edition without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

first 500 pieces only in limited printed sleeve - first come first served. second edition repress will ship at the same time without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

skyline recording is proud to give you sl45020, the first out and out hip hop. plug 1 - >in a flash< representing the forthcoming soundsci formula 99 lp featuring the extraordinary talents of emcee oxygen over an uptempo stormer that will have you shaking that thing on the dancefloor. plug 2 >class in session< taken from u-georges in production lp has a soulful edge and lyrics that will have you thinking for days. soundsci - altanta based emcees audessey and u-george team up with london beatmakers jonny cuba & dj ollie teeba. very limited edition of 300 numbered copies!

mikael stavöstrand (lick my deck, clink, highgrade) spent a few days in berlin recently, so why not get him over to the we are hq and work on some tracks with agaric, right? the boys first track is a deeper bass driven techno track interchanging grooves and eerie strings and percussion arrangements whereas the flipside on this limited 10 inch goes more funky and presents a surprising vocal bit where vealchop out of los angeles asks himself why certain things went the way they did! already tried and tested to excited crowds in clubs like 1001 london, rex paris and tresor berlin...

latest release on rebellion is a superb four-tracker of off-kilter subsonic house from the illustrious pezzner! each cut is unique in its own charm and quirkiness. the two killer cuts on the a side feature the infectious, driving, heady resonance of >one more< and the beautiful, transcendental nature of >try it again< featuring the illustrious nneka gryffyn from apt entertainment. the flip features the piano driven, snake charming >native language< and the staccato sub-ska rhythm and flute-infested genius of >not a good idea<. what a cracking ep! dave released his debut album, the tracks are alive, last year on freerange. he has a plethora of single releases on om, viva and freerange, as well as releases as jacob london (along with bob hansen) on classic & doubledown and countless remixes. already a firm favourite in the rebels camp, this great ep is a feather in daves cap, and is to sure cement rebellion’s burgeoning cutting edge reputation

having subtly seduced us all with their debut single, ants, london based duo elephant return with their second seven inch offering on memphis industries. french-by-way-of-pontefract chanteuse amelia rivas met christian pinchbeck back in may 2010, since when they have been quietly creating some hauntingly fragile songs with a sense of mystery and history that belies their teenage years. so side a, >allured< strips away layers, to produce a pure expression of the confusion of love (and lust). amelias disjointed lyricism speaks of anatomy and of carousels, hinting at both the poetics and mechanics of unrequited desire. and on the aa side >actors<, elephant explore the tension of attention, both the craving to be noticed and the desire to melt away into the crowd.

london based label ism serves up a massive ep with three tracks from russian disco producer volta cab, all of which offer some seriously downtempo grooves. >play on< and >magic in your eyes< nail the classic sub 110bpm disco sound with its lush live instrumentation. however its the shining 80s feel of >hes a bad mutha< that is the most impressive, melding a sleazy vocal with a heart-rending combination of synths and horns. label bosses yam who? offer two remixes, with their version of >play on< a cosmic uptempo version of the original, with an ascending synth bass that elevates the original vocal to new heights. their remix of >hes a bad mutha< adds a similar amount of extra dancefloor kick, removing the originals yearning melody for something a little more forceful.

nice price deal !!! 2 bears is joe goddard (from hot chip) and raf rundell and the remixes are by darkstarr diskotek which is colleen cosmo murphy and ashley beedle. the 10-inch has limited edition hand silk-screened covered and hand stamped labels courtesy of artist james morrison and is the fifth and final in the bitches brew 10-inch series. getting the big up from the loft party in london, chris coco, ross allen, liv spencer (houseofhouse/still going), jim stanton (horse meat disco), leo zero and more.

