this is a must have record and supplies are extremely limited. long out of print and extremely sought after, david porter’s “i’m afraid the masquerade is over” gets a proper re-issue on 45, but with a special twist. first released in 1972, this groundbreaking masterpiece was mostly overlooked by the masses of that generation. however, twenty plus years later, hip hop producers would revive newfound interests in this cut (and porter’s other works) after sampling bits & pieces of it for some of the most defning songs of the mid 90’s and early 2000’s (who shot ya, duel of the iron mic, it’s over, etc). for this special edition, the original multi-track session was resurrected from the archives, re-polished and re-edited into a brand new mix for your listening pleasure. familiar fans will go emoji crazy once they get a taste of the exclusive new version that boasts new breaks, alternate takes and a louder, fuller instrumental presence among other goodies, creating fresh opportunities for beats and lives mixes. pushing the 9 minute mark, parts 1 & 2 are presented between 2 sides, presenting the all of music in it’s entire glory. original pressings of “i’m afraid the masquerade is over” are not easy to come by. own this collector’s item while you can. “must have” vinyl for dj’s, producers and anyone else on the hunt

hieroglyphics imperium and elevation nation present “the hierotrope series”, a collection of 7” 45 singles with 2 sided onrecord phonotropic artwork that comes to life, animating when viewed in a camera/phone in direct light. the music for the series will be a variety of unreleased songs from the hiero vault, and featured singles from upcoming projects released bi-monthly. all design/animation of the series is created by unjust via elevation nation, long-time hieroglyphics collaborator. keeping in tradition with hieroglyphics’ tradition of innovation, landmark creative quality, and independent ideology, this series gives its listeners/viewers a truly unique bonus value, adding an extra layer of visual stimuli to the beloved physical act of playing a record. marrying art, music, and technology, the hierotrope series promises to be on-going treat for hip-hop heads, vinyl heads, and tech-heads alike. this single in the series is first light (opio + pep love), “livin’ the life” b/w “fu2”, 2 previously unreleased songs that were cut from the “fallacy fantasy” album, produced by unjust.

roman producer (and a force behind minimalrome label) valerio lombardozzi known as heinrich dressel returns to barba with a second release for our label, titled -the styx swamp-. heinrich has a unique way of combining classic techno and electro sounds with elements from the beloved drexcyan universe and john carpenter leitmotifs, and making them come together in a manner that both moves your body and pushes your mind beyond the point of awareness. as with the previous record, -lurking underwater-, here he pulls off the move with the same efficiency and without sounding like he s repeating himself. -gray slope-, -sailing the nether waterways- and -the styx swamp- are all quite moody and deep, rich with sound and thick with vibe. however, the tracks feel equally at home in 4 am techno situation and a heady afterhours affair. he truly is a master of crafting hybrids whose influences get so flawlessly embedded that it s hard to point them out. if that s not enough, -the styx swamp- got a treatment by nigel rogers aka perseus traxx, a multi-faceted producer and a mighty live act performer. nigel stayed respectful to the original but made the original s bouncy groove into something more direct and reduced, while retaining the same feel conditioned by lead synth s hypnotic quality. we re known to give a little bit of extra love to our releases so (as all before) this one s pressed onto a heavy duty 180 gram vinyl and beautifully packaged in an original artwork by emaemaema.

roughneck psycho-house from r.b. on his first outing for dog in the night. three moody ultra saturated wild-ass tracks made for the adventerous club dj. jack is in the eye of the beholder, can you dig it?

ltd pic disc, after time travelling with l’orange on the time astonishing ep (mmg) and delivering a new episode of his -total orgasm- mixtape series, kool keith aka tashan dorrsett is back at work with producer junkaz lou (aka the great priest of dark funk) in order to preach and teach the galaxy about his religion and lead all you lost sheep and freaks into the light of god. -the preacher- is yet another classic scripture by kool keith coming straight from the junkadelic temple.

