an incredible album from brazilian rock legend raul seixas – easily one of the most important artists to emerge after the tropicalia generation – and a singer with a sound that’s as striking as his image on the cover! the album’s got an explosive blend of styles – everything from psychedelic samba to country rock to easy rock tunes – all bound together by the strong sense of presence that helped seixas elevate to become one of brazili’s most controversial rock stars of the time, all with the kind of legacy you might expect from the cover image! the sound is great – very different than what american and anglo groups were doing at the time, although with sly nods to their modes from time to time – and titles include the english track -how could i know-, plus -as minas do rei salomao-, -mosca na sopa-, -cachorro-, -al capone-, and the strange electronic -introducao-.

portuguese techno star lewis fautzi returns to soma with another earth shattering release as he drops the molecular spasms ep. the young producer once again shows great depth and knowledge with 4 straight up dance floor killers all set together his unique, futuristic sound.

the next signing of forbidden colours are modular nerds kino internacional and borja pin&#771,,eiro from reykjavik606 who always challenge the fine line between music-making and story-telling. for a1 everything happens for a reason the duo join forces with the maestro odei astibia on the drums, where they jam on the infamous mecca studios for a really beautiful mind trip. on the flip side lake nakaumi leads listeners to some lonely scenario where the modular and pads travel together on the same wagon. forbidden colours called basque techno leader kastil for a remix who recorded a 7 minutes straight and trippy techno. my love wears forbidden colours my life believes my love wears forbidden colours my life believes in you once again

known for housing a famous beastie boys sample, the reissue of the 1975 funk and fusion classic funk factory brings peerless polish and american players together for a groovy, eccentric journey. it was an album cut from this lp that captured a particular corner of the music-geek imagination for more than 40 years: “rien ne va plus,” from the self-titled 1975 album, had its reckoning with the canon when the dust brothers sampled major chunks of it for beastie boys’ “car thief.” “rien ne va plus” is a banger, all post-head hunters springy synth-bass. as for the rest of the album, funk factory can stray pretty far into the cheerier excesses of prog-jazz. it emphasizes the alluring strangeness of its more experimental moments, like the hallucinogenic haunted-house tour of “lilliput” or the banshee james brown vocal riffs on “horsing around.” “rien ne va plus” remains the top highlight. this album is proof that a core of musicians schooled in jazz but culturally steeped in the folk and classical traditions of eastern europe could, at least once, put out something that fit well with the crossover sound of the times while being unafraid to dive into freeform weirdness.
pressing on 180 gram audiophile vinyl.

little movies are morgan buckled buckley and ben soft-shoe donohue. dueling hot analog swords over snowy modular fjords improvised cv chitchat. pre-post boiled egg heads & soldering irons. recorded on irish pastures in a single day, stitched together somewhere between kimmage and galway-very-west. live score to a silent 1920s lawn mower man. mastered by the bastard. limited as a mthfkka.

sau poler teams up with modern obscure music label boss pedro vian on this beautiful record, inspired by the dialogue between darkness and light. the catalan duo previously worked together on the hard hitting paral.lel, which was released via xlr8r in 2015. on el pas del temps, they present four melodic efforts.

bienvenue beton! a brand-new act making his mark straight out of the block. little is known about him besides the fact hes from belgium, hes clearly a graduate of the hardfloor school of knocks, hes invested in some serious analogue gear and he knows his way around a kick-ass groove! his latest project sees the launch of his own label trek u plan, which will also have a vinyl imprint. the debut release is the double header balloon/juegd already picking up major support from francois k, catz & dogz, phil kieran, slam, marco carola, psychatron to name a few. balloon is raw rumbling techno hybrid with the backbone a dark thundering drum and sharp pummelling hi hats. jeugd is a collaboration between beton & fellow belgian stealdrum, who introduce flanger madness that transitions into a warm stabbing synth, giving the track it s funk. it is rooted in classic ideas yet updated with the mind on present. for the remix of jeugd, schmutz delivers a uncompromising belter reminiscent of the i love techno days with the likes of dj rush and dave clarke. using one of the long synths in jeugd it creates a tension throughout that, together with frantic drums, give the track immense drive. beton recently presented his debut release on pets records, immediately getting support from carl cox, eats everything, paul ritch, huxley, anja schnieder, yousef, sidney charles, sante and many more. showcasing his raw sound, with straight to the floor slabs of gritty technoid machine funk, bruxelles paid homage to the citys visceral new beat and ebm roots but with contemporary muscle and a titanium jacking groove almost wink-like hypnosis to the acid as it stripped back. voice 64 continued this theme of stark leftfield savagery, once again another physical, concentrated piece of frank, honest techno. pressed on black vinyl in a hand stamped sleeve. early support from francois k, marco carola, audio injection, davide squillace, sasha carassi, slam, luigi madonna

