behind the sstrom moniker hides one half of shxcxchcxsh and a long-time activist of sweden s experimental techno scene. having fallen in love with simple melodies and catchy arpeggios when being a member of bitpop/synth band slagsmalsklubben, he transferred these sensibilities further into his other projects. sstrom s excellent 2016 debut for semantica records was an excellent exercise in lush aquatic techno with breezy and lush atmospheres. the new ep -vitriol- is informed by the personal experience of the producer, which adds additional warmth and emotional weight to the record. the release brings back memories of earth pigments his father used when painting things in their house, the colours created were usually dark toned with some pastel lightness. this juxtaposition is felt throughout the record, which balances between cinematic futurist moods, steel-wool smoothness and subtle physicality due to its textured nature. the title track kicks-off with detroitish synth loops wrapped in dense lo-fi soundscapes, while -sienna- increases the tension by introducing more expansive melodic appeal intertwined with intensity of feather-like 4/4 rhythmics. -umbra- brings some shadowy sonic undertones immersed into a sea of crackle with melodies constantly resurfacing. the closing -ockra- bursts with more groovy patterns, yet retaining the same elegant warmth, which seems to be the signature element of this ep. while listening to all these tracks you feel like touching some alien surfaces with utmost sensitiveness with surreal landscapes stretching out in your imagination. this is carefully crafted introvert music, yet having some elegant dancefloor appeal.

for the second in its new special collector series, music for dreams has asked long-time friend of the label moonboots to pick out a selection of songs with the power to encapsulate moods of calm and moments of contemplation. the result is the exquisite “moments in time” moonboots has been a fixture of the manchester scene since the balearic boom in the late 80s. he runs the prolific vinyl label aficionado recordings together with fellow dj jason boardman, a project that started out as a sunday club night. since 2012, they’ve dished out more than a handful of 12” releases with an ever-surprising selection of underground acts at the fringes of what might be called balearic.

already supported by kai alce, the revenge, sascha dive, jacques renault, thony (frank & thony), baaz, life recorder, anaxander, eric cloutier, fred berthet, lootbeg, schubert, relatif yann, did virgo, dub striker.. --- modelisme is back with a 3 pure deep raw house tracks ep, singularly cooked by gari romalis, brilliant producer from detroit. gari loves house music, whatever if that sounds deep, raw, vocals, no vocals, drummy, techy, hypno, disco, dub, friendly or unfriendly.. the only point is that must get groove, and gari romalis drives groove. he makes always his tracks as one shot based on, seeking always for right balance, sensible deepness and holding tension. we use to see him on great and famous labels like warm tapes adjustment, isgud, housewax, rawax, bosconi or dockside, developing each time slight different moods and directions. for that occasion, he delivers « mechanic ep » on modelisme, sounding trippy, housy , dubby and solid!

taylor freels has built quite a strong catalog over the years. his work under his urulu moniker, is widely regarded as top quality deep house and the banshee ep continues in this fashion. the title track has a dreamlike atmosphere to it. the banshee is a work that will strike a chord with lovers of the ocean-influenced sounds and hazy atmospheres. a strong presence of strings and dubby sounds, create a certain laidback mood that is perfect for sun drenched days in the park. chicagoan producer garrett david builds on the hazy atmospheres of the original, while adding some melodic elements to his remix of the banshee where he cleverly shifts between scales and different moods.
quadrant beat is a warm track that is built around warm chords and fashionable drum sounds. again, urulu makes sure to weave some outgoing dub elements into this b-side opening track. romance track is most likely one of the berlin based producer’s most melodic works to date. beautifully executed piano hits flow together seemingly easy over a sturdy rhythm that serves as the track’s backbone. the banshee ep is a work of lush deep house and an excellent addition to both urulu’s repertoire and the saft label catalog.

