pressed on 180 g vinyl

tva is the latest album from malmö-based artist singular. electronica with acoustic piano as a starting point, we find ourselves in a borderland of contrasts acoustic & electronic simple & complex rhythm & melody. the sound world has influences from both electronica, pop, jazz and art music. the goal is to achieve harmony between the shine and the sharp the light and the heavy. simple and effective melodies are placed in complex, often slightly skewed and chafing, sound environments. the end result is a singular vision in the form of an imaginative and multi-faceted sound experience.

during all my years as an active musician in different constellations i have also worked continuously with my own material. a kind of unrestricted flow of creativity that has given birth to a lot of different expressions. so listening to this album is a journey through many phases in my life. v.v.v.v.v is an album with a sound world like a kaleidoscope of moods and melodies flowing between silky kraut pop and distorted synths. claesons takes on his debut album out experiments desire and lets his kraut background form the basis and tops with modern electronic sound

lp, 180g vinyl

ambient, dub and techno

swedish dark techno!

silverhoejd with axel e is a tasteful result of what can happen when a 16-year-old producer from a swedish small town manages to settle within the colossal edm genre. he has created music that hundreds of thousands of people dance themselves sweaty when axwell/ingrosso, martin garrix and others put it in their usb and in front of recurring times at the world s largest festivals. but living in a city that has been colored by decades of more experimental underground scenes and especially in recent years a very strong ambient scene puts their footprints even in a young producers music creation. silverhöjd is a profound melodic houseware that is mixed by as much imaginative ambient. on the single we hear two versions, one more dedicated dance floor and the other more adapted for quieter moments.

a rainy night in the autumn, bottenvikens silverkyrka recorded with the cantor olof petrus in umea city church. improvisation and inspiration resulted in stadskyrkan ep which features four organ-and-techno-driven acid tracks with themes on collectivity, techno spirit and world-wide movement. stadskyrkan ep is the third chapter of the three-o-trinity, the revivalist acid series released by the duo, succeeding det stora uppvaknandet and arken. bottenvikens silverkyrka is a northern sweden congregation that preaches through their machine music: acid techno infused with the message of eternity in the tradition of the swedish revival movement.

since the debut in 2011, the swedish music project pro424 has combined complex modular synth based sounds with strong melodies resembling the synth genre. at the same always with a firm stance in techno and underground culture and always with desire to perform the music live. the previous immune released in 2014, became one of lamours most sold albums ever and was compared to historic references such as tangerine dream and underworld, but also richie hawtin. the new album is a thematic prequel to immune and is set in a light and hopeful soundscape which for some reason collapses. behind pro424 is stockholm based artist and producer maximilian karlander, who aside from music is a bioengineer.