lillo carillo is a young italian dj and producer with several years of background behind. born and raised near the city of naples, he settled in milan from several years where he immediately fit in the circuit of the main local clubs, getting noticed for energy and creativity behind the dj booth. simultaneously lillo offers his musical skills by working with several italian fashion brands for which he is a sound designe. in 2014 he released his first remix for an ep vinyl with editors kutz vol.4, collaborating with manufacturers which are already known in the world of the nu-disco, as sleazy mcqueen and 78edits, therefor experiencing a strong success that makes him known even outside italian territory. after a winter spent in the recording studio, he is finally ready for his new ep on the newly released palm hands recording, where you can see all the talent and eclecticism of a young italian producer, a master in juggling house sounds, rnb, disco and funk.

the unreleased album from 1984 sees the day of light! the final album for keith hudson aka the dark prince of reggae was recorded at tuff gong studio and backed by the wailers! six extended masterpieces of rasta communications. a must have album for the keith hudson fanbase, for roots reggae & the wailers collectors in general, and all the dubheads outernationally!

* kickin in*, an epic 12-minute journey through disco, that patrick cowley recorded in 1978. the song encapsulates the hi-nrg dance music that patrick became known for. it was an * up* sound for the gay disco scene, music that would compliment and sometimes enhance all night dancing. on the flip are two earlier songs produced between 1975-77 featuring basslines by college classmate and studio mate maurice tani. both songs feature patrick narrating erotic gay sex fantasies inspired by san franciscos leather bars, back rooms and bathhouses. these songs show the sleazy side of cowleys slow burning, oozing electronic creations

its a very exciting time for soul of hex right now. not only have they hit upon a rich vein of creative inspiration and clearly loving every second of being in the studio making some brilliant music, but the young duo from tijuana also seem to be inadvertently, or maybe purposefully, shaping a fresh new direction for the mexican house scene. taking influences from detroit via berlin, and with a knowledge of house, jazz, funk, soul and disco which goes way beyond their years sebastien vorhaus and 4004 are in the vanguard of this new generation of house producers and are already making their mark worldwide through releases on cvmr, mcde, faces and their own vicario ltd imprint.

vintage house freaks and soul kids: rhode & brown from munich come back on toy tonics with a great, funk driven, instrumental ep. featuring a remix by upcoming producer hodini. rhode & brown come from the growing young, new house scene of munich. since 3 years the kids host their own night at munichs kong club and doing music. after a few remixes (check the one for brooklyn based label good company records) the boys release their first ep of 2015 on toy tonics. the sound? they proudly call it weißwursthouse produced on a stradivari-build mpc 1000 in their beautiful studio in the heart of munich. influenced by old soul records, detroit legends theo parrish and moodymann, as well as new experimental house from the scandinavian labels around studio barnhus. everything with their own unmistakable rhode & brown touch.

having made his family life a priority for the last three years, picotto was nonetheless busy in the studio, adding to his beyond-extensive catalogue of releases and preparing us for a new salvo of pumping techno, jacking tech-house and quintessential club material.

a sort of cabaret voltaire for the iphone age, drooids are a collective of three multimedia artists who produce electronic music using improvisational, often anarchic methods. utilizing a hodgepodge of gear both old and new, and not-wholly-quantized, they create a collage of sounds that verges on chaos before slipping back into a dark yet weirdly club-oriented beat. their live shows usually feature multiple guest collaborators, costumes, sculptural props and performative antics. for their debut release on lse we tried to capture the spirit of these shows and recorded over 11 hours of drooids improvising in the studio of the course of one week. those 11 sprawling hours then got edited down to these 4 snapshots, mastered and pressed in a limited edition of 200 (40 with original gelatin silver prints) for our 6th vinyl release.