it took a while but we finally got this great remix ep together from catz n dogz escape from zoo album. tanner ross flexes his e-funk biceps and shows us that just a little bit goes a long way with huge bass and sparse vox. this remix goes against the grain the right way, showing restraint and power at the same time. the main man of detroit, carl craig also delivers a sparse and beautiful mix, 1st giving us a lesson in how to properly tweak the space echo and then bringing it back with classic strings and subs. both mixes are getting major support from all across the globe from sebo k to troy pierce to ewan pearson to martyn to l-vis 1990 to james zabiela - overall probably the best feedback we had in a while on a record to be honest.. all great for our kids at the detroit youth foundation where the mothership label donates 100% of profits! also, special thanks to matt colton at air studios, london for donating a mastering session for free to cut this record and support our school.

hris liebing and the clr team are very exited about the upcoming release of clr 049. the engine ep by black asteroid is the brand-new project of an artist who has been an unconventional techno innovator and a big inspiration for many years. black asteroid is the brainchild of bryan black, who started his career as a sound designer for prince. while working with prince at paisley park studios, bryan learned and honed sound and production skills, which inspired him to start his own band. he moved to london england and co-founded a band called motor. their first demo was quickly signed to novamute, and after 2 singles, motor were catapulted to the top of the techno world, sharing stages with daft punk and kraftwerk at major festivals, and later embarking on a world tour supporting depeche mode in 2009. in april 2011, bryan decided to start a new project by the name of black asteroid, to showcase an exciting new sound and to re-capture the techno world once more

devonte haynes ist schon seit jahren sehr umtriebig in der indie-musikwelt. neben seinen eigenen projekten (testicicles / lightspeed champion) schrieb er unter anderem auch hits für florence & the machine, basement jaxx, theophilus london und solange knowles! irgendwann dazwischen entstand sein neuestes schaffenswerk >coastal grooves< unter dem namen blood orange. diese remix 12 inch ist der zweite teil aus der 12 inch serie, welche vor dem fantastischen album, das ende august erscheint, veröffentlicht wird, und sie enthält je einen mix von bottin und bicep.

klutes triumphant new release is a break driven melodic tour de force. both sides caned by all the greats including marcus intalex, london elektricty, nu tone & logistics, its even been nominated for an ivor nevello award for outstanding instrumental composition. get involved with what makes drum and bass so great.

undeniably a big record! 20 minutes of kerosene for those inclined towards the more adventurous path: an epic nu-disco-blended original as if cc had a feast with lindstrom. london resident mark chambers delivers a sure hands-up-in-the-air deep house mix and reboot joy confession 1st take is for the fearless amongst our fans: rough detroit analog spirit that will blow your soundsystem or your mind or both.

coming straight off the back of two well-thumbed eps, ruben & ra welcome spanish boogie chronicler rayko to their west london-based retrospective imprint for retro003. ra: >we just had to reach out to rayko after he sent us his edits of dazz bands >let it whip< and >contagious< by the whispers<. over on the flip, madrids finest has given evelyn champagne kings 1982 classic >love come down< a modern rework, plus completing the package ruben & ra have added their version. as is always the case with a retrospective ep, theres a 320k free download and this time its raykos >contagious<. who said the spirit of house music was dead?

seiji – the much-lauded and respected producer from west london – returns with the penultimate part of his 2010-launched seiji series. having successfully explored a career path thats established him as a founding member of broken beat originators bugz in the attic, a key artist for the seminal jungle/d n b label reinforced, a downbeat solo artist for sonar kollectiv and a producer and co-writer for the brilliant roisin murphy, in 2011 seiji is a man focused squarely on the dancefloor. the seiji series is just one part of that with seiji stripping things right back, identifying each release with a simple number and putting all his energy into creating music that he truly believes in. a merging of sounds and influences that have always been with him, but have never sounded so right – encapsulating everything thats exciting about the underground uk scene at the moment. as with the previous two releases, seiji 4 is a double a-side focusing on the current uk house sound, a bit soulful, a bit funky a bit jacking, with two solid heavy grooves that are going to work on any house dance floor. no other has a really soulful vocal sample, a rolling reese bass riff and percussive uk house beats. easy is more of an infectious skippy house groove with a chunky bass hook and deep techno pads

night slugs present the >waterworx< 12 inch from jam city. following on from last years >magic drops<, this is the south london producers second full salvo for the label. where magic drops was on a grime/crunk tip, waterworx is a portal into jcs unique universe via stripped down, tracky house. on this 12 inch he clears his substantial cache of club material before focussing on his debut album, to follow later this year.

