seit seiner ersten veröffentlichung auf bpc vor drei jahren pflegt thomas einen unverwechselbaren sound, dessen eigenwillige und detailverliebte soundgestaltung den eindruck stetiger bewegung bei gleichzeitigem stillstand vermittelt. die daraus resultierende spannung erweckt eine ebenso unwiderstehliche wie eigenartig anmutende, maschinenhafte lebendigkeit. während thomas sein klangliches markenzeichen auf vergangenen eps und remixen - u.a. für telefon tel aviv und cormac - perfektioniert und etabliert hat, stösst er nun mit jedem track seiner aktuellen ep >neurones< neue türen auf.

thomas muller has most definitely found his sound. following two splendid remixes for his bpitch label-mates cormac and telefon tel aviv, he finally indulges us with a complete 12 inch from his own sound lab. a masterpiece without a doubt.

in perfect timing for the 10th bpitch control birthday, thomas muller presents his third solo release. born in paris, the berlin-elect has been in the city for about 2 years. certainly his current location has left an indelible mark on thomas creations - his deep and highly detailed soundscapes were already evident in the last release, >seduction< - a clear idiom into an increasingly dark realm. his current work continues consitently and ambitiously in the same vein.

2008 saw thomass busiest, and most successful year to date. having caught the ear of bpitch control boss ellen allien, february saw him release >ride on< on the label. >seduction< followed in june and july saw him rework ellens superb >out<. 2009 looks set for more of the same, and has lunched in the finest fashion with his third bpitch control release, januarys >somewhere around tristram< alongside quartz label manager and artist okain. which, brings us to todays release >offone<. three intelligently crafted and dazzlingly effective techno cuts, >offone<, >arp< and >watch yourself<, make this a serious contender for best techno release of the year to date. dark at times, brutal at others, yet all featuring a constant spine of parisian funk.

die rollende bassline groovt bis über beide ohren und zeigt, dass thomas muller und okain (handycraft) trotz ihres jugendlichen alters wissen wo jack das wasser holt. die kooperation der beiden franzosen schreit geradezu nach einer fortsetzung. be prepared

hier nun die nächste auskopplung vom letzten album mit remixen von thomas muller und matthew dear aka audion. speziell der mix von audion ist sehr herausragend und endet in einem >mega climax< der den zuhörer einfach nur perplex auf der tanzfläche zurücklässt - ausgepowered und nach atem ringend

nach seinem erfolgreichen debut >ride on< präsentiert bpitch den zweiten killerrelease des französischen newcomers thomas muller. in gewohnter manier kommt mit der katalognummer 177 ein minimalistisches high-end produkt aus dem hause bpitch! hier wird gerockt, aber auch ein wenig getranced. auf gehts..

erste klasse newcomer thomas müller kreiert eine zutiefst hypnotische atmosphäre die uns mit einem langen, deepen break wieder auf den boden der tatsachen zurückholt

theatre records essential vol.1 is the first vinyl of theatre records. for this first edition we are very pleased to give you 2 impressive original mixes from matteo gamba and earthlife and 2 amazing remixes form thomas muller and nick galemore.

pack for the collectors from monique musique, feat. great tracks from: behrouz, emmanuel, tanov & marco dassi and remixes by dario zenker, dorian paic, jonas kopp, sei a, max cooper & thomas muller

2 great digital releases on monique music combined in a smashing vinyl sampler for the collecters and vinyl djs. tanov & marco dassi with the original tracks and massive remixes by max cooper & thomas muller.

two years on from its inception, londons wetyourself! recordings slides in to autumn with the breathe love ep from app, aka wys! resident peter pixzel and production partner august jakobsen.

percussive elements slowly but surely set the tracks in motion. the fist peak is followed by a spooky collage of bizarre sounds and atmospherics, held together securely by the reliably straight house beat! enjoy!

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.