classic!

spezial price!!! the creative hub of taron-trekka, as well as dj team and beat crafter furnishes an individual experience of togetherness, a complete understanding on a deeper level. they have this primal groove, around which everything rotates, internalized. they carry this groove with their own signature out into the world. this raw groove diamond is constantly sharpened without being completely polished on all facets. on the new fat release they stand for an electric-infected development, that allows only the solution to seep in: deep-in-the-peak! thereby the kraken clutches fiercely to the coral reefs of the soul. their vision of a living sound can thereby sometimes morph precipitously into a technoid, housy, fine-spirited sort and then at once jazzy. the required resolve as it pertains to the dance floor is hardly missed from taron-trekka. the desire-principle and body language mimic are most definitely functional. the big bang doesnt explode in the space, but rather in the heart. as a special treat, the fellas adorn the cover of their 12-inch from the illustrator, designer and photographer tine drefahl (http://www. tinedrefahl.com). thus is presented from freude am tanzen a worthy conclusion to a sometimes turbulent jubilee year, a complete package of artistic expression in tone and picture that is at home both on the mantel as well as the turntables.

nice price deal !!! resurfacing a few years major his explorations >at the end of the world<, dan quin throws from left field and scores a hit with his unorthodox take on vocal house music. >everybody knows< is a party-rocker with heart and integrity, remaining loyal to the tenants of dark, exploratory house and techno while superseding the problematic attachment to the past that has retarded the development of song-based dance music. the result is a sprawling, ominous and moving piece of internally conflicted electronica, caught in the ford between a reverence for the work of electronic-pop visionaries like fever ray, and the loyalties of the vast, red-lit expanses of nyc rooted club music. featuring the fresh new talents of brooklyn native tammy k., >everybody knows< is the latest release on dope jams very own in-house record label, a new manifestation of soulful house for a new generation of dance music devotees thirsty for the universal sensibilities of the vocal without the tired cliches of yesteryear.

the man with the mask shouldnt need an introduction: delsin, styrax leaves and his own present outfit have shown the mans ability to maneuver between true school techno, malicious house, break beat bombs and motor city romanticism - all ornamented with redshapes very own mark. for running back, he delivers something like a cross sum of his work. >on da floor< (>da< reads >the<) is subterranean haunted house with a broken heart, while >goom< features a take-your-shirt-off reese-bass-line. if you like it dry, the >bonus beatz< >z< reads >s<) of >goom< will satisfy your needs. bass drum jungle music

carlos nino & jesse peterson (who also collaborated on the high with a little help from lp) deliver an outstanding folk album of gorgeous songs and instrumentals. mainly acoustic, barefoot and bearded - a repeat after repeat listening masterpiece that massages you softly where it matters. a beautiful tip!

surely with forward-looking ambitions, serbian fellow dejan milicevic drops his debut album trust and the purpose with style,non-compromisingly showing us how electronic music has no limits, only heart and soul is needed. he throws a good example how to gather different genres and styles into one great peace of art, one that certainly cant resist giving in without touching our heart.

180gr heavyvinyl ! back to black , classic hip hop

off we go and leave the cannibals all empty. the skies are lowering into the sea. gently pushed by stones we wonder/wander on. somewhere behind a rainbow, apartment houses quietly suspire their berlin. the cheeky spirit is pinching the nose with zest. watch them trip and do the mashed morale. we dance with them, but not for long. spirits are holding the upper hand again. still we miss a beat with a heart still strong. noisy colors all blending in one blue. i sit with you where the citys down low. we know no wrong in the sound of a song. down tumble waters rise behind our backs. the pointy poets heads hat breaks in two unlike the jesters scepter whos mad with magics saving factor. we wander on, stroll to and fro things weigh us out, no con, no pro, unlike the jesters saving factor we stick around too long a-go. down tumble waters rise behind our backs. the meek musicians heads hat breaks in two unlike the jesters scepter whose magics not an urban factor. strike up the band, play on and on for sweet sage music always wins just like the jesters magic scepter beats up and down, forgives all sins. this is when you come stepping in. a row of tender houses smash your knees. the skies are lowering some more. existences twitching here and there. rain reflects berlins icy glow: a frisking spirit on the tip of your nose. we dance with him for quite some time. no stopping a hand that holds up in a work. no missing a beat for a heart goes on. flamboyant whispers strike a chord back home. you come to me, im not alone, in the sound of a song we know no wrong