180 gram brazilian polysom re-issue of the polydor original.
the third album from the legendary os mutantes – part of the essential trio of sides released during the tropicalia years! the record’s got a sound that’s tighter and a bit more straightforward than their previous efforts – stricter song formats, and styles that lean heavily on rockish guitars and organ. but as the odd cover images on the front and back will attest, the band is still in a very creatively arty mode here – still working strongly with arranger rogerio duprat, in a wash of sounds and moods that fold contemporary music back upon itself with plenty of odd twists, turns, and surprises! titles include -desculpe babe-, -oh mulher infiel-, -quem tem medo de brincar de amor-, -hey boy-, -haleluia-, -ave, lucifer-, and -meu refrigerador nao funciona-.

our next release comes from david gtronic & iuly.b, two outstanding sophisticated music producers known for creating dj-friendly and groove-heavy records.
visionen ep is a collection of four well curated tracks with forward thinking sounds, dynamic textures, and rolling baselines to satisfy the different moods the dance floor has to offer. each track serves a definitive purpose as each producer contributed both solo and collaborative work for a well-balanced, intelligent piece of modern underground dance music today.

us producer d’marc cantu needs little introduction in the world of acid house and techno. since the late 2000s he’s been serving us quality musical output on labels like crème organization, m>o>s recordings, nation, altered moods or spectral sound, just to name a few. as well as his solo productions, he’s also one half of 2am/fm unit, alongside tadd mullinix (jtc / dabrye).
using a selection of hardware tools and analogue machines, his rugged sound draws on house, techno, acid, electro and hip hop and features crafty studio skills, knowing sampling and lovable raw aesthetics, defining his own sound that became known as jakbeat.
his latest offering for little beat different is, well, rather different in comparison to his usual club oriented output. it’s not as focused on straightforward dancefloor bangers, (although they are present here too), but features more experimental pieces, suitable for home listening purposes. totalling almost 38 minutes in length, this project has more of an album feel to it than a 12”.

gilgamesh was an ancient hero who stood in the middle during the conflict between the good and the bad side. the epic of gilgamesh is an epic poem from ancient mesopotamia. dating from the third dynasty of ur (circa 2100 bc), it is often regarded as the first great work of literature. the record is split up into 2 moods. there is -fire- on the a-side and -water- on the b-side.

finally the time has come, ltd, w/lbl turn inward and release their first in-house production on their new series -limited black label-. you ll find 4 artists again, the a -side dedicated to jazz, the b to the middle east. 4 tracks, 4 moods. there s something for everyone, whether you re feeling hot or cold this record is for every situation.

bordello a parigi has just returned from a fruitful expedition to russia to secure a four tracker from st petersburg synthesizer playboy kito jempere. super sax sounds is a rich and varied expression from an artist who has explored a spread of sounds during his career. the a-side is the product of one diverse machine, the yamaha qy-70. -bueller s dance- gets the show on the road with latin showband flare. the opener brims with cruising notes, crisp claps and smooth bass, a track guaranteed to put a smile on any face. moods change with the tear stained chords of -space commercial-, a superbly subtle work of joy and heartbreak. a colder wind permeates the flip as a cinematic and sinister element enters. toms and snares support the descending bars of -atmosphere-, a track where tropical dreams cloud into despair. those dreams are purged by -tomohawk-, a dark prowler who stalks with a maniacal glint and menacing intent. an audio feast care of kito jempere.

eplex & mikrokosmos, two studio partners in berlin, release their 2nd album “microgravity”. from athmospheric to post-industrial moods, a wider range of musical elements are examined in the 11 track album. handcrafted and spacy sounddesign, mainly based on analog hardware, subtle noise textures as well as driving rhythms are the gravitational forces throughout the auditory journey. in the 5 track vinyl edition, side a is more inside a relaxing dimension, whereas side b offers 2 tracks with full pressure in their own style. art design in hand screen print and visual interpretation by lichtpiraten. mastering by monojo.

robert rental was the stage name of robert donnachie (1952?2000), a british pioneer of post-punk, diy, and industrial music. originally from port glasgow, scotland, he moved to the south of england with thomas leer in the late 1970s where he met glenn michael wallis. glenn was recording music with the group heute and leaving to start his solo projects nkvd and konstruktivists. both were heavily involved with throbbing gristle and the industrial records crew. in the summer of 1979, robert invited glenn to his studio in battersea to jam. robert on guitar and glenn on an edp wasp synthesizer. for each session that summer they would play for about 40 minutes, maybe longer, stoned. robert suggested they record it, many times erasing and over recording one session for the next. the music had no titles, as they were never intended to be released. on these recordings, robert enjoyed playing like robert fripp of king crimson, while glenn channeled wolfgang flur of kraftwerk. influenced by krautrock bands like can, neu!, cluster/harmonia, as well as terry riley and brian eno the duo forged a unqiue brand of industrial music. tape loops and synthesizer sounds played backward conjure dark ambient moods. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the lp is housed in a jacket that features a drawing by robert rental from glenn?s archives as well as a handwritten note from robert to glenn. each copy includes 2 photo postcards featuring a transcription of robert?s letter and liner notes from glenn wallis.