the reality is a relative concept, and our life is made up of fantasy and illusion. our music is the key of our thoughts, and our sound can help us to discover it. nothing is real express our vision in a period where information is false and manipulated most of the time. alberto iovine and alessandro fumagalli aka modular project announce the launch of their new label, in partnership with rebirth records. born and raised between como and milan, alberto and alessandro quickly shared their love for electronic music and the great passion for vintage synths and drum machines. they started to produce together in 2012 and released on labels like off, moodmusic and perpetualis music before joining rebirth in 2017 with their remix of the blond:ish classic wizard of love. the label s third release is a special ep from modular project. alphaville is an hypnotic journey through shades of indie electronica, new wave and their signature sounds, while another glimpse is a beautiful emotional slow workout. the package comes with two strong remixes from nuno dos santos and fairmont. amsterdam dj and producer nuno dos santos reworked alphaville adding a darker and trippy touch, while jake fairley aka fairmont, key force in the canadian electronic music scene, gave another glimpse a beautiful deeper and atmospheric appeal. a strong third release for nothing is real.

man power returned to his northern home for one last waltz. this is their joint offering for the esp institute. on side a, man power welcomes us with tistish, stepping slightly out of his comfort zone and employing a boxy breakbeat to create a dose movement. this contrasts his signature fatty bassline and together they establish a ground on which to stack layers of atonal square and sawtooth waves. about halfway through he introduces a massively seductive string lead and for the remainder of the ride this palette of sounds coalesce in dark orchestral beauty. on side b, man power’s cohorts last waltz deliver nee shitteru, a true stomper of a track complete with in-your-face toms and off-time percussion patterns, an intense driving acid line, and aggressive shamanic chanting. throw in some crash cymbals, sci-fi sound effects and a smattering of gamelan and it amounts to an overwhelmingly chaotic and psychedelic trip. these two songs will have you speaking in tongues.

in a time when everybody gets a virtual stage to speak out about anybody at anytime, sharing moments in dark places together with people known and unknown while completely immersing into the music seems to be a valuable anchor. a (hopefully) phone-free and algorithm-free space with no need for judgments and justifications builds the realm for a respectful togetherness. night defined recordings provides a soundtrack for those precious hours by putting together two thoughtful dub tracks by fred kreeger, each of them reinterpreted in a very different approach by fellow berliners pablo mateo and ron wilson. enjoy this beautiful piece of limited hand-stamped wax!

keeping things on a strictly low key tip comes the second release from instinct, serving up nothing but razor-sharp uk garage for those who love the deeper side of el b et al. together kicks proceedings off with a nagging 4x4 bump and some beautifully mellow melodies, while motion heads into slightly moodier territory without losing that crafty beat programming nous. voodoo is a more bugged out jam with some heavy processing and a preference for atmospheric touches throughout. realise keeps the quality up once more, rounding the ep off with yet more future-minded goodness that should get all switched on selectors reaching for these instinct 12inches again and again.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. in his quest for a unique sound, he constantly reinvented himself, creating projects with new aliases and concepts, scraping together studio time, and hustling. even today, moores music sounds ahead of its time.

demon records präsentiert indie anthems – 20 alternative classics auf 2 lps. diese veröffentlichung enthält die besten tracks von den stone roses, radiohead, primal scream, kasabian, manic street preachers, the prodigy & vielen anderen mehr. eine absolut hochwertige indie / rock-compilation mit hymnen, die ganze generationen prägten.

root down is an exclusive and strictly limited 7inch single for dj oonops upcoming compilation oonops drops vol.1. the track will be available on the compilation too, but only on this 45 you ll get the instrumental version. oonops is hosting a monthly, successful broadcast show on brooklyn radio (nyc) since four years. a few months ago he selected the album nautiloid quest for agogo records new japanese signing nautilus and worked together with them for this single. oonops idea behind this reinterpretation of root down was a slower, jazzy laidback atmosphere combined with a female voice for the beastie boys lyrics. so he asked nautilus mastermind toshi to arrange a new instrumental and german singer fleur earth to sing over this track.

