having established itself with eps from duke slammer and dmx krew, dublin’s modern magic welcomes bari’s armonics for the label’s third release. a trained pianist and resident dj/curator of the we talk event series in his home city, armonics draws influence from electronic music across the past 40 years: chicago & acid house, italo- & electro-disco, new wave, synth-pop and vaporwave.
his italowave style is a fusion of these retro-futuristic and cosmic styles, forged through armonic’s production processes which include cassette recordings, vintage synths & modern korg/roland gear. the look alive ep is the producer’s second release, following a debut on slow motion in late 2016.
accompanying the ep’s three original tracks is an anthemic, piano-led remix of red eye by international feel act black spuma, aka lauer (tuff city kids/arto mwambe) and fabrizio mammarella (telespazio).

limited edition of 1000 copies on 4x12 inch vinyl, housed in gatefold sleeve with download code included.

tmpz002 of temporize records is an ep from glasgow affiliate dam-ru, drawing on themes of gnosticism, occultism, cosmology and automatism, dam-ru displays his attempts at transcendence through sound, and delves deep into the subconscious, to a world within worlds.
he crafts complex yet warm, organic electronic music that flirts with ambient, dub and experimental sounds. with “too many voices”, his debut ep, he explores a far eastern, mystical theme in producing 4 tracks that wouldn’t feel out of place in an epic film score.

untilmyheartstops makes a welcome return to the fray with this sublime four-tracker from emergent swedish producer martinou, previously found sneaking around the sewer sender label. as is customary with umhs releases, the conventions of house and techno are masked by a veil of mystery, where billowing pads and crooked rhythms dig past common or garden variety club tracks to offer something more sublime. from the slender, shimmering unaware to the weighty thrum of excessive, surely and on to the delicately poised i dont wanna wanna feel, martinou proves himself to be entirely in tune with the hidden depths of the label

this 3 track ep can be called a classy kann record that puts the never lost house feel into a contemporary dance robe. once again the label boss duo convincing with a signature record.

nandu returns for his 2nd release on connected with another unique pair of tracks, the first an african influenced song with the mesmerising vocals of oluhle, the second a 909 style acid dark dancefloor workout. 1. nandu & oluhle - umfazi omuhle (original mix)- a gentle almost cautious arrangement building slowly and ethereally with a beautiful selection of sounds and an african influenced nandu rythm with shakers and claves providing an original feel and leaving space for oluhle’s moving vocals. 2. nandu – another jam (another acid dub)- a more aggressive, upfront side from nandu. for the intense spot of the night with twisted groove of claps and percussion, heavier in the lows with a proper 909 kickdrum with the acid line coming in half way through..... hot.

weve been huge fans of tims work since the release of his first self-titled ep on astrolab. his analogue sound has been described as both death mulch and rare gloom. for his second work for love twelve, he continues the journey into dark spaces with four more deep synth freakers from his fish island school of synthesis studio. after releases on esteemed labels including emotional response, world unknown, bird scarer, hoga nord, rotters golf club (as the asphodells with andrew weatherall) and his own label crimes of the future which he runs with scott fraser, his debut album where is the champion? was released earlier in the year to critical acclaim. tim will continue to push forward and we feel privileged to see him return for a wfl round two.

finder is the newest alias of jeroen liebregts, best known as radial (audio assault / mord) and as part of the duo museum (indigo aera / mdr). for this ep on lowercase life he has provided us with four deep and raw techno cuts with an analog feel. as always available in limited edition vinyl with hand made silkscreen printed covers.
early support by: etapp kyle, marcel dettmann, speedy j, shlomo, ame, abstract division, dave clarke, dustin zahn, artefakt, fabrice lig, jeroen search, 2000 and one, par grindvik, luca agnelli, jonas kopp, dax j, wrong assessment, iron curtis, bleak, rebekah, dvs1

the numero groups dive into the deep end of americas private press continues. having battled the witches and wizards of darkscorch, the outlaws of cosmic americana, and traveled alongside ladies from the canyon and their lonesome heroes, its time to take it easy. with pop musics volume knob adjusted for deflation in the early 70s, softness begat smoothness. crewmen arrived from the worlds of jazz, folk, rock, and soul, all peddling a product that was sincere, leisurely, and lofty. a sound that was buoyant, crisp, defined. sometimes classified as west coast and, later, yacht rock the compass points of our private yacht expedition are the blue-eyed harmonies of hall and oates, the cocaine-dusted fender rhodes of michael mcdonald, and the combover strums of james taylor. here, at the glassy apex of rocks softer side, 20 strong swimmers are gathered together. an album for both relaxation and reflection, where listeners can enjoy the present, a cool breeze, and a taste of the good life.