lower east are proud to introduce the highly anticipated second release from alexis raphael. club soundsystems far and wide are still resonating with the sound of his first release on jamie jones and lee foss critically acclaimed label: hot waves. spaceship was a huge deep house hit and received glowing reviews so what better time to introduce his next offering: kitchens and bedrooms. here at lower east we ve gone all out to make this a special package with remixes from, lee foss, richy ahmed and volante, russo and a deeper >sunset< mix from the man himself. encompassing elements of deep house, house, disco and electronica, each mix has its own bold identity but they all fit the lower east mould perfectly. although this is alexis first release on lower east, he is already a key member of its inner circle. alongside cozzy, alexis promotes the much talked about east london event creche. whatsmore, with regular gigs across the capital he is an established member of the london scene.

oliver schleenvoigt is not only the half of the famous duo monoroom, he just knows how to bring the studio flavour directly to the dancefloor. after his smashing kunstflug ep on ostwind, munika is the second solo single of oliver and so chase buch (kling klong / ministry of sound london) didnt hesitate to put his gold fingers on one of these great original tracks. keep pimpin!

nice price deal !!! peaktime! this one definitely qualifies as a summer record. a.j. holmes is the self-titled >king of the new electric hi-life<. after moving back to london three years ago the guitarist and dj has played quite a role in the booming afrobeat scene there and formed a new band called >the hackney empire<. for the summer of seven series he contributes two remixes of tracks from the very best and xylitol that are simply made for the summertime love.

after a longer break berliner frank mueller and london based ulrich schnauss have surfaced from their studio labyrinth to present the beroshima longplayer >polyphonication<. following a string of eps and remixes the fourth beroshima album was long overdue! it continues to explore the stylistic frame defined by the recent successful releases on cocoon, soma and mueller records and yet manages to surpass the expectations set by these skilfully crafted productions. beroshima defy genre boundaries and incorporate a wide range of sonic colours out of a studio filled with current and vintage equipment whilst also drawing from long term experience on the live and dj circuit. ten tracks that deliver state of the art dance music with more than just a touch of funk which never lose the spirit of exploration

following his two recent singles on scubas hotflush recordings, london based george fitzgerald is back with his much-anticipated third release and his debut for aus music. titled silhouette, the three-track ep includes two originals and a remix from american producer john roberts. fitzgerald once again manages to create a world in which garage, dubstep, house, r&b and a host of other musical influences happily co-exist. on silhouette hints of warm acid, layered oscillating synth lines, propulsive beats and fitzgeralds signature use of vocal samples make this a peak time affair, albeit an incredibly lush one. reset is eight minutes of forward thinking uk garage combined with the melodic sensibilities of detroit techno. for the silhouette remix, roberts develops a relentless broken groove, occasionally punctured by brief piano interludes that recall the sounds of his 2011 debut full-length on dial records, glass eights. a breathtaking remix that sounds like nothing else out there at the moment. in addition to silhouette, fitzgerald currently has remixes out for french house producer brawther on secretsundaze and uk bass artist throwing snow, as well as an upcoming ep on hotflush and a track on the labels recent compilation, back and 4th. this year will also bring the founding of man make music, a new label fitzgerald is starting with friends.