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen – its driving, percussive dance music. a comedy in six acts: from l.a. to düsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach düsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of düsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

walterino is finally back on purple music with this wonderful production and offers us 4 mixes to choose from. this is for sure a timeless classic. the superb vocal performance by kareem makes this record a must for all the heads who love music done from the heart!

from the signals imprint in the north of england comes two suitably rough and tough cuts of british house/techno from liverpool wunderkind john heckle. this is how techno and house should be made! machine driven, raw, moody with heart and soul. a 10 inch cut designed for heavy rotation.

four bombs in birmingham key nods to detroit techno to hard, industrial, sharp and blunt with abrasive groove basslines like cathedrals and yard beats with hypnotic electronic sequences and mental development are not faint of heart. reaktor records does not fail and will make this album essential in your set.

compilation of current amsterdam house music featuring 11 exclusive tracks from amsterdam based (or born) producers like awanto3, san proper, tom trago, boris werner and more. if you want to get a piece of some top-notch, upfront action from the underground culture of amsterdam, this compilation gives you a front row seat. the 11 exclusive tracks that together make up for this compilation take you straight to the heart of what s bubbling in the nightlife of mokum town.

reissue of the 2011 coldplay album “mylo xyloto”, housed in regular printed sleeve.

part iii boasts contributions from portland, oregons performance art and house music group the miracles club (following releases on cut copys cutters label and famed mexican summer), wurst vet nick chacona - here with longtime partner anthony mansfield, and neurotic drum bands ulysses. the miracles clubs >i cant help it< is a heart-wrenching, ethereal ballad set atop a rock solid, chicago house-inspired rhythm section. easily the deepest cut to emerge from the nick chacona and anthony mansfields fun-filled studio sessions, >tase the wizard< is tailor made for desert raves and smoky basement clubs alike. >soular power< sees ulysses at the top of his talents, bringing the tempo way, way down for a slow-burning balearic beast.

after several successful releases on different labels, daniel bortz now returned to the pastamusik home base. the ep features three classic influenced house music burner tracks. from the heart of darkness, straight into the bright light of the global dance floors. a swinging irresistible ear candy that will stimulate your senses

kevin gorman isnt a man of many releases, but when he does release something, its always spot on. his last release was on ostgut ton, thanks to ben klock. he also has his own label, mikrowave, and already did remixes for cocoon, clr, skint etc. >cast< is a real techno bomb, just like the jonas kopp remix on the flip. not for the faint of heart!

safeword is an exciting new act comprising of 2 dedicated us-based producers, clint stewart and marc smith. their low slung, warm and sexy sound already gave way to one ep on paso music and now we find them really hitting their stride with their debut for dessous. lead track >you can you will< introduces us to safeword s world, a sleazy, percussive and intricate gel of textures, flavours and audio fetishes. punchy, bright production characterises this modern house jam. the eventual arrival of a deep and spritual melody is surprising and instantly turns the snaking drum tool of the introductory minutes into an anthemic, autumnal beauty. leading dessous and poker flat man phonique turns his hand to the title track with a cheeky, energetic remix. aimed at the floor we find a more uptempo groove at the heart of his mesmerising tech-house re-work. the soft bell tones floating throughout >tangent< are perfectly melancholic, while tough driving beats urge us forward, making the perfect partnership bewteen cinematic sound design and bass-heavy floor dynamics.

here it comes, straight from the heart, the carry on theme by the masters of all things house: motorcitysoul. the sanguine composition comes in two original versions, as each member of the well regarded production duo brings forth an individual approach on the topic. making the release a sure shot three pointer, the remix by good guy mikesh & filburt completes the package in an eclectic way. merging proto disco elements with minimal deep house they manage to stretch the musical approach even further than the original versions.