giammarco orsini is back on elephant moon with wider perspective, a four track ep of dance floor bombs displaying his diversity as a producer. opening with back to the future, a straight up house club killer with a slightly retro feel. up next up is inner path, a track with a throwback of jungle and breaks era on the b side electric love showcases giammarco s signature sound and the last track moonlight allows him to present a deeper cut overflowing with warmth and emotion.

as ever, the next project on opilec music is one with a rich back story this time paying homage to a very specific disco scene of the early 80s: it finds label boss i-robots turning out one of his brilliant reconstructions, namely of a classic and cult track by one hit wonders ahzz. this track was first released on land of hits, a label run by peter brown (who also wrote -material girl- for madonna) and michael campbell and has now been officially licensed for this reissue by opilec music. the track, new york s movin was huge on the new york disco scene and was played by the likes of david mancuso at the loft, larry levan at the paradise garage and by nicky siano at studio 54, but continued to be a big hit with modern new york tastemakers kenny dope, dj spinna, danny krivit and his body & soul party crew well into the 90s, as well as with stars like motor city drum ensemble and bulljun. i-robots is a notorious producer and record collector with a vast understanding of the history of house and disco and his version combines an original vocal and instrumental version into something really magical. new york s movin (i-robots reconstruction take i) is a jangling, organic and lose limbed disco number with a funky drum line, soul in its bones and plenty of lovably rough percussion, clicks and drums. a retro and impassioned vocal line adds flair to the track at the midpoint just before that groove kicks once more. this version is featured on the new i-robots - reconstructions 2007-2017 10th year anniversary release. new york s movin (i-robots reconstruction take ii) is then just as emotive and outgoing but after the break has more of a focus on funk. this is a huge party starting track filled with feel good vibes and once again proves opilec music work on only the most special projects.

the original, the inspirational, the bombastic, the never bettered, the one. don t make me wait is all of the above and so much more. classic to the core. huge earth shattering record right here. ok, so the scoop, for the uninitiated is this - the peech boys were larry levan s group, we re talking early 80 s nyc here, 1982 to be precise, around the height of the paradise garage as larry was making the transition from superstar dj to producer. he brought a sparse, dubbed out, narcotic late night feel to the overall sound of this record. this was a short-lived project, but the influence is still felt today, the peech boys dna is inside the veins of modern dance music, as is larry s. there is no underestimating what an impact this record had. 7+ minutes of electronic bliss, trailblazing stuff, and don t get us started on the dub. do yourself a favour, buy this classic if you don t own it already, you ll keep coming back to it time and time again. guaranteed. this essential 12inch is repressed here in it s original 1979 glory, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2017 in conjunction with west end records, nyc.

180 gram double vinyl plus download code.

limited to 500 copies. this age of love 10x12 vinyl box set features some of the best tracks of the nineties and is a tribute to the famous belgian clubscene, djs and artists, the cornerstones of this unforgettable era. reviving the atmosphere of those magical times when we all partied for days on end, we bring back the early days of love and late night dancing with the best classics around. respect the old school.

super 8 track dbl vinyl with hyper modern hypnotic minimal breakish stuff... be fast

the fifth entry in the chronicles of slyngshot s yappin label is a four track ep, projecting his trademark hybrid style, popping on a low-bit train ride somewhere between the bronx and detroit. new era: slyng s in-house style, dirty percussion, with ailing watery rhodes. of xtc (action mix): a swift take-off, with fazed out keys over a romping kick, swashbuckling high-hat, and an insistent synth bass playing hide and seek, building the tension. of xtc (understatement mix): low end synth lines bop between singing drums, tribal chant and ethereal piano loop. stop playin part i: b-boy vocal sample with pitched up / back down again beats lending the tune a subtle drum and bass feel.

2018 repress ,how much do you really know about nina kraviz? shes a russian techno dj, an accomplished producer, one of dance musics breakthrough names of the last five years. true enough, but theres so much more to her story than that. shes one of electronic musics most interesting characters, someone who has stuck to her musical guns since day one, someone who has wide-ranging roots that run deep in the past, yet shes also the embodiment of the future. her signature sound is a raw blend of house and techno with a very acidic feel. if that feels very now, kraviz has a lot to do with it, which is why she was asked to mix the latest instalment of !k7s landmark dj kicks series.