if you were in the global house music scene around the turn of the century, you ll be very pleased to hear the news! dubtribe sound system brought a wealth of inspiration and joy to the worlds house music community with its deep, rich, thoughtful, musical and lyrical message at the height of their existence. sunshine and moonbeam jones, the prime instruments behind dubtribe, dazzled audiences with their performances and further with their releases on home label imperial dub. during an apparent long hiatus, sunshine jones has actually been as busy as ever, doing his own thing, as always, and touring city by city around the world to deliver his message, sound and soul in person to his legion of followers. on the heels of the tours and shows, mr. jones is ready to release the incarnation of sounds that he s so eager to share. the good time vibes are all there with a current poignant meaning for all to ingest. as they say, -the more things change, the more they stay the same.- although in the data age, this release is deeper and more meaningful than the old adage ever could imply. pacific beach vinyl is pleased to announce, sunshine jones fall in love, not in line in three equally glorious renditions.

the street edits label has been playing it cool and deadly since 2013, and now hits its tenth release with two crucial jams for the heads-down party heads. jtt, a shadowy figure with links to the bristol scene, gets deep in the chop-up on -know 2 much-, eschewing any obvious vocal licks in favour of the heavy, rolling funk of his source material. boogie cafe takes a different approach with -dynamite-, letting the core of the track shine through in all its bright, brassy glory. when he does go in for the cuts and fx on the breakdowns, it s oh-so sweet though. this is how edits should be done.

der sound des albums ist modern und doch natürlich, jede effekthascherei wird vermieden. die gitarren sind die hauptdarsteller, sie dürfen auch mal ordentlich rocken. doch ein instrumentales eigenleben gibt es nicht, norbert leisegangs botschaften bestimmen den inhalt der lieder, seine stimme ihren klang.

the new album by treetop flyers as 12 inch vinyl plus mp3 download code.

the stereo remastered album on heavyweight 180 gram vinyl.

as bpmf started making techno again, he surveyed his techno friends asking them what it was about his music they found the most annoying. the answers? tr-606 hi-hats and portamento. he proceeded to focus on these aspects of his music and today the results are here: -abide the glide volume 4- wherein bpmf is pushing all the right buttons to get the dj thinking about the sounds their pumpin. jamie morris provides an excellent dj freindly remix of -even straighter-, taking bpmf s idea and going even straighter.

apollo proudly presents a full release of the stunning debut album released by sw. sw s lush sound design and hypnotic arrangements nestles snugly alongside the classic 90’s apollo releases of biosphere and robert leiner in all their balmy glory. originally issued on vinyl only via sw’s own sued imprint, this apollo re-release represents something of a coup in that it’s the first of the label’s music to ever be presented digitally. as a label, sued has formed a reputation for releasing some of the most vital and sought after contemporary dance-floor vinyl, from both sw and svn, as well as collaborations and comradeship with other analogue obsessed auteurs such as dynamo dreesen (who teams up with svn as dresvn), dj sotofett, dj fett burger, pg sounds and club no-no, aka snorre magnar solberg.

an old hero at int hq, andy meecham(bizarre inc, big 200, chicken lips etc.) released his debut for internasjonal recently. no we with vol.2 of a 2 part series entitled 2500?. all synth noodles and doodles written, performed and produced by andy meecham and one rework by wolf m³ller prins thoma

bruno spoerris masterpiece voice of taurus lp available for the first time on vinyl since 1978 beautiful 1 lp housed in 350g sleeve and contains all new liner notes by bruno spoerri himself, printed oin double side poster inlay - bruno spoerri who came to recent attention over his sampling dispute with jay z and timbaland (that he won) plays the 1978 cult classic the sounds of the ufos live at the bluedot festival (in conjuction with finders keepers) wich together with the equally cult classic companion voice of taurus are to be reissued here now! for fans of electronic music, jazz, early techno , movie soundtracks, library music, cosmic oddities, ambient, sci-fi disco, synthesizers, pierre schaeffer, pierre henry, wendy carlos, nino nardini, yello, encounter of the third kind, ufos, meditation, and unknown galaxies.

deluxe 2 lp set, includes 16 performances from hendrixs july 4, 1970 atlanta pop concert. mastered by bernie grundman. pressed on 180 gram audiophile grade vinyl. housed in gatefold sleeve, including 8 page booklet filled with never before seen photos and detailed liner notes.

at long last, in proper quality and officially licensed, here s a pair of records long worked at, historically important, largely unheard, and most of all, musically brilliant. above all, the dub mixes on these records are known among connoisseurs as being among a handful which can not only be considered a definitive king tubby s style statement, but also among the most radical, transformative and forward thinking mixes ever committed to tape by the king himself. this is proper king tubby s music, tubby the man, not just tubby s the studio

highlights from the planned follow-up to pacific ocean blue. newly designed 2lp set on green vinyl, housed in a gatefold sleeve with download code included.