seit seiner ersten veröffentlichung auf bpc vor drei jahren pflegt thomas einen unverwechselbaren sound, dessen eigenwillige und detailverliebte soundgestaltung den eindruck stetiger bewegung bei gleichzeitigem stillstand vermittelt. die daraus resultierende spannung erweckt eine ebenso unwiderstehliche wie eigenartig anmutende, maschinenhafte lebendigkeit. während thomas sein klangliches markenzeichen auf vergangenen eps und remixen - u.a. für telefon tel aviv und cormac - perfektioniert und etabliert hat, stösst er nun mit jedem track seiner aktuellen ep >neurones< neue türen auf.

manchester duo a.n.d. are at the heart of manchesters thriving electronic music community. releases on labels such as horizontal ground, inner surface music and project squared have solidified their reputation for finely honed and darkly swung techno. here they present two weighty cuts for bristols idle hands label.
>hydrothermal< is a stripped back 4/4 excursion with rattling hi-hats and lots of bass. >lights down low< rolls along on a syncopated techno beat, with deadly snares and a droning, almost industrial feel bringing to mind the work of regis and t++.

out of an 8.8 earthquake, riots and severe illness comes one of the most joyful records of the year. brian gibbs aka echo park has had a colourful life to say the least, living and making music in l.a., tokyo, madrid, mexico city and now santiago, chile where he lives with his young family. previously a producer of dark hip hop and dub, a series of disasters made him confront mortality and decide it was time to make the music that is closest to his heart: luscious, sunshine-infused electro-funk full of laid back attitude and real songs. skream has always been a lover of disco, boogie and electro – as anyone who has heard one of his specialist sets or his slick n sleazy remix of chromeo will know. it took just one hearing of brians first echo park tracks via a mutual friend to snap them up for disfigured dubz. in fact he has chosen echo park for the first full album on the label… but first comes this killer single, a shmoooove bit of vocoder funk that sets the tone for echo parks twin obsessions with technology and romance. bundled with it are a gutbusting ravemonster of a rework by 12th planet & flinch that somehow still keeps the soul of the track intact, and jon convex taking it way underground with a deeper-than-deep analogue techno version. there is something for everyone here and this is just the beginning.

these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein hes distributing straight dope, however, in the sense of emotional impact – dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated >author-future-pop< for the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos.

powerplay from: iron curtis, quarion, dplay, jazzmina, oliver goldt, tristen …. and your mum! when leaves are falling down its always time for some heart-warming music. so we here at frank music decided to do another special 12inch this year. our good friend monosoul made this handsome house-track called >ignore the traffic lights< that we just love so much it gets a singlesided limited release. we are sure you know the feeling when riding your bike, cruisin your city at night: damn those traffic lights! well, be careful when crossing the street, though.... a real warehouse smash for sure and who needs b-sides anyways.

1990. england. a revolution is building across the uk. dilapidated warehouses and factories come to life at night. euphoric teens defy police bans and cordons to embrace life and the dancefloor. acid house has arrived and friends matt (henry lloyd-hughes – >the in-betweeners<) and dylan (jack o connell – >skins<) are at the heart of it. this is their story. welcome to >weekender< – a brand new film that documents the rise of house music and rave culture in the uk in the late 1980s/early 90s.the vinyl offering contains 3 exclusive new edits of seminal acid house anthems >move your body (the house music anthem)< by terry farley & leo zero plus >baby wants to ride< by miles simpson & neville watson

after a long break, pole is returning in 2011. this break was necessary for pole to find his musical direction and produce a series of new tracks, starting with this 12inch. other music will be released later this year and in 2012. with these three easy going and wonderful works, pole connects once more with his past. from his albums >1<, >2< and >3< via >pole< to >steingarten<, pole rediscovers and reworks the characteristic warmth and deepness of his sound. bass and space are at the heart of both this new release and the specially established artist label pole. the warm experimental atmosphere is grooving slow and easy, carried from the funk of an old rhythm machine and connected through poles typically endless echo chambers. >waldgeschichten< is the first of a series of releases that will conclude with an album at the end of 2012.

excellent groovin 2011 disco / cosmic edits / slomo house

due june 20th. two tracks of urban psychedelia from the heart of l.a.
beaches of the black sea is an ambitious chugger filled with flamenco guitars and synths. the b-side stealing the fire from heaven is a more experimental cut with neo-industrial rhythms and a rolling bassline. the past two releases have seen support from davude mancuso, francois k, and andrew weatherall to name just a few.