1984 south carolina funk rarity produced by melvin sims. first time available on 12 inch and definitely with the feel of rick james!!

house music royalty hanna marks shall not fade’s 20th release with the feel good&#8203, &#8203,‘caught&#8203, &#8203,in&#8203, &#8203,the&#8203, &#8203,mxyzptik’&#8203, &#8203,ep.
warren&#8203, &#8203,harris&#8203, &#8203,aka&#8203, &#8203,hanna&#8203, &#8203,is&#8203, &#8203,back&#8203, &#8203,with&#8203, &#8203,four&#8203, &#8203,mesmerising&#8203, &#8203,and&#8203, &#8203,soulful&#8203, &#8203,house&#8203, &#8203,jams&#8203, &#8203,on&#8203, &#8203,snf. housed&#8203, &#8203,in&#8203, &#8203,full&#8203, &#8203,sleeve&#8203, &#8203,artwork,&#8203, &#8203,with&#8203, &#8203,inner&#8203, &#8203,disco&#8203, &#8203,bag.

garage-rocker otherkin veröffentlichen mit »ok« das lang erwartete debütalbum.
2017 war eine stürmische zeit für die band. zwei uk-touren, sowohl als headliner als auch mit the amazons gefolgt vom glorreichen video zur single »bad advice«. darüber hinaus hat die band für guns n roses das legendäre slane castle eröffnet, ihr download-debüt im castle donington gemacht und erfolgreich die otherkin-flamme in holland und frankreich am leben erhalten. erst vor kurzem hat sich metallicas lars ulrich in seiner beats1 radio show für die band eingesetzt.
»ok« wurde in irland in zusammenarbeit mit david predergast, jason boland und der band aufgenommen. die lieder wurden in london von jolyon thomas gemischt, der am besten bekannt für seine arbeit mit slaves und royal blood ist. mit einem frischen »ok«-tattoo beweisen sänger luke und schlagzeuger rob echtes engagement und volle hingabe für ihre kunst und ihr album-artwork.
die vinyl-lp erscheint inklusive downloadcode.

sleep-deprived, breakbeat-driven vignettes of unclear authorship, from somewhere west of lake lagoda, near the russia-finland border.sekundenschlaf has significant points of correspondence with contemporary european electronic music, as well as the golden age of (early) jungle and ambient techno. but its response to tradition, and to the zeitgeist, is idiosyncratic to say the least – with an atmosphere and psychogeography rooted in the tranquility and majesty of western russian nature, and the anxiety and distress of the country s post-soviet working class. pastoral calm meets dissonance and unease. the music has a loose, improvised feel, but its arrangements are intricate, its melodies iridescent: cascading arpeggios that stir a sense of optimism and renewal, sighing string-pads that evoke the deepest melancholy. rhythms simultaneously hyped-up and burned-out, collapsing in on themselves as they race to destinations unknown. all bound together with field recordings of eavesdropped conversations, blurred into abstraction, a droning subliminal menace.trust me, you ll be fine

sterns edits returns after the sell-out success of its debut edition with another two catalogue reworks from ben gomori. this time he turns his attention to burkina faso s much-loved taxi-driver-turned-singer, amadou balaké. balaké ( porcupine in mandinka) is burkina faso s proudest musical export, and in 2013 he recorded his final album before passing away: in conclusion. the record saw him revisit some of his most popular tracks from his remarkable 50-year career, backed by an eight-piece burkinabé band who took the country s traditional sounds and brought them into a contemporary light. gomori retains the essence of the original recordings which were mostly captured in one take and marries them to vigorous afro-house stylings. bar konon mousso (musicien c est pas quelqu un) in which balaké tells of a bar lady being unimpressed by his profession, gets a gentle push towards the modern dancefloor, its wonderful sax lines resplendent. massa kamba is taken for a drive down the more traditional route, with commanding drums bolstering the original grooves and a marvelous triple harmony brass section at its core. balakes freewheeling style suits the hypnotic feel of the edits to a tee. sterns edits is an official collaboration between african music stalwarts sterns music and london s ben gomori.