earth-based producers julian duron and michael sherburn touch down at 1080p with a massive 12 inch laced with timeless, chilled grooves. earth boys construct each track in a deep haze - vintage house, smooth jazz and breakbeats - compiling moody vocals and analog gear to create their signature, tongue-in-cheek sound. *welcome 2 earth* delivers a range of upbeat melodies and catchy hooks, slants on rising genres such as dad house, brunch house, and millennial jazz that come to fruition by placing fun as the keystone of their studio practice. duron and sherburn frequently collaborate on other projects dust, christian surfer, and todd and *welcome 2 earth* has collaborations from john barclay (dust) and lemon d (planet earth, metalheadz, kickin records). also known for their eclectic dj sets and regular parties at bossa nova civic club, earth boys blaze the streets of nyc with a serious mission, to get the whole universe high as hell.

ilija rudman returns to ism record s with his third ep for yam who?s label & without doubt his strongest to date. 2 killer hard analogue originals full of his trademark future retro studio sounds & then on the remix controls, everyones man of the moment hot toddy from crazy p & our nu deadly secret weapon, ourra.
dj support: horse meat disco, ashley beedle, greg wilson, rahaan & alfos

june records presents concept 1210, a collaborative project between we are monsters, ratlife records, nation and june records. represented respectively by all the wild eyes (solar), credit 00, naughty wood, traxx, the pedestrian, villan x ,trenton chase and june. concept 1210 is a contemporary take on diy electronics, introducing nu-no wave made with the original rhythm machines, synthesizers and sequencers that became available between the period of late 1970s to mid 1980s. “my sin” by the pedestrian with credit 00 is a recording from a live performance in 2010 at hellerau festival in dresden. june s -the legion- is a studio recording made with a korg kpr-77 and a modular system that transits to electronic chaos. “character” is the result of the uninhibited collaboration between aficionados villan x and naughty wood offering a new demented take on diy electronics. * protection* is the outcome of the first collaboration between june and traxx resulting to riot electronics. *all the wild eyes* offers doggo with vocals by credit 00, a psychedelic - 10 minutes long - boss dr-55 driven piece. trenton chase s * prowler* is a home recording that transfers angst through a hypnotic maelstrom of noise and grainy atmosphere. limited double vinyl edition of 250 copies (12-inch pressed on black vinyl and 10-inch pressed on grey vinyl).

new years deal - 1992 unreleased tracks from mixx studio - amazing 3 monstruous tracks taken straight from the basement from one of the most original, ultimate & cult house producer : the great marcus mixx !!!all the djs were looking for those for tracks (from the great serie home is where house is circa 1992 !!!) for years. its a fuckin must have & its on your favorite label : skylax !stay underground it pays

mit -portraits- lieferte uns das englische duo maribou state bereits ein äußerst charmantes debütalbum zwischen bass, house und pop! mit der -portraits remixed- 12inch erscheinen nun vier exklusive remixe von axel bomann (pampa / studio barnhus), glenn astro (tartelet / money sex), ross from friends (breaker breaker) und fyi chris (rhythm section).

belle alliance is the second studio album by german electronic music group ashra, released in 1980. it is the follow up to correlations from 1979 with the same band members: manuel göttsching (guitar, synthesizer, sequencer) , lutz ulbrich (guitar, synthesizer, piano, mellotron) , harald grosskopf (drums, percussion, synthesizer). the two albums released before under the name of ashra: new age of earth and blackouts (released under the name) had actually been manuel göttsching’s solo albums.

rod, aka respected long-term dutch activist benny rodrigues, hands in another burning 4 track ep for figure spc. as the series approaches the zenith of its 26 chapter a-z journey, the quality shows no sign of dropping, with rods crisp and characterful techno trips inspired by classic minimalist traditions. over four, bleep infused, tracky and positively charged cuts, rod opens the doors for us into his latest hardware-driven studio sessions. each track is a carefully carved snapshot, a different specific moment for the floor, the producers talent for creating elegant moments of tense and playful techno is clear to hear.

vinyl only /180 gram / poly lined inner sleeves.
m-management happy to announce first vinyl sampler va 001 of our label m-music. excellent work from the residents and guests of the mendeleev bar & our company. studio collaborations from anrilov, bvoice and sickdisco, young musician deep square, trinity jcb, mikhail kobzar, alina kalinina and house gangster bebadim.