180 gram double vinyl release, cd-copy of the full album included.

the vfmm is pleased to announce the arrival of its newest members -castillano&wenninger-.this talented, prolific cologne-based duo takes electronic music production to the next level.by developing a very own and unique angle on house music, -castillano&wenninger- succeed in reshaping the body of contemporary dance music.this extraordinary output contains 4 tracks, all showing the duo s musical resolve.-app_party-, -brexit-, -new feel- and -intercontinental- are perfectly designed to experience a wide range of emotions, without staying in monotonous clubbing contexts.having said that, the vfmm leaves the final judgment entirely with the audience

its been a year or two since we featured a 12- single release from a new project. so hear at bearfunk we are really pleased to be releasing a cracker of a track. -gong bong-. it is from the caribbean house who are a new(ish) italian collective based around the core members of billy bogus & ferderico bologna. the original is one part slo-mo disco, one part psychedelic moondance and one part sci-fi horror movie. the track begins with swirling bass guitar and grinding synth before layering on a waft of sound effects and spooky keys. if the first two thirds of the track is a caterpillar then the last third is a butterfly as uplifting riffs and swirls of layered keys bring things to a crescendo. fellow italians the mushrooms project are up on remix duty first of all. they strip back the layers and concentrate on the growling bass and locked on pulsating synth. its back to the uk for the second remix where label honcho stevie kotey gets his percussion out for a drum, timpani and swing remix. stay tuned for more from the collective on bearfunk shortly.

sunlightsquare keeps on exploring multiple style of house music this summer. the previous single from the last month -oyelo- was a winning combination of authentic latin cuban music and classic 909 house beats. it was championed by ron trent, osunlade, hunee, bradley zero, nick the record and atjazz to name a few. this time, the main man and keyboard wizard claudio passavanti deployed two remixers for deeper and more spiritual endeavour to showcase his magical composition. hailing from the birth place of south african house music pretoria, the talented young producer blaqtone laid out beautiful sunset pad, earthy african percussions and solid rolling beats, all work like magic with claudio s original spiritual keyboard works. on the flip side, kay suzuki pulled off another dubbed out psychedelic mix with -astro dub-, just like the previous release, and the more dance-floor oriented classic deep house style of -moon mix- influenced by the likes of larry heard. the track features sequenced mini-moog bass line and call & response drum programming before blissful harmonies and melodies kick in.

180 gram black vinyl. a 16 track double vinyl greatest hits album originally released in 2004.

absolute hugeness from eva808 and the imx / innamind crew! sold out on pre-order

limited rsd 2017 release on heavyweight 180 gram green & orange vinyl, housed in a gatefold sleeve.
demon records are proud to present two original bbc doctor who titles, back to back. listen to tom baker narrate a classic episode where the doctor and sarah draw upon all their reserves of courage and ingenuity to defeat a violent attack on london by the pescatons. on the second lp enjoy a collection of doctor who sound effects from the classic tv show.

let s face it, summer in new york city is sweltering. even with all the windows open and fans on high, it is hard to find refuge in alliance upholstery s chinatown offices. today s sweat though, is due to the -dancer on the shore- ep, the latest release by the brooklyn based band, lemonade (cascine/true panther sounds). -dancer- is a subdued summertime collage of steel drums, buoyant electronic pads and windswept vocals. joined by dee dee from dum dum girls, it is a celebration of the space where humans and nature exist in harmony. originally released digitally as a single on cascine in 2015, the band created a dj friendly extended mix for this release. if you have been to the -air a dancer- party over the last few seasons, you have likely already heard it (sometimes twice in one night!).

