sheds the strings, beefs up the bottom end, and adds his own melodic touches presenting an interpretation of ocean before me just as large but focused through his own

santos is the man behind the 2000 club hit >camels<. santos is the man behind one of 2009s most played underground house tracks >hold home<. well…… santos doesnt really need an introduction does he?

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

after a sell out tour, chart bothering hits and general world domination, deadmau5 returns home to mau5trap with the ubiquitous anthem that is strobe.

luis flores enters the world of hidden agenda. once home to just productions from label boss dietrich schoenemann and tony rohr, the label has added the likes of misc, shokh+star, bau and metalogic. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and in put into heavy rotation by the likes of chris liebing and speedy j. already he is gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere.

for fans from burial... hamburg based fauxpas musik imprint is born to deliver vinyl only high quality music as limited editions. our idea is to share the music we love with our same-minded fellows. as vinyl is the only medium for real listening pleasure both in clubs and at home, you won t find our releases in any other format than vinyl. we are very proud to present our first release with desolates heroic death ep. desolates visonary idea of sound has a tremendous breadth and adroit touch for a producer of his experience, incorporating elements of modern classical with minimized dub, deep house and detroit techno. his outstanding previous releases under other monkiers are set to be future classics

as world economies crumble, paranoia and mass hysteria run rife throughout the fractured communities of our troubled planet. nearly 30 months since the last full length communique, transmissions have been forced further underground. after a gruelling series of campaigns at the frontline, special agent manasyt delivers yet another damning dossier of evidence against the unseen corruptors. the processed signals contained within offer a temporary solution, brief respite from the onslaught of treachery that engulfs every facet of modern life. for those amongst us already able to decipher the hidden meanings embedded in the data, this will serve only to confirm your worst fears and suspicions, and urge to you take immediate evasive action. stay tuned for further instructions...

sister label to markantonios analytic trail imprint, mkt records is all aboutproviding a channel for different concepts in techno music. looking forward in to the future of electronic music, mkt is a space for new sounds to develop, evolve and emerge. originally created as a home for markantonios experimental work, mkt has developed into a destination label for all forward-thinking techno acts. unearthing a never-ending conveyer belt of neapolitan techno talent, markantonios mkt records have consistently struck gold with a series of eps from emerging artists such as joseph capriati, mladen tomic and flavio diaz. this time out label boss markantonio takes the controls for an ep of his own.
title track >play the music< kicks off the ep in understated but highly effective style. forged from a brooding low-down bass with plenty of wiggle this track cuts a heavy mechanical groove through waves of sci-fi effects as it builds and drops.
>funky junkie< pumps up the tempo for a full-on ride through funked-uppercussive techno. centered on a groove of big heavy kicks and jacking snaresthis inventive vocal track joins the dots between early chicago house and techno.
>debug< completes the ep by taking a more stripped back approach, laying out a minimized tech house outline around which is added a combination of a bigbouncing bassline and layers of tribal horns, firing percussion and rising sirens.

one of those records that is just out of this world! the day has finally come that anto vitale makes a return to seasons limited and brings the beautiful and soulful tamara wellons along for the journey! anto vitale first landed on seasons limited in 2008 with his debt record >majico<, which was a beautiful masterpiece that weaved its way through african and techno rhythms and tore up dance floors world wide! anto vitale comes home with another record that just blew us away, featuring the beautiful vocals of one of our favorites tamara wellons. this is one of those records that is just out of this world!

the 3rd and last part of this project!
today, one of the labels most successful releases, the >on the bus< ep gets the most complete of reworkings. the eps original tracks, lawlers own >hocus pocus<, audioflys >shazam< and tiefschwarzs >voodoo< were all conceived whilst traveling across the united states as part of a viva tour. born in studio that was housed in their tour bus, each track was then completed by each artist on their return home. after the huge response to the original release, lawler now delivers 3 brand new remix eps.