just in time to warm up your winter, hell yeah revisit the peerless recent tsuki album from ambient and balearic masters tempelhof & gigi masin. two tracks from the album are included on this new package, as well as a remix from jex opolis. trancendental and dreamy drums characterise the new age corner song, which is the sound of laying back on a boat and bobbing up and down on gentle seas at sunrise. its organic and soothing to the max. the other original is flying man, a suspensory film that feels like floating amongst the clouds on a humid afternoon. wordless vocals add a heavenly feel to the lush and all encompassing chords and pads and nothing sounds sweeter than being lost in this one. it is corner song that gets remixed by good timin and running back man jex opolis. famous for his disco infused synth pop sound he is a master of his own musical world. his version is eight minutes of laid-back tropicalia. slowly churning drums and knotted funk-bass prop it up as an eco-system of pops, clicks and hits add to the steamy and sensuous groove. it s grown up disco for cocktails on the terrace and will have you hugging anyone in earshot. support by calm, lexx, leo mas, apiento, zambon, max essa, kito jempere, buena onda djs, balearic gabba sound system.

late psalms (vol 1) is the very first va vinyl from the parisian house label de la groove. 5 artist from the roster + 3 guest are building up this 8 tracks ep. its length is reflecting the deep will of the label to open towards diverse sonic approaches, tied together by house influences and a desire to produce warming tracks, some core values of the label.

this is volume 2 out of 2 of hip hop gone wrong from john daly’s west 2 west project.
following up last years well received the smoke clears, john daly returns to the label under another alias - west 2 west which was debuted on jheri tracks vol 1. equally as atmospheric as the ethereal smoke clears, this project is the result of his ongoing hip hop obsession. mpc workouts inspired by current listening, the result isn’t quite hip hop, but sits nicely in the all city beat discography. there’s an after hours headphone feel to the set - spanning twenty four tracks split evenly over two 12 inches - volume 2.

get physical is proud to announce the release of the first ever album from chicago house luminary dj pierre. entitled wild pitch: the story, it collects originals and remixes old and new, and stands as a testament to the unique skill of one of dance musics most important figures. famously, dj pierre as good as invented the squelch of acid house when playing with his roland tr-303 drum machine as part of phuture back in the late eighties. from there he went on to clock up more than 200 credits under aliases like doomsday, prime one, raving lunatics, ac!d face, dj pierres afro acid project and many more. he also became famous for the wild pitch mixes and alias that lend this album its name: they were characterised by long intros, layer upon layer of strings, repetitive vocal samples, and filtered hypnotic sounds on hard beats. working with labels like strictly rhythm, trax, king street, nite grooves, international deejay gigolo and more recently get physical, pierre has contributed hugely to the global evolution of house music for thirty years plus. this is a timely reminder of that and one that is jam packed with essential tunes that, old or new, still sound impossibly fresh. included is a cover version of donna summers classic and pioneering disco cut ‘i feel love. it is a 9 minute masterpiece of loose drums, wild acid lines and synthesised squelches that build and build before the vocal arrives and carries you away to the stars

limited edition includes bonus edition 7inch of love sick (remix) / cold irons bound (live) appearing on vinyl for the first time. cold irons bound” (live, 2004) recorded at bonaroo festival, manchester, tn.

ltd welt triple pack incl wlt004, wlt006 & wlt007. triple gatefold cover / feeder / vinyl only

3x12 inch acidicted special pack incl acidicted0.5 and acidicted2.0

a legendary album! this previously unreleased album by os mutantes was supposed to be their breakthrough album to an english speaking market – but for years it’s only been talked about in hushed whispers, and has only been heard by a lucky few! the record was recorded in paris in 1970 – and it’s all in english! (not that we’re biased against portuguese, mind you – but since we’re english speakers, it’s kind of a nice thing to have a record that we can understand!) the record features a number of tunes from the mutantes first two albums – redone here with translated lyrics, and in a compressed pop style that’s a bit smoother than the original albums, but still very nice! in fact, the record’s a sophisticated pop statement that would have stood well in the company of many of the best of 1970s rock elite – had the boneheads at philips actually decided to release the record! no use crying over spilled milk, though – because the album’s out now, and it’s filled with loads of nice tracks like -panis et circensis-, -batmacumba-, -tecnicolor-, -el justiciero-, -i’m sorry baby-, -saravah-, and a sublime reading of -baby-, a track that was virtually the manifesto for tropicalia!