brian eno und nick cave sind ihr bereits verfallen und die düster rockenden haudegen von grinderman hat die musik der londonerin so fasziniert, dass sie anna calvi als support auf ihrer jüngsten europatour eingeladen haben. dort konnte anna calvi ihr beeindruckendes talent als meisterin morbider musikalität und dramatik und ihre phänomenale bühnenpräsenz beweisen. wie aus einem tarrantino-film entsprungen, steht sie auf der bühne mit ihren rot geschminkten lippen und ihrer gitarre, aus der hochmelodische klänge perlen. boleroesk entwerfen schlagzeug und gitarre immer gewaltigere spannungsbögen, verlieren sich aber nie endgültig im melodischen chaos. denn über ihnen thront und regiert calvis hypnotische stimme.am 14. januar erscheint das gleichnamige debütalbum von anna calvi bei domino, das sie mit rob ellis (u.a. pj harvey) in london und frankreich produziert hat. es ist ein überraschend selbstsicheres debüt, das ihre talente als songwriterin, gitarristin und sängerin auf zehn songs gleichermaßen beeindruckend vorstellt.

nice price deal !!! the emergence of (another) very british sound in the form of dubstep some years back now has mutated into something altogether more cerebral. the chain are a product of this incipient sound and the many new strands that have splintered forward from it. dan foat is one half of the team that runs r&s, the newly invigorated label that is back at the forefront of contemporary electronic music. he’s also one half of the chain. dan & nathan boddy have for a while now had a studio near london bridge, which has formed into the r&s engine room, a hub for the second wave of their artists, pariah, james blake, space diimension controller et al who regualrly pass through the basement to drink tea and listen to new tracks.

as we build up a head of stream moving into the summer months, we turn our attentions firmly to the dance-floor with two bass-heavy hitters from subterra. those of you familiar with the guildford residing dj / producer / promoter will already be well aware of his drum & bass pedigree. clocking up releases on ram’s subsidary label frequency as well as dispatch and sudden def subterra has a staunch following that regularly attend his rotation events across the south east of england. >gutter mouth< is as dirty as the title suggests. swirling pads and percussion build the suspense before an explosion of contorted bass sounds and snappy high end beats. >cold shoulder< is a collaboration with long term dj / production partner bazil. with its warm atmospheric opening it creates a sinister mood before tearing into a stepping bass-heavy workout. dj support from goldie, jubei, lenzman, spectrasoul, london elektricity & dlr & octane.

this summer heidi brings her jackathon concept to a new physical format! the vinyl release features four exclusive tracks from soul clap, deetron, mathias kaden feat. gjaezon and lauhaus & kabale und liebe feat. wkd and is an irresistible mixture full of raw funk, shaking out those grooves until you can’t stop moving. heidi’s jackathon parties started october 2010 as a concept to bring some new life into the dancefloor. she invited some of her favourite artists and friends to play alongside her and to make the crowds bounce in berlin and then london. now the jackathon holds residencies in both cities, as well as paris, manchester and amsterdam, and it has brought the jack to many cities around the world. the jackathon is about energy and feeling and expressing something that lurks deep in the soul.

sebastian russell is one of the most exciting discoveries on mos ferrys decent 10inch label fenou. after his first single release >away< from 2009 the london producer chipped in a remix for dapayks >decade one< album and he also contributed the fantastic piece >follow the lost soul< for the >fenou bouquet vol. 1< label compilation in late 2010. now, he returns with the beautiful 2-track record >far around us< showing his eccentric as well as catchy interpretation of modern house music. the release is extended by three more tracks in the digital bundle including a hypnotizing remix of the title track by alex tomb. as usual, the 10inch record is a limited edition and numbered by hand.

at long last, night slugs drop a ep from the labels co-founder bok bok. representing his full gamut of influences as well as his labels hypercolour, bottom-heavy, club-ready aesthetic, the southside ep is an extend manifesto of a release for the south london dj / producer.
the three tracks on the 12 inch share a core sound palette, one that merges raw and convulsive acid house with functionalist 8-bar grime: the warm sound of vintage drum machines and analog bass combined with the razor-sharp, dystopian digital dread of noxious sawtooths and gliding squares.