five different moods from five different minds. the first various artist compilation features five gems that will provide pleasure infinitely!
pressing on clear & solid purple mixed vinyl.

deetroit takes it back 2 da raw ish with 6 all abstract flavors! lots of drum machine bangin and warm sound sprinkled with 90’s moods. just like we love our unknown deetroit, this is all over the place while still making total sense for those that understand! grab this now! stickered white labels.

melbourne outfit houses in motion present their fourth offering from their solo ep series, this time from adelaide’s own subjoi. titled flashing lights (him004), this curation is a selection of woozy melodic house coated in a lo-fi patina.
vocal cuts and driving percussion permeate three original tunes exploring the scope of moods, from deep slow-burners to exploding dance floor starters.
the title track edit, ‘flashing lights’, punctuates it all with oozing soulful vocal samples and a riff catchy in its simplicity. here, subjoi brings together four pieces of ol’ faithful type house joints for club rooms and easy listening alike.

up next on arcing seas is magna pia with his second ep after his 2016 debut incantations on coun-terchange. behind the alias is hüseyin evirgen, one half of cassegrain. arcs-05 has a clear focus of providing combative dance floor trips, unorthodox sonic moods with subtle 90s techno references. the eps track titles artemisia, semiramis and akasha pay tribute to three mighty ancient heroines of very different origins. consequently, magna pia continues his in-terest in combining techno tracks with archaic symbolism.

banoffee pies records continue their musical exploration with their latest sub label output otaku. as the title suggests, otaku provides the banoffee crew the opportunity to focus on another area of expression. “music for home” will be the focus and tagline for this imprint which will showcase a range of expertly composed live drum elements while travelling through the spectrum of leftfield electronic music.
the first instalment comes from a new and blossoming artist marenn sukie, first featured on the parent labels limited series. this time he drops a six track delight spanning the moods of trip hop, beats, and chill out in a bonobo esque fashion, intermittent head nodding included. with love banoffee xx

nico nightingale, aka neud photo, is no stranger to collaborations. the new yorker s latest sees him teaming up with cristiano f. grimaldi to form intrzn, a partnership meshing a free style approach to melodies with cold rhythms. their -zone- quartet is a twilight of fluctuating moods. percussion is bare, allowing bright bars to shine and darker moments to fester. music which in one breath is elated and uplifting and, the next, dejected and downtrodden.

zen in space makes a prominent debut for moonshoe records with yellow jazz ep . the record captivates the feeling of a jam session when the vibe is on point. soaked in instrumentation, the record feels spacious. strong percussive grooves guide the listener through a range of moods that each compliment each other effectively. throughout the ep a combination of spoken word and soulful vocal hooks give a add a tasteful human element.
fourth&bak features a spoken-word that whispers atop of juicy guitar licks and a wobbly sub-bass line, but it s an aching, soulful vocal melody that ties the jam together.
sahara groove is a moody chord progression layed out over a driving 4x4 groove complimented by a dancing, airy flute solo.
to top off the record is a remix from sydney native, setwun - an imaginative and effective reinterpretation that adds a perfect glaise to an already commendable release.

this 12-, out on the limited-run livejam limited imprint, wants to propose three club-oriented cuts exctracted from john swing s debut album assorted moods , on a more dj friendly format. the 4th track on the ep, -bonus track-, is a previously unreleased raw house groover in typical john swing s style. 350 hand numbered copies.

very limited album discs available now!
this is the first album oscar mulero has released under his own name, after two acclaimed lps under the moniker trolley route. well known for his skills as a hard-edged, raw and floor-orientated techno dj, his productions go far beyond, digging deep into the intricate landscape of intelligent techno, floating moods, reminiscent atmospheres, harmony and detail.
grey fades to green is the affirmation of his maturity as a producer, using both hardware and software in the pursuit of a highly coherent and diverse album.