analogue dreams is 100% pures 73rd release and 2000 and ones first solo ep since the release of his heritage album - and in the same musical vein, takes it back to his housier roots:
inside job: let the rich bass undertones propel you along a funky flow of swinging music goodness with an old skool vocal hook in the break to ignite the party action.
analogue dreams: spring onto the dancefloor with the organic bounce beats, soak up the soul in the snippets and then soar over the hypnotic piano hook. guaranteed to make every clubber feel this tune with their heart and soul.

modernista make a very welcome return after dropping their now classic debut 12 on us last year the architect of that raw late 80s machine music homage, paul bennett is back in charge here one of pauls formative influences during his youth was the music made by the first wave of techno producers from detroit. this release attempts to bring back some of the drama and pure funk of that sound. electronic music for the head, heart and feet. immaculately programmed maydayesque drum machines, emotive & expansive pitch bent synths, thundering low frequencies and clanks galore. this is a supercharged rewiring of the detroit blueprint in three startlingly well executed flavours.

torontonian quartet, azari & iii have announced their debut self-titled album on turbo recordings / loose lips records / modular. it follows the release of the single >hungry for the power<, which erupted a storm of awe on the underground music scene, and a collaborative track >stay here< with friendly fires in 2010. the record is set to become the sound of a dystopian summer with their innately brooding beat and sordid-pop edge.
azari & iiis unique blend of moody electronica, dark yet hooky vocal choruses and analog-thick rhythms has earned them a hardcore following and sees this album as one of the most-anticipated in the calendar. the four-piece, consisting of producer/musicians dinamo azari and alixander iii with vocalists fritz helder and starving yet full, have crafted a defining sound that relishes in its references while maintaining a future perspective.
from the velvety refrains of >reckless with your love< through to the creeping melancholy of >manhooker< and the unhinged technopera of >undecided<, their album possesses an individual classic-future feel, with trademark lush synthesizations, biting soulful choruss and ominous overtones.
double heavyweight 180gr vinyl in a gatefold sleeve.

amsterdam-based duo crystal maze have produced the ultimate mix of detroit techno, chicago house and electro. their new ep also demonstrates they are capable of producing fabulous, timeless music. the enchanting title track >crystal maze< captures the heart of the unsuspicious listener. it reflects the origins of electronic music, without the cliches, and is a journey into tranquility. >chicago skyway< delivers adepth audios hottest, jackin remix, seriously influenced by the original analogue sound of chicago house. >motoneuron< evolves and pulsates, as if exploring the darkest, deepest spaces of the universe. >two worlds< is cinematic and downtempo, dizzying synths and a phat bassline. crystal maze are g-string and maspaventi who have, with aroy dee, previously released music as r-a-g on the m>o>s label

dinky, the chilean-born, berlin based dj and producer makes her visionquest debut with a superb three track ep of mesmerizing beauty and elegance

kris wadsworth is an integral part of detroits new wave, and with its time he wears his citys heart on his sleeve, delving into the electronic music legacy of his home town and showcasing the range of his own talent. the epic 10-minute title track >its time< is secret journey through the citys pulsing underground. it begins with a primal techno kick that rings out from afar, distorted by distance and brimming with a sense of anticipation. a gravelly male voice demands to know what time it is, declaring that >its time for that dirty shit, that dope shit, that detroit shit<, and the beat then kicks in, gritty and purposeful. the track then does a surprising about-face, abandoning the fist-pumping techno for just high hats and vocals, and transforming into a new phase that nods to detroits other great legacy: electro. grimy electro breaks and wiry melodies are spun before evolving again into deep house, with a see-saw duet of pads, and double-time hand claps. kris own >move dat ass remix< of his track >det sound< takes the dubby 2010 original, and reworks it as a ferocious bass and drums workout with dizzy vocal arrangements and blasting sirens.

embassy brings you two concrete tracks from the artists who have been on the tip of everyones tongue, clicks + whistles. comprised of jorge hernandez and pete evans, they have been gaining an incredible amount of steam within the bass music community over the last year.a. the fagship tune from clicks + whistles, cranberry goose, showcases pete and jorges flair for richly dense harmonies and immensely inspired sound design.b. referencing their infuences of southern hip hop, the pair give us one sexy enough to make anyone in the club dance with out thinking twice, radiator, is a soothing jam dripping with heart and passion.