phantasy are proud to present their 50th release. with two years having passed since 2013’s hugely acclaimed drone logic, daniel avery returns to phantasy to offer a much anticipated taste of his restless studio experimentation. the vinyl release includes a download code.
attention: small fault on a-side in the whole pressing, causes crackling noise for a few seconds.

hailing from the industrial northern heartland of france, romano rapeso presents four techno cuts on the resopal label. he regulary plays club weetamix and together with techno s finest and most respected dj s including our big sven vath. now you have the chance to experience manipulation ep in its full beauty. climbing synth themes float amongst a barrage of drums in this rather anthemic yet controlled studio session from rapeso. the ep contains four tracks with some really heavy, prominent raw grooves. serious club food - played by sven amongst others.

we are delighted to make such a forward thinking and polished addition to our sonic arsenal with these 2 brands new studio productions from peppelino. varying from the intelligent techno sounds of unope , to the raw techno beats of carbotic , both two titles are aimed squarely at the dance floor.

out of a mood and while repairing one of his 303 basslines, heckmann just recorded two acid-house tracks on the fly and live in his studio !! the result is now presented on this very limited red vinyl afuxtra release !!!

get set for another round of studio sessions from the german destroyer - kai randy michel - who delivers another vinyl ep for darknet with more of his pulsating techno hammers !

winter 2015 is here and drumcode continues to release the hottest new tracks that make waves within the techno community. releasing tracks from artists such as adam beyer, alan fitzpatrick, joseph capriati, maceo plex, luigi madonna, ida engberg, joel mull, sam paganini, harvey mckay and dubspeeka.
moving into the latter stage of 2015, drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout heading into 2016. steve rachmad is a name familiar to everyone within the electronic music scene. he has been a big part of the scene for over two decades and boasts a whole host of records and shows.
he has been remixed by the likes of ricardo villalobos, joris voorn and more. rachmad is now hosting his own studio 80 based club night kis where he plays mesmerising extended sets. steve rachmad is welcomed to the vinyl-only offshoot drumcode limited. disturbance is a punchy little number that has a stuttering synth that rises over the top of the pounding kick drum. steps takes it up a notch with a simplistic bleep pattern that modulates throughout that is awash with a throbbing undercurrent.

made by mark imperial & vinnie devine as laurent x, machines was conceived in a 16 track studio with an unquestionable roland tb-303, but also a tr-808, tr-909, a juno 106, some fx and a bucket of rib tips. according to mark imperial, he and his friends (specially vinnie devine) had a mad fun playing with gear.

with a career stretching back to 1998, via releases on dance mania, juke trax, blank mind, and planet mu, everyone should know dj clent by now. crosstalk actually unleashed his first internationally distributed tracks via dj slugo’s subterranean playhouse label, and we are excited to have acquired the rights to distribute all the beatdown house releases, worldwide. dj roc aka the crack capone is another artist who’s first international releases were disseminated via our digital program, we also distributed various juke city mix cds. his break came via his album on planet mu, and has also had a recent ep via duck n’ cover. dj t-rell & c-bit are relatively unknown, internationally, but have been active on the chicago scene for at least a decade. you’ll find their tracks on local mix cds by slugo, deeon, and clent, among others.

having made his family life a priority for the last three years, picotto was nonetheless busy in the studio, adding to his beyond-extensive catalogue of releases and preparing us for a new salvo of pumping techno, jacking tech-house and quintessential club material. from heart to techno, picottos ninth studio album features a number of collaborations with regular partners in crime riccardo ferri and devid, who both throw in extra measures of italian flair to the mix

one sided 7inch color blue. with one track... probably french only can understand the joke. its a song from gainsbourg called le poinconneur des lilas transformed into the partyguy from les lilas. kind of an anthem for free party guys. a bit like the one night in hackney, but in a free party french version. as the sound was nasty we went and cut this properly in a decent studio, and sound is really amazing compared to the you tube version. a superb little collectable tune. enjoy!