nice price deal !!! single life. the a side is urgent, angry and slamming. djs with kahunas will be playing these. just let doesnt feel right ride. it murders 2nd try is straight up industrial bananas, cant wait to see what happens when this is played out. the b side is full of sadness, longing and regret. single life is the artists favourite cut of the ep and i think you should know that. still waters is probably what it feels like to feel like shit and dive into a deep reservoir in the middle of the night somewhere remote where you could just drown and die without anybody around to help you.

limited copies (1 per customer), vinyl 2 of 6 taken from the box

limited copies (1 per customer), vinyl 3 of 6 taken from the box

the 4th black eyed peas album from 2005 now back on double vinyl.

the 1968 album from aretha franklin back on 180 gram vinyl.

aretha franklin’s greatest hits back on vinyl.

the 1998 debut album from the black eyed peas back on 180 gram double vinyl with download code included.

pop remixes in two different shades from alkan, first of all reworking the scissor sisters once-inescapable i dont feel like dancing into something unrecognizably spectral and shimmering, while metronomys classic the bay receives a deft edit that instead just tips it slightly towards the dancefloor.

huge 1991 classic , pressed on 180gr vinyl.

10 years after blu and exile released their magnum opus below the heavens, the california duo have reunited to release 14 tracks from the original 2007 sessions. in the beginning: before the heavens contains previously heard songs and unreleased gems – the best of the best chosen from over 40 songs in the vault. their third collaboration follows 2012s give me my flowers while i can still smell them, and is slated for an october release. in the beginning: before the heavens is made of up songs that are raw and untouched, keeping the authenticity of blu and exile’s creativity at the time. the album has guest appearances from familiar names like dr. oop, donel smokes, aloe blacc, and blame one. while soul provider, another day, and party of two appeared on blus lifted ep, the majority of these songs showcase blu rapping at his peak, maintaining his underground attitude as he dishes on reaching star status (constellations), getting radio play (on the radio), or opposing views in a problem-ridden world (youre gonna die someday). exile, meanwhile, builds a golden hip-hop era feel with head-nodding samples and dj scratches.

us producer d’marc cantu needs little introduction in the world of acid house and techno. since the late 2000s he’s been serving us quality musical output on labels like crème organization, m>o>s recordings, nation, altered moods or spectral sound, just to name a few. as well as his solo productions, he’s also one half of 2am/fm unit, alongside tadd mullinix (jtc / dabrye).
using a selection of hardware tools and analogue machines, his rugged sound draws on house, techno, acid, electro and hip hop and features crafty studio skills, knowing sampling and lovable raw aesthetics, defining his own sound that became known as jakbeat.
his latest offering for little beat different is, well, rather different in comparison to his usual club oriented output. it’s not as focused on straightforward dancefloor bangers, (although they are present here too), but features more experimental pieces, suitable for home listening purposes. totalling almost 38 minutes in length, this project has more of an album feel to it than a 12”.

remastered reissue of the self-titled enterprise album from 1977.

purveyors of enigmatic dreamscapes and organic, danceable electronica, leeds-based, electronic-soul quartet noya rao release their debut album, icaros, on gondwana records.

bcee & villem’s vanguard project returns for it’s fifth instalment in the series.
u mk me feel has been getting a hammering from dj’s from etherwood to friction and encompasses that classic ravey feel that the vanguard project do so well.
think about rolls out effortlessly with classic rolling vibes that just ooze class.
flipping the script, the vanguard project showcase just how versatile they can be with ‘fused’. probably the heaviest track they have unleashed to date, this is a bass heavy peak time beast of a track.
rounding things off, spearhead resident mc tempza steps up on vocal duties for recharge.
support from friction, high contrast, ltj bukem, fabio, london elektricity, rockwell, etherwood, technimatic and a whole load more...

2018 repress with tripple gatefold cover + unique time stamp + double sided 12inch inlay . >raw as fuck autistic star trek 1987- misty forests- x-files,- detroit unicorn futurism made on cheap ass digital & analog crap synthesizers recorded in a ragtag bedroom studio on a teac vhx cassettedeck in dolby c with an unintelligible yet soulfull vivacity< legowelt

riva starr & green velvet - keep pushin (harder) is the latest release on snatch! records.

rounding out a busy year, livity sound are proud to present a brand new four track ep of deadly club ready rhythms from paris finest, simo cell