british house producer alex jones is giving you the creeps, with a smile on his face. his latest release features three trippy tracks of dark and edgy dancefloor charm. >have it your way<, (produced together with london artist shenoda) and >5 minute warning< are both featuring the haunting vocals by allan winfield. chilling synths collide with hypnotic basslines and a driving rhythm programming that is full of twists and turns. entitled >the goldsmiths row ep< alex jones first record on connaisseur recordings, bears more than one reference to his hometown of london.

dikso from berlin drop another amazing 4 tracker in their super sound single series! ladies and gentleman - the dikso spring collection … winter is over, no more depressions, no more shitty weather. the new dikso super sound single volume 5 is all about spring fever. love from london, amsterdam and dortmund and even more love from the dikso headquarter in berlin.

the second release from south london based lv on 2nd drop, but this one is a little different, you might say more international. basking in the afterglow of their much hyped kwaito inspired bomb, boomslang on hyperdub last year, the lv trio stick the brakes on and crank up the soulful vibes for this release.

the second release from south london based lv on 2nd drop, but this one is a little different, you might say more international. basking in the afterglow of their much hyped kwaito inspired bomb, boomslang on hyperdub last year, the lv trio stick the brakes on and crank up the soulful vibes for this release.

the first of two eps, this one featuring the original plus shy fx remix. skream literally doesnt rest. quite clearly the south london dj and producer loves what he does, and what he does involves constantly challenging the ever changing musical landscape before him. the last 18 months has seen skream release two highly anticipated albums – his second solo album >outside the box< released on tempa in august last year and magnetic mans debut album, which sees him partnered alongside fellow dubstep pioneers benga and artwork.
strong radio support from radio 1 (daytime and specialist) and 1xtra (shy fx remix placed on a-list on april 8), confirmed plays of the music video on mtv dance, nme tv, the box and channel aka, and dj support from benji b, laurent garnier, brackles, ez, ramadanman/pearson sound, annie mac, zane lowe, dj hype + more

>going on< from geeks & gaz is a deep 140bpm roller with rich synth swells and grainy disembodied vocals which lend a washed-out melancholy air, while a limber 2step house rhythm propels a truly transporting five minutes of eyes-closed burial-esque low end groove, making for a track that will hit equal targets on the dancefloor and in the headphones. daily delivers >untitled<, an old-school uk garage-inspired track which comes to life with a slow rising synth line underpinned by a sparse beat, before breaking brightly open into a scene of high pitched buzzing keys and some seriously complex percussive intricacies, rapid on the conga skins and hard down on the blunted kick drum. for further triple-win value, hype west london producer jack dixon offers a jaw-dropping refix of >going on<, massaging the original into a sensuously twisted uk funky / garage hybrid shape, introducing dramatic synth lines, hypnotic vocal stabs, and a hightened detail in the beat programming which somehow increases the tunes club-tooled precision while simultaneously enhancing its wistful and reflective mood.

played by luciano, reboot, richie hawtin, karotte, dj w!ld, brothers vibe, guillaume, gorge, andree hommen.. now the german based guy steffen deux (8bit / air london) comes with his debute at brise records. four amazing tracks between dub, deephouse and techhouse. pure quality stuff

the second of two eps, this one featuring seiji and zed bias remixes. skream literally doesnt rest. quite clearly the south london dj and producer loves what he does, and what he does involves constantly challenging the ever changing musical landscape before him. the last 18 months has seen skream release two highly anticipated albums – his second solo album >outside the box< released on tempa in august last year and magnetic mans debut album, which sees him partnered alongside fellow dubstep pioneers benga and artwork.
strong radio support from radio 1 (daytime and specialist) and 1xtra (shy fx remix placed on a-list on april 8), confirmed plays of the music video on mtv dance, nme tv, the box and channel aka, and dj support from benji b, laurent garnier, brackles, ez, ramadanman/pearson sound, annie mac, zane lowe, dj hype + more