recorded as part of station to station, which crossed north america by train from atlantic to pacific over 24 days in 2013. a project by doug aitken produced and mastered by justin stanley designed and printed by fraser muggeridge studio & friends edition of 300

with the two fellows enrico sangiuliano & frankyeffe from italy gregor tresher again proves his talent to discover great new artists for his label break new soil. enrico s releases on drumcode and secret cinema s gem records and franky s tracks for flash and trapez were already high quality documentations of their exceptional studio skills but combining forces pushed their output to another level. peaktime techno at its best.

after a long time, rhadow and ntfo finally met in the studio again to work on the next edition of sintope s slagare series. but not just another regular session... the romanians went fully analogue for a couple of days without phones and computers - just drum machines and instruments. the result is slagare vol. 5 and comes with two tracks in a very limited vinyl only edition of just 300 copies. so better be quick.

for moon harbour s next top tech house trick they invite studio and dance floor wizard marco faraone to serve up two great originals and then have santé and mathias kaden remix them to perfection.

powder is a young producer raised in rural japan, now living in tokyo. she wakes daily at 6am, squeezes onto a packed subway and commutes to a bland office building where her day is consumed by the electronics industry — a banal world of blank stares, uniforms, data entry and soliciting phone calls. she cherishes her lunch break, a solitary hour of astral projection where her daydreams cull inspiration for another life, her nocturnal routine. at 9pm the day closes, as her co-workers flock to the izakaya for beers, powder rushes to her micro home-studio to exorcize her daily demons, constructing a tropical temple to house her immaculate vision. she slaves away, unabashed until sunrise, when her routine begins again, however, todays lunch break is an escape into her headphones where she will revisit her soundtrack inspired by lights, colors, hometown memories, and the imaginary worlds where the fruits of her labour will live.

after remixing idriss d’s “alger”, eduardo de la calle returns to memento records with a 2 tracker. the spanish vinyl maestro, analog solutions label owner and beatz documentary maker delivers 2 majestic cuts of deep techno at its best, inspired by the early ricardo villalobos music released on kanzleramt or playhouse some 15 years ago. following the same ideas of building and de-constructing sound patterns made up of pure minimal elements, eduardo here tries to be as simple as he can: direct and repetitive, back and forth non stop compositions that take on a life of their own as they expand and contract. the ep was made in a week of intense and mesmerizing studio work. * die einführung* is a 10 minute number where korg poly 61 arpeggios and spellbinding melodies draw the listener down a psychedelic hole of frequency shiftings and lysergic percussions. * sonst werden* is built around hazy chords and ghostly vocal snippets soaked in a feedback of tape delay, sinister ambient sounds vibrating in the background.

first outing for newly minted glasgow-based label work for love. the inaugural strike comes from none other than timothy j fairplay, the synthesizer warlock known for his involvement in the axis, a loose unit comprising of mutual interests revolving around the studio complex timothy shares with andrew weatherall and his own partner in crimes of the future scott fraser.

limitiertes doppel-vinyl im klappcover.
was wäre das leben ohne erotik? das dachte sich einmal mehr das diggler-label und setzt nach kurzen ausflügen in die science fiction seine berüchtigte serie the erotic world of... mit einer zusammenstellung des österreichischen komponisten gerhard heinz fort. das musikalische dargebotene spektrum könnte dabei nicht breiter sein: kiffer-rock, bossa nova, schlager, schmalz -- heinz lässt nichts unberührt und die cinematografischen glanzlichter à la liebesspiele junger mädchen, ich mache alles mit oder auch insel der 1000 freuden noch besser flutschen. gleich 19 mal wird die schönste sache der welt unverkrampft und mit gelegentlichem augenzwinkern besungen und bestöhnt, als gäbe es kein morgen mehr. aufgrund der stilistischen vielfalt ist abwechslung in jeder hinsicht garantiert: kaum hat man sich von dem anrüchigen -come shoot- (gesungen von the background studio groupies) erholt, wird man mit dem gleichermaßen schrägen wie furchtbaren -dampfnudeln- (aus dem streifen geh, zieh dein dirndl aus) schnell auf den boden der tatsachen zurückgeholt.