after a much-loved freerange ep, berlins andre crom & milans luca doobie return to their home label. >sometimes< might be the duos biggest dancefloor-burner since their breakthrough-track >ebony<. a tight groove, killer bassline, techy chord stabs and infectious vocals are the recipe for a pure peaktime anthem that will rock both house and techno sets.
>whats happening< is a deeper, more quirky atmospheric bass-heavy groovetool, with freaky vocals and a pretty unique vibe.
federico molinari gives sometimes a deep remix in typical oslo style, working with the chord stabs on a monotone hypnotic groove and subtle fx & modulations.
the vinyl is completed by broadway, a reminiscence to classic 90ies house music from new york, presented with a modern sounddesign. classic saxophone and organ stabs, a funky trumpet loop and soulful female vocals, this track is a musthave for all deephouse lovers.

a rare conundrum ist 1977 wieder in england aufgenommen worden. bert jansch hat das album zusammen mit seinen kumpels rod clemens (bass/lindisfarne), pick withers (drums/der spaeter zu dire straits wechselte) sowie mike piggott (violin) aufgenommen.dieses album stellt f?r jansch eine kuenstlerische rueckkehr zu seinen folk wurzeln dar, es bietet wunderschoene folk instrumentals, sowie irische traditionals als auch langsame bluesstuecke an.

the 9th release on excentric muziks off-shoot rekluse brings with it a very welcome edition to the rekluse family, we are sure matt cooper is somebody who you will be hearing a lot more about in the nearest future, that is if you havent heard of him already...
from his mixmag >future hero< tag, to his efx1000 tutorial videos for pioneer (he has been likened to james zabiela but with bigger bass lines) and his ongoing residency at the dirty disco in leeds (the northern light was the original home for the club night which the ep title pays homage to), the only piece missing from his jigsaw was the production side of things, until now. he recently teamed up with spektre to launch their new respekt label with the >cuernos cubanos< collaboration, and now we are very proud to present matts first ever solo productions, brought together as >the northern light ep<.
>pack your trunks< is dark twisted statement of intent, with a hearthrob-esque hook giving off the feeling that the track is ever so slightly on the brink of loosing it, before that tough gloomy groove reminds you just why you were listening in the first place, and why you have to listen to it just that one more time...
>triptup< attacks with a driving upbeat vibe that also arrives with a crazy tinged edge to it, keeping the dance floor bouncing off the walls, this has never failed to receive anything less than devastating reactions during its many roadtests on our travels.
>the swinger< rounds off the ep with a kinky tech houser that swaps the power of its 2 harder brothers for some chirpy tomfoolery, without compromising on its absolute effectiveness to well and truly rock the party whilst getting completely stuck in your head. and dont forget the breakdown...

today, one of the labels most successful releases, the >on the bus ep< gets the most complete of reworkings. the eps original tracks, lawlers own >hocus pocus<, audioflys>shazam and tiefschwarzs >voodoo< were all conceived whilst traveling across the united states as part of a vivatour. born in studio that was housed in their tour bus, each track was then completed by each artist on theirreturn home. after the huge response to the original release, lawler now delivers 3 brand new remix eps. dueto be released separately, today we bring you all 3! first up, and on the remix of steves own >hocus pocus< are ... radio slave!

nico purman is back for his third instalment on the marching band in the sky that we call our vakant home. purmans sound continues to evolve, covering truly large distances with every release. since his robostrobe inspired earlier vakant works tuesday ep (va017) and euphrasia ep (va025), nico drops 3 large-and-very-much-in-charge space jazz masterpieces that he fermented in what sounds like a midnineties new york house basement.

after >zuckerwatte< here comes the second single release of oliver koletzkis massively successful electronic pop album >großstadtmärchen< . packed with two hot remixes of the track >these habits< by lexy and aka aka, a remix of the über-popular track >hypnotized< by dapayk as well as the original of radio single >u-bahn< , this ep marks the perfect boundary between home listening and club action. play by radio fritz rauf und runter !!