knight moves - the last single from ivory tower after the locarno film festival prize-winning feature film ivory tower, the soundtrack chosen by apple for their ipad ad, the singles never stop on phantasy records (erol alkan), i am europe on boysnoize records and the inter-planetary hit you can dance with its near 1 million youtube views, here the last single from ivory tower. starring the exclusive chilly gonzales solo piano version as well as the original album version, the tracklist ist completed by 2 remixes: dj koze - the master of the abstract and romantic productions turns knight moves into a sweet hiphop soul version, using feists vocals only. lone - newcomers from london with releases of r&s and boysnoize rec, takes the original idea of the song and gives it a more electronic-house feeling. from his own words his best remix to date

early support by jacques renault, jon sa trinxa, disco bloodbath, dj hendrix, bottin, more to follow... hell yeah recordingss sister disco label danny was a drag king is on a roll! italian dj/producer luminodiscos music stands out from the current stagnant re-edit game, his brilliant production skills are obviously influenced by the best of the past but aimed to original purposes. new single balerama is no exception, its a midtempo balearic journey, dreamy but chunky and funky enough to get your dancefloor locked into it. coffee mugs is an exclusive smokin bonus track on the vinyl edition. luminodisco is definetely here to stay, stay tuned for more. remixes: italian indietronica band tempelhof into a kind of basic channel mood provide a pure class tripped out electronic-house remix. austrian born, london living and universal dreamer giulio dj (is it balearic, elevator people) gets fully balearic adding some pure bliss vocals (courtesy of izzy)... one for sa trinxa beach...if you know what we mean

on orlando britains follow-up to his yore debut, >beneath the surface<, the uk producer laid down the new releases material in west london, but its heart and soul lies an ocean away, as the >motor city< track title suggests, britains also got a soft spot for classic house and techno, as evidenced by the title he has given to the thirty-minute ep. his first ep had sold out in seconds and this one, coming in 2 different coloured vinyl versions is expected to disappear even quicker. first very limited pressing comes as white vinyl.

london-based thomas feriero, aka avatism, didnt buy his first vinyl when he was ten years old, nor was he born out of the love of two underground jazz musicians. he had an extremely dull and standard childhood and can barely play the drums. yet somehow, he is able to formulate techhouse tracks that are classy and artful while remaining dancefloor-functional.
supported by: ellen allien, dj wild, maceo plex / maetrik, tim green, butch, carlo lio, livio&roby, alex celler, kabale und liebe, daniel sanchez, beaner, chris tietjen, paco osuna, todd bodine, ray okpara, alexi delano, fabrizio maurizi, jonas kopp, gel abril, arnaud le texier and more ...

gravitating into the nang tractor-beam next is a brand new artist, no logo. for big dogs pete gooding and steve miller to consider us for putting out their eclectic project is an honour indeed. ibiza and london based pete gooding is a dj tour-de-force and his pairing with one of chill outs leading lights steve miller (afterlife, lux, northern lights etc) was always gonna be an interesting one. the dancefloor acumen of pete with the downtempo-grooves and all around musicality from steve.

this is a new label for us and we are excited about this one. mr joseph has produced one of the slickest pieces of music we ve hear this year. its totally in keeping with what this labels about and thats putting out quality. london based mr joseph is certainly one to watch.

vinyl set compiling >the crackle of my soul< & >up here in the clouds< albums plus debut 7 inch release from klanggalerie. limited to 500 copies. recorded between 2001 and 2010.

auntie flo drops his debut release on london / glasgow club promoters huntleys & palmers new imprint.
hailing from goa by way of glasgow, auntie flos influences are far flung, referencing, villalobos, four tet and caribou, to fela kuti, william onyeabor, and kwaito, alongside kode 9s hyperdub, chicago house from fast eddie and tyree cooper and more recently matias aguayos comeme imprint and some of the current movers and shakers from the uk scene.