after two outstanding 12inch releases on dial records roman flügel continues with fatty folders, a full-length album presenting a colourful selection of essential works. also known as eight miles high, soylent green, sensorama and alter ego- roman flügel always has been a main influence of the dial records family. roman flügels unique and unexpected productions introduce us to an excitingly wide range of eclectisism, modernism and dandyism under a groove. every single track is a magical journey it self the whole album a universe deep like the ocean. here comes a true sound scientist who knows how to enchant the dancers, the connaisseurs, the lovers

the yardbirds are an english rock band that had a string of hits in the mid 1960s, including for your love , over under sideways down and heart full of soul

cavalier ist ein projekt des schweizer top-produzenten agnès (sthlmaudio recordings, plak), der nach zwei eps unter diesem namen nun einen grandiosen longplayer hinlegt. >a million horses< besticht mit deepen und ungeschliffenen tracks zwischen house und techno. es ist ein album, das von der energie der jack-trax-beats lebt. faule kompromisse macht agnès nicht. das in zürich beheimatete label drumpoet community veröffentlicht dieses kleinod als wunderschön gestaltete doppel-lp samt beiliegender cd. diese enthält die 10 stücke der vinylversion sowie neun weitere tracks!

the new age sound of frankfurt! hot on the heels of massimiliano pagliaras praised album debut focus for infinity youll find a neat 12inch of top-quality remix action. first up, frankfurts version of a young peter daou aka phillip lauer (arto mwambe, brontosaurus) and running backs gerd janson (who spend a big deal of his youth trying to perfect a weak bobby konders mimicry) team up as tuff city kids. offering two takes, pagliaras >a wrong chance< gets split into a sweet layer cake of bass, synths, strings and for those who are faint at heart, an additional riddim version provides hidden acid fantasies. upside down, oliver hafenbauer and christian beisswenger (arto mwambe fame again) keep on exploring their sharp electro funk under their b.h.v.f moniker. with a playtime that exceeds nine minutes, you get right twists and wicked turns and most of all sounds unheard. modern music with an old-fashioned style of lovin.

presley begann seine karriere 1954 als einer der ersten musiker der rockabilly-bewegung, einer fusion von „weißer“ country-musik und „schwarzem“ rhythm & blues. seinen durchbruch hatte er 1956, als er zur kontrovers diskutierten identifikationsfigur der rock-’n’-roll-bewegung wurde.

pressed on limited edition transparent red vinyl.

london based label ism serves up a massive ep with three tracks from russian disco producer volta cab, all of which offer some seriously downtempo grooves. >play on< and >magic in your eyes< nail the classic sub 110bpm disco sound with its lush live instrumentation. however its the shining 80s feel of >hes a bad mutha< that is the most impressive, melding a sleazy vocal with a heart-rending combination of synths and horns. label bosses yam who? offer two remixes, with their version of >play on< a cosmic uptempo version of the original, with an ascending synth bass that elevates the original vocal to new heights. their remix of >hes a bad mutha< adds a similar amount of extra dancefloor kick, removing the originals yearning melody for something a little more forceful.

we are lucky to present antonio olivieris second ep on lust und freude musik and we hope that it wont bet he last. after the well recieved luf004 the italian rising star presents another masterpiece on white vinyl which will let the sun shine bright in every dancers heart. the three tracker ep called >home< contains three pretty different tracks which have one thing in common: summer feeling!

seoul community is a german based vinyl only label founded by ben anders and john lagora. the passion is to release house & techno music with heart and soul. sascha lebemann is nowadays an inherent part of frankfurts club scene. with the label waldliebe musik he placed collective productions in cases of well known artists and on ibiza global radio or ibiza sonica. finally out now sascha lebemanns track >nachts im club< on seoul community. the self written and performed text appeals the crowd and tells of playful night in the club and the atmosphere of the collective celebration. saschas sound dont know any limits - this would mean restriction for him. in his dj-set, which he performs since 6 years with vinyl and meanwhile also with cd he presents nearly every way of electronic music - thats what makes him - and fanciers or friends of past events knows that his sound reaches from an upbuilding warm up till the achievement of the total