room ii records is a new imprint run by two brothers based in london, which focuses on giving a platform to up and coming artists. ‘the black ep’ is the first in the series.
kicking off the series are three tracks by tr all varying in style and technique. soft pads and playful keys bounce along a grooving bassline on ep and every future summer set opener ‘fantasia’. ‘ub city’ is made up of field recordings taken from a recent trip tr made to india last summer. the flip side shifts again culminating in a live drum breakdown that’s supported by a subtle, acidic bass line - ‘10am acid jam’ is an outright dancefloor weapon.

legacy recordings veröffentlicht unter dem titel a boy from tupelo: the sun masters ein 12- vinyl album, mit dem sich der weg elvis presleys zum king of rock and roll nachvollziehen lässt. es versammelt alle a- und b-seiten, die elvis für sun records einspielte sowie weitere im sun studio mitgeschnittene songs, die auf seinem bahnbrechenden debüt aus dem jahr 1965 zu hören sind. die songs wurden von sam phillips produziert und stammen aus der zeit zwischen juli 1954 und juli 1955. begleitet wird elvis natürlich von seinen unvergessenen mitstreitern, dem gitarristen scotty moore und dem bassisten bill black.

plenilunio is a resume of the mystic jungle tribeÆs influences, past a d present musical journeys. this record is a statement more than a selection of tracks, it tells where mystic jungle and his tribe are coming from and where they re heading with their compositions, weather it is oriental flavored jazz-funk or no wave acid disco and all in between the aesthetic always remains loyal to the principle.

zara mcfarlane, eine der essentiellsten neuentdeckungen des uk-soul/jazz, meldet sich mit einer limitierten heavyweight-10inch als vorbote zu ihrem neuen album zur³ck. in kollaboration mit dem gefeierten drummer und produzenten moses boyd reinterpretiert zara den meilenstein all africa aus dem album we insist!- des legendõren us-jazzmusikers max roach, einem 1960er statement zur schwarzen b³rgerrechtsbewegung.

the checkerboard squares’ ‘double cookin’’ is a byword for the northern soul all-nighters of the 70s, when hundreds of dancers would hit the beat and clap in unison to the spirited instrumental. our discovery of two vocal versions of the song shook the rare soul world in the noughties. here we feature the tandels’ all-girl take on a song they had previously recorded to a more basic arrangement on the obscure jam-cha label.

2017 reissue , love what you feel returns with a new release by chicago native and half of africans with mainframes (mathematics recordings/creme organization), noleian reusse! the tracks on this record mostly eschew an easy four-on-the-floor rhythm in favor of raw, jacking beats. using an all-hardware set-up, noleian banged out all new tunes especially for this five track ep. the machine funk runs wild from the jumpoff, sometimes exotic, sometimes abstract, and sometimes banging, but never typical. the cuts on this record are versatile enough to fit into both techno and house sets, and there is even a dubstep-esque track that will have crossover appeal!

all that funk! (officially licensed from the mighty jalapeno records) has had djs begging for a 7inch release since the first listens of basement freaks time machine lp in 2016. the wait is over and this james brown influenced groove is ready for dj’s and fans of funk alike. calling the jams is an exclusive roller skate disco boogie joint influenced by the new york city block party disco scene. the bridge will surely delight fans of early prince vibes. with a fifth full studio album, an enviable catalog of ep’s and remixes, and his extraordinary amount of time playing shows across six continents, basement freaks has been dubbed the hardest working man in funk by his peers. boogieburg proudly presents this glimpse into the world of greece and germany’s ever-evolving basement freaks. past, present, and future.

the owl returns for 003 after two sell-out opening releases. there is a bit more sample trickery on this release with beefed up drums and smooth chords added to the original material. the opening track being a clever disco-house take . the drums are chunkier and the groove is tight! donny hathaway s little ghetto boy gets more or the straight up edit treatment with all the good parts looped for a dj friendly mix. hustle is a very clever rework with plenty of new parts added to give the original a much needed dance floor boost. rounding the release off with a simple yet effective re-do of fred wesley s classic house party .

nice price deal !!! the kooky scientologist should need no introduction - unless you dont get fred giannellis sense of humor. hes played everywhere, for everyone, and killed it every single time. smartypants, aka mike uzzi, has released on traum, sentrall, and of course zero g. he is a staple of the north east underground party scene. rounding out the compilation is zero g label boss eddie o., known for his releases as triton on both zero g and skor. the first minicompilation on zero g sounds features the best of the old school and new school. representing the old school is the legendary fred giannelli, aka the kooky scientist. this time around as the kooky scientologist, fred gives us a dose of what it really sounds like inside the head of tom cruise. demonetics rides a fat bass line, up-front stabs, and layered percussion. just when you think youve figured it all out, it takes a left turn as we are treated to freds signature quirky melodic noises

limited edition on high quality 180g vinyl with special black and yellow color splatter. included here are 4 demos, a cover, live versions, a radio session and b-sides, all from the >boxer< era.

