pressed on red coloured vinyl

legendary emcee pharoahe monch is joined by jack white drummer daru jones and guitarist marcus machado

second longplayer from ras kass, el gant and j57 as jamo gang.

hot off collaborations with nottz (titans in the flesh ep) and madlib (bad neighbor lp), socal ambassador blu has teamed up with the paris-based production team union analogtronics (oj & gold) to unleash a new full length album: cheetah in the city. featuring dam-funk, phat kat, frank n dank, and more, the album signifies a stylistic sea change for blu, best known for his dusty, soul sampling collaborations with exile (below the heavens) and his own introspective opuses (her favorite colour, good to be home, york!). rippling with 808s and cinematic strings, cheetah in the city is an organic evolution from the synth-soaked, futuristic sound of analogtronics, union’s 2012 fat beats records debut album featuring talib kweli, mf doom, elzhi, guilty simpson, and more.

with frankie rothstein, his first album on fat beats records which features production from the likes of j rocc, j dilla and dj rhettmatic, l.a. based, detroitbred mc frank nitt brings his distinguished, decadeslong careerfull-circle, packing his inimitable style and years of industry-hardened grit in with a newfound maturity and growth.

repress as a part of the same brooklyn funk/soul revival led by groups like the dap kings, budos band, and menahan street band, el michels affair have been on the lips of soul enthusiasts and tastemakers for a while. fat beats records proudly releases their new album enter the 37th chamber, which picks up where the popular 7 s for c.r.e.a.m. and bring da ruckus left off--full instrumental reinterpretations of classic tracks by the wu-tang clan. rza s raw soundscapes translate perfectly to the vibe of el michels affair s cinematic soul, and beats from more than a dozen wu anthems get proper do-overs courtesy of one of the hottest bands in the biz...

reissue

final part of the baker’s dozen instrumental series on limited 180 gram vinyl with 24”x24” poster included.

new album from detroit hip hop group clear soul forces.

roc marciano ack at it with a new album.

austin’s latin funk powerhouse brownout are back with a long awaited new studio album.

the debut album from detroit’s clear soul forces (after the 2010 mixtape “clear soul radio (no dj)”) is finally back on double vinyl.

feat sean paul remix

limited 7 inch release for rsd 2019.

fresh off the success of their latest album fear of a brown planet, brownout hit back with a limited gold 7inch featuring album highlight trackstar the dj to the edge of panic, backed by a scorching non-album cut she watches channel zero. 2 public enemy classics brought to life by the tightest and funkiest band on the road today!

suff daddy on the baker’s dozen instrumental series from fat beats. the vinyl lp comes with a 1-sided flexi-disc.

fat beats records is proud to present bakers dozen, an exclusive series that shines a light on the best minds of instrumental hip-hop, ambient, and electronic music. each installment gives one artist carte blanche to capture their signature sound. every volume’s limited vinyl pressing features one artist and twelve tracks, and comes equipped with a 5x7inch postcard insert that features a photo of the artists workspace along with the equipment used in their music-making process. visually cohesive and packaged with the utmost attention to detail, baker’s dozen is a series that speaks up for artists whose craft renders voices superfluous, whose instrumentals alone suffice to make a statement. volume nine highlights the guelph, ontario producer elaquent, who breaks down his creative process below: “since the beginning, my philosophy has always been that perfection is boring, so despite all the changes that have occurred with my equipment and system, that main philosophy remains the same. in the beginning it was all about flipping samples with fl studio and just my computer keyboard, and over the years, i added the mpd and masterkey in order to be able to jam out drums live and play keys, which speeds up the workflow. i like the effects on the 404, and theres a lot of dope ways to integrate my ipad into it, but at the end of the day, it starts with a melody or sample, and i kinda just let the vibe take over.