the inaugural release from edible comes from lord leopard. direct from his studio, somewhere in the depths of rural cornwall, he brings some serious heat to the first release. mark of passion is a stellar slice of face melting, twisted tech-funk whilst fantastically well is a jazz heavy slugger, the good lord gets deep into the groove, flipping vocal samples and insane breakdowns for a very individual and unique sounding cut.

in the beginning of 1991 marius kuilenberg and maarten van der vleuten teamed up together and recorded two eeps for djax, *magic moments* and *...gives you central house*. marius being a dj with a great feeling for production and with a large collection of samples and maarten being a musician/technician with an own studio, turned out to be a good combination. after the two releases mentioned above, marius and maarten split up. marius focused on dj-ing only and maarten continued working as major malfunction on his own.
orange coloured vinyl only release.

the first years, from his first album in 1976 to his 7th in the middle of the 80’s, were fuelled with an exemplary sense of creativity and a free-spirit vision. against everyones advice, cerrone was never reluctant to compose long and pure trance disco tracks, not exactly radio-friendly at the time, but which did incredibly well because they encapsulated the hedonism of the day and were far more than a trend. for instance, love in c minor and supernature have become unbeatable classics, featured regularly in the best pop, disco or dance selections, such a success would have burnt most of the others wings, whose career would have been ruined. at the beginning of the 80s, when he decided to unleash his creativity on stage, cerrone managed to rebound with you are the one studio album.

harry j galt als einer der wichtigsten produzenten jamaikas, betätigte sich aber auch selbst als musiker. mit seinen allstars genannten studiomusikern brachte er drei instrumental-alben heraus. das debüt gibt es jetzt als re-release auf vinyl in 180g. *liquidator* erschien 1969 und wurde vor allem in großbritannien ein großer erfolg. der titeltrack zählt zu den wichtigsten songs der damals entstehenden skinhead-kultur und schaffte es auf platz 9 der uk singles charts. weitere highlights auf *liquidator* sind die rocksteady/reggae-versionen des beatles-songs *dont let me down* und des bardot/gainsbourg-duetts *je t aime*. in seinem harry j studio nahmen u.a. bob marley & the wailers auf. dort empfing harry auch musikgrößen wie die rolling stones, the who oder grace jones.

more analog machine music hot off the tape from glasgow s green door recording studio. sordid sound system has recorded and mixed the likes of golden teacher, the amazing snakeheads, whilst, and the junto club, and this debut ep is the product of late night after hours recording sessions utilising the studio s tascam ms16 tape machine, a korg ms10 and a rusty roland space echo amongst other obscure electronic toys and gadgets.

veränderung ep is the first release of forbidden behaviours, new label signed gabriele carasco,a well known producer and sound engineer at the code studio based in berlin. we could listen to him in his previous releases on fasten musique and round qube musik and now with his own label he introduces its minimal deep sound connected with his roots in classical piano and composition. the result is a unique grooving sound,turning into a warm ipnotic dimension

conceived and recorded quickly over only a few brief yet intense studio sessions.

gdm (glaswegian dance music) pioneer - sparky (aka dave clark) is back on numbers. having spent the last year on lockdown in his luxurious garden studio we have finally managed to wrestle two tracks out of his ageing hands. signals is an all-new track, first heard on dave’s essential mix for bbc radio 1 (aired as part of jackmaster s made in glasgow), and now in the sets of ben ufo and jd twitch. signals is classic sparky, nailing that sweet spot between the proto-techno sounds of british synth pop and the dancefloor nous of the motor city. the flip is a snarling metal-bashing beast called tigress which comes direct from his archives. we ve been on at him to release this one for almost a decade and after playing a 192 mp3 at a pretty boisterous numbers x optimo party last summer, sparky finally relented. one day we ll convince sparky to let us release all the music sitting in his vaults but for now here are two gems from a man whose music has played a pivotal role in the history of numbers.