inspired by a post nuclear structure, its time to building up a solid fortress to avoid natural catastrophes. while obtane is constructing a solid and deep basement of stormproof pulsations and dry rhythms, giorgio gigli is finishing up the work adding ultramoody and mind blowing atmospheres to make your new home a perfect heaven.

classic deep / jazzy release

volume 3 showcases more of the unique tropical music created in panama in the fertile decades of the 1960s and 70s. panama is the thin, tropical bridge that connects north and south america, and is home to three million culturally diverse people, its music is a soulful blend of latin american, caribbean, european and indigenous forms. from bilingual calypsos to guajira jazz, from tropical guarachas to cumbia tamboreras, panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multicultural environment during a turbulent time in the young countrys history. this collection presents more of the golden age of panamanian music and the music of the combos nacionales on rare recordings that have never been released outside the isthmus until now.

another show stopper from french outfitles umins. its all about the remixes on this dope three tracker, as home and garden kick things off with a tough, synth heavy retro 80s mix thats a totally new sound for these boys. on the flip brett johnson shows why hes the man, killing the floor with a truly bugged out take on the original thats just got prime time madness written all over it. sounds like a bit of plastikmans spastik in there! icon on point with an essential underground release.

baaz comes back home at sthlmaudio recordings for a rich and surprise full new ep called woodland drive. the 12 inches start right off with sink, a very baaz styled house track which is dance appealing and yet refined and subtle. a raw bassy groove monster track. the next one might surprise the baaz fans out there, yes it’s a hip-hop track featuring the soul vocals of katrina marie. we figured out that it might be fresh to provide some other point of view in the repeating herself dance scene. the b side strikes hard on the house side again, it s gone is one of those pure shining and rolling tracks. once to you uplift it you’d just let it go. a bass heavy subtle and groovy house cut, baaz trademark?! essential. and again the b2 and closing track is an lush and low key hip-hop science out of baaz most retired places

1972 disco classic

deep detroit style original mix in co-op with ronald christoph from berlin plus benno blome (sender) and stev cole (schallbox) remixes. 3 very different takes to make you want to move while the lashings of analogue synth sounds are warm wnough to make you leave your wooles at home as you head out to your fav club this winter!

from the home of sensuous house music shelter records we are brought the record crazy love, featuring the african princess zap mama. what we get on this record is unrestricted house song by a full bodied eloquent vocalist. yes all the elements of house are here, deep bass, pianos, vibe, strings and much more. the heads will turn right to the spencer loveslap mix because of the steaming afrocentric percussion which is sliced between the house movements... this is made for the shelter, body & soul, warehouse alike

the man behind golden bug was partly educated by victor, a japanese robot from osaka. victor was invented by komba, an old japanese man who wanted a child. he created victor. when the old man died he sent victor around the world telling him to find a new home. after a big odyssey victor finally arrived at legendary la maison du robot in paris. the shop was owned by antoines mother who was the first one to import japanese toys to europe in the 70ies.so victor came to antoines family and decided to stay for a while. and as antoines mother was very busy with the other toys - victor practically was the one to teach antoine how to eat, how to speak and how to dance...

planet mu is very pleased to have ikonika a.k.a. sara abdel-hamids first proper release on another label outside of hyperdub.
ikonika is mixmags new artist of the month on the october issue.
>smuck< has been given a home on the label alongside ikonikas remix of eero johannes for this 12 inch ... and what a pair they make.
>smuck< follows in the tradition of ikonika~rs sweet and sour, curdled sound, with ever changing off-key melodies and metal-like synth guitar lines over sweet chilled chords, the track takes her penchant for melodies that border on the atonal as far as it can go, like a sophisticated take on 8-bar grime.
her remix of eero johannes >we could be skweeeerooos< on the b-side simply switches up the tempo of the original, makes the rhythm nice and bouncy and tightens up the original adding some trademark bent melodies and a see-sawing bassline. the end result is a linear, melodic track that feels like its somewhere between wiley and aphex at their sweetest.