kscope are extremely proud to be the home of the new studio album from tangerine dream, entitled quantum gate, released to coincide with and celebrate the 50th anniversary of the foundation of the band.
tangerine dream have been a fundamental influence on electronic and progressive music since their formation in west berlin, 1967. inspiring genres, musicians and other art forms, from the future sound of london to porcupine tree, the widely popular tv show stranger things (for which their music also featured in) to seminal video game grand theft auto v (for which they helped to write the soundtrack). the group, led by edgar froese, have received seven grammy nominations, written over 100 studio albums and developed instantly recognisable synth-based instrumental music based on a meditative musical experience, that came to prominence in the 70s and 80s.
the new album, quantum gate features an updated, contemporary development of their trademark sound: sequencer-driven electronica covering a wide range of moods and atmospheres from ambient soundscapes to energetic, upbeat moments.

fresh blend of dancehall roots & uk grime & ukg moods.

very limited album discs available now!
this is the first album oscar mulero has released under his own name, after two acclaimed lps under the moniker trolley route. well known for his skills as a hard-edged, raw and floor-orientated techno dj, his productions go far beyond, digging deep into the intricate landscape of intelligent techno, floating moods, reminiscent atmospheres, harmony and detail.
grey fades to green is the affirmation of his maturity as a producer, using both hardware and software in the pursuit of a highly coherent and diverse album.

on this record ben sun presents an old style lp format - 40 minutes of moods and grooves interwoven with an intimate story, of individuals struggling to live freely in a time of oppression. after a sultry jazz opener where the characters are introduced, the lp kicks off with a sweet and slow soul track in work again, underpinned by a rotating acid bass. third comes salty tears, the underground disco floor-filler (original limited 12 version) finding a second home on vinyl. your camera and monday usher in some moody rhythms to complete the first side. sin casa opens the flip with some minor-blues improvisation that gives way to a spacious deep house jam, where the protagonists emerge again. still missing shows deeper shades of a eurobeat style - an emotionally compelling club tune that sounds somewhere on the italo side of 1980s manchester. the story comes to a conclusion with cowardice, and the casual jazz-house sounds of mamans lover. killer album!!

rtct.records are back at it again! following up on two well received twelves by demuja and leo woelfel the family is growing by yet another fine fella: put your hands together for laroze! the french house legend came up with a strong mixture of disco, house and acid flavors covering a wide range of moods. be careful to put these 5 tracks in your bag, because if you do they’ll probably stay there for a while…this record will go from zero to anywhere quicker than you can say * austrian labels do it best!*

after numerous releases on staple labels like moods & grooves, deep explorer, contrast wax, minuendo & soul print, the duo from malta are back to their homegrown label batti batti. the 3 tracks on this ep are somewhat different to their usual style, putting aside their laid-back deepness and focusing more on the dance floor by delivering an ep of raw drums, acid lines, warm chords and filtered pads. a truly interesting release to say the least.

mapping out their interpretation of 170 bpm music today, gerra & stone are proud to present their debut album “polarism” on dispatch recordings this september.
harnessing wide ranging influences and often contrasting moods into the drum & bass tempo, “polarism” is gerra & stone pouring their passions into a project to bring honest, emotionally charged music from the soul, balanced by swathes of darkness and groove guided havoc.

very limited album discs available now!
this is the first album oscar mulero has released under his own name, after two acclaimed lps under the moniker trolley route. well known for his skills as a hard-edged, raw and floor-orientated techno dj, his productions go far beyond, digging deep into the intricate landscape of intelligent techno, floating moods, reminiscent atmospheres, harmony and detail.
grey fades to green is the affirmation of his maturity as a producer, using both hardware and software in the pursuit of a highly coherent and diverse album.

man power has proven on many occasions to be adept at all manner of different moods within the hardware house canon, but on this occasion hes particularly focusing on creating an exotic feeling out of mechanical means. tropical bastard is a fitting title for this project for not an animal records, with the original steeped in driving patterns of rhythm and melody that approximate a flavour of far flung lands while mutating the feeling into something more club-minded. lord of the isles goes one step further with a remix that ramps the modulation up to devilishly wonky levels. tropical bastard 2inch is an entirely different beast that plays on a cinematic vision of tropical escape, but with an acid thread pulsing through it. then the frank butters remix finishes the ep off with a more submerged, but equally mischievous take.