transmitting from new york (via toronto), jex aka jex opolis has so far been known as the man behind and in front of the good timin label. infamous for its boogie burner bombs to quote discogs member kutter karlo jex, trades his label for running back and a shifts the gear. up with the tempo and down with the lights, there still is a variety of styles. studio e is named after an after hours spot in edmonton that the record s author partied at in the early 2000s, also sounds like something ivan smagghe would have enjoyed at that point in time. laxmi tool is referencing classic tribal house and a street in pune, where jex wifes grandma bought the drum used in this track. on the flip, harpa brags and boasts with its trampoline bass line, while la casa surfs some timpani waves.

die verboten are a space rock band formed by david and stephen dewaele of soulwax, fergus fergadelic purcell and henry riton. this is the first album from die verboten, written and recorded in 2007, rediscovered and mixed in 2015. this lp consists of five tracks, dafalganger, white island, e40, nacht winkel and aquarius. it is the sound of classic german kosmiche, live drums, synths, percussion and a loose funk you only find in these kind of stretched fluid grooves. the album was produced by die verboten and recorded and mixed at deewee. artwork is by ill studio / fergadelic. die verbotens debut ep live in eivissa was released in 2009 via londons vinyl factory (now selling for over £100 on discogs) and was recorded poolside in ibiza.

with b&w printed sleeve - housed in cover art from p.a.m.s misha hollenbach. studio styrka springs a leak with three new tracks from villa abo, the mainstay of veteran swedish analogue unit frak. released by australian label noise in my head, sibilant is the product of a mutual appreciation for severed heads and terse tapes, both of which propelled a 13 year old jan svensson to form frak back in 1987. on warming up signal, svensson sounds the nuclear alarm with an unforgiving techno meltdown that leaves no survivors. the flip gives our disintegrated minds some relief with drum-magnet, a paranoid beat track recorded in collaboration with karlskrona punk rocker nebula, and the hypnotic syndrome beautiful.

toby tobias has been responsible for some fine quality music over the past 10 years with labels such as rekids, nang, let’s play house and quintessentials all dropping his unique brand of raw, analogue house and techno. a dj’s dj who always seems to pull out a lesser known gem and make it sound like a classic, toby knows his music as well as his studio, inside out.<br /the 2x12 inch lp includes a cd-copy of the full album.>

limited to 150 copies.
written-by, producer - megna, recorded at space reflection studio, lower austria.
felga ltd is a independent record label based in lower austria/austria.
one take hardware live recording sessions are our passion. we use a variation of digital and analogue synthesizers and drum maschines. stereo is one of the most valuable things a human being can build - besides love.

alan palomo, der mann hinter neon indian, schafft auf seinem neuen werk den perfekten brückenschlag zwischen dem sound seiner anfangstage, als er noch als vega mehr tanzorientierte musik aufgenommen hat, und dem lofi und der leichtigkeit heutiger neon indian songs. entstanden ist vega intl. night school zu großen teilen auf einem kreuzfahrtschiff, auf dem alans bruder jorge als bassist in der hausband spielte. zusammen richteten sie sich dort ein kleines studio in einer der kabinen ein, während das schiff auf die bahamas zu steuerte und die cocktailgläser geleert wurden. eine wunderbare atmosphäre, die deutlich auf dem neuen werk zu spüren ist. inklusive der singles annie und slumlord.

the odd music camp is ready to take you further down the rabbit hole with its latest music imprint tapes of old. always in the studio creating new recordings the odd boys danny and damian don’t often get all their music out to the public. tapes of old is a new outlet for the boys to release their most prized treasures from tape into tasty white labeled wax. the latest concept looks to bring you more of the funky, tripped out, and odd music you’ve come to expect from the powerhouse duo. it’s time to dust off the tapes of the past and bring them onto the dance floors of today.

reissue des legendären on-u-sound klassikers der missing brazilians von 1984, der mit seiner rhythmischen kollision aus noise, dub und elektro der musikwelt den atem raubte. vocals von shara nelson (später massive attack) und annie anxiety (crass records). neu geschnitten im berliner dubplates & mastering studio für noch wuchtigere bässe. schwarzes vinyl inklusive poster und downloadcard mit zusätzlichem bonus track *ace of wands (unreleased extended mix)*.