180 gram brazilian polysom re-issue of the polydor original.
an essential collection of rare material from this legendary brazilian group – and a set that shows the importance they had in the tropicalia movement beyond their own famous albums! the package brings together key collaborations between os mutanes and other key figures in music at the time – including some from rare singles, or other albums that maybe haven’t shown up on your radar if you’ve only been tracking the group by records issued under their own name. as a whole, the set’s a much-needed addition to their too-small catalog from these essential years – and titles include work with caetano veloso on -saudosismo-, -marcianita-, -a voz do morto-, and -baby- – plus -lady madonna- and -cinderella rockafella- done with clelia simone and kier – both live and 7” single versions of -ando meio desligado-, work with gilberto gil on -domingo no parque-, work with rogerio duprat on -cancao para ingles ver chiquita bacana- and -the rain the park & other things- – and the track -mande um abraco pra velha-, from a rare brazilian 60s compilation.

a prison of predictions is the first lp from the ownlife label (excepting seld series, focused in pressing back gems from two decades ago) and also by the person behind it. leiras.
on it, the producer showcases a compendium featuring the characteristic sound of the platform, pushing ahead cyclical techno together with tracks that evoke the persistence of remembrance. echoing the preterit sound of sandwell district and renewed sound formulas from almost two decades of uk electronica. ambient brush strokes outline soundscapes surrounded by analogue sounds that share space with more direct and snappy songs. a scape on the frenetic side of electronica with an idm-leaning end closes the equation.
substantiating his versatility as a producer with the label’s previous 10 titles and undoubtedly confirmed on this record, leiras offers a consequent closing for the first stage of ownlife, which finishes on this point in order to look for new sound structures for the next transmissions.
this lp has been created in berlin during the last months using mixed recording techniques with the purpose of conceiving a narrative thread that gives coherence to the release, without doubt an inflection point in leiras’ discography.

the 7 year anniversary of dame-music continues! following the well-acclaimed various artists ep earlier this year, which included tracks from boo williams, the analogue cops and milton bradley vs bloody mary, dame-music is back and proud to present its 36th release, this time inviting two very special guests to share the record with label boss bloody mary. the melting point ep marks the fusion of three renowned producers including kink, thomas p. heckmann and bloody mary. it s no secret that these three are acid lovers, and their combination on this release shows three different takes on the acid sound. both kink and thomas p. heckmann need no introduction. bloody mary has followed their music for many years and the melting point ep marks the coming together of mary with two of her most respected acid producers, all on the one record. dame-music promises all three tracks will damage the dancefloor each in their own way, just be sure to play them loud. over the past 7 years, dame-music has shaped its identity by continuously releasing a distinct blend of techno and house music. 2018 shows no signs of slowing down, stay tuned!

with time spent away developing his studio, methods of mixing, as well as acquiring a small stash of new hardware, the resulting ep - inspired by recent travels to south east asia - effuses all these elements and passions together with that signature raw m.t. knack for organic percussion, heavily washed synths and pulsating rhythms.

it s with two kisses and a hearty handshake that bordello a parigi welcome stalwart of electronic music: mr pauli. schooled on the west coast, this pivotal figure has worked extensively with likeminded visionaries to create iconic tracks as the novamen, matzo & pauli and sumerian fleet whilst producing his own unique works on labels like moustache and viewlexx. after such successes pauli returns as a solo producer, delivering to the bordello mansion two tracks of pure class. -at night- is big, bright and brilliant. hooks grip as soon as the needle lands. vintage vocoder lyrics, a particular favourite of this trailblazer, tell a tale of twilight romance while crisp beats snap and notes sail. the flip keeps the fires burning. synthlines are soaked in mediterranean sunshine, an italo disco influence coming to the fore, with lovelorn vocals used to balance this cheer-filled creation. golden sounds from a true pioneer.

with its inception almost a year ago, we fall into the last release for 2017. this time it comes as a special limited package of remixes which include guti, shaun reeves and olivian nour, all of whom have put together some amazing finishing touches to maher daniels feelings from the other side album.

vinyl comes with limited edition artwork by exc artist collective (high quality print)
this is the new release by berlin based techno duo i/y. the music is part of an interdisciplinary project between the international artist collective exc and i/y which included an exhibition in a downstairs parking lot, the publication of the artistbook -pxrkxnglxt 2- together with the novel -raum in einem raum- by exc-co-founder eric keil and a short unmoved silent film for which i/y did the soundtrack. this soundtrack now comes as an exclusive vinyl release along with an inlay artist edition, showing the dark scenery where the- film- takes action... the artist book and the novel are published on rhein verlag and will also be distributed as a special edition together with the record at papierundgelb.de.