since four triangles was founded to release material from previously unheralded artists working in the space between house, techno and vintage rave, it seems fitting that the label’s second release should come from an analogue explorer still making his way in the world.
you may have stumbled across jonas friedlich’s debut solo 12”, a thrillingly forthright collection of hardware workouts that slipped out, unheralded, on molten moods late last year. we think the five tracks showcased here offer an extended glimpse in friedlich’s distinctive musical vision.

second release for counrad on his vinyl only own imprint counrad series. the italian producer hits back with great killer grooves, sampled and twisted vocal hits, an absolute heater to start things of. sexy, moving, counrad’s four-tracker explores parallel worlds through expert synthesiser sequences and cavernous vocals features, one to get any floor going. three sexy, moving tracks for different moods. the breakdowns are sure to be a hands in the air moment at festivals and parties all over the globe this year. again anyone who knows the series will be all over this... this release is a must have for your collection.

swedish wonder-producer dj different debuts on mood of the era with an emotional yet gritty four tracker. the undisputed ep features 4, raw and heavy jams, soaked in emotion. the mesmerisingly different moods are captured and enclosed on a luscious translucent 12” magenta vinyl. full sleeve artwork by helsinki-based illustrator and artist milena huhta.

2017 reissue , the mission of pittsburgh tracks is to showcase dance music originating from the city of steel around the world through the medium of high-quality vinyl records. with this release, pittsburgh track authority come correct with their most dancefloor productions thus far. maintaining the deep moods of their releases on uzuri and further records, pta increase the energy levels and flex their skills on even more strains of techno and house music.

2017 reissue , a various artists ep featuring jams by four master craftsmen of house and techno whose music has been a mainstay in the record boxes of the label heads for years. a variety of moods makes this record essential for deejays who value versatility and quality in their bag.

d marc cantu is a don when it comes to warm, rich synth-laden house and techno, with a sprinkling of electro sprinkled over his approach for good measure. now he comes to altered moods with an album that finds him in a particularly mellow mood, not least on sultry opener -always on my mind-. there s space for experimentation, as the offbeat snare patter of -blanket statement- demonstrates, but by and large this is all about undulating house delights. -mozaic- is a particular highlight with its captivating synth design and dreamy demeanour, while -steamfunk- revels in skippy broken beats that flirt with twinkling leads and lashings of delayed bass. plenty varied but consistent in tone, this is a damn fine album from a seasoned pro.

han swolfs turns our senses to more classic and jazz infused pieces, improvised almost entirely on winged piano. gazebo compositions can be considered a resting point after hans more energetic electronic releases and grasps back to his roots. inspired by a video-work by jef cornelis, han translates moods and impressions of memories of his youth and his relation to the artist using a technique similar to ecriture automatique. each note sprouts inspiration for the next one and composes the full story with uppers and downers. belgian duality in its bloom for this summer release. . written and performed by hantrax. mastered at dubplas & mastering berlin. pressed on (180g) 12inch black vinyl with a video still cover taken from de koninklijke serres van laken 1877-1902 made by jef cornelis in 1974. packed in a silk-screened transparant over-sleeve.

in 2013, we released the debut album from the beat broker. it went down a storm with both the disco buying public and critics alike. fast forward to 2017 and we are just as pleased to welcome the second album from the san francisco resident. he is here to share his sunshine once more.

modularz presents a special edition release taking a bit of a different approach to whole getting deeper and focusing on the details that make it happen on the floor ! this is a solid 4 track techno banger written and produced by juxta position who was previously featured on dvs1 s mistress recordings, rhythm nation and his own failsafe imprint, the release displays great razor sharp percussion with melancholic synth lines, whilst serious sub bass shifts much air and shimmering moods filter across the mid range. this is another one of those never leaves the bag eps play it loud!!