10 years after blu and exile released their magnum opus below the heavens, the california duo have reunited to release 14 tracks from the original 2007 sessions. in the beginning: before the heavens contains previously heard songs and unreleased gems – the best of the best chosen from over 40 songs in the vault. their third collaboration follows 2012s give me my flowers while i can still smell them, and is slated for an october release. in the beginning: before the heavens is made of up songs that are raw and untouched, keeping the authenticity of blu and exile’s creativity at the time. the album has guest appearances from familiar names like dr. oop, donel smokes, aloe blacc, and blame one. while soul provider, another day, and party of two appeared on blus lifted ep, the majority of these songs showcase blu rapping at his peak, maintaining his underground attitude as he dishes on reaching star status (constellations), getting radio play (on the radio), or opposing views in a problem-ridden world (youre gonna die someday). exile, meanwhile, builds a golden hip-hop era feel with head-nodding samples and dj scratches.

an 8-piece outfit formed ten years ago by members of grammy award-winning latin revival orchestra grupo fantasma, brownout has evolved into a musical force all its own. this 45 features two cuts from their latest release, over the covers, on limited edition transparent red vinyl.

2017 remixed & remastered edition.
composed of members buckshot, 5ft, and dj evil dee, black moon simultaneously kicked off and defined the rap renaissance of new york with the release of enta da stage in 1993. whereas plenty of earlier groups had spit rage-filled rhymes to tear down the world’s unjust establishments, no one had evoked brooding pathos or introspective anger quite like black moon. underground hip-hop might have been dominated by the sunny sound of g-funk when enta da stage dropped, but from then on the scene turned to the dark side. black moon was rising.

composed of members buckshot, 5ft, and dj evil dee, black moon simultaneously kicked off and defined the rap renaissance of new york with the release of enta da stage in 1993. whereas plenty of earlier groups had spit rage-flled rhymes to tear down the world’s unjust establishments, no one had evoked brooding pathos or introspective anger quite like black moon.

baker’s dozen heads back to the east coast where veteran producer marco polo brings a welcomed boom bap flavor to the series. new york city is the birthplace of fat beats (and as many would say, hip-hop in general) and current nyc resident marco polo is true to form in representing our roots. as always, every volume of bdz features one artist and twelve tracks (with limited random copies including the baker’s dozen bonus track on a flexidisc) and comes equipped with a 5x7” postcard insert that features a photo of the artist’s workspace along with the equipment used in their music making process. a personal narrative of how they got into beat making in the first place is featured on the back of the jacket. visually cohesive and packaged with the utmost attention to detail, baker’s dozen is a series that speaks up for artists whose craft renders voices superfluous, and whose instrumentals alone suffice to make a statement.

time waits for no man, but venerable new york emcee and producer roc marci remains a rare exception to the rule. enchanting listeners with his dexterous lyricism, methodically soulful beats, and steely persona on releases like 2010 s critically-acclaimed marcberg, and his revered 2012 effort, reloaded, the pride of hempstead, long island emerges from the shadows after a three-year hiatus with the equally spellbinding rosebudd s revenge. this is the rapper s fourth studio album. aside from appearances on landmark releases, including de la soul s grammy-nominated and the anonymous nobody, and ka s days with dr. yen lo, roc marci s presence has been scarce, making rosebudd s revenge one of the more anticipated hip-hop releases of 2017.

after seemingly coming out of nowhere, your old droog set the internet aflame in 2014 with his self-titled debut ep, catching the attention of bloggers all over the web from new york magazine’s vulture to nahright. before long, conspiracy theories started and people began to posit that droog was another older, legendary new york rapper in disguise. profiled in the new yorker, droog (meaning “friend” in russian) set the record straight about who he was: a twenty-something ukrainian immigrant who fell in love with hip-hop when he arrived in south brooklyn as a small child. the timbre of his voice resembled that of a hip-hop legend but droog’s content had more to it than street dreams or observations from a project window. his music reflected his own unique life experience as he referenced everything from sports, to crime, to seinfeld and c-span in his rhymes. he was an intelligent hoodlum with a stand-up comedian’s sense of humor—unafraid to be as self-deprecating as he was self-aggrandizing.
on his critically-acclaimed debut, the your old droog lp, he vowed to “bring back storytelling” and now on his sophomore album, packs, droog delivers on that promise.