• all female outfit with a heavy dance floor version of nina simone’s “see line woman”, done in afrobeat style • co-written by tom brenneck (of the dapkings, the budos band and the menahan street band) • engineered by sydney mills of steel pulse • unreleased music from the vaults

the allergies debut album introduced the world to the way they effortlessly fuse funk, soul, disco, hip-hop and breaks into dancefloor-ready nuggets of ear candy. taking classic sounds and reshaping for the modern age is the signature that won them plaudits across the globe. not ones to rest on their laurels, it hasn t taken long for them to deliver more of the goods on their second full-length album, push on . as well as taking the successful formula of the first record and expanding on the sound with raw funk, psych, northern soul, and boogie influences, the allergies enlisted two giants of underground hip-hop to bless mics on the album as well.
dj support: dj yoda, renegades of jazz, featurecast, a skillz, dom servini , the next men, aldo vanucci, all good funk alliance, mr benn, marc hype, smoove, dr rubberfunk, fab samperi, slynk

recorded and originally released in 1999, “the bottle” has been released twice by expansion on 12” single and now finally gets it’s first 7” issue. the song is the most classic gil scott heron song, vocalist maysa still the finest contemporary soul singer with a unique voice and all here with the magic of a full incognito production. it is coupled with “hooked on your love”, both songs from the incognito produced album “all my life”

martin müller aka youandme ist ein umtriebiger berliner dj, produzent und labelmacher. ein tausendsassa, der sein leben der musik gewidmet hat. sein imposantes gesamtwerk umfasst unter anderem releases auf ornaments, rotary cocktail, polymorph und cutz.me, aber auch auf illustreren labels wie rekids oder desolat. hört man sich durch den stapel der veröffentlichungen, fallen einem remixe von moodymann oder auch für radio slave und seth troxler auf. mit seinem debut auf drumpoet verzaubert er mit dem chicago-house inspirierten „all comes back“ mit den berührenden vocals von gjaezon. washerman und quarion liefern dazu remixe, die überaus tief gehen.

belgian producer krewcial is one of those producers who flits in and out of activity, and has done so since the mid 90s. lumberjacks in hell have called upon this slippery character to lay down some righteous grooves for their latest missive, and the results are sublime. -2u- is funky house how it should be done, all stomping drums, dreamy pads and soulful licks for the party people in the place. -heal- takes a more edited approach, holding back the bass for the ultimate dancefloor payoff. -hit me off- ramps up the jazzy keys for a detroit flavoured looped up throwdown, and then -the session- fires off one last sumptuous rip through peak time perfection

d marc cantu is a don when it comes to warm, rich synth-laden house and techno, with a sprinkling of electro sprinkled over his approach for good measure. now he comes to altered moods with an album that finds him in a particularly mellow mood, not least on sultry opener -always on my mind-. there s space for experimentation, as the offbeat snare patter of -blanket statement- demonstrates, but by and large this is all about undulating house delights. -mozaic- is a particular highlight with its captivating synth design and dreamy demeanour, while -steamfunk- revels in skippy broken beats that flirt with twinkling leads and lashings of delayed bass. plenty varied but consistent in tone, this is a damn fine album from a seasoned pro.

the label from japan “florklang” has started up in 2016. now florklang is releasing the second vinyl by producer tk lawrence from brooklyn who debut from irish cavalier and played actively in dub pistols. the records include “they all float down here” that he expressed the influence of horror-core into creepy organ sound. also you could hear everywhere the taste of hip-hop and jazz from “tribute to where we come from” and “rap dinosaurs” in side b. the record includes 4 other various tracks that you could feel the new york abundant scene where he brought up. further more each track based on akai s950 and analogue machines when it has created.