wah wah 45s are very proud to announce their first foray into the format of the future-retro fan – the cassette. and who better to deliver our debut release on this cult medium, than our very own electronic beat makers and hip hop nerds, paper tiger. over the last four years, the leeds and london based crew have been quietly pasting together some of the more interesting and subversive off-cuts and live interludes that were recorded around their two lp releases.

a four track vinyl sampler of the new compilation series from crosstown rebels, allow us to introduce spirits. label founder damian lazarus has compiled what he describes as “a fresh psychedelic journey into the mind”, aiming to bring together a collection of new artists from both his imprints. opening up is audiojack’s ‘reverie’, a heavy kick from the start is succeeded by spoken word on the subject of meditation sets the scene appropriately. dubspeeka’s ‘lyssa’ is next up with a sturdy bassline, eerie synths and a haunting melody reminiscent of yesteryear. on the flip and alice rose seduces in ‘another way’ produced by raw district. her voice, similar to that of bjork, perfectly encompasses the heavy bassline and hard-hitting percussion.finally ‘be mine’ by siopis featuring ellbee bad gets straight into the action with hard-hitting reverberated low notes, steadily building up through sentimental vocals and enticing synthesis

while our output in 2017 has been delayed, our pursual of quality artists persisted. moods & grooves welcomes detroit area artist jason hogans best know for his debut ep peter and the rooster on planet e. his introductory effort on m&g also features the multi-talented paul randolph. sue features pauls effortlessly awesome vocal and bass guitar talents, funky wurlitzer chords, and chunky drums. andres gives sue a proper deep bounce treatment with his stomping remix. work the terminals- is an animated, minorkey, wallshaking analog bassline (ask his neighbor) & cracking drum kit with an lfo/filter-freaked sample chop chutney holding it all together on a funky house tip. yum, y all. the work the terminals ep is inspired by jason’s traveling and performing over the past several years and we hope it moves you.

forriner is lee forster and oli worriner.
i made music together with lee for years (alongside mick rolfe) as last waltz. he also worked as lizards with james hadfield (james released solo for me me me 02), oli worriner, is a talented young northerner who’s already making a great name for his solo output, both under his own name and his traela alias, as well his label “tunnyl recordings”.
i’m really flattered that they’ve let me release their first full solo release, and i love how they’ve brought out each others deeper and more emotive sides in these 2 tracks. shit robot is a hero of mine. i basically wore out the grooves on a bunch of his dfa stuff from just over 10 years ago, and i’ve avidly bought everything he’s released since. i met him this summer for the first time when we shared the bill at a festival, and was so happy to find that he’s also lovely guy in real life. they say you should never meet your heroes, but i don’t subscribe to that as this meeting led to not one, but two fantastic remixes for me me me 08. the originals are a bright mix of melodically analogue left leaning house, while the remixes zero-in on a punchier dancefloor vibe, with an epic version goodnight, as well a more heads down disco dub.
so yeah, links within links, and keeping it northeastern again i guess.

the next bedrock release is the result of a collaborative project of the highest order from three of the scene s most respected creative mavericks - gabriel ananda, john digweed and nick muir. their collective concept of electronic music ventures into a vast, unexplored field of endless possibilities and is the futuristic two-part tachyon dream. a year in the making, the project started with john (who is a massive fan) reaching out to gabriel to see if he would be interested in working on a project together with nick. gabriel already had a demo in mind that he had started and the project was soon up and running.

the passage ep brings together two of the chief champions of far reaching sounds in aybee, and lars bartkuhn. bartkuhn best known for his work with his iconic (needs) imprint, and aybee for his boundary pushing ethos at (deepblak). a project spawned of mutual love, and respect the two met at an impromptu jam performance at the xjazz fest where the seeds were planted for further collaboration. committed to stretching out beyond tight parameters they sought to capture the spirit of the dance. as the astral walkers- they set out to combine the fearless freedom of the jazzfunk era with the endless possibilities within electronic music

for ws021 we head to italy where we find a duo by the name of concret aka italo-mexican musician diego angelico escobar and producer q-pha. together, they submit a couple of ethereal, stripped-back and driving techno tracks that compliment each other so well they appear to be brother and sister from the same session. on remix duty we ve got another italian, rodion, who ads his signature sound to ritorno and flips it into a laid-back dark groover. last but not least is uk s heretic, aka timothy clerkin, who remixes andata into a classy acid burner fit for a massive warehouse party or dark, sweaty basement.