nyc based producer and head honcho of the (in)famous, wall of fame, label, makes the trek to texas for whiskey pickle records third shot on their new minted vinyl series. his groovy brand of sampled house and disco has leant classy tracks to many a release on his home turf, but its rare that the beat smith venture into uncharted territories with his prized compositions. the folks at whiskey pickle must have liqoured up the ole boy up in order to finagle such a delightful ep out of him, and thankfully, us boppers are to benefit! water, the a1 opener kicks off with some chunky drums and an uptempo chug as layers of percussion and dancefloor onomonpea s create a bed for the piano driven groove to unfold... a scorcher! move inward for dont wanna be and the tempo drops dramatically. a hypnotic, looped beat gets a syrupy bass riff and cavernous funk-claps until the gorgeous, mono-synth lines appear and carry us to utter ecstasy! flip it over for moods, a track that is as lovely and emotional as it s title suggests. the vibes sampling and superlative drum programming create an exceptional, dreamy frame work for the groover... perfect for opening sets or a much needed, dancefloor breather. lastly, your dance snips some familiar territory into a perfect energy builder with beefed up muscles, perfect for modern heads. watch out for the mighty horn stabs and flanger flourishes, they re gonna prove to be deadly!

the music ep, released on carters organico label still sounds totally streets ahead today, a sublime 4 tracker existing in the deepest recesses of the dance-floor. beautifully deep constructed house music filled with emotion and soul, the music ep ticks a lot of boxes. in fact, it d be surprising if this record ever leaves your bag. so many moods are contained within it s grooves - melancholy, narcotic delusional happiness, sheer abandonment, it s all here.

juxta position flexes his techno muscles over these four cuts of idm influenced dancefloor weapons. previously featured on dvs1s mistress recordings, rhythm nation and his own failsafe imprint, the gloves come off on his release for developers modularz imprint. razor sharp percussion grapples with melancholic synth lines, whilst serious sub bass shifts much air and shimmering moods filter across the mid range. play it loud!

german techno champ alex cortex hasnt released an album since 2011 s kihon on pomelo, but the prolific and long-serving artist is rarely resting on his laurels. having released just one other ep from lowtec, blundar now presents a new untitled lp from cortex that should satisfy fans of his leftfield approach to techno in all its forms. track 2 is a masterclass in how to work breakbeats into techno without sounding forced or false, while track 4 blooms from delicate ambience to snagging broken beat with the grace you can only find with such a seasoned vet. spanning many moods, tempos and rhythms, this is a perfect demonstration of the many engrossing approaches cortex can attempt and succeed at within the many-sided realm of techno

the first in a series from pelvis records, dj tools volume 1 features an all-australian lineup of artists across 6 tracks. varying in tempo and moods, this first round comes courtesy of sam weston, mall grab, chunyin, body corp, jamie blanco and pelvis. from flat out percussion jams to four-to-the-floor acid, these are tracks to get you out of tight spots (or take you deeper into them).

fourth release of traumer on his own imprint, three tracks for different moods. one copy per customer

art alfie is back on howl, after the massive track he gave to us howl008.4, is now ready to present his debut solo ep. heavily pulsating, disco infected dj house tune, perfect combo of moods and grooves, all these tracks are timeless, but perfect for this summer, sunny atmosphere with the unmistakable dirty and swing of the mpc

finally canary recordings is back! 4 fresh raw & deep house tracks for all dance floors!! * beautiful chaos no.3* include a lot of styles and timeless various tracks from their great talents. kicking off, the first tune of phaze dee (moods & grooves) creates beautiful house music with a proper deep and harmonious vibe, mike sharon (local talk) approached deep & moody house music. on the other hand, yusuke yamamoto (canary) inspired ’90 style house sounds warming up with some sunny vibes. italian producers gemil & lcs(deep down slam) made raw house bomb!! very limited copy. don’t miss it!!

in quick succession to arcs-03, which boasted remixes by the mover, shifted and peder mannerfelt, cassegrain keep up the pressure with a new ep of originals arcs-04. returning to their tunnelling hypnotic trademark sound over three focused, club-ready trips, the arcing seas heads channel varied and irrepressible moods into each track. built on solid dancefloor founda-tions and rich in colourful, non-conventional sound design, they scan through tribal ritualism with a side shahmaran, moving to the pumping urgency of caracal and the rolling post-acid workout of vulpine arcs-04 is a straight-up dj-friendly 12inch, something that’s conveyed in the record’s more minimalist artwork.

the third cut on kalahari oyster cult comes from erell ranson, a producer who combines the subtleties and depths of uk electronics with the groove of the us. hand in hand ep is a transatlantic marriage of machine music. warm sounds abound, lush pads and textured tones accompanied by pulsing toms and clean claps. melodies are flexible, bending and giving as moods change and harmonies unfold in effortless shifts. let ranson take you, hand in hand, to hear the beauty of the machine.