label bosses are back in tandem for the sixth release on micropunto: wine ep, which also marks the beginning of micropunto schallplattens vinyl era. wine ep started as a back to back game after a spillage incident. ikkaku and d-gelo started producing two separate tracks in their respective stations and every half hour they swapped seats, building the tracks as they went along. the result is this musical experiment that sets the trend for all things to come from the micropunto clan. they spilled wine on me kicks in with a deep lead stab from the catacombs. the elements appear on the scene in a stride to resurface. it goes up then down, left, rigth, it gets dubby, then back in your face. in i spilled wine the beat unfolds steadily like a bulldozer coming up to the surface in search of the true sound. next we meet the preacher. with a subtle housy piano lead he puts us in the right track, reminding us that the dance floor is made of sand and we are on the rivers bank. listen to the flow. lord techno, you are my music. originally inspired from a dub tune featuring ras ajay from the spaceship sound crew in london,dubwine closes the triangle with a huge dub flare. fat subsonic bass and broad stabs make this track a serious contender on the dub techno charts. its the producers blink of respect to the reggae culture that has inspired them all through the years, hence the vinyl release.

two inch punch is from west london. he describes himself as a frustrated soul / rnb singer, with an ear for harmony, melody & a love for dub, rap and soul. inspired heavily by beatles short love-songs, sam cookes heartfelt melodies and donny hathaways incredible vocal tones.
this is an incredible debut from someone destined for big things. you heard it here first!

early support by luciano, nick curly, matthias tanzmann, dop, steve bug, tini, karotte and more. its a spring thing... baalsaal lightens it up a little with this one cause the sun is out! mr lattner again and da fuse god from london enzo siragusa team up for the a-side with such a positively creative and fresh example. on the flip subterranean kraut patlac takes it from here with a deep explorer to find moby dick

horse meat disco member luke howard debuts the miss cheesecake nom de plume for a shiny vinyl release on the venerable london institution otherwise known as faze action records. electronic bass and piano action abounds on >get off the floor< which features some delightfully lo-fi robotic vocals and a relentlessly driving groove, while >you must create<, which features lukes own vocals, is dripping in neon-tinged 80s dancefloor sweat. sharing the flipside is a typically lush proto house remix of >you must create< from label chiefs faze action which really could be the theme tune to a 1983 moustache-riddled cop action flick set in san francisco, alongside an instrumental version of the original cut<

dials sublabel laid comes up again with a double feature for true house music lovers. catalogue number 11 features tracks by uks juergen junker and our wellknown buddy lowtec. after playing together at the legendary sud electronic/ uzuri parties in london efdemin, lawrence and carsten jost fell deeply in love with with juergen junkers amazing dj & live sets and his wonderful productions. his own label neurythmics was like a secret treasure to be explored. followed by a lovely release on efdemins naif imprint he now enteres the laid zone with two deeply rooted house pieces. lowtec has always been a main influence of the dial/laid family and after his huge underground hit of last years workshop ep (laid07 with kassem mosse) he presents a dirty rhodes stomper to hit the house floors again. freaky alert!

brand spanking new label sccucci manucci launches with a 12inch offering containing cuts from four different but equally pleasing sources. those of you who hang out at the crossroads where disco meets house will no doubt already be keenly aware of the stylings of aussie pup francis inferno orchestra, and here he turns in piano-driven stomper >horizon beat<. no less euphoric is >scare the night> by jonno & tommo - alas not a production duo from far north queensland but the considerably less tropical climes of london - who drop an oven warm slow-mo jam that brings to mind i:cubes epic >falling<. scott featherstone & tino tcb on the flip, with >circles< guaranteed to raise a smile from the more discerning corners of the dancefloor. portuguese newcomer ramboiage rounds off the release, dropping some cottam-esque heavy thud house on >pretty baby<. already in the record bags of jacques renault and other members of the disco cognoscenti, fans of wolf music and kolour recordings will be all over this record which comes wrapped in some seriously porno artwork