danish composer the swan and the lake is at it again with his trademark widescreen soundscapes wrapped around eight new tracks of exquisite scandinavian balearica. with the release of his first album -moments- last year on copenhagen’s music for dreams, we were introduced to a unique artistic vision. with one foot in the ambient chill out spectrum and the other in everything from classical avantgarde, idm and jazz, the music of emil svane breum under his alias the swan and the lake is both very accessible yet complex. on his new album -clouds- we see him expand on those same ideas and with seemingly simple means achieve extraordinary strong emotions. opening side a, the jazzy intro of -fresh food- leads us into a sublime piece of hazy ambient groover that could easily be mistaken for a lost 80s production from japan. -clouds over Østerbro- keeps things playfully cool and adds elements of scat singing and xylophones, layered over breum’s shimmering bright chords. while the title suggests we are still on danish soil, this feels like a five minute vacation to a tropical paradise. guitarist johan liepstack makes a guest appearance on -summer in december- which comes off as an understated anthem that could break out into euphoria at any second, but manages to stay in a sombre state all the way through. on the track -plastic pacific ocean remake- we are visited once more by airy vangelis-like vocals which assume the role of a nurturing angel, guiding us to a comforting state of relaxation and healing, as breum lays down an overwhelmingly beautiful synth serenade with chords that hit you right at the core of your most vulnerable state. flip over for the mallorca inspired track -port d andratx- which comes in two versions - part 1 (sun) shines like a perfect escape into that cafe del mar/ hostal la torre sunset while the more deep and melancholic part 2 is aptly named rain. the gentle trickling of -waterfalls- sees breum mimic the eternal cycle of water, creating an organic and ethereal composition that stretches out seemingly without beginning or end. and finally on -heaven’s voice- we see breum in his most epic and emotional mood, as he steers us through a slow explosive force of cinematic sounds. it all ends with a heartfelt spoken word contribution by guest vocalist neonbi.

another fantastic label runned by the mastermind peter brown from new york city. we re honoured to present you in future some pearls of disco & funk on black gold! starting with the essential and hard to find -cloud one - doin it all night/ dust to dust- from 1979, written and produced peter brown & patrick adams!

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 4 is an essential overview of this most iconic of labels and some of it s more under the radar output, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from taana gardner, sparque, forrrce, inez brooks and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like tom moulton, francois k, tee scott and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

with bjoern torske, skateboard, telephones and last not least the sex tags label all hailing from bergen, the city s not been exactly short on world leading “d.i.s.c.o” , but it s geir hermansen aka velferd that recently cought our ear with his keys. in “the city that drowned” it s unlikely only ever so wet, there s bliss, sun, warmth, heat - all painted bright with skyrocketing masterful synths over very neat and dry bass. great! laid back and somehow dreamy the whole thing catches you by the ear and lingers on but then there s so much dedicated kick and an almost extatic groove in each track - irresistable string hooks made in heaven! “never” and “through the valley” add on to where the title song just left and this give the 3 track ep so much perfectly arranged strength… bergen might well have given birth to another disco standard-bearer.

intimate and laid back, this newly released contemporary hip-hop gem features visceral beats and cunning lyrics that enlighten and inspire. new songs and new arrangements of earlier songs from his recent eps, taking listeners on a journey through the past, present and future. the past is always present in the future cements substantial’s musical legacy as one of maryland’s proudest and most prolific sons.
tpiapitf includes production from dc producer, oddisee, seattle producer and 1/2 of bop alloy, marcus d, mello music group producer, gensu dean, label mates the other guys & jsoul, algorythm of the stuyvesants and good compny drummer, jon laine. substantial’s fourth solo album also features guest appearances by qn5 music’s tonedeff, fellow nujabes collaborators cise starr of cyne and uyama hiroto, grammy nominated singer/ songwriter wayna and more.

top-sampler als tribut an den legendären londoner flamingo club, dessen kultige all-nighters partys in den 1950er bis 1960er jahren dem musikbegeisterten londoner publikum jazzigen rhythm n blues, proto-soul und später ska beibrachten. mit 16 top-tunes von james brown, little stevie wonder, byron lee, ray charles, sarah vaughan, prince buster, earl bostic, u.v.a.