sen am is the third album by london/ freetown based artist duval timothy. drawing upon his sierra leonean and british identity, sen am which means send it in krio is duvals most personal album to date. the album continues duval s work on solo piano on tracks such as whale as well as introducing layers of vocal samples, software instruments, field recordings and whatsapp voice notes from friends and family sprinkled throughout the record. the project hosts one feature from longtime collaborator nicholas mandalos whos slide guitar duval layers on the track language. sen am is duval s first release under his own label carrying colour. the album was recorded, mixed and designed by himself. in this way the project brings together the many disciplines duval work s across into one wide ranging proje

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by “120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. “120 bpm” is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one’s friends, what we called “the chosen family” at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campillo’s previous film, “eastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the film’s power and the aids theme

reginald omas mamode iv has a terrific track record thus far. since delivering his debut 12inch back in 2013, hes barely put a foot wrong, with last years intimate friends released mini-album, all together, being a particular highlight. this debut full-length is every bit as impressive as youd expect, with the peckham producer relying a little less on dusty samples, and rather more on loose, live drums, rubbery bass guitar, dreamy rhodes keys, and other luscious instrumentation. as usual, the assembled tracks effortlessly join the dots between jazzy instrumental hip-hop, neo-soul, mauritian drum workouts, broken beat and humid, tropical-tinged grooves.

back to paradise garage with more unreleased rare boogie & classic disco mixes featuring grey & hanks dancin, “master rocker” by bernard wright & melba moore’s “let’s dub together” plus a bonus b side by giorgio moroder! these exclusive cuts are only available on this 12&#8243,,, release so don’t sleep!

all flowers in time is the debut album from space captain, built around the themes of love and nostalgia with a pinch of bitterness and betrayal. with intricate arrangements of fluttering guitars, sparkly keyboards, and cyclical layers of background vocals, all bound together with dreamy indie-pop melodies for a sweet curve-ball of a finish, this beautifully crafted release takes the brooklyn 7 piece to new heights. extensive influences range from thundercat through amy winehouse to bon iver, but space captain are never anything but themselves, as this release shows. it sees the band moving away from the electronic and experimental sounds of their previous ep, instead taking them back to when they first formed, whilst also pushing the boundaries of their familiar r&b realm. for the band, all flowers in time quite literally signifies the flowering of their careers and the work they have put in to get there

this release by matrixxman & echologist showcases sturdy techno rhythms that have happened when these two stalwarts got into the studio together. acidic tones, thumping bass drums and adventurous fx sweeps. from rhythm driven techno cuts to the more oddball bits, “the black & white ep” proves to be a versatile yet energetic package.

this release by matrixxman & echologist showcases sturdy techno rhythms that have happened when these two stalwarts got into the studio together. acidic tones, thumping bass drums and adventurous fx sweeps. from rhythm driven techno cuts to the more oddball bits, “the black & white ep” proves to be a versatile yet energetic package.

yet more blissful listening comes your way courtesy of the impeccably talented deepchord. as we prepare for the release auratones, the detroit native’s 5th lp for soma, rod delivers the calming northern shores ep.
epic aural formations are always at the forefront of deepchord productions, every minute detail is constructed perfectly as each track gives off subtle nuances that nod to each aspect of modell s sound designer skills. the crystalline sonic formations in cirriforms blend together effortlessly allowing you to drift beyond while the ethereal pads of sky maps guide you through each unending swathe of reverb, each track bonded by subtle rhythms. crystal horizons sees modell delve even deeper, working more with percussive elements as his quintessential synth work seems to sit just beyond perspective, gliding in gently to remind you of an ever reaching presence. sand and shore has deepchord near strip the track of any clear rhythmic structure, with only faint sub bass allowing his uniquely processed field recordings and tranquil yet fluctuating synths to enhance the flow of the track.
a producer like no other, deepchord creates new sonic realms with each release.

(silkscreen printed sleeve, limited to 300 worldwide) genre blending and audience crossing drummer/percussionist eric thielemans is proud to present a brand new, exciting combo together with rudy trouvé (ex-deus), mauro pawlowski (ex-deus, evil superstars), roman hiele and jean-yves evrard.

“never change a winnig team”. that s what radio citizen s niko schabel must have thought when he decided to release his fourth album once again on sonar kollektiv. after the success of “the night & the city” (sk310lp / cd) from 2015 and the productive collaboration ever since this seems like a wise resolution. schabel s idea to retrieve to a mountain cabin in salvenberg, tirol with his band and tons of equipment turned out to be an even more crucial factor to the cause. here they could create and record new songs and bring them together neatly for the new album. the 13 tracks assembled here on “silent guide” are – each on its own and in its entirety anyway – best proof how wonderfully this approach has worked out.
double vinyl in gatefold sleeve with download code included.

arla iii, like the previous two records in the series, is a culmination of our combined influences. a representation of our memories - both real and false, of uk rave culture. these records have been informed as much by fantasy as they are real memories. the result of us piecing together our experiences of growing up and going out to raves in the welsh countryside

this customarily smooth set from 1981 is perhaps most famous for featuring three unforgettable tracks made with marcos valle. rio’s pop-soul wunderkind was exploring soul textures at the same time as leon was absorbing the rich flavour of brazilian harmonics. together, they crafted rhythmically sophisticated and melodically adventurous soul.

nice price deal !!! who let the sunshine in? two mystery dance heavyweights come together as gosoul with new single *sunshinin*. you know it when you hear it. we are talking about that red hot combination of melody and emotion that fuses into a blazing summer sunrise classic, and we are sure that when you let gosouls debut single, *sunshinin*, wrap you in its sonic rays, you will know you have experienced that feeling once again.

the seventh ep on frits wentinks bobby donny label brings together some known and unknown producers. the original production is by low end activist, someone who has spent the last 15 years in berlin, bristol and brighton, no doubt picking up parts of the musical styles of those cities as he goes. it features london grime mc trim, an original member of roll deep and an artist signed to james blake s 1-800 label. the remixes comes from frits himself as well as cassius select, who has recently released on uttu and herbert s accidental. park end is a naughty tune with garage tinged drums slipping and sliding beneath menacing rhymes from trim. paranoid synth sounds and an oscillating low end speak of late night urban mischief and its the sort of characterful tune to stand out in any set. cassius select reconfigures the tune as a much more dark and experimental number with a heavy bottom end and huge sub bass that totally envelops you. frits then goes for a more mellow and melodic version, with lazy drums and wilting chords as rainy keys fall from above. it glows like street lights at night and closes out an ep with real attitude

it is time to team up for a special split release. the a side is reserved for the unique and forward thinking sound of thomas hessler. it is the 3rd time that thomas s work will see its light on crossing and he delivers 2 pushing and emotional floorfiller. the b-side this time comes with ’poetry and form part 1 the 1st ever track label head avion and thomas hessler did together resulting in a warm and beautiful journey for special moments.

ltd hi quality disco edits

dahlia is a new record label out of scandinavia. focused on bringing you deep dancefloor tracks from new and so far unknown producers. each record carefully put together to make a versatile arsenal of music. handy dj tools for warm up, peak-time and after-hours!

the first ep with mr al kent did so good we just had to make a follow up... just like on the first ep we stick to the formula with a lush mid-tempo philly jam on the a side, over on the b, banging it out with a big disco stomper. together you get a 12inch that combines the best of both worlds one for the warm up / end of the night sessions and another for the peak hours. a seriously good value 12inch release

the 1997 album from inxs back on 180 gram

remastered edition, contains a printed inner sleeve and 4-page 12inch booklet with liner notes and photos. tip! after a classic artistic journey and an experimental stint with aktuala and other brilliant fellow musicians (like franco battiato, above all), lino capra vaccina, near the end of the 70s, recorded antico adagio. it was an amazing album, anticipating countless future experiments in the field of new age and world music but also in avantgarde and electronic music. apart from a few violin parts and the extraordinary vocal lines (sung by vaccina himself and juri camisasca), antico adagio is an album fully built on percussions. but, at the same time, it s the farthest thing from the typical idea of percussions. you won t find a single trace of african or primitive beats: instead, this is a collection of rather long, subtle and thoughtful compositions, crafted with vibraphones, marimbas and gong. together they create a work which will remain unique both in capra vaccina s discography as well as in a more general sense.

nice price deal !!! the swedish producer duo gaspard de la vega & jenius makes their debut on perplex recordings with the >beauty on water< ep. they started making music together in 1997 and their sound is inspired by dub, soul and disco. in 2009 they founded the label ourvision on which, among the rest, also the perplex artist gegenheimer publishes. in 2002 jenius has moved to barcelona to find new inspiration for his musical evolvement. since than, they play weekly in clubs in barcelona, berlin …