the baker’s dozen kick off in 2017 with its 5th volume. baker’s dozen, an exclusive vinyl series that shines a light on the best minds of instrumental hip-hop, ambient, and electronic music offers each artist carte blanche to capture their signature sound. this edition features los angeles based producer daedelus. every volume features one artist and twelve tracks, and comes equipped with a 5x7” postcard insert that features a photo of the artist’s workspace along with the equipment used in their musicmaking process as well as a personal narrative of how they got into beat making in the first place. visually cohesive and packaged with the utmost attention to detail, baker’s dozen is a series that speaks up for artists whose craft renders voices superfluous, whose instrumentals alone suffice to make a statement.
“...of course that’s my intention here. a collection of beat inventions from my now about 16 years of plumbing into crates, purchasing pawnshop drum machines, and even crafting noise makers of my own.” - daedelus

limitierte 12x7 inch box-set edition des 2013er album des retro-soul sängers mayer hawthorne. enthalten sind 12 7inchs im eigenen cover mit den songs des albums sowie den instrumental versionen auf der b-seite.

fat beats records is proud to present the fourth installment of bakers dozen, an exclusive vinyl series that shines a light on the best minds of instrumental hip-hop, ambient, and electronic music. each installment gives one artist carte blanche to capture their signature sound. this edition features los angeles based producer ras g. every volume features one artist and twelve tracks, and comes equipped with a 5x7inch postcard insert that features a photo of the artists workspace along with the equipment used in their musicmaking process as well as a personal narrative of how they got into beat making in the first place. visually cohesive and packaged with the utmost attention to detail, bakers dozen is a series that speaks up for artists whose craft renders voices superfluous, whose instrumentals alone suffice to make a statement.

fat beats records is proud to present the next installment of bakers dozen, an exclusive vinyl series that shines a light on the best minds of instrumental hip-hop, ambient, and electronic music. each installment gives one artist carte blanche to capture their signature sound.

fat beats records is proud to present baker’s dozen, an exclusive vinyl series that shines a light on the best minds of instrumental hip-hop, ambient, and electronic music. each installment gives one artist carte blanche to capture their signature sound.
volume two highlights richmond, virginia’s based beat maker ohbliv, whose style is best described in his own words: “the compositions presented on this album represent getting back to the original intent of why i started making beats: creating a raw soulful experience. as artists in these fast paced times it’s important to remember our initial intent when we began, and mine was and always will be created what i want to hear first. if you dig it, dig it with me.”

having produced one third of nas generation-defining illmatic, large professors place on the pantheon of hip-hop heavyweights is already etched in stone. when you add in his groundbreaking debut as a member of main source - or the fact that he has collaborated with luminaries like pete rock, a tribe called called quest, busta rhymes, mobb deep, masta ace, and big daddy kane - it is crystal clear that the mans influence towers high above the history of the hip hop.
with fat beats records’ release of re:living, large professor builds on his already impressive discography with an entirely self-produced record that delivers all the crisp drums, razor-sharp scratches, and innovative uprock grooves that define his signature sound. *i m moving forward,* large says, *but i went back to an earlier formula. with this project i feel like it is the closest that i take it back to that main source style.*
featuring roc marciano, inspectah deck, cormega, g-wiz, fortune, and lord jamar, re:living shines a spotlight on new yorks best voices from the golden era to today. but above all, large professor lets his production do the talking - and with a legacy like his, beats speak louder than words.

detroits ilajide, e-fav, noveliss & l.a.z. (aka clear soul forces) armed with an arsenal of thunderous beats from rising producer nameless combine to form the fab five. the groups vision – combining golden era rhymes with a contemporary style – is as clear as ever here, heightened by their collective synergy with nameless, who handles the majority of the production on the lp, reprising his role as producer to clear soul forces from unlimited bounce, a highlight off of their last full-length, gold pp7s. the translucent double vinyl